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Chapter chats with caroline (9 KP) rated We have always lived in the castle in Books
Apr 14, 2024
Plotless (2 more)
Made no sense
Kiddish
CONFUSED! Is what I’m after finishing this novel. This Novel does showcase some excellent writing and story telling skills by the author.
Chapter 1 needed my utmost attention and I had to slow down my reading pace to understand all those directions and the story because there was a lot going on. From chapter 2, the story began to flow more easily and I was able to pick up some pace with my reading, by chapter 5, I was enjoying the story with the entry of cousin Charles and Merricat’s attempts to frighten him with all that poison talk. By Chapter 7, I was back to the blurb in search of some missing element, like a plot or some kind of purpose or meaning to this story but failed to find any and by chapter 9, this book began to wear me out in terms of reading, I had to put it down and pick it back up a couple of times. This is how I actually felt throughout this book.
Though, I enjoyed the writing and the narration from Merricat’s POV but as far as the story goes, this book just didn’t make sense to me. There was no plot or purpose as to why the characters behaved in a particular manner, was Merricat dead or alive — I had no clue. It was absolutely not a horror story and was very childish. And the ending just went on in circles and the chapters grew longer and tiresome to get through. The book just left me with a lot of unanswered questions.
I personally wouldn’t recommend this book unless you are looking for a good piece of writing.
Chapter 1 needed my utmost attention and I had to slow down my reading pace to understand all those directions and the story because there was a lot going on. From chapter 2, the story began to flow more easily and I was able to pick up some pace with my reading, by chapter 5, I was enjoying the story with the entry of cousin Charles and Merricat’s attempts to frighten him with all that poison talk. By Chapter 7, I was back to the blurb in search of some missing element, like a plot or some kind of purpose or meaning to this story but failed to find any and by chapter 9, this book began to wear me out in terms of reading, I had to put it down and pick it back up a couple of times. This is how I actually felt throughout this book.
Though, I enjoyed the writing and the narration from Merricat’s POV but as far as the story goes, this book just didn’t make sense to me. There was no plot or purpose as to why the characters behaved in a particular manner, was Merricat dead or alive — I had no clue. It was absolutely not a horror story and was very childish. And the ending just went on in circles and the chapters grew longer and tiresome to get through. The book just left me with a lot of unanswered questions.
I personally wouldn’t recommend this book unless you are looking for a good piece of writing.
Merissa (13878 KP) rated Sugar Rush in Books
Nov 24, 2025
SUGAR RUSH is set in an A/B/O world that reads like a contemporary in many ways. Jordy and Kieran are stepbrothers. Kieran (alpha) is a tattoo artist, well on his way to being a success, while Jordy (omega) is about set to go to college with his best friend, Dani. Jordy has crushed on Kieran for a long time - years, in fact - but doesn't think anything will come of it, UNTIL one night when Kieran gets sh!t-faced and blurts out the truth to Jordy before falling asleep. He doesn't remember what he said or did the night before, but Jordy certainly does, and he plans ways to annoy, irritate, and generally get under the skin of Kieran before Kieran submits to Jordy's will.
This was a high-angst read, with plenty of toing and froing from Kieran. And, to be honest, I can't blame the guy. He didn't have the easiest childhood, and is now worried about how it would be seen by those he loves. He doesn't want to lose their love, even if he does gain Jordy's.
I loved how Jordy and Kieran balanced each other out. Jordy needed every single drop of brattiness, some could say resilience, when dealing with Kieran. And Kieran is all growly possessiveness. Yum!
I won't say anymore for fear of spoilers, but I will say this was an excellent read, and the first by this author I have read. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2025
This was a high-angst read, with plenty of toing and froing from Kieran. And, to be honest, I can't blame the guy. He didn't have the easiest childhood, and is now worried about how it would be seen by those he loves. He doesn't want to lose their love, even if he does gain Jordy's.
I loved how Jordy and Kieran balanced each other out. Jordy needed every single drop of brattiness, some could say resilience, when dealing with Kieran. And Kieran is all growly possessiveness. Yum!
I won't say anymore for fear of spoilers, but I will say this was an excellent read, and the first by this author I have read. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 23, 2025
Lindsay (1807 KP) rated The Rise and Fall of Miss Fannie's Biscuits in Books
Jan 29, 2025
I started this book and am so far in—it's just getting started. I have already met three of the characters, and I can not wait to see what happens to all of them.
It looks like one of the Bailer sisters is after Mr.Bates. But Mr. Bates seems to like and enjoy Miss Fannie. He seems not to be interested in a certain Belier sister. Miss Fannie is quite excited about the baking contest and enters it every year. Will she win it this year? She seems excited once more, given that she wants to advertise it in her area and around the other towns to help bring folks to enter and enjoy the contest.
We get introduced to a few more characters, one of which is Melissa. Iva seems worried and isn't sure if she can tell Fannie her worries, though she comes in to get sewing supplies. What's up with Iva and her family? What was Melissa doing, and was she checking on contestants to enter the baking contest?
We get more interesting, and there are twists and turns. Will Mr. Bates and Frannie solve the missing connections or even the red envelope mystery? There seems to be a bit of romance, or is it friendship between Foster and Fannie? What is really going on that Foster and Fannie can not seem to find all the missing contestants? Where did that all go? Was there foul play, or did they just forget to when the loss?
Will Jeb get his attention from his dad, or will he be ignored? All contestants learn a few lessons along the way. However, they are all different for each one. The authors do an excellent writing job, making this so much fun to read, and you want to turn the pages as you read.
It looks like one of the Bailer sisters is after Mr.Bates. But Mr. Bates seems to like and enjoy Miss Fannie. He seems not to be interested in a certain Belier sister. Miss Fannie is quite excited about the baking contest and enters it every year. Will she win it this year? She seems excited once more, given that she wants to advertise it in her area and around the other towns to help bring folks to enter and enjoy the contest.
We get introduced to a few more characters, one of which is Melissa. Iva seems worried and isn't sure if she can tell Fannie her worries, though she comes in to get sewing supplies. What's up with Iva and her family? What was Melissa doing, and was she checking on contestants to enter the baking contest?
We get more interesting, and there are twists and turns. Will Mr. Bates and Frannie solve the missing connections or even the red envelope mystery? There seems to be a bit of romance, or is it friendship between Foster and Fannie? What is really going on that Foster and Fannie can not seem to find all the missing contestants? Where did that all go? Was there foul play, or did they just forget to when the loss?
Will Jeb get his attention from his dad, or will he be ignored? All contestants learn a few lessons along the way. However, they are all different for each one. The authors do an excellent writing job, making this so much fun to read, and you want to turn the pages as you read.
Lindsay (1807 KP) rated The Protector (Mifflin County Mystery #1) in Books
Feb 18, 2025
We find out that his sister has mysteriously disappeared. Everyone does not know where she is or what happened to her. Each member of the family is dealing with her disappearance in different ways. Rosa is missing, and no one has heard from her.
As months go on, how will each member react and deal with their loss? Will Rosa's mother ever stop pinning for her daughter? Will Norman accept that he may not be able to find his sister? Will he be able to move on with life? Each sibling is dealing with their sibling Rosa a bit differently. But can they come to peace with Rosa's disappearance and not contact them? No one knows what happened, and Rosa's boyfriend seems to be suspected, at least by Norman, as her boyfriend was the last to see her.
Norman seems obsessed with his sister's disappearance. Will he be able to keep his relationship with his girlfriend, or will his sister's disappearance be what makes them drift apart? Can Norman find peace if he never finds out where his sister has gone?
Norman seems to be learning about something, though something happens to his girlfriend's horse. Will Norman and Salina make it? Salina hopes that she and Norman will get married soon. Will Norman find peace and contentment? He seems to need to learn that he may be unable to solve or fix every problem. He may need to see that and learn that lesson.
Wanda does an excellent job writing a mystery. She explores all the emotions that go through a person or family when someone goes missing without anyone knowing. Did Rosa leave on her own, or did she not? Does her boyfriend know where Rosa is or what happened to her that night?
As months go on, how will each member react and deal with their loss? Will Rosa's mother ever stop pinning for her daughter? Will Norman accept that he may not be able to find his sister? Will he be able to move on with life? Each sibling is dealing with their sibling Rosa a bit differently. But can they come to peace with Rosa's disappearance and not contact them? No one knows what happened, and Rosa's boyfriend seems to be suspected, at least by Norman, as her boyfriend was the last to see her.
Norman seems obsessed with his sister's disappearance. Will he be able to keep his relationship with his girlfriend, or will his sister's disappearance be what makes them drift apart? Can Norman find peace if he never finds out where his sister has gone?
Norman seems to be learning about something, though something happens to his girlfriend's horse. Will Norman and Salina make it? Salina hopes that she and Norman will get married soon. Will Norman find peace and contentment? He seems to need to learn that he may be unable to solve or fix every problem. He may need to see that and learn that lesson.
Wanda does an excellent job writing a mystery. She explores all the emotions that go through a person or family when someone goes missing without anyone knowing. Did Rosa leave on her own, or did she not? Does her boyfriend know where Rosa is or what happened to her that night?
Purple Phoenix Games (2266 KP) rated Kingdomino Origins in Tabletop Games
Dec 28, 2021
I try very hard not to allow hype to affect my views on a game. This is why I similarly rarely consume other reviewers’ work on a game prior to me playing it. I don’t want others influencing my experiences. However, I was ultimately tempted by the Game Boy Geek, Dan King, when a video he published was titled, “Why I’ll Never Play Kingdomino Again.” I mean, with a title like that, and already having reviewed and loved OG Kingdomino, I just HAD to see what was with this new version. I have to say, he makes some great points – many with which I tend to agree. But what are those points?
Kingdomino Origins is a tile drafting and placement game set in prehistoric times for two to four players. Just like the original Kingdomino (even though this is titled Origins, which makes me chuckle) players will be drafting tiles from the offer and adding them to their village, matching terrain types to those already built. Instead of crowns to count VP, Origins has players using fire icons and tokens to multiply VP for endgame scoring. New for Origins is the ability to play three different modes: Discovery, Totem, and Tribe Mode! The player with the most VP at the end of the game wins!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup (a two-player game playing the Tribe mode is used for this review), place the Cave Board on the table, shuffle the Caveman tiles, and deal four to the board. Separate the fire tokens and resourceeples into their piles on the table. Shuffle the main domino tiles and, as in the original, draw four, arrange them numerically, and reveal them to make the offer. Place another four domino tiles nearby, face-down, and arranged numerically. The players each choose a color, takes their starting tile with hut placed atop, and their two chiefeeples. The first player will choose to take tiles 1 and 4 or 2 and 3 from the offer by placing their chiefeeples upon them. The game is now setup for Tribe Mode and ready to begin!
On a normal turn, a player will have two steps to complete: Place a Domino, and Choose a New Domino. In a 3-4 player game, each player will have one domino to place, but in this 2 player game each player will have two dominoes to place within their 7×7 grid (a 5×5 grid with 3-4 player games). The player takes their chosen dominoes from beneath their chiefs and add them to their village grid. As in all domino-based games, the terrain (or side) of the domino must be placed adjacent to a matching terrain type in the village; the starting tile is wild and can match to any terrain type.
Once a domino is placed, if it shows icons or volcanoes, special rules are enacted. For icons showing resources, a wooden resourceeple is placed upon the icon. These come in mammoths, fish, mushrooms, and flints. In Tribe Mode, these will be used later. However, if a volcano is placed in the village, it will spew forth one to three flames, whose tokens will be placed on a domino square in the village. The volcano tile showing one active crater sends a flame soaring up to three squares away, and diagonal movement is acceptable. A volcano tile showing three active craters throws three flames (a fire token with three fire icons) one square away.
Once both tiles have been placed, the player will next Choose a New Domino (or dominoes when playing a two player game). From the now-revealed set of four new tiles in the offer, the players will choose their next tile(s) to be played during the next round, thus also creating the turn order for the next round.
After players have chosen their dominoes, and only in Tribe Mode, the final step to the turn is optional: Recruit a Caveman. Remember those resourceeples that were placed on tiles? By discarding two different resources, a player may recruit one of the face-up Caveman tiles from the board. By discarding one of each type of resource, the player may instead look through the stack of Caveman tiles and take one of their choosing. These Caveman tiles do many different things, but they primarily offer extra VP for being placed adjacent to specific resources, or by clumping together similar Cavemen in the village.
Once all the dominoes have been added to the villages, the game ends and VPs are counted for each player. The game comes with an excellent score pad to help keep track of the different ways to earn VP. The player with the most VP (“comfort points” in the game) is the winner and creates the most prosperous Caveman village!
Components. Just like previous versions of Kingdomino, these components are excellent. The domino tiles are again thick and glossy, the huts are again the 3D style, and the chiefeeples are similar in style to the kingeeples from the original. In this new version, however, new fire tokens have been added, and are fine, but they are double-sided to remind players how many squares they travel – an EXCELLENT idea. I have to also applaud these cute little resourceeples. They are so stinkin cute and look great on the villages. The art is again wonderful on everything in the box, and overall is just a great bunch of components.
What about the claim Dan King made about never playing Kingdomino again? Gosh darnit, I totally agree. By simply playing the included Discovery Mode you get all the same functionality of Kingdomino. But it doesn’t stop there. I didn’t really get into the second mode, Totem Mode, but it also uses the resourceeples to grant extra VP to the players who have collected the majority of each type. It is a great next step from Discovery, and a good setup for Tribe Mode, especially when playing with newer gamers.
So, the components are similar quality to the original version, but there are more components included, and provide three different play modes. The only thing I see that the original Kingdomino has on this version is the Age of Giants expansion. Perhaps something similar is in the works for Origins, where players can effectively negate opponents’ VPs. I’m sure giants existed in Caveman times, right?
All this said, I may be soon looking for a new home for my copy of Kingdomino and the Age of Giants expansion, as I am certainly agreeing with Dan here. I don’t think I have the interest in playing Kingdomino anymore, as long as I have Kingdomino Origins in my arsenal. Purple Phoenix Games gives this one a super-upgraded 5 / 6. The extra play modes, excellent components, and the cool volcano mechanics just elevate this superior version. If you are a fan of Kingdomino, then I highly recommend you check out Kingdomino Origins. Unless, of course, you don’t wish to be seduced away from your beloved copy of the original version. I understand, but you may be unnecessarily handicapping your collection.
Kingdomino Origins is a tile drafting and placement game set in prehistoric times for two to four players. Just like the original Kingdomino (even though this is titled Origins, which makes me chuckle) players will be drafting tiles from the offer and adding them to their village, matching terrain types to those already built. Instead of crowns to count VP, Origins has players using fire icons and tokens to multiply VP for endgame scoring. New for Origins is the ability to play three different modes: Discovery, Totem, and Tribe Mode! The player with the most VP at the end of the game wins!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup (a two-player game playing the Tribe mode is used for this review), place the Cave Board on the table, shuffle the Caveman tiles, and deal four to the board. Separate the fire tokens and resourceeples into their piles on the table. Shuffle the main domino tiles and, as in the original, draw four, arrange them numerically, and reveal them to make the offer. Place another four domino tiles nearby, face-down, and arranged numerically. The players each choose a color, takes their starting tile with hut placed atop, and their two chiefeeples. The first player will choose to take tiles 1 and 4 or 2 and 3 from the offer by placing their chiefeeples upon them. The game is now setup for Tribe Mode and ready to begin!
On a normal turn, a player will have two steps to complete: Place a Domino, and Choose a New Domino. In a 3-4 player game, each player will have one domino to place, but in this 2 player game each player will have two dominoes to place within their 7×7 grid (a 5×5 grid with 3-4 player games). The player takes their chosen dominoes from beneath their chiefs and add them to their village grid. As in all domino-based games, the terrain (or side) of the domino must be placed adjacent to a matching terrain type in the village; the starting tile is wild and can match to any terrain type.
Once a domino is placed, if it shows icons or volcanoes, special rules are enacted. For icons showing resources, a wooden resourceeple is placed upon the icon. These come in mammoths, fish, mushrooms, and flints. In Tribe Mode, these will be used later. However, if a volcano is placed in the village, it will spew forth one to three flames, whose tokens will be placed on a domino square in the village. The volcano tile showing one active crater sends a flame soaring up to three squares away, and diagonal movement is acceptable. A volcano tile showing three active craters throws three flames (a fire token with three fire icons) one square away.
Once both tiles have been placed, the player will next Choose a New Domino (or dominoes when playing a two player game). From the now-revealed set of four new tiles in the offer, the players will choose their next tile(s) to be played during the next round, thus also creating the turn order for the next round.
After players have chosen their dominoes, and only in Tribe Mode, the final step to the turn is optional: Recruit a Caveman. Remember those resourceeples that were placed on tiles? By discarding two different resources, a player may recruit one of the face-up Caveman tiles from the board. By discarding one of each type of resource, the player may instead look through the stack of Caveman tiles and take one of their choosing. These Caveman tiles do many different things, but they primarily offer extra VP for being placed adjacent to specific resources, or by clumping together similar Cavemen in the village.
Once all the dominoes have been added to the villages, the game ends and VPs are counted for each player. The game comes with an excellent score pad to help keep track of the different ways to earn VP. The player with the most VP (“comfort points” in the game) is the winner and creates the most prosperous Caveman village!
Components. Just like previous versions of Kingdomino, these components are excellent. The domino tiles are again thick and glossy, the huts are again the 3D style, and the chiefeeples are similar in style to the kingeeples from the original. In this new version, however, new fire tokens have been added, and are fine, but they are double-sided to remind players how many squares they travel – an EXCELLENT idea. I have to also applaud these cute little resourceeples. They are so stinkin cute and look great on the villages. The art is again wonderful on everything in the box, and overall is just a great bunch of components.
What about the claim Dan King made about never playing Kingdomino again? Gosh darnit, I totally agree. By simply playing the included Discovery Mode you get all the same functionality of Kingdomino. But it doesn’t stop there. I didn’t really get into the second mode, Totem Mode, but it also uses the resourceeples to grant extra VP to the players who have collected the majority of each type. It is a great next step from Discovery, and a good setup for Tribe Mode, especially when playing with newer gamers.
So, the components are similar quality to the original version, but there are more components included, and provide three different play modes. The only thing I see that the original Kingdomino has on this version is the Age of Giants expansion. Perhaps something similar is in the works for Origins, where players can effectively negate opponents’ VPs. I’m sure giants existed in Caveman times, right?
All this said, I may be soon looking for a new home for my copy of Kingdomino and the Age of Giants expansion, as I am certainly agreeing with Dan here. I don’t think I have the interest in playing Kingdomino anymore, as long as I have Kingdomino Origins in my arsenal. Purple Phoenix Games gives this one a super-upgraded 5 / 6. The extra play modes, excellent components, and the cool volcano mechanics just elevate this superior version. If you are a fan of Kingdomino, then I highly recommend you check out Kingdomino Origins. Unless, of course, you don’t wish to be seduced away from your beloved copy of the original version. I understand, but you may be unnecessarily handicapping your collection.
interesting (2 more)
intricately plotted
nuanced
Aaron Falk is an investigator for the federal police in Melbourne. There, he follows money trails left by criminals. And while he may live a rather solitary life, at least he's also left behind his childhood home of Kiewarra, where the locals literally ran him and his father out of town. But all that changes when Aaron finds out that his best friend in Kiewarra, Luke Hadler, is dead. So is Luke's wife, Karen, and their young son, Billy. Luke apparently killed Karen and Billy before turning the gun on himself: the only person he spared in his family was his baby daughter, Charlotte. Aaron grew up as a second son to Luke's parents, and they call on him now to look into Luke and Karen's finances. Were things really so bad that Luke would enact such violence? As Aaron and the local police sergeant, Raco, begin investigating, it's quickly apparent that the case isn't as cut and dried as it seems. But the people of Kiewarra have long memories, and they still blame Aaron for something that happened over 20 years ago. Is Aaron safe in his hometown? And can he clear Luke's name--if it even needs clearing?
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it.
I have been hearing about THE DRY since before its release and wasn't sure it would live up to the hype, but I was wrong. I really, really enjoyed this novel and read it over the span of about 24 hours. My only regret about the entire experience was that it was over so quickly. This was an incredibly well-written, interesting, and intricately plotted novel that just flowed effortlessly. The story at its core is a dark one, and the town of Kiewarra is a sad and depressing place: the townspeople find it easy to believe Luke killed his family because everyone is down on their luck. The town is plagued by a horrible drought (hence the title), which spells certain doom for a community that makes it living primarily on farming. Luke and Karen had bought their farm from Luke's parents, and many think he killed himself because the farm couldn't remain profitable. Harper does an excellent job at portraying the people of Kiewarra--the small town town becomes almost another character in the novel. She does an excellent job of depicting depressed small town living.
In fact, I loved all the nuanced characters in THE DRY. You know when an author just captures her characters' voices perfectly? That was this book for me. Falk just slides effortlessly off the page, and I was completely taken with Sergeant Raco, as well. But you can also easily visualize all the people in Kiewarra that Aaron encounters. While the story primarily takes place in the present-day, we get key flashbacks to the past, when Luke and Aaron were teens, and they hung out with two other kids, Gretchen and Ellie. The slow buildup to a big event surrounding this foursome also creates incredible suspense, as both stories (what happened with Luke and family and what happened when all four were kids) unravel in parallel. It's remarkably well-done.
I enjoyed how the story kept me guessing the entire time, which isn't easy to do. Even when I had a decent inkling what happened with Luke, there was still so much I hadn't figured out. I was completely captivated by the story and frantically turning the pages to find out what had happened--both in the present and the past. I could see the setting, the people, and the town so clearly. The novel truly hooked me from the very beginning and never let me go.
I'm very excited to see that this might be a series featuring Aaron, as I really loved his character and Harper's writing. I read a lot of thrillers, but this one packaged everything together perfectly, and I highly recommend it.
Kristy H (1252 KP) rated A Spark Of Light in Books
Mar 12, 2019
Serious subject but great characters & story
It starts off as a typical day at the Center, a women's reproductive health care clinic in Mississippi. For Hugh McElroy, it's his 40th birthday, and a day that he hopes will pass by quietly and quickly. But everything changes in a moment when an armed shooter enters the Center--shooting employees and patients on sight. Hugh, a negotiator for the police, is immediately called to the scene. Once there, he comes to the horrifying realization that his sister, Bex, and his only daughter, fifteen-year-old, Wren, are inside. Hugh tries to keep this information to himself, determined to save the people he loves the most. Meanwhile, many inside the clinic are struggling to stay alive, while the shooter is trying to come to terms with the reasons that brought him to the clinic in the first place.
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Here was the one thing all these women had in common: they hadn't asked for this moment in their lives."
Jodi Picoult is known for her powerful books that make you question the world around you, and her latest is certainly no exception. This novel asks interesting, thought-provoking, and timely questions: not just about abortion but about women's rights in general and the power men have over women, including their bodies. It makes you think, and it's certainly not an easy read. I found it to be an eye-opening experience. You may go in with a set view and particular political stance--and while this novel is in no way attempting to change your view--it allows you to see things from all sorts of points of view. The book is filled with complicated people and their stories; nothing is simple here.
The novel is told backward: starting with a shooter entering the clinic and working back from that moment. I'm not always a fan of this format, and it does take some getting used to (for me anyway). I read this one while I was sick and busy at work, so I always had to pause a little bit to get my bearings with each chapter. But the format causes the story to be extremely tense, forcing you to really want to know what happens. I've read some reviews where they thought the backward style left nothing unexplained/nothing left to know, but I found it to be the opposite. The first chapter leaves you with a near cliffhanger, and you spend the rest of the book frantically flipping the pages, trying to find out what happens.
I found this one to be especially poignant and excellent at portraying its characters. Picoult captures moments in time, as our characters remember back on things. It's a lovely look at fatherhood for two sets of families, and Hugh and his daughter, Wren, are a wonderful pair. Picoult does an excellent job paralleling them with another set of characters, too. Then there's Izzy, a nurse, with whom I dare you not to fall in love, and Dr. Louie, the doctor at the clinic. Both are so tough and easy to root for. I also learned so much while reading about them. It was easy to picture these characters and even easier to fall for them--all signs of a well-written novel.
By the end, Picoult has some twists up her sleeve: some surprising, some not. I thought the ending wrapped up a little quickly, but I still was impressed with one. You don't enjoy it, per se--the subject matter is a little rough for that, but you'll find yourself wowed by the characters and their shared story. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Lovely book that gets you thinking
Liberty "Libby" Hazlett is the oldest six kids (soon to be seven). She is part of an evangelical Christian family who practices the Quiverfull lifestyle--having as many kids as God deems they should. The father is the head of the family and his wife and children (especially the girls) should do everything he says, no matter what. Libby and her siblings are home-schooled and rarely see anyone outside of their family and church. So when a new family moves next door, it's a pretty big deal. Zo and her family are not exactly in the same vein religiously or politically as Libby's family. Still, Libby and Zo become fast friends--a friendship that may be cursed from the start. Spending time around Zo's family is eye-opening for Libby. But no one challenges Libby's father or their religion in her family. What does it mean for Libby that she's questioning her faith? And what will the repercussions be?
"It's all over the Bible--'be fruitful and multiply' and then there's Psalm 127 that says that children are like a warrior's arrows and 'blessed is the man whose quiver is full of them.' Some families like ours call themselves Quiverfull for that reason."
This was a really interesting, eye-opening, and sometimes scary novel. It was very well-written, and I really enjoyed it. A huge thanks to LibraryThing to introducing me to Julia Watts and her work. This novel is told in varying viewpoints between Libby and Zo, highlighting the stark contract between their upbringing and the way the two girls look at the world. It does an excellent job at showing how religion shapes your thought.
For Libby, her religious family is basically her entire life. We see how differently boys and girls are treated in her family, with the girls serving as helpmates in every way. She is not allowed any independent thought and is completely indoctrinated in her family's evangelical religion. Any thoughts she has that differ from her family's way of life make her feel strange and scared--and stepping out of line in any way means punishment. Even worse, she can't see any way out. Even though she doesn't want to, her future is set: getting married and having babies in the name of God.
Libby was so wonderfully written, and my heart ached for her. Watching her confront what she was taught, seeing her yearn for a different life--it really opened my eyes to how hard it must be for so many kids raised in religious homes. It's so easy to be derisive about religious views with which you don't agree, but the book did such an excellent job showing how Libby didn't have a choice: religion was such a part of her life from the moment she was born.
Zo's character was great, too. She didn't always seem as fleshed out to me, but it was refreshing to see a gender fluid character in YA literature. She was very down-to-earth, and it was nice to see her sexuality not be her defining characteristic. I also enjoyed how very feisty she was:
"The fact that Mr. Hazlett justifies his dictatorship through religion makes me think of all the families and communities and countries that have been torn apart because of people who claimed to be acting in the name of God."
This was a lovely book, which even had some surprises. It made me want to cry at times and laugh at others. It's very well-written and so beautiful to read. The subject matter is different, well-worth reading, and wrapped up in a very entertaining and interesting story. It certainly gets you thinking, plus it's very hard not to fall for Libby and Zo, too.
I received a copy of this novel from LibraryThing and Three Room Press in return for an unbiased review - thank you!
"It's all over the Bible--'be fruitful and multiply' and then there's Psalm 127 that says that children are like a warrior's arrows and 'blessed is the man whose quiver is full of them.' Some families like ours call themselves Quiverfull for that reason."
This was a really interesting, eye-opening, and sometimes scary novel. It was very well-written, and I really enjoyed it. A huge thanks to LibraryThing to introducing me to Julia Watts and her work. This novel is told in varying viewpoints between Libby and Zo, highlighting the stark contract between their upbringing and the way the two girls look at the world. It does an excellent job at showing how religion shapes your thought.
For Libby, her religious family is basically her entire life. We see how differently boys and girls are treated in her family, with the girls serving as helpmates in every way. She is not allowed any independent thought and is completely indoctrinated in her family's evangelical religion. Any thoughts she has that differ from her family's way of life make her feel strange and scared--and stepping out of line in any way means punishment. Even worse, she can't see any way out. Even though she doesn't want to, her future is set: getting married and having babies in the name of God.
Libby was so wonderfully written, and my heart ached for her. Watching her confront what she was taught, seeing her yearn for a different life--it really opened my eyes to how hard it must be for so many kids raised in religious homes. It's so easy to be derisive about religious views with which you don't agree, but the book did such an excellent job showing how Libby didn't have a choice: religion was such a part of her life from the moment she was born.
Zo's character was great, too. She didn't always seem as fleshed out to me, but it was refreshing to see a gender fluid character in YA literature. She was very down-to-earth, and it was nice to see her sexuality not be her defining characteristic. I also enjoyed how very feisty she was:
"The fact that Mr. Hazlett justifies his dictatorship through religion makes me think of all the families and communities and countries that have been torn apart because of people who claimed to be acting in the name of God."
This was a lovely book, which even had some surprises. It made me want to cry at times and laugh at others. It's very well-written and so beautiful to read. The subject matter is different, well-worth reading, and wrapped up in a very entertaining and interesting story. It certainly gets you thinking, plus it's very hard not to fall for Libby and Zo, too.
I received a copy of this novel from LibraryThing and Three Room Press in return for an unbiased review - thank you!
Movie Metropolis (309 KP) rated Labor Day (2014) in Movies
Jun 11, 2019
Director Jason Reitman is no stranger to obtaining a few awards from his varied career, with films like Juno and Up in the Air under his belt, you would be forgiven for thinking that he could put himself on autopilot – however his latest offering Labor Day stays well clear of such drama.
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Movie Metropolis (309 KP) rated Contagion (2011) in Movies
Jun 11, 2019
Steven Soderbergh has produced some fine films in his time as an established director; Ocean’s Eleven was a sublime mix of dark humour and action, whilst Ocean’s Twelve and Thirteen remained decent but not exactly pulse-racing. Here, it seems Soderbergh sticks to what he knows best, how to deliver a brilliantly shot, gripping film. Here we have, Contagion.
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/