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The Invisible Man (2020)
The Invisible Man (2020)
2020 | Horror, Sci-Fi
Excellent tension (1 more)
Brilliant score
Suprise Thriller a Real Hit
What I love about cinema is that you can go in expecting one thing and come out experiencing another - which was exactly how I felt coming out of The Invisible Man.

The film stars Elisabeth Moss as Cecilia who is desperate to escape the grasp of her abusive partner Adrian (Oliver Jackson-Cohen) and does so by way of a tense opening that is devoid of any dialogue. Instead, as an audience we are holding our breath as she tiptoes around the house.

When news comes that Adrian is dead and has left her a small fortune she straight away becomes suspicious and is convinced he has orchestrated the whole thing. As time passes Cecilia is stalked by an invisible force that those close to her believe is simply PTSD and all in her head.

It's written and directed by Leigh Whannell who is probably one of my favourite cinematic writers. Fans of Saw will recognise him as Adam, the poor bastard who gets locked in the bathroom at the films climactic ending [apologies if you haven't seen that yet, but it has been 16-years].

At it's core The Invisible Man echos a clear message. Cecilia's experiences of being gaslighted by Adrian is a serious topic that many women from abusive relationships will have experienced first hand. The psychological trauma that Cecilia goes through makes her doubt her own sanity.

The best part about the film is the way that Whannell is able to create a sense of unease. In a number of scenes we are left looking at an empty corner of a room, or a chair. When the camera pans it is because it is going to focus on something that is there - but of course there never is.
  
The Secrets They Left Behind
The Secrets They Left Behind
8
8.0 (1 Ratings)
Book Rating
At first I was disappointed this was not one of Redmond's excellent Cold Case novels featuring detective Lauren Riley, whom I love, but that disappointment was short lived. I quickly took to Shea O'Connor, a young but feisty and enjoyable officer who will stop at nothing to solve her case. We realize that Shea clearly had a close call with a serial killer the last time she was undercover and she's still recovering from those wounds. Our girl is hurting, but she's also focused--Shea will do anything to find those girls.

Shea is in a tough spot. She's a young, female officer in a male-dominated profession, and she's often mistaken for a teen. However, her youthful appearance pays off undercover. But is the FBI using her? There's more than a simple mystery to solve here, as we must unravel if Shea can trust those around her.

The central mystery itself, of the girls' disappearance, is engaging and fascinating. I had a fairly good inkling early on who might be involved, but it didn't stop my interest, and I flew through the book. There are, of course, plenty of dirty secrets in Kelly's Falls--as in most small towns--and Shea digs up plenty of them. There's also an interesting angle where she becomes close with one of the missing girl's brother. Shea excels at immersing herself in her undercover role, and it was fun to see her play the young, naive college student (with a knife hidden in her back pocket).

The writing is a little simplistic at times, but overall this is a compelling thriller with an engaging protagonist. 3.5 stars, rounded up to 4 here. I'd love to see another book featuring Shea.
  
Here Comes the Body
Here Comes the Body
Maria DiRico | 2020 | Mystery
10
10.0 (1 Ratings)
Book Rating
Debut You Won’t Want to Refuse
Mia Carina has returned home after her adulterous husband’s mysterious disappearance to work in the family business. Or, I should say, the family’s new business. Her father, reputed mobster Ravello, has recently acquired the Belle View catering hall in the Queens borough of New York City, and Mia is going to help him run it as a 100% real business. Her first week on the job, Mia is in charge of a bachelor party when disaster strikes. Not only does the stripper not jump out of the cake, she’s dead in the cake. With the police showing interest in the new business and especially her father, Mia begins poking around, hoping to figure out what happened. Can she do it?

The mob? New York City? Yes, this is indeed still a cozy. While those are the elements that help make up this different take on the genre, they only help provide the background. The heart of the book is still a great puzzle and charming characters. Mia already knows some of the supporting players in the book, and we can tell right away how much they love each other. The rest of the characters are entertaining, and the suspects are strong. The plot weaves in some interesting directions before we reach the logical and satisfying conclusion. We get some great humor as Mia deals with a return home that isn’t as smooth as she thought it would be. Being a culinary cozy, we get some delicious sounding recipes at the end and a fun party idea. I took advantage of a lazy Sunday afternoon to finish this book, and I enjoyed every page of it. I’m already anxious for the sequel. It would be a mistake to refuse this excellent debut.