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Gareth von Kallenbach (974 KP) rated Into the Woods (2014) in Movies
Aug 6, 2019
For those seeking a big dose of magic this holiday season, Disney’s “Into the Woods” aims to deliver just that. Adapted to the silver screen from the original Broadway musical production by Stephen Sondheim, the plot intertwines several of the Grimm Brothers’ fairy tales to create one story.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
At the center of the story is The Baker (James Corden) and The Baker’s Wife (Emily Blunt) who are desperate to break the curse, which keeps them from having a child. The Witch (Meryl Streep) who placed the curse weaves a devious web, entangling all of the characters in a tumultuous adventure.
Streep is terrifying and highly entertaining to watch in her role. Her vocal and facial expressions exude a character of pure evil.
Other characters incorporated into the story include Little Red Riding Hood (Lilla Crawford), Cinderella (Anna Kendrick), and Rapunzel (Mackenzie Mauzy), just to name a few.
Disney toned down several aspects of the original plot, which would not have been appropriate for children. However, the story still maintains a racy mix of seriousness and humor. Each scene highlights the absurdities of fairy tales only noticed by adults.
One scene which will have adults rolling with laughter is the sudden duet between Cinderella’s Prince (Chris Pine) and his brother, Rapunzel’s Prince (Billy Magnusson). They sing about the challenges of literally chasing the ladies of their desire and their refusal to acknowledge any possibility of rejection.
Certain scenes test the limits of appropriateness and are almost perverse, or perhaps even err on the side horror.
One example of this is the role of The Wolf (Johnny Depp). As he stalks Little Red Riding Hood through the forest he sings about how she is fresh, supple, and young. Through the lyrics and the choice to use a human in the role, rather than a CGI wolf, a strange glimmer of pedophilia surfaces. This is taken a step further when The Wolf reveals a jacket full of candy in his attempt to lure the child.
The element of horror enters the film in a scene where Cinderella’s Stepmother cuts the feet of the ugly stepsisters to try and force them into the glass slipper offered by the Prince. This is not graphically shown. However, it is implied as she waves around a knife and sings about it.
Despite a few of these adult twists, the film should be fun for the whole family to watch. Just keep in mind that, like the original tales, some short scenes may be a bit horrifying for young children.
As is tradition with fairy tales, the good comes with the bad. The moral messages of each fairy tale are combined into one larger message: One should be careful what they wish for, because in the grander scheme of life the ramifications of those wishes may be unforeseen.
It is also a visually stunning piece of work. Nothing comes off as overdone or cheesy. The tales truly come to life and transport viewers into a land of fantasy.
The majority of the film is very exciting and fast moving. That being said, the film is lengthy with a runtime of 124 minutes. Unfortunately, the last 30 minutes begins to drag on and feel tiring. This would have been an easy fix if perhaps the last few songs had been shortened, or the last thirty minutes was cut completely.
All in all, the film is a truly magical cinematic experience. I give “Into the Woods” 4 out of 5 stars.
Kashimon -cook!, grow up! and sale Japanese sweets character-
Games and Food & Drink
App
Play the game where you create, play with and sell a fairy of Japanese sweets! The game...
A Right Royal Affair
7.5
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Theo Glass used to believe that love was just a fairy tale. Orphaned and disowned by his homophobic...
warm and fuzzies too stinking cute male/male romance 2018 reads 5 star reads
The Prince And The Puppet Thief
8.0
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Book
Welcome to the kingdom where princes kiss thieves, princesses dance with their handmaids at...
Apocalyptin
10.0
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First in the world psychotherapeutic metaphorical fairy tale for adults effectively working with the...
fiction psychology
Debbiereadsbook (1166 KP) rated Blaine's Beast in Books
Jan 8, 2023
Needed Rohan and Beast
Independent reviewer for GRR, I was gifted my copy of this book.
This is a retelling of a fairy tale, but please shove your knowledge of that fairy tale aside, cos this was brilliant! Bar one teeny tiny thing!
Blaine finds himself caught out in a storm, and then surrounded by wolves and then looked after by some lovely, if slightly odd, people. But nothing is as it seems and when Blaine finds out the truth, he vows to help fix things.
I thoroughly enjoyed this, I really did.
While, to me, it was very obvious who Rohan was, I liked that THAT fact wasn't dragged out for too long.
What surprised me was how things went down at the end. I was happily reading away, there was an ending of sorts and I was expecting that to be it. But I still had 25% to read! And then things happened and I loved being surprised!
It's steamy, and smexy and dark and gritty. It has a few sweeter moments too.
BUT!
And this is the only reason I can't stretch to 5 stars. It pains me, but its my review.
We ONLY get Blaine. And I wanted Rohan and Beast, I really did. I needed them to tell their story. And I don't get them. So, I was not very happy about that. I wanted in their head, you know? How they felt about Blaine arriving, then leaving, then things happening at the end. I needed that, and I don't get it.
so, 4 very good stars
*same worded review will appear elsewhere
This is a retelling of a fairy tale, but please shove your knowledge of that fairy tale aside, cos this was brilliant! Bar one teeny tiny thing!
Blaine finds himself caught out in a storm, and then surrounded by wolves and then looked after by some lovely, if slightly odd, people. But nothing is as it seems and when Blaine finds out the truth, he vows to help fix things.
I thoroughly enjoyed this, I really did.
While, to me, it was very obvious who Rohan was, I liked that THAT fact wasn't dragged out for too long.
What surprised me was how things went down at the end. I was happily reading away, there was an ending of sorts and I was expecting that to be it. But I still had 25% to read! And then things happened and I loved being surprised!
It's steamy, and smexy and dark and gritty. It has a few sweeter moments too.
BUT!
And this is the only reason I can't stretch to 5 stars. It pains me, but its my review.
We ONLY get Blaine. And I wanted Rohan and Beast, I really did. I needed them to tell their story. And I don't get them. So, I was not very happy about that. I wanted in their head, you know? How they felt about Blaine arriving, then leaving, then things happening at the end. I needed that, and I don't get it.
so, 4 very good stars
*same worded review will appear elsewhere
Once Upon Another Time
10.0
Rate It
Book
Storybook characters collide in this first book in a new trilogy of twisted fairy tales from New...
graveyardgremlin (7194 KP) rated The Fairy Godmother (Five Hundred Kingdoms, #1) in Books
Feb 15, 2019
I love, love, loved this book! This is my first Mercedes Lackey book and it most definitely won't be my last! If all - or even most - of her other books are as good as this one, I'll be a fan for life! I do think the synopsis is a bit misleading, it's not exactly how everything happened, especially since the prince doesn't enter the picture until halfway through the book. Maybe hardcore fantasy readers won't enjoy it as much as those who love both fantasy and romance, but I thought it was a very smart and interesting twist on the usual fairy tales. I loved the epilogue and thought that added to the whole 'moral' of the story. I can't wait to get to the others in the series. :)
ArecRain (8 KP) rated Once Upon a Time: New Fairy Tales in Books
Jan 18, 2018
I absolutely love fairy tales, so of course I was thrilled to find this collection. It is impossible for me to give it anything less than 5 stars because I could not find fault with a single story. Even though I did not like every story, I could not blame the publisher or the authors for the story just not being my taste. I can admit when a story is good even though I don't like the genre. Every story was interesting, expertly written, and interesting. I found myself laughing, crying , and holding my breath as I read. Not to mention, I felt that each story was a brand new fairytale. Everything seemed fresh and new, even to someone who has loved fairytales since the beginning of time.
Awix (3310 KP) rated The Company of Wolves (1984) in Movies
Feb 23, 2018
Curious British-made feminist werewolf movie retells the story of Little Red Riding Hood (along with various others). A young girl dreams of a fairy-tale world of wolves and dark magic, where some people are hairy on the inside and everyone has a bit of a beast in them.
One of those movies laden with a slightly ponderous symbolism; doesn't really make sense except as an allegory for something-or-other; quite what that is is a bit unclear. It's not that all men are wolves at heart, but something slightly more even-handed. Good cast, nice production values; some of the special effects have dated a bit, but not risibly so. In the end it is all quite impressive but at the same time wilfully oblique.
One of those movies laden with a slightly ponderous symbolism; doesn't really make sense except as an allegory for something-or-other; quite what that is is a bit unclear. It's not that all men are wolves at heart, but something slightly more even-handed. Good cast, nice production values; some of the special effects have dated a bit, but not risibly so. In the end it is all quite impressive but at the same time wilfully oblique.