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Molly J (Cover To Cover Cafe) (106 KP) rated The Second Wife in Books
Mar 25, 2019
Suspense (2 more)
Characters
Plot Line
This Book Is A Cosmic Roller Coaster Of Thrills and Chills!
Do you ever come across a book that is absolutely mind boggling, leaving you scraping what’s left of your jaw, up off the floor because the entire time you read it, you were in awe, and on the edge of your seat? Yea, well I was just like that with this book here. The Second Wive is a cosmic explosion of twists, turns, and unexpected elements as you fly through this book. I read it a month or so ago, via NetGalley, and oh my word. There are no words to describe how this book made me feel.
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
Every minute of Rebecca’s life changing experiences became my own. Every pounding heart beat, mine. Every questionable thought, mine. Every. Thing. Mine. Watching what she went through as she stepped into her deceased friend’s life as the second wife…..well, sometimes, I had to stop reading because it became that intense for me. Watching her uncover the truth, watching her fears form….it was utterly chilling at times.
With Rebecca’s and Richard’s characters, you have the perfect blend of good and evil. But, the question is this: are they really good, evil and who they say they are? Browne did a fantastic job of waiting til the very end to let her readers know just what they wanted answered. These characters take your heart and squeeze…..squeeze so hard, your heart feels like it might burst and then, at the end of this white-knuckle thriller, you can finally breathe again. Your heart starts beating again, your breath starts to even out, your mind starts to think about all you just endured to reach the end.
If you looking for a book full of laughs and romance, don’t buy this book. You won’t like it if that’s what you are expecting. If you are looking for a book that will make you drool because your jaw is opened like a codfish the entire time, then buy this book. If you are looking for a page-turner, edge-of-seat, white-knuckle, heart pounding to bursting experience, then absolutely, without a doubt, 100% buy this book. You will not be disappointed and you will be giving it 5 star praises as I did. Fantastically down, Browne. Fantastically done.
*I received a complimentary copy of this book from NetGalley, Bookouture and was under no obligation to post a review, positive or negative.*
LeftSideCut (3778 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Darren (1599 KP) rated Navy Seals vs. Zombies (2015) in Movies
Oct 14, 2019
Characters – LT Pete Cunningham is leading the Navy SEALS, he must put his trust in the newest member of the team in AJ, while trying to get the team through the hordes of zombies to prove once again that his team in the elite military team. Commander Sheer is running the operations from the military base, he doesn’t want to see his men take any unnecessary risks. VP Bentley is the man the team are sent to rescue, he is in the running for the next presidential race. AJ is he newest member of the SEALS team, he is about to become a father and this is his first mission as part of the team, where he must prove himself to the rest of the unit.
Performances – The performances in the film suffer because of the lack of interesting non-generic characters. none of the actors get a chance to show their skills as performers, with large parts of the film just being headless running around.
Story – The story here follows a Navy SEALS unit that must go into Baton Rouge to rescue the Vice president and the scientists behind the outbreak. This is everything a zombie story has given us before, we have a group of people running around a city trying to elude the zombies that outnumber them. We know the team will dwindle down as the film unfolds which is the normal. The starting point for the weaknesses comes from that fact this story is set in a world where zombie film don’t exist, which is clear by all the behaviour through the film. Most of the actual storytelling is saved for the closing of the film which fills in most of the blanks we don’t mention until then.
Action/Horror – The action in the film is just shooting zombies, it is nothing new and becomes overly repetitive after a while. The horror side of the film gives us zombies that run, they never feel like a threat to the anybody.
Settings – The film is set in Baton Rouge, which is considered a military area, I think, the truth is, it could have been any city without any major locations being shown.
Special Effects – The effects in the film are weak with even basic door explosion looking weak, the zombie look is acceptable for a low budget film.
Scene of the Movie – The explaining.
That Moment That Annoyed Me – The stupid decisions.
Final Thoughts – This is a basic zombie film that offers nothing new to the genre, it I filled with stupid decisions and generic action.
Overall: Basic zombie nonsense.
Performances – The performances in the film suffer because of the lack of interesting non-generic characters. none of the actors get a chance to show their skills as performers, with large parts of the film just being headless running around.
Story – The story here follows a Navy SEALS unit that must go into Baton Rouge to rescue the Vice president and the scientists behind the outbreak. This is everything a zombie story has given us before, we have a group of people running around a city trying to elude the zombies that outnumber them. We know the team will dwindle down as the film unfolds which is the normal. The starting point for the weaknesses comes from that fact this story is set in a world where zombie film don’t exist, which is clear by all the behaviour through the film. Most of the actual storytelling is saved for the closing of the film which fills in most of the blanks we don’t mention until then.
Action/Horror – The action in the film is just shooting zombies, it is nothing new and becomes overly repetitive after a while. The horror side of the film gives us zombies that run, they never feel like a threat to the anybody.
Settings – The film is set in Baton Rouge, which is considered a military area, I think, the truth is, it could have been any city without any major locations being shown.
Special Effects – The effects in the film are weak with even basic door explosion looking weak, the zombie look is acceptable for a low budget film.
Scene of the Movie – The explaining.
That Moment That Annoyed Me – The stupid decisions.
Final Thoughts – This is a basic zombie film that offers nothing new to the genre, it I filled with stupid decisions and generic action.
Overall: Basic zombie nonsense.
James P. Sumner (65 KP) rated Yesterday (2019) in Movies
Jul 18, 2019
The best British film in years!
Despite not really being a fan of The Beatles or their music, when I first saw the trailer for this at the start of the year, I was genuinely intrigued by the concept. An aspiring musician (and huge Beatles fan) is hit by a bus during an inexplicable global blackout, only to wake up to a world in which The Beatles seemingly never existed. As the only one who remembers their songs, he releases them as his own and conquers the music world.
The trailer did a good job of letting you know what to expect without giving too much away, believe it or not. There are a few twists and turns along the way, which were a nice surprise. Ultimately, this IS a British rom-com underneath it all, and the final third is as predictable as every other film in the genre.
Yet this film oozes charm and whimsicality, and sets itself apart from everything that's come before it. Say what you want about Love Actually, but for me, that was the last British film to really make a splash on this level - which was 16 years ago!
The script is amazing. No scene feels unnecessary. No dialogue feels pointless. Richard Curtis, yet again, proves he's a true master of his craft. The lead roles are perfectly cast. Lily James, in particular, puts in another great performance, showing she's worthy of more heavyweight roles (although she's definitely found her niche in this type of film).
What I really loved about this film was how thought-provoking it was. Relative newcomer, Himesh Patel's portrayal of Jack Malek is spot-on, playing with your own emotions and morals, forcing you to ask yourself if you could remain as grounded and humble as he did if something like this happened to you. Despite being over the top at times, it all felt surprisingly real. I can imagine this is exactly how it would play out if something like this were to happen to someone - the media frenzy, the explosion of popularity online, the whirlwind of life-changing moments...
The film is about big moments in your life, and what you choose to do with them when they happen. It's about chasing your dreams and what you would do if you caught them. It's about how to follow your heart when it wants two things at once. I left the cinema smiling, but also genuinely thinking about my entire outlook on life.
Danny Boyle has done an excellent job with this film, and it deserves to go down as one of the best British films in recent years. Whether you're a fan of the music or not, this should not be missed. Near perfect!
The trailer did a good job of letting you know what to expect without giving too much away, believe it or not. There are a few twists and turns along the way, which were a nice surprise. Ultimately, this IS a British rom-com underneath it all, and the final third is as predictable as every other film in the genre.
Yet this film oozes charm and whimsicality, and sets itself apart from everything that's come before it. Say what you want about Love Actually, but for me, that was the last British film to really make a splash on this level - which was 16 years ago!
The script is amazing. No scene feels unnecessary. No dialogue feels pointless. Richard Curtis, yet again, proves he's a true master of his craft. The lead roles are perfectly cast. Lily James, in particular, puts in another great performance, showing she's worthy of more heavyweight roles (although she's definitely found her niche in this type of film).
What I really loved about this film was how thought-provoking it was. Relative newcomer, Himesh Patel's portrayal of Jack Malek is spot-on, playing with your own emotions and morals, forcing you to ask yourself if you could remain as grounded and humble as he did if something like this happened to you. Despite being over the top at times, it all felt surprisingly real. I can imagine this is exactly how it would play out if something like this were to happen to someone - the media frenzy, the explosion of popularity online, the whirlwind of life-changing moments...
The film is about big moments in your life, and what you choose to do with them when they happen. It's about chasing your dreams and what you would do if you caught them. It's about how to follow your heart when it wants two things at once. I left the cinema smiling, but also genuinely thinking about my entire outlook on life.
Danny Boyle has done an excellent job with this film, and it deserves to go down as one of the best British films in recent years. Whether you're a fan of the music or not, this should not be missed. Near perfect!
Micky Barnard (542 KP) rated 99 Percent Mine in Books
Dec 2, 2018
Different to The Hating Game but equally as good
99 PERCENT MINE grabbed me in with Darcy love from the off, she's an absolute feisty female with a weakness that makes her strong. I admired her attitude, her unfiltered mouth, her inner 'oh s$$t' and her outer 'don't mess with me'. That said, it really did take 20% in for me to really get fully enmeshed into the story. The 5 star rating comes from everything that overwhelmed me and took over my life from there.
Darcy Barratt is a twin, the weaker runt and her twin Jamie, well let me say, I hated that guy and his influence on the characters in this story (even though I suspect there's a story that could come from him). Darcy and Jamie had another half to them, Tom Valeska, unofficial adoptee into the Barratt clan. Darcy has loved him forever but their life has been missed opportunities and it has always been easier for her to up and leave.
<i>"I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back up." </i>
Tom Valeska (I can't help saying his names together, forgive me) is solid in the friendship stakes, a support, a protector, a wannabe saviour. He comes to renovate Darcy's grandmother's house and therein starts the literal magnetism between these two. Holy chemistry, I cannot explain the draw between them and I felt right in the middle of it, like iron filings. This was a burn of slow proportions but the absolute furnace it created, blew me away.
<i>"My body is taking over. Everything is boiling up out of me-years of stolen looks and tight T-shirts and that bone-deep certainty that the animal in him wants me too."</i>
I literally shelved my Saturday, locked in my fellow arc-buddy and we read together, across the ocean, exchanging highlights, swooning alongside one another, fearing together and having a mind-blown explosion over the chemistry and banter. I could not put this book down, nor would I want to. It is very unlike me to feel drawn back to a book immediately but I just know I will have to read again on release (when I have my pretty, yellow paperback in my hand) and immerse myself once again.
Sally Thorne has followed up The Hating Game with something totally different and entirely as good. No one writes dialogue like Ms Thorne and she has amply shown her diversity and also her consistency. Sorry for the glow-y-ness but I am still riding high on feelings here and I hope you will be too.
<i>"My stomach falls down an elevator shaft. Those words, spoken aloud in his voice, crackle through my synapses, and right now, I've never been more alive. I am heartbeat and full lungs."</i>
I voluntarily read an early copy of this book.
Darcy Barratt is a twin, the weaker runt and her twin Jamie, well let me say, I hated that guy and his influence on the characters in this story (even though I suspect there's a story that could come from him). Darcy and Jamie had another half to them, Tom Valeska, unofficial adoptee into the Barratt clan. Darcy has loved him forever but their life has been missed opportunities and it has always been easier for her to up and leave.
<i>"I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back up." </i>
Tom Valeska (I can't help saying his names together, forgive me) is solid in the friendship stakes, a support, a protector, a wannabe saviour. He comes to renovate Darcy's grandmother's house and therein starts the literal magnetism between these two. Holy chemistry, I cannot explain the draw between them and I felt right in the middle of it, like iron filings. This was a burn of slow proportions but the absolute furnace it created, blew me away.
<i>"My body is taking over. Everything is boiling up out of me-years of stolen looks and tight T-shirts and that bone-deep certainty that the animal in him wants me too."</i>
I literally shelved my Saturday, locked in my fellow arc-buddy and we read together, across the ocean, exchanging highlights, swooning alongside one another, fearing together and having a mind-blown explosion over the chemistry and banter. I could not put this book down, nor would I want to. It is very unlike me to feel drawn back to a book immediately but I just know I will have to read again on release (when I have my pretty, yellow paperback in my hand) and immerse myself once again.
Sally Thorne has followed up The Hating Game with something totally different and entirely as good. No one writes dialogue like Ms Thorne and she has amply shown her diversity and also her consistency. Sorry for the glow-y-ness but I am still riding high on feelings here and I hope you will be too.
<i>"My stomach falls down an elevator shaft. Those words, spoken aloud in his voice, crackle through my synapses, and right now, I've never been more alive. I am heartbeat and full lungs."</i>
I voluntarily read an early copy of this book.
Hazel (1853 KP) rated Spontaneous in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Dubbed the “funniest book about spontaneous combustion you will ever read” by the acclaimed best-selling author, John Green, <i>Spontaneous</i> by Aaron Starmer is a story about growing up and blowing up. Seeing a classmate explode in front of you during third-period pre-calc class is not something you ever expect to happen. Nor do you expect this to be the first of many to randomly occur throughout your senior year, but for Mara, this is her appalling fate.
Mara’s senior year was not all that exciting until the first explosion, but after a few more students from her class spontaneously combust, it is clear she is never going to get a normal final year of school. Only affecting the seniors, Mara and her friends are ostracised from society while FBI agents try to solve the problematic situation. With bombs, terrorists and government conspiracies eventually ruled out, the class is left abandoned to explode at their own leisure – although they would rather not!
Mara, along with boyfriend, Dylan, and best friend, Tess, attempts to continue living their lives. They encourage students to start up their own school so that they can still graduate at the end of the year, but with an increasing number of messy ends, they begin to doubt they will make it that far.
Full of crack-pot ideas that will leave readers laughing, Mara’s dry sense of humour gets her through most of the year, however, the painful loss of her friends and acquaintances soon catch up with her. It is hard not to despair when you know you could detonate at any moment.
The easiest way to describe <i>Spontaneous</i> is bonkers, absolutely bonkers. For a start, spontaneous combustion is not a likelihood for any living creature. Mara’s inappropriate humour and acidulousness only add to the farcical state of affairs, providing a comical and entertaining narrative. However, as Mara begins to acquiesce to her new situation, and live as if regularly being sprayed with blood and guts is normal, the story takes a sombre downturn.
Annoyingly, the conclusion of <i>Spontaneous</i> is rather ambiguous, leaving attentive readers with no answers. Had Starmer not imaged a solution, or was it too difficult to explain? Whatever the reason, it leaves us with a dissatisfying ending.
On the other hand, the ending of a book is only one fragment of a story. The beginning and middle were of the author’s optimum quality. Combining typical teenage emotion and behaviour - romance included - with a horrifying crisis, results in a book that will make you “feel all the feels”, to borrow a Mara term, and enjoy every moment.
<i>Spontaneous</i> will entertain young and old adults, although perhaps not the more sensitive reader. With uncensored language and no sugarcoating, Mara gives us all the gory details blow-by-blow (literally). Be prepared for laughter, shock and unadulterated pleasure.
Dubbed the “funniest book about spontaneous combustion you will ever read” by the acclaimed best-selling author, John Green, <i>Spontaneous</i> by Aaron Starmer is a story about growing up and blowing up. Seeing a classmate explode in front of you during third-period pre-calc class is not something you ever expect to happen. Nor do you expect this to be the first of many to randomly occur throughout your senior year, but for Mara, this is her appalling fate.
Mara’s senior year was not all that exciting until the first explosion, but after a few more students from her class spontaneously combust, it is clear she is never going to get a normal final year of school. Only affecting the seniors, Mara and her friends are ostracised from society while FBI agents try to solve the problematic situation. With bombs, terrorists and government conspiracies eventually ruled out, the class is left abandoned to explode at their own leisure – although they would rather not!
Mara, along with boyfriend, Dylan, and best friend, Tess, attempts to continue living their lives. They encourage students to start up their own school so that they can still graduate at the end of the year, but with an increasing number of messy ends, they begin to doubt they will make it that far.
Full of crack-pot ideas that will leave readers laughing, Mara’s dry sense of humour gets her through most of the year, however, the painful loss of her friends and acquaintances soon catch up with her. It is hard not to despair when you know you could detonate at any moment.
The easiest way to describe <i>Spontaneous</i> is bonkers, absolutely bonkers. For a start, spontaneous combustion is not a likelihood for any living creature. Mara’s inappropriate humour and acidulousness only add to the farcical state of affairs, providing a comical and entertaining narrative. However, as Mara begins to acquiesce to her new situation, and live as if regularly being sprayed with blood and guts is normal, the story takes a sombre downturn.
Annoyingly, the conclusion of <i>Spontaneous</i> is rather ambiguous, leaving attentive readers with no answers. Had Starmer not imaged a solution, or was it too difficult to explain? Whatever the reason, it leaves us with a dissatisfying ending.
On the other hand, the ending of a book is only one fragment of a story. The beginning and middle were of the author’s optimum quality. Combining typical teenage emotion and behaviour - romance included - with a horrifying crisis, results in a book that will make you “feel all the feels”, to borrow a Mara term, and enjoy every moment.
<i>Spontaneous</i> will entertain young and old adults, although perhaps not the more sensitive reader. With uncensored language and no sugarcoating, Mara gives us all the gory details blow-by-blow (literally). Be prepared for laughter, shock and unadulterated pleasure.
Gareth von Kallenbach (974 KP) rated Night School (2018) in Movies
Jul 2, 2019
Teddy Walker (Kevin Hart) appears to be living a great life. He is successful BBQ grill salesman, he has a Porsche, a nice apartment and a loving and successful girlfriend, Lisa (Megalyn Echikunwoke). Appearances can be deceiving however. The between the Porsche and rent payments he is barely getting by pay check to pay check. Plus he refuses to let his girlfriend pay for any of their dates. Teddy thinks he is turning a corner when his boss tells him that the BBQ grill store will be turned over to him once he retires. Finally he feels like he will have some stability and decides to propose Lisa. During the proposal, at the store that will one day will be his, there is an explosion and the entire store is destroyed. Now Teddy finds himself is out of a job and with no diploma there is little hope of him getting one. Teddy’s friend Marvin (Ben Schwartz) tells him that he can get him a job as a financial assistant but only if he can get his GED. So he heads back to his old high school to take a GED prep course at night school. Thinking he can use his salesman skill to talk his way into cruising to getting his diploma. Unfortunately for him two things stand in his way. One is the principle is his high school nemesis, Stewart (Taran Killam). The second, the night school teacher, Carrie (Tiffany Haddish), will only help those who put in the work and his smooth talk won’t work on this teacher. Now for the first time in his life, Teddy can’t talk his way out of a tough situation and must put in the work to stay with Lisa.
This film surprised me in that not only does it bring the laughs but also has a really positive message. It has a recurring theme of second chances throughout the film. It also tackles learning disabilities in a really interesting and thoughtful way. I thought that yes at times it was cheesy but really stuck to the message of it’s never too late to realize your potential.
This Malcolm D Lee (Girls Trip, The Best Man) directed film definitely has it funny moments. Kevin Hart and Tiffany Haddish really know how to play off each other, even though I think the back and forth gets a little old by the end. To me the supporting cast (Al Madrigal, Rob Riggle, Romany Malco, Mary Lynn Rajskub, Anne Winters, to name a few) really do a good job and all have really funny moments. The best parts of the movie are when the Hart, Haddish and company are in school playing off each other. The film does repeat some jokes a little too much for me but overall laughed and like the positive message. I liked the originality of the story, even if its themes felt familiar. This may not win any awards but it was an enjoyable and entertaining comedy.
This film surprised me in that not only does it bring the laughs but also has a really positive message. It has a recurring theme of second chances throughout the film. It also tackles learning disabilities in a really interesting and thoughtful way. I thought that yes at times it was cheesy but really stuck to the message of it’s never too late to realize your potential.
This Malcolm D Lee (Girls Trip, The Best Man) directed film definitely has it funny moments. Kevin Hart and Tiffany Haddish really know how to play off each other, even though I think the back and forth gets a little old by the end. To me the supporting cast (Al Madrigal, Rob Riggle, Romany Malco, Mary Lynn Rajskub, Anne Winters, to name a few) really do a good job and all have really funny moments. The best parts of the movie are when the Hart, Haddish and company are in school playing off each other. The film does repeat some jokes a little too much for me but overall laughed and like the positive message. I liked the originality of the story, even if its themes felt familiar. This may not win any awards but it was an enjoyable and entertaining comedy.
TheDefunctDiva (304 KP) rated Lone Wolf McQuade (1983) in Movies
Oct 6, 2017
L is for Lethal
Contains spoilers, click to show
Lone Wolf McQuade (P. 2/9/08)
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
Movie Metropolis (309 KP) rated Deepwater Horizon (2016) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Disaster with feeling
“Based on true events”. I can’t think of anything more disconcerting when I sit down to watch a film. When it comes to blockbusters inspired by real-life situations, the outcome can be a poignant movie that captures the heart and emotion of the episode – a la American Sniper.
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Unfortunately, films in this genre can also be a disaster from start to finish with a story barely related to its real-life counterpart. You can forgive me then for going into Deepwater Horizon with an air of scepticism, but was it justified?
Thankfully, director Peter Berg (Hancock, Battleship) strikes the right balance between pleasing the movie-going masses and respecting the events that took the lives of eleven people aboard the Deepwater Horizon oil rig.
Based on the events that occurred in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Mark Wahlberg takes the helm of this intriguing action thriller as Mike Williams, an electrician working on the rig during the explosion. A supporting cast that includes Kurt Russell, Gina Rodriguez, John Malkovich and The Maze Runner’s Dylan O’Brien bolster Wahlberg’s natural charisma and each of the aforementioned actors give first-rate performances.
The acting from all sides is superb. Mark Wahlberg in particular excels, being one of his best roles to date. His work has been decidedly dodgy over the last few years but his performance here shows just how good he is with the right material.
Nevertheless, at its core, Deepwater Horizon is a simple disaster movie, and carries the genre’s traits to a tee; there’s the obligatory hero (Mark Wahlberg), the boss/politician who doesn’t believe anything is wrong (John Malkovich), the bombastic score (courtesy of Steve Jablonsky) and the damsel in distress (Gina Rodriguez). What it does differently however is focus more on the human elements of the plot – something helped by the fact the scriptwriters had factual events to pick from.
The special effects are astounding, aided greatly by Peter Berg’s often hectic camerawork. There’s very little shaky-cam but the claustrophobic nature of the rig itself is beautifully utilised in low angled shots and sweeping exterior sequences. The scenes showing the rig on fire are so intense you can virtually feel the heat radiating from them.
It almost feels like a documentary, and a very good one at that. The audience is given references throughout the film of Deepwater Horizon’s many functions and the scale of the behemoth is apparent throughout.
Overall, to say Deepwater Horizon is a cracking disaster film feels like a slight disservice to the eleven people who died aboard it in 2010. Having Peter Berg direct was a risky move when looking at his back-catalogue but after a viewing, it’s hard to think of anyone else better suited.
This is a disaster movie with feeling and it’s one of the best films of the year.
https://moviemetropolis.net/2016/09/30/disaster-with-feeling-deepwater-horizon-review/
Lee (2222 KP) rated Spies in Disguise (2019) in Movies
Jan 1, 2020
I’m not exactly complaining, but Tom Holland does seem to literally be in everything right now. As I sat ready to watch Spies in Disguise, which features the voice of Tom Holland, there was a trailer for upcoming Pixar movie Onward, featuring the voice of Tom Holland. Then a trailer for Dolittle, starring Robert Downey Jr and featuring the voice of Tom Holland as loyal dog Jip. On top of starring in 2019s highest grossing movie, as everyone’s favourite neighbourhood webslinger, he’s certainly having quite the year right now. And well deserved it is too.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.
But before we get to his voicing of Walter in Spies in Disguise, we meet much younger Walter, 14 years earlier, building gadgets and being branded a weirdo at school. His police officer mum comforts Walter, telling him that weird is good and the world needs weirdos. And that one day, the invention he’s just tested on his unsuspecting mum - a grenade which explodes into glitter and projects cute kittens - might just come in handy...
Will Smith on the other hand, hasn’t had quite as great a year as Tom Holland. Ridiculed for his blue genie in the run up to the release of Aladdin, he actually wasn’t too bad when the movie came out. But then came the disaster that was Gemini Man. Hopefully though, the upcoming sequel ‘Bad Boys for Life’ will be a return to form for Smith, but for now, starring as the voice of Lance Sterling, the worlds greatest spy, has certainly landed him a winner. A suave, charming, one man operation, we’re shown just how cool and impressive Sterling is as he single-handedly and effortlessly takes out dozens of bad guys using combat skills and a variety of spy gadgets. But Lance is suddenly caught off guard when, instead of releasing a more traditional explosive to take out some goons, he releases a glitter-kitty explosion.
Returning to headquarters a hero, we discover that Walter is now working in the gadgets department, where new tricks and toys for spies are designed and tested. Lance is not impressed with Walter messing up his operation and the pair don’t exactly hit it off on the right foot. But when Lance is wrongly accused of committing a crime, he must go on the run and reluctantly team up with Walter to get the bad guy and clear his name. And how is he going to do that without being seen and caught? Well, just so happens that Walter has invented a way of turning humans into pigeons!
There’s nothing particularly new about the main plot of Spies in Disguise, aside from the pigeon aspect of it all of course. But it’s the fast paced action and humour that really sets this apart from the crowd and quite often reminded me of The Incredibles - great characters and great ideas all mixed together with some impressive visuals and slick action. Both Tom Holland and Will Smith are perfect in their roles and, aside from a bit of a mid-movie dip, Spies in Disguise actually proved to be hugely entertaining.