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Merissa (12351 KP) rated Blue Blood (Series of Blood #3) in Books
Aug 14, 2017
Blue Blood (Series of Blood #3) by Emma Hamm
Blue Blood is the third book in the Series of Blood, and this time it is Jasper's story. We reunite with him after the battle that took place at the end of Red Blood (Lyra's story), and he is locked in an iron cage. This doesn't sit with well with our 6ft plus hero, and he is determined not to show any fear to his captors. Kudos to him, because I would have! He finds out that he is caged next to a lovely young woman called Ella, who houses a Unicorn. Ella helps him every way she can, but she can do nothing when Malachi shows up with a job for Jasper to do. You know things won't go according to Jasper's plan, but he has to try. He ends up rescuing Mercy, although he is not sure what sort of rescue it is when she simply gets transferred from one cage to another. Along their adventure, you meet a multitude of amazing characters that will tug at your heart strings and provide some lighthearted moments that are needed in contrast to the torment that Mercy is going through. No one ever said love was easy, but this is ridiculous!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I would say that this is definitely the darkest book so far, and it is certainly a HFN ending. I don't even know if Jasper will get his HEA, given the circumstances! I won't say anything else, as I don't want to spoil it, but I really can't wait to see where this story is going to go! With cameos from previous characters, plus meeting the new ones, there is plenty going on. Plus Pitch makes his usual appearance (still love this dude!) and helps in his own inimitable way.
With plenty of action and a storyline darker than the previous books, this was the complete page-turner. Both Jasper and Mercy are amazing characters, fully rounded and intriguing. There were no editing or grammatical errors that disrupted my reading flow, the pace was smooth, the story excellent. All in all, I have no hesitation in highly recommending this book, and the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Debbiereadsbook (1310 KP) rated Unlikely Hero (AUDIO) in Books
May 14, 2018
excellent narration of a great book!
Independent reviewer for Divine Magazine, I was gifted the audio version of this book.
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Acanthea Grimscythe (300 KP) rated The Jesus Man in Books
May 16, 2018
The Jesus Man by Keith Anthony Baird is a tough book for me to rate, if I’m being honest. It’s part of why, despite completing it last week, I’ve taken so long to write up my review. The book isn’t an easy read by any means, especially with its vast amounts of purple prose. It does, however, have a uniquely intriguing plot.
One of the major deciding factors for me when I read a book is its ability to make me feel emotion. I want a connection with the characters, even if it’s a seething hatred that I feel in the depths of my heart. With The Jesus Man, I felt loathing and disdain, but nothing beyond that. I felt disconnected, for the most part. The characters seemed to me as if they were in limbo between fully and halfway developed.
In regards to plot, Baird does an excellent job. As a horror fan, I end up reading a lot of apocalyptic books. Most of the time, the cause is a viral outbreak of zombies. It’s a cliché we deal with far too often and it’s been beaten to death time and time again. Baird goes an entirely new route, with the dredges of Hell returning to claim what should be theirs. Described as the Fallen, we know these creatures as the angels cast from Heaven in the wake of God’s love for mankind stoking rebellion among them. It’s an interesting take on the world’s post-nuclear was end and I feel that Baird did a wonderful job in this area of his book.
I do have to take a moment to appreciate one beautiful perk to Baird’s ornate writing style: his depiction of gory acts is absolutely stunning. I’m a sucker for splatterpunk, so this served as a nice treat for me. While his characters felt lacking to me (which I discovered was the author’s intent post-read), his vivid descriptions (even if heavy-handed) are breathtaking and nightmare invoking.
I’ve danced between a two and four for this book several times, so ultimately I’m going to go with a three. While I loved the concept, the difficulty of reading this book made it hard for me to enjoy.
I would like to thank the author for providing me with a copy of this book in exchange for an honest review.
One of the major deciding factors for me when I read a book is its ability to make me feel emotion. I want a connection with the characters, even if it’s a seething hatred that I feel in the depths of my heart. With The Jesus Man, I felt loathing and disdain, but nothing beyond that. I felt disconnected, for the most part. The characters seemed to me as if they were in limbo between fully and halfway developed.
In regards to plot, Baird does an excellent job. As a horror fan, I end up reading a lot of apocalyptic books. Most of the time, the cause is a viral outbreak of zombies. It’s a cliché we deal with far too often and it’s been beaten to death time and time again. Baird goes an entirely new route, with the dredges of Hell returning to claim what should be theirs. Described as the Fallen, we know these creatures as the angels cast from Heaven in the wake of God’s love for mankind stoking rebellion among them. It’s an interesting take on the world’s post-nuclear was end and I feel that Baird did a wonderful job in this area of his book.
I do have to take a moment to appreciate one beautiful perk to Baird’s ornate writing style: his depiction of gory acts is absolutely stunning. I’m a sucker for splatterpunk, so this served as a nice treat for me. While his characters felt lacking to me (which I discovered was the author’s intent post-read), his vivid descriptions (even if heavy-handed) are breathtaking and nightmare invoking.
I’ve danced between a two and four for this book several times, so ultimately I’m going to go with a three. While I loved the concept, the difficulty of reading this book made it hard for me to enjoy.
I would like to thank the author for providing me with a copy of this book in exchange for an honest review.
Acanthea Grimscythe (300 KP) rated Red Queen in Books
May 16, 2018
Earlier today, I finished listening to the audiobook of Red Queen by Victoria Aveyard and I absolutely loved it. Amanda Dolan is also an excellent narrator, with a pleasant voice and a perfect pace.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
Acanthea Grimscythe (300 KP) rated Little Heaven: A Novel in Books
May 16, 2018
Before I delve into my thoughts about Little Heaven, I would like to thank the publisher, the author, and NetGalley for providing me with a free copy of the book in exchange for an honest and unbiased review. Little Heaven will be available for purchase January 10, 2017 and its definitely on my wishlist for a physical copy.
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
Rachel King (13 KP) rated Radiant Shadows (Wicked Lovely, #4) in Books
Feb 11, 2019
This book continued with the theme of each book focusing on different pivotal characters in the world of Faerie by focusing on Devlin and Ani and their respective roles and impact. I loved how different these two were and yet had such a strong connection right from their first meeting. As usual with this series, I could not predict the ending, which makes it all that much more satisfying.
The spectral girl Rae was a very interesting character in that she seems to be an orchestrator of much of Devlin and Ani's relationship, even though she behaves as if she is in love with Devlin. Only once is jealousy even mentioned on her part in the entire book, and it is so brief I almost missed it. This reminds me of the triangle of Niall, Irial, and Leslie, as well as the two triangles that Keenan seems to be a member of. The fact that Marr pulls all of these off so seamlessly marks her as an excellent writer, in my opinion.
The High Queen Sorcha becomes quite a sorry excuse for a queen through most of the book because of her inability to handle all of the new emotions she possesses for her "son" Seth. I find it quite ironic that though she is the creator and controller of Faerie and one of the first two faeries to exist, she is still dependent upon things she can not control in order to continue to exist.
I was very disappointed in the near absence of Aislinn and any information regarding her relationship with Seth. In addition, Keenan seems to have disappeared with no explanation, and apparently very little concern on anyone's part throughout the book. While I never liked the guy, he is kind of important in the world of Faerie.
Another loose thread that really bugged me was the outcome of Irial's injury - one minute he is dying and the next everyone is behaving as if nothing is wrong and he's not going anywhere. So which is it??
The outcome of Devlin and Ani's budding relationship was thoroughly satisfying and exactly what the world of Faerie needed, but now I am wondering what will happen with an odd number of courts. The logical response is that yet another court will be created to restore balance, but Marr rarely sticks to the easy solutions with this series. I can not wait for Darkest Mercy (Wicked Lovely).
The spectral girl Rae was a very interesting character in that she seems to be an orchestrator of much of Devlin and Ani's relationship, even though she behaves as if she is in love with Devlin. Only once is jealousy even mentioned on her part in the entire book, and it is so brief I almost missed it. This reminds me of the triangle of Niall, Irial, and Leslie, as well as the two triangles that Keenan seems to be a member of. The fact that Marr pulls all of these off so seamlessly marks her as an excellent writer, in my opinion.
The High Queen Sorcha becomes quite a sorry excuse for a queen through most of the book because of her inability to handle all of the new emotions she possesses for her "son" Seth. I find it quite ironic that though she is the creator and controller of Faerie and one of the first two faeries to exist, she is still dependent upon things she can not control in order to continue to exist.
I was very disappointed in the near absence of Aislinn and any information regarding her relationship with Seth. In addition, Keenan seems to have disappeared with no explanation, and apparently very little concern on anyone's part throughout the book. While I never liked the guy, he is kind of important in the world of Faerie.
Another loose thread that really bugged me was the outcome of Irial's injury - one minute he is dying and the next everyone is behaving as if nothing is wrong and he's not going anywhere. So which is it??
The outcome of Devlin and Ani's budding relationship was thoroughly satisfying and exactly what the world of Faerie needed, but now I am wondering what will happen with an odd number of courts. The logical response is that yet another court will be created to restore balance, but Marr rarely sticks to the easy solutions with this series. I can not wait for Darkest Mercy (Wicked Lovely).
Rachel King (13 KP) rated Before I Go to Sleep in Books
Feb 11, 2019
I read this book on the avid insistence of a friend, and I am sure glad I read this book. The premise is quite intriguing - a woman with a very unique type of amnesia in which she wakes up every morning not remembering anything from as much as several decades of her life. What is most interesting is that sometimes she wakes thinking she is a child, while others she believes she is a young adult. There is no predicting at what believed age she will be when she wakes, and no controlling it.
A few things bugged me about the plot, the first of which was that on the mornings that she was supposed to wake as a child, nothing in her behavior indicated that of a child - she still behaved the same as when she woke as a full-grown adult. I was also immediately suspicious of Ben, as his behavior towards her did not seem very motivated towards achieving a return of her memory- but I suppose that was the point.
Despite Christine's loss of memory, in many ways her actions are instinctual - which is very realistic and made for some tense scenes. A Dr. Nash comes to her aid in secret, both because her case is no unusual and because he really does want to help her. Despite the difficulties of Christine not remembering him from day-to-day, he is still able to make progress with her - all behind Ben's back. On his advice, Christine begins keeping a journal of each day, as well as what memories return to her. This is when the book really picks up in intensity, as Christine comes to realize that her own mind could be her own worst enemy. At times she is not even certain if she can trust the words in her journal, since she cannot remember writing them.
As she fills up her journal, she begins to uncover lies and secrets in her life that create nail-biting, mind-blowing scenes that had me riveted. I was a little disappointed with how the book ends - after all of the build up, it seemed almost anti-climactic. Other than that, the book was an excellent read, especially for a first-time author. Everyone should read this book!
A few things bugged me about the plot, the first of which was that on the mornings that she was supposed to wake as a child, nothing in her behavior indicated that of a child - she still behaved the same as when she woke as a full-grown adult. I was also immediately suspicious of Ben, as his behavior towards her did not seem very motivated towards achieving a return of her memory- but I suppose that was the point.
Despite Christine's loss of memory, in many ways her actions are instinctual - which is very realistic and made for some tense scenes. A Dr. Nash comes to her aid in secret, both because her case is no unusual and because he really does want to help her. Despite the difficulties of Christine not remembering him from day-to-day, he is still able to make progress with her - all behind Ben's back. On his advice, Christine begins keeping a journal of each day, as well as what memories return to her. This is when the book really picks up in intensity, as Christine comes to realize that her own mind could be her own worst enemy. At times she is not even certain if she can trust the words in her journal, since she cannot remember writing them.
As she fills up her journal, she begins to uncover lies and secrets in her life that create nail-biting, mind-blowing scenes that had me riveted. I was a little disappointed with how the book ends - after all of the build up, it seemed almost anti-climactic. Other than that, the book was an excellent read, especially for a first-time author. Everyone should read this book!
Rachel King (13 KP) rated Sixteen Brides in Books
Feb 11, 2019
I had a hard time getting into this book as the number of characters created chaos in the plot and point-of-view for the first few chapters. I could not keep track of who I was supposed to be following, and I felt like I needed a chart to keep them all straight in my head as I read. I kept wanting to ask the author, "Are 16 women really necessary?"
Luckily, that number was cut by more than half when the train stops in Plum Grove, Nebraska, leaving behind the important characters and sending the expendible ones away - how convenient. This is where I feel that the plot actually begins, as the women carve out lives for themselves, even as they experience character growth and rejuvenation. The men are also introduced at this point, and I found them to be more imaginative and unique than the females in the book. The dynamics between Michael Ransom and Lucas Gray, cousins, are very interesting, as Whitson only reveals a bit at a time about their relationship with each other. I wished that more had been written about Jeb Cooper, as the paradox that he lives daily was very entertaining to read.
The background information and historical details were interesting, as I knew little before reading this book about frontier towns and the founding and running of a homestead. I find it ironic that although all of the women are strongly opposed to being hitched to a man again, given that they all claim to be widows, romance seems to be necessary to each of their character developments. The romance was the most predictable aspect of the novel, with almost every woman gravitating noticeably to a man.
The idea that war widows were shipped out to the frontier as prospective brides made for excellent novel potential, but I felt the idea fell a bit short, as the man responsible in the book for these sixteen women was not followed in point-of-view passed his departure from Plum Grove. Neither was much said about the other women that went on to Cayote with him. I would have liked to be a fly on the wall at those women's proposals from strangers and hear their rationale behind making such a choice to be delivered and bid on like so many heads of cattle.
Luckily, that number was cut by more than half when the train stops in Plum Grove, Nebraska, leaving behind the important characters and sending the expendible ones away - how convenient. This is where I feel that the plot actually begins, as the women carve out lives for themselves, even as they experience character growth and rejuvenation. The men are also introduced at this point, and I found them to be more imaginative and unique than the females in the book. The dynamics between Michael Ransom and Lucas Gray, cousins, are very interesting, as Whitson only reveals a bit at a time about their relationship with each other. I wished that more had been written about Jeb Cooper, as the paradox that he lives daily was very entertaining to read.
The background information and historical details were interesting, as I knew little before reading this book about frontier towns and the founding and running of a homestead. I find it ironic that although all of the women are strongly opposed to being hitched to a man again, given that they all claim to be widows, romance seems to be necessary to each of their character developments. The romance was the most predictable aspect of the novel, with almost every woman gravitating noticeably to a man.
The idea that war widows were shipped out to the frontier as prospective brides made for excellent novel potential, but I felt the idea fell a bit short, as the man responsible in the book for these sixteen women was not followed in point-of-view passed his departure from Plum Grove. Neither was much said about the other women that went on to Cayote with him. I would have liked to be a fly on the wall at those women's proposals from strangers and hear their rationale behind making such a choice to be delivered and bid on like so many heads of cattle.
Larry Eisner (2082 KP) rated Bohemian Rhapsody - The Soundtrack by Queen in Music
Feb 28, 2019
Freddie Freaking Mercury (2 more)
Live Tracks
Excellent Audio Quality
No dialogue tracks or pre-tracks (1 more)
Doing All Right is very meh
Fantastic Album; Mediocre Soundtrack
Preface: I received a copy through the Smashbomb giveaway contest. That said, I’m not going to hold back...
So, Queen...How could anyone ever go wrong with a Queen album? Ever... Truth is you cannot. This album is fantastic and sits proudly alongside the greatest hits albums I already owned. It’s a great compilation of their best studio tracks alongside some rarely released live tracks including nearly the entire Live Aid set.
But what is lacking, most of all, and what I want in a film soundtrack is something I cannot get anywhere else...dialogue snippets from the film that place the tracks with the film itself. The film was a smash success, earring Rami Malek the Best Actor Oscar and rightly so. However, this album is simply that, a Queen album. We don’t get the Rami/Freddy mixes used in the film, we don’t get the sound bytes that tie a song to a moment in the film. So while it’s an awesome album and one I will rock out with in my car often, it’s not any different than a Queen compilation album tied around the film loosely. It may not be a drawback to you, but to me, it’s not worth calling it a soundtrack. It could just as easily been one of those “songs inspired by the film: Bohemian Rhapsody” instead of Official Soundtrack.
Now all that said, it’s a fantastic compilation album. The live tracks especially, are excellently mixed, and through listening, we are once again reminded why Queen and Mercury himself were so amazing... the live tracks demonstrate that despite his crazy moves on stage, the heat of the lights and all, Queen always sounded great. Unlike many modern bands, their live tracks are nearly identical in quality to the studio versions. Even though I knew this going in, I was still amazed.
And no track demonstrated this fact more than the We Will Rock You (Movie Mix) track that seamlessly blended the studio version into the live version used in the film.
Queen’s sound was and is iconic and unique to this day, and this album highlights why so perfectly. I’m just disappointed that the soundtrack didn’t have more throwback to the film itself.
So, Queen...How could anyone ever go wrong with a Queen album? Ever... Truth is you cannot. This album is fantastic and sits proudly alongside the greatest hits albums I already owned. It’s a great compilation of their best studio tracks alongside some rarely released live tracks including nearly the entire Live Aid set.
But what is lacking, most of all, and what I want in a film soundtrack is something I cannot get anywhere else...dialogue snippets from the film that place the tracks with the film itself. The film was a smash success, earring Rami Malek the Best Actor Oscar and rightly so. However, this album is simply that, a Queen album. We don’t get the Rami/Freddy mixes used in the film, we don’t get the sound bytes that tie a song to a moment in the film. So while it’s an awesome album and one I will rock out with in my car often, it’s not any different than a Queen compilation album tied around the film loosely. It may not be a drawback to you, but to me, it’s not worth calling it a soundtrack. It could just as easily been one of those “songs inspired by the film: Bohemian Rhapsody” instead of Official Soundtrack.
Now all that said, it’s a fantastic compilation album. The live tracks especially, are excellently mixed, and through listening, we are once again reminded why Queen and Mercury himself were so amazing... the live tracks demonstrate that despite his crazy moves on stage, the heat of the lights and all, Queen always sounded great. Unlike many modern bands, their live tracks are nearly identical in quality to the studio versions. Even though I knew this going in, I was still amazed.
And no track demonstrated this fact more than the We Will Rock You (Movie Mix) track that seamlessly blended the studio version into the live version used in the film.
Queen’s sound was and is iconic and unique to this day, and this album highlights why so perfectly. I’m just disappointed that the soundtrack didn’t have more throwback to the film itself.