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Becs (244 KP) rated The Black Orchids in Books
Aug 2, 2019
Not what you expect
"I knew this wasn't the end."
TRIGGER WARNINGS: death, torture
Review:
I originally rated this 3.5 stars but I'm dropping this down to 2.5 stars, as I've had time to sit and really gather my thoughts around.
The Black Orchids is a paranormal fantasy novel about a young girl being haunted by a monster called It (no, not the clown). She goes to a boarding school where she comes into contact with It again and even gains new friends. There are multiple of love interests within this story and the story gave off a very dark, suspenseful, and adventure feel with twists, but it wasn't what I expected from reading the blurb.
The Black Orchids vaguely has the same vibes that the Vampire Academy and Beautiful Creatures series' has. There was a lack of connection with the characters and the story overall lacked. There was potential here but it fell short and left me a bit disappointed.
The main character was in a constant battle with herself and her family, she even considered herself to be different from the "other girls". Basically, she was the loner, edgy girl that didn't have friends. This wasn't executed the greatest and really just made the MC feel shallow and a tad emotionless. The other characters weren't much better. The relationships between them seemed a tad forced and not at all 'believable'.
The story lacked descriptive nature and world-building. But the plot was pretty decent. I wasn't instantly enamored with the story and it was a slow read - even though I devoured it. There was something still keeping me reading and I couldn't put my finger on it. I know for sure it wasn't the characters, as I could never really connect with any of them and the villain wasn't even the greatest. Majority of villains are these morally grey characters with amazing backstories, but not the villain here. There was no grand reveal of who the mystery figure was and the plot twist at the end was rather disappointing.
Don't get me wrong, I loved the ending! But so much more could have been added to the story-line that would have added an appealing and captivating touch that built up until BOOM, plot twist, and cliffhanger. The Black Orchids does end on a bit of a cliffhanger but again, it lacked and didn't give a massive explosion to my brain as most cliffhangers do.
Another aspect of The Black Orchids that I couldn't get over was all of the spelling and grammatical errors. I kept having to reread sentences, paragraphs, and even whole pages! I wanted to DNF this but also keep reading, all at the same time. And I honestly don't know how I feel about that.
The Black Orchids has a good plot for a debut, it just needs a bit of work done to it to revamp and add cushion to the story-line.
"In the end, she settled for trying to show a turtle raising its head out of its shell. She thought it symbolized new hope, courage, and maybe even as a welcoming. For a turtle to peek outside was courage indeed, they never knew what awaited them on the other side."
TRIGGER WARNINGS: death, torture
Review:
I originally rated this 3.5 stars but I'm dropping this down to 2.5 stars, as I've had time to sit and really gather my thoughts around.
The Black Orchids is a paranormal fantasy novel about a young girl being haunted by a monster called It (no, not the clown). She goes to a boarding school where she comes into contact with It again and even gains new friends. There are multiple of love interests within this story and the story gave off a very dark, suspenseful, and adventure feel with twists, but it wasn't what I expected from reading the blurb.
The Black Orchids vaguely has the same vibes that the Vampire Academy and Beautiful Creatures series' has. There was a lack of connection with the characters and the story overall lacked. There was potential here but it fell short and left me a bit disappointed.
The main character was in a constant battle with herself and her family, she even considered herself to be different from the "other girls". Basically, she was the loner, edgy girl that didn't have friends. This wasn't executed the greatest and really just made the MC feel shallow and a tad emotionless. The other characters weren't much better. The relationships between them seemed a tad forced and not at all 'believable'.
The story lacked descriptive nature and world-building. But the plot was pretty decent. I wasn't instantly enamored with the story and it was a slow read - even though I devoured it. There was something still keeping me reading and I couldn't put my finger on it. I know for sure it wasn't the characters, as I could never really connect with any of them and the villain wasn't even the greatest. Majority of villains are these morally grey characters with amazing backstories, but not the villain here. There was no grand reveal of who the mystery figure was and the plot twist at the end was rather disappointing.
Don't get me wrong, I loved the ending! But so much more could have been added to the story-line that would have added an appealing and captivating touch that built up until BOOM, plot twist, and cliffhanger. The Black Orchids does end on a bit of a cliffhanger but again, it lacked and didn't give a massive explosion to my brain as most cliffhangers do.
Another aspect of The Black Orchids that I couldn't get over was all of the spelling and grammatical errors. I kept having to reread sentences, paragraphs, and even whole pages! I wanted to DNF this but also keep reading, all at the same time. And I honestly don't know how I feel about that.
The Black Orchids has a good plot for a debut, it just needs a bit of work done to it to revamp and add cushion to the story-line.
"In the end, she settled for trying to show a turtle raising its head out of its shell. She thought it symbolized new hope, courage, and maybe even as a welcoming. For a turtle to peek outside was courage indeed, they never knew what awaited them on the other side."
Gareth von Kallenbach (980 KP) rated Source Code (2011) in Movies
Aug 7, 2019
Following upon his breakout success with the film Moon director Duncan Jones has returned with Source Code and has proven that he is not a one-hit wonder but also a talent on the rise.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
The film stars Jake Gyllenhaal as Colter Stevens who, after waking up on a train, finds himself disoriented and unable to identify his travel companion, the attractive Christina Warren (Michelle Monaghan), who sits across from him eagerly discussing things they appear to have spoken about previously.
Taking a quick survey of his surroundings, Colter finds out that he is on a train heading to Chicago and that he cannot explain how he ended up where he currently is. Colter is not given much time to ponder his situation as the train is suddenly rocked by a massive explosion and he finds himself engulfed in a wall of flame. Shortly thereafter Colter awakens and finds himself upside down and strapped into what appears to be a cockpit of some sort.
A voice soon fills the cockpit, followed by the face of the woman he can’t identify on a video monitor. Unable to ascertain what is going on, a frantic Colter only recalls that he was a helicopter pilot on mission in Afghanistan. The mystery woman (Vera Farmiga) tells him that he is now part of a top-secret project that is attempting to unravel the mystery behind the bombing of the train.
Before he can ask too many questions, Colter once again finds himself back on the train with Christina and the same sequence of events occur before the train is engulfed by devastating fireball. When he once again awakens in his cockpit, Colter learns that the project he’s involved with can send him back in time 8 minutes into the body of someone on the train. He will be sent back time and time again to relive those final 8 min. in an effort to determine who is responsible for the bombing.
Despite his protests, Colter relives the events each time looking for new clues and each time ending up engulfed in the fireball and awakening in his cockpit. Eventually after numerous trips to the past Colter becomes obsessed with not only getting to the bottom of the mystery but with saving Christina to whom he is becoming attached through their numerous 8 minute interactions. Colter is also desperate to determine his exact situation as he has no memory of how he ended up in the program and finds himself not only trying to solve the mystery of the bombing, save Christina, but also fill in the gaps in his memory.
What follows is a fast-paced, character-driven adventure film that relies on the interaction’s between the two leads rather than special effects to carry the film. Gyllenhaal and Monaghan have good chemistry with each other and the film has some nice twists and turns that will keep the audience engrossed even if the concepts of time travel and temporal mechanics escape them.
Jones keeps the film moving at a brisk pace and it does not drag or overstay its welcome. Like Moon, Jones has based the film around a leading man who is facing isolation and questioning his mental state. With what could’ve been a dumbed-down action film, Jones has exceeded expectations and produced a smart and innovative action thriller with a touch of science fiction and romance thrown in, a winning combination that makes for a very enjoyable film.
Bob Mann (459 KP) rated Honest Thief (2020) in Movies
Dec 3, 2020
Chemistry between Neeson and Walsh (1 more)
Great cinematography around a scenic Boston
As discussed in my One Mann's Movies review of "Cold Pursuit", Liam Neeson has had a rather rocky PR road of late. But - unlike Kevin Spacey - he is clearly not being put on the naughty step by Hollywood, since he is filming/announced for five other features at the time of writing. His latest release - "Honest Thief" - has Mark Williams directing and co-writing (with Steve Allrich), and sees Neeson back on VERY familiar territory in an exciting and sometimes violent thriller.
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.
There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).
The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.
The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.
All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.
Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.
For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!
Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.
(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)
Darren (1599 KP) rated Warsaw 44 (2014) in Movies
Jun 25, 2019
Story: Warsaw 44 starts as we meet Stefan (Pawlowski) a young man living in Warsaw in 1944 during the war, he lives with his mother and younger brother bring the money back to the home, this changes when he meets a group of people similar to his age, they offer him a chance to go into the Polish army as they plan to fight back against the Germans.
As the Uprising starts to attack the Nazi’s Stefan learns the harsh reality of war up close and personal, with the love of his life Biedronka (Wichlacz) being the only one that will help him through the destruction.
Thoughts on Warsaw 44
Characters – Stefan is the honest hard working young man, he supports his family, protects his brother from the horrors of war, he is however led to join the Uprising in Warsaw against the Nazi’s, a move which will change his life, he will learn love and heartache as the war comes closer than he would imagine. Biedronka is the woman that Stefan falls for in the uprising, she fights alongside the men and will do everything to save lives. Kama is another woman in the uprising that shows love towards Stefan, we get plenty of characters in this film that are mostly following the ones in the uprising that will do anything to get their freedom back.
Performances – Jozef Pawlowski is good in the leading role, the charm he shows saying goodbye to his little brother could melt a heart and seeing his reaction to the war side of the film shows us how any young man would have been going through during the time. The rest of the cast is good, getting their moments to shine with the desperation needed through the war.
Story – The story follows the young people of Poland setting up an uprising to take on the Nazis during World War II, it starts as a small fight and soon throws them into the true harsh reality of war. While seeing the realities of war isn’t anything new, we do know how destruction, devasting and brutal war is on the people involved and World War II could well have been the worse in modern history, these people didn’t have any hope and only wanted freedom, they were willing to lay die their lives to do so. The characters however are fictional which could hold back being truly connected to the real people that would have suffered through the events. The story isn’t an easy watch and does have parts we don’t need to see, mostly the romance.
History/Romance/War – The history behind this film is true, we knew how bad the war was on the people and just how fighting back was the only way, these two parts of the film are shown near perfectly for what it could have cost people. The romance however just feels tacked on and unneeded for most of the film.
Settings – The film makes us feel like we are there, feeling each explosion, moment of destruction with hauntingly created settings.
Scene of the Movie – The graveyard battle, because it shows us what they will truly be battling.
That Moment That Annoyed Me – The romance side of the film.
Final Thoughts – This is a hard hitting war drama, it shows us just what people were willing to do through the war through the eyes of the young adults.
Overall: Hard-hitting war drama
https://moviesreview101.com/2019/06/23/abc-film-challenge-world-cinema-w-warsaw-44-2014/
As the Uprising starts to attack the Nazi’s Stefan learns the harsh reality of war up close and personal, with the love of his life Biedronka (Wichlacz) being the only one that will help him through the destruction.
Thoughts on Warsaw 44
Characters – Stefan is the honest hard working young man, he supports his family, protects his brother from the horrors of war, he is however led to join the Uprising in Warsaw against the Nazi’s, a move which will change his life, he will learn love and heartache as the war comes closer than he would imagine. Biedronka is the woman that Stefan falls for in the uprising, she fights alongside the men and will do everything to save lives. Kama is another woman in the uprising that shows love towards Stefan, we get plenty of characters in this film that are mostly following the ones in the uprising that will do anything to get their freedom back.
Performances – Jozef Pawlowski is good in the leading role, the charm he shows saying goodbye to his little brother could melt a heart and seeing his reaction to the war side of the film shows us how any young man would have been going through during the time. The rest of the cast is good, getting their moments to shine with the desperation needed through the war.
Story – The story follows the young people of Poland setting up an uprising to take on the Nazis during World War II, it starts as a small fight and soon throws them into the true harsh reality of war. While seeing the realities of war isn’t anything new, we do know how destruction, devasting and brutal war is on the people involved and World War II could well have been the worse in modern history, these people didn’t have any hope and only wanted freedom, they were willing to lay die their lives to do so. The characters however are fictional which could hold back being truly connected to the real people that would have suffered through the events. The story isn’t an easy watch and does have parts we don’t need to see, mostly the romance.
History/Romance/War – The history behind this film is true, we knew how bad the war was on the people and just how fighting back was the only way, these two parts of the film are shown near perfectly for what it could have cost people. The romance however just feels tacked on and unneeded for most of the film.
Settings – The film makes us feel like we are there, feeling each explosion, moment of destruction with hauntingly created settings.
Scene of the Movie – The graveyard battle, because it shows us what they will truly be battling.
That Moment That Annoyed Me – The romance side of the film.
Final Thoughts – This is a hard hitting war drama, it shows us just what people were willing to do through the war through the eyes of the young adults.
Overall: Hard-hitting war drama
https://moviesreview101.com/2019/06/23/abc-film-challenge-world-cinema-w-warsaw-44-2014/
Lottie disney bookworm (1056 KP) rated The Fractured Empire in Books
Oct 25, 2021
The Fractured Empire is the first in the Worlds Apart series and takes place on the fifth anniversary of The Silent Explosion when Adelaide lost her mother and sister and Clark lost his father.
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
Daniel Boyd (1066 KP) rated No Man's Sky in Video Games
Jul 25, 2017
Hyped Up Nonsense
Earlier this month No Man’s Sky was released, a game that had been hyped and anticipated by so many. Unfortunately, it has failed to live up to the expectations that gamers had for it, however in the eyes of many this isn’t due to the faults or shortcomings of the actual game itself, but is rather due to the way that Sony marketed the game, (this game is technically an indie title, yet Sony treated it as a 1st party exclusive,) and the gaming media blowing expectations insanely out of proportion. Personally, I have only played the game for a couple of hours, but I feel that I have already seen everything there is to see, in that I know that if I play for longer all I will come across is the same things with different skins and textures and that is okay, if that is all that you are looking for. The reason that I stole the phrase, “a mile wide and an inch deep,” from Colin Moriarty and used it as the headline to this article, is because I feel that it is the most accurate description that I have heard of this game to date. However, if the game was marketed as an exploratory crafting game with very light story elements and no real characters, it would have been received a lot better. The point of this paper isn’t to insult No Man’s Sky, I am simply using it as an example as that game is currently at the forefront of the gaming zeitgeist. I don’t think that the gaming community’s disappointment in No Man’s Sky is down to the developers of the game, I believe that it was Sony’s treatment, as well as the gaming press’ treatment of the game that caused the hype train to come to a crash.
This isn’t the first time that this has happened, it happened last year with The Phantom Pain, that game took over three years to come out after it was officially announced and it was still an unfinished mess. The example that always comes up when discussing games stuck in development hell for years is Duke Nukem Forever, which was objectively a bad game, but even if it was more competent, in the leagues of Halo or COD, it would still be considered a failure. Final Fantasy 15 and The Last Guardian are also going to suffer for these reasons, too much time has been spent, reporting development news and hyping up the release that feels like it will never arrive and both of those games could be stellar masterpieces and they still wouldn’t reach anywhere near the payoff that is expected of them due to all of this overhyping and false hope that has been created by the gaming press. Lastly, even if Half Life 3 ever does release and against all odds does meet the standard of the previous games in the series, that still won’t be enough for die hard fans, due to the vast amount of time between now and the previous entry and the unrealistically high standards that this has caused gamers to expect.
I am fed up of this occurring, but the press isn’t going to stop reporting any news on these projects as its released, that’s their job. The only way that I can see to get around this issue is for developers to use the Fallout 4 method and release their game with 6 months of announcing it, quelling the inevitable explosion of hype that is created if the game takes any longer than that to release. The old saying goes that, ‘there is no such thing as bad publicity,’ but if the developer has any integrity and tact and isn’t just making something for the sake of a cash grab, perhaps they would do well to think of the No Man’s Sky release saga as a cautionary tale.
This isn’t the first time that this has happened, it happened last year with The Phantom Pain, that game took over three years to come out after it was officially announced and it was still an unfinished mess. The example that always comes up when discussing games stuck in development hell for years is Duke Nukem Forever, which was objectively a bad game, but even if it was more competent, in the leagues of Halo or COD, it would still be considered a failure. Final Fantasy 15 and The Last Guardian are also going to suffer for these reasons, too much time has been spent, reporting development news and hyping up the release that feels like it will never arrive and both of those games could be stellar masterpieces and they still wouldn’t reach anywhere near the payoff that is expected of them due to all of this overhyping and false hope that has been created by the gaming press. Lastly, even if Half Life 3 ever does release and against all odds does meet the standard of the previous games in the series, that still won’t be enough for die hard fans, due to the vast amount of time between now and the previous entry and the unrealistically high standards that this has caused gamers to expect.
I am fed up of this occurring, but the press isn’t going to stop reporting any news on these projects as its released, that’s their job. The only way that I can see to get around this issue is for developers to use the Fallout 4 method and release their game with 6 months of announcing it, quelling the inevitable explosion of hype that is created if the game takes any longer than that to release. The old saying goes that, ‘there is no such thing as bad publicity,’ but if the developer has any integrity and tact and isn’t just making something for the sake of a cash grab, perhaps they would do well to think of the No Man’s Sky release saga as a cautionary tale.
Ryan Hill (152 KP) rated Justice League (2017) in Movies
May 27, 2019
"They said the age of heroes would never come again."
As a huge fan of Zack Snyder's first two efforts inside the DCEU and Patty Jenkins wonderful Wonder Woman, my expectations for Justice League were pretty much through the roof. After the mediocre buzz that it got and all the stuff that happened behind the scenes, I was a little skeptical but still very excited, but after getting out of the theater, one word really just describes how I felt; disappointed.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
Purple Phoenix Games (2266 KP) rated FUSE in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/
ArecRain (8 KP) rated Making Waves (League of 7, #1) in Books
Jan 18, 2018
As a first erotic novel, I believe this was a great choice. I bought this book years ago when I was still young and terrified about my parents finding out. I was just a freshman in high school looking for something that normal romance novels couldnt give me. I was so tired of all the sugary innuendoes. If I am going to read about people having sex, I want clear descriptions about what is going on or nothing at all. Innuendoes that compare a ladys part to food just grosses me out; and comparing an orgasm to an explosion of stars is just silly. Of course, I thought all this before I lost my
virginity at the ripe old age of 19 (yay for beating teen pregnancy?) And, I still think this today.
But I digress. This book is actually an anthology of two stories by different authors, both stories water related. Thus, the title.
The first story is titled Liquid Dreams by Cathryn Fox. From the very first page, Fox jumps right into the sex. When I first read it, I felt so scandalous that I knew my cheeks were red from embarrassment. Now, looking back, I realize how silly I was considering I have read much more graphic scenes since. Liquid Dreams does not want of sex scene. In fact, I am pretty sure that 85% of the novel is about the main characters partaking in foreplay. Another 10% is devoted to sex.
The plot consists of a young woman, Katrina, who keeps having dreams about a man that comes to her out of the sea. He pleases her, she pleases him. And then, by swallowing his semen, she starts regaining memories from a past life. Eventually, she figures out that the man, Ranek, is her lover from that. She also gradually realizes that she has been horribly miserable with her life because it is not her true life. The only problem is Raneks brother is hell-bent on seeing them both suffer.
A pretty straight forward plot with no twists or surprises and plenty of steamy sex scenes to call it erotic. The only problem I had with this novel was the way she covered her memories. Everything else was pretty believable for a fantasy erotic novel except that. In fact, it was pretty weird.
The second novel is called Dolphins Playground by Jaci Burton. At first, I was a little hesitant to read it just because of the title, but I sucked it up and read on. Unlike Fox, Burton is more about the plot-line than sex. This short story is about a marine biologist, Jasmine, who would rather spend her time with dolphins than people, especially her big wig boss who cares more about than living things. When she finds some sick dolphins, she decides to take them in much to the chagrin of her soon to be lover, Triton. Triton just so happens to be able to turn into a dolphin and is able to communicate with them. In fact, the dolphins that are now in Jasmines custody actually belong to Triton, who is also trying to find a cure with the diseased dolphins.
Since he cant get the dolphins out of the facility, Triton decides to use it, and Jasmine, to his advantage in his search for the cure. They, of course, hook up during this search and do end up having a happy ending.
The writing was pretty simple in terms of vocabulary and biology terms. However, I really enjoyed Triton and Jasmines witty banter and that the you could cut the sexual tension between them with a knife. It was the characters that made this story, honestly.
virginity at the ripe old age of 19 (yay for beating teen pregnancy?) And, I still think this today.
But I digress. This book is actually an anthology of two stories by different authors, both stories water related. Thus, the title.
The first story is titled Liquid Dreams by Cathryn Fox. From the very first page, Fox jumps right into the sex. When I first read it, I felt so scandalous that I knew my cheeks were red from embarrassment. Now, looking back, I realize how silly I was considering I have read much more graphic scenes since. Liquid Dreams does not want of sex scene. In fact, I am pretty sure that 85% of the novel is about the main characters partaking in foreplay. Another 10% is devoted to sex.
The plot consists of a young woman, Katrina, who keeps having dreams about a man that comes to her out of the sea. He pleases her, she pleases him. And then, by swallowing his semen, she starts regaining memories from a past life. Eventually, she figures out that the man, Ranek, is her lover from that. She also gradually realizes that she has been horribly miserable with her life because it is not her true life. The only problem is Raneks brother is hell-bent on seeing them both suffer.
A pretty straight forward plot with no twists or surprises and plenty of steamy sex scenes to call it erotic. The only problem I had with this novel was the way she covered her memories. Everything else was pretty believable for a fantasy erotic novel except that. In fact, it was pretty weird.
The second novel is called Dolphins Playground by Jaci Burton. At first, I was a little hesitant to read it just because of the title, but I sucked it up and read on. Unlike Fox, Burton is more about the plot-line than sex. This short story is about a marine biologist, Jasmine, who would rather spend her time with dolphins than people, especially her big wig boss who cares more about than living things. When she finds some sick dolphins, she decides to take them in much to the chagrin of her soon to be lover, Triton. Triton just so happens to be able to turn into a dolphin and is able to communicate with them. In fact, the dolphins that are now in Jasmines custody actually belong to Triton, who is also trying to find a cure with the diseased dolphins.
Since he cant get the dolphins out of the facility, Triton decides to use it, and Jasmine, to his advantage in his search for the cure. They, of course, hook up during this search and do end up having a happy ending.
The writing was pretty simple in terms of vocabulary and biology terms. However, I really enjoyed Triton and Jasmines witty banter and that the you could cut the sexual tension between them with a knife. It was the characters that made this story, honestly.
Alice (12 KP) rated The Aeronaut's Windlass in Books
Jul 3, 2018
5 Stars - fabulously steampunk novel set high in the sky
The Aeronaut’s Windlass has been something I’ve had for a few months but I’ve been putting it off and putting it off as I didn’t like the authors other first book Storm Front, book 1 of the The Dresden Files. My fiancé has been telling me to read it over and over again and I’ve always put it off after a bad start to Dresden, however, a Facebook group I’m part of told me to read it and gave me several reasons why.
First and foremost, The Aeronaut’s Windlass is steampunk!
Secondly, cats. Talking cats.
And finally there’s aeronauts.
The book opens in what, at first glance, appears to be a regency novel – cue derision and disbelief – until one of the main characters Gwen Lancaster threatens a warrior born with an etheric gauntlet.
Ether is something that is mentioned often in this book and during the various trips of the main characters, it is shown in various forms.
Our main characters revolve around the following:
Gwen Lancaster – heir to the Lancaster fortune and crystal factory. Guard in the Spirearch’s Guard.
Benedict Sorellion-Lancaster – warrior born guard in the Spirearch’s Guard.
Bridget Tagwynn – cat girl and only child of the head of the Tagwynn family.
Captain Francis Madison Grimm – disgraced Fleet officer and captain of the merchant class ship AMS Predator an aeronautical ship.
Rowl – kit to Maul of the Silent Paws.
The premise of The Aeronaut’s Windlass is the aeronautical prowess of the Spires, a tall building that towers above the surface of Earth, designed in a general diamond shape with the key head houses at each compass point and the Spirearch smack in the middle. The Spires in focus are Spire Albion and Spire Aurora; a rival Spire with a penchant for warmongering. The book follows Gwen and Bridget as they train to become members of the Spirearch’s Guard, with Benedict – Gwen’s cousin – doing some extra training on the side. There’s an accidental duel and it’s from here that our story really starts; there’s an explosion and the Spire starts to collapse around them. Our intrepid heroes work together to save a fellow trainee and end up on the wrong end of a potentially deadly situation and the war starts.
The rest of the book is wonderfully described and there’s plenty of sky time for the pilot-at-heart in us all. There’s talking cats that are so well written you can plainly imagine your pet cat having that much disdain for you but really loving you with his whole heart; Rowl, in particular gives off the standard cat disdain but he’s also amazingly human in an odd way. There’s a few odd main secondary characters – Master Ferus and Folly – both of whom are integral to the story as a whole and both of whom are etheralists and a little odd.
There’s war, battles in the sky and dire situations, there’s treachery secrets and death galore; and there’s a history between a lot of the characters to make your eyebrows raise and your brain twitch in disbelief.
As originally stated I was quite reluctant to read Windlass but I really enjoyed the storyline as a whole, the characters were amazingly human/humanised – even the ones who aren’t – Bridget was my favourite, she was so unbelievably awkward in everything that she did but she was so sweetly written that she was entirely relatable.
I see sometimes that steampunk novels are written with the wrong tone of voice – when you hear steampunk you think Victorian and I’ve read sometime books classified as steampunk that weren’t in any way. Windlass didn’t have this issue and it was written perfectly for the genre.
Brilliantly done and I look forward to the sequel <i>The Olympian Affair.</i>
The Aeronaut’s Windlass has been something I’ve had for a few months but I’ve been putting it off and putting it off as I didn’t like the authors other first book Storm Front, book 1 of the The Dresden Files. My fiancé has been telling me to read it over and over again and I’ve always put it off after a bad start to Dresden, however, a Facebook group I’m part of told me to read it and gave me several reasons why.
First and foremost, The Aeronaut’s Windlass is steampunk!
Secondly, cats. Talking cats.
And finally there’s aeronauts.
The book opens in what, at first glance, appears to be a regency novel – cue derision and disbelief – until one of the main characters Gwen Lancaster threatens a warrior born with an etheric gauntlet.
Ether is something that is mentioned often in this book and during the various trips of the main characters, it is shown in various forms.
Our main characters revolve around the following:
Gwen Lancaster – heir to the Lancaster fortune and crystal factory. Guard in the Spirearch’s Guard.
Benedict Sorellion-Lancaster – warrior born guard in the Spirearch’s Guard.
Bridget Tagwynn – cat girl and only child of the head of the Tagwynn family.
Captain Francis Madison Grimm – disgraced Fleet officer and captain of the merchant class ship AMS Predator an aeronautical ship.
Rowl – kit to Maul of the Silent Paws.
The premise of The Aeronaut’s Windlass is the aeronautical prowess of the Spires, a tall building that towers above the surface of Earth, designed in a general diamond shape with the key head houses at each compass point and the Spirearch smack in the middle. The Spires in focus are Spire Albion and Spire Aurora; a rival Spire with a penchant for warmongering. The book follows Gwen and Bridget as they train to become members of the Spirearch’s Guard, with Benedict – Gwen’s cousin – doing some extra training on the side. There’s an accidental duel and it’s from here that our story really starts; there’s an explosion and the Spire starts to collapse around them. Our intrepid heroes work together to save a fellow trainee and end up on the wrong end of a potentially deadly situation and the war starts.
The rest of the book is wonderfully described and there’s plenty of sky time for the pilot-at-heart in us all. There’s talking cats that are so well written you can plainly imagine your pet cat having that much disdain for you but really loving you with his whole heart; Rowl, in particular gives off the standard cat disdain but he’s also amazingly human in an odd way. There’s a few odd main secondary characters – Master Ferus and Folly – both of whom are integral to the story as a whole and both of whom are etheralists and a little odd.
There’s war, battles in the sky and dire situations, there’s treachery secrets and death galore; and there’s a history between a lot of the characters to make your eyebrows raise and your brain twitch in disbelief.
As originally stated I was quite reluctant to read Windlass but I really enjoyed the storyline as a whole, the characters were amazingly human/humanised – even the ones who aren’t – Bridget was my favourite, she was so unbelievably awkward in everything that she did but she was so sweetly written that she was entirely relatable.
I see sometimes that steampunk novels are written with the wrong tone of voice – when you hear steampunk you think Victorian and I’ve read sometime books classified as steampunk that weren’t in any way. Windlass didn’t have this issue and it was written perfectly for the genre.
Brilliantly done and I look forward to the sequel <i>The Olympian Affair.</i>