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Chris Sawin (602 KP) rated Midsommar (2019) in Movies
Jun 26, 2019 (Updated Jul 4, 2019)
When a director like Ari Aster only has two full-length features under his belt, it’s difficult not to compare his works but the truth of the matter is that Hereditary and Midsommar are two incredibly different films. Hereditary seemed to thrive on lurking in the shadows visually to assist in its dark storytelling. Nearly all of Midsommar takes place under blinding sunlight making the horrific events that unfold feel stranger and even more out of place, confusing, and bizarrely unsettling. Based on his two films though, Aster does seem to flock towards a few common themes. Grief, loss, and the inability to cope have plagued the main characters of his films while the importance of family takes a high precedence. Hereditary was more about a specific family attempting to stay together while already being in shambles and Midsommar attempts to create a new family on more than one occasion with the possibility of constant expansion.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
Dani’s (Florence Pugh) life is turned inside out once a devastating tragedy leaves her dumbstruck. She leans on her boyfriend of four years, Christian (Jack Reynor), for support, but their relationship is obviously strained. Along with their friends Josh (William Jackson Harper) and Mark (Will Poulter), Dani and Christian end up going on vacation to rural Sweden. They travel to a small village where their friend Pelle (Vilhelm Blomgren) grew up and now serves as their host. A rare nine-day festival that only occurs once every 90 years is being celebrated. Josh is utilizing the trip as a means to bulk up his folklore thesis for college while Mark is more interested in partaking in the Swedish women. Christian is attempting to figure out what his thesis will be while Dani searches for some sort of guidance after such a tragic occurrence. Their trip becomes increasingly more peculiar the longer they stay as they’re forced to witness violent rituals and are encouraged to embrace the ways of a Pagan cult.
The intricate illustrations throughout the film like in the opening shot, the elongated love potion cloth, or the walls of the barn-like structure Dani and her friends sleep in, give Midsommar this dark fairy tale aspect to it that a film like Pan’s Labyrinth would be proud of. The Pagan roots of Pelle’s village and the film’s metaphorical feet being so firmly planted in such rich folklore give Midsommar this cautiously fanciful aesthetic. The film capitalizes on the nostalgic sensation of when fairy tales and children’s books were read to you as a child. There are consistent signs that things aren’t right, paranoia lurks around every corner, and the locals set off every ominous alarm in your body, but there’s that naïve part of us buried deep down that wishes for and hopes for a happy ending because cosmetically we believe that is what resides at the end of every fairy tale not written by Jakob and Wilhelm Grimm (The Brothers Grimm).
It’s also interesting observing the main and supporting characters of the film or basically all of the “outsider” guests of the festival. Pelle acts as a conduit/guide between his village and the outside world, Josh is a historian/researcher, Mark is a mocker/fool, Dani and Christian are a strained couple, and Connie (Ellora Torchia) and Simon (Archie Madekwe) are a flourishing one. According to Wikipedia, Ari Aster based Dani and Christian’s relationship on a bad breakup. Midsommar is also way funnier than it has any right to be; something Hereditary completely distanced itself from. Midsommar goes out of its way to boast about who Dani’s real family is in the film. The unified chanting, outrageous theatrics, and harmonized moaning may seem like mockery or complete insanity to some. While it is humorous at times, it seems like this is the way the locals can experience everything everyone else does as a cohesive unit. This seems relevant to emotions, hallucinogens, and even sustenance; this cult does everything together.
Midsommar isn’t going to sit right with a lot of people, especially since Ari Aster desired to be confusing when it came to making the film. With all of the drug-taking in the film being so common, Midsommar may leave you feeling as groggy and disoriented as the characters on screen. However, in between the sacrifices, the brutality, the graphic nature of the film, inbred oracles, and plethora of naked mature women moaning in unison there’s something unique and brilliant about Midsommar you can’t find elsewhere. It may draw parallels to films like Robin Hardy’s The Wicker Man and may feel like a bleaker version of The Wizard of Oz on a bad acid trip, but Midsommar is unlike any other film you’ll see this year. In a way, Dani and her friends all get exactly what they came for but the end outcome is that the majority of them bit off more than they could chew. Truth be told, you’ll never look at a bear in a film the same way again even if it does remind you of the Tanooki suit Mario wore in Super Mario Bros 3. This is the type of film where you could literally tell someone everything that happens and it wouldn’t really spoil the film for them. The context of these events is important to witness in succession and in their entirety since what each individual takes away from the film will likely differ person to person.
There’s a deliberate pacing of the film many will find too slow and uneventful as the film’s two and a half hour runtime will already feel daunting. Aster has teased that the original cut of the film was three hours and 45 minutes and he has a version of the film that is 25 minutes longer that was difficult to cut down to the theatrical cut currently in theaters. An extended cut of the film or a large amount of deleted scenes on the Blu-ray (how about that levitation sequence from the trailer?) would certainly be intriguing.
If you enjoy ambiguous filmmaking where everything isn’t explained and the film’s imagery can mean more than one specific thing, then Midsommar may be worth checking out. It is an outlandish experiment by Ari Aster that a large quantity will likely deem a failure. Personally speaking though, Midsommar is such an unconventionally different ceremonial fever dream loaded with preposterousness, beautiful cinematography, hilarity, and anxiety-fueled-dread that it’s not only memorable and bold but also the type of one-of-a-kind film experience I crave whenever the lights dim and the quiet hum of a projector accelerates into a dull yet soothing roar.
Rachel King (13 KP) rated Summers at Castle Auburn in Books
Feb 11, 2019
With all of the series that I constantly fight to keep up with, this was a nice change with an all-in-one plot. The story is told entirely from Coriel Halsing's point of view, so the reader only gets to know things when she learns of them. Sometimes first person P.O.V. is limiting and somewhat claustrophobic, but in this case it simplified the story line and helped me to better get inside the mind of Coriel.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
I grew to love Coriel as her story progressed and she matured into a strong, independent young woman. I love that she is not just a pretty face, but possesses both intelligence and wit. In many ways, this book is her coming-of-age story with a fantasy background that could have easily been traded for some other setting without compromising the character of Coriel Halsing.
I also love that Coriel is not the center of royal attention - like her sister, Elisandra - and the "handsome prince" is neither meant for her nor remotely appealing to me, the reader. It was quite entertaining for me to be constantly guessing as to whom Coriel would eventually wind up with. When the man was finally revealed, I was very happy with the results, though I would have enjoyed a bit more wooing on his part.
All of the different characters are well-developed and unique, from the narcissistic handsome prince Bryan, to the always-composed Elisandra, to the many aliora that populate the book. The aliora are quite fascinating, comparable to fairies or elves in description, but still unique to Sharon Shinn's design. In many ways, the aliora act as catalysts for political intrigue within Castle Auburn, as well as Coriel's personal development and maturation.
As an adult fairy-tale, this book can easily appeal to both teens and adults, as the romance is tastefully done and the risque topics, such as slavery, suicide, and illigitimacy, are handled with care and respect. Personally, I loved this book as much as I have loved everything else I have read from Sharon Shinn.
Goddess in the Stacks (553 KP) rated A Blade So Black in Books
Mar 21, 2019
I've seen the point brought up that so many fantasy protagonists have really neglectful parents. Who lets their kid be gone for an unknown amount of time doing something "important" that their kid refuses to tell them about because it's a "secret"? This book makes a point of how NOT neglectful Alice's mother is. The blurb calls her overprotective, but really it's just normal protective. Alice's mom just wants to know her daughter hasn't been shot by the police when she's gone for 24 hours and not answering her phone, that seems normal to me! I actually enjoyed how that was different than a lot of fantasy YA, even if it's really a small sideplot.
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
Caffeinated Fae (464 KP) rated Falling for the Beast in Books
May 5, 2019
**I Received this book in exchange for an honest review**
Falling for the Beast is the second novella in the “A Modern Fairy Tale Duet.” I rated the first book, Beauty and the Professor, 3 1/2 Caffeinated Stars, and though there were some faults, I was excited to continue on in the series. I love Skye Warren as an author & I’m a huge fan of Beauty and the Beast, so I really thought this duet would be perfect for me. Unfortunately, I really did struggle with this series.
Going into part two, I was hoping for more character development but I never really got that. The characters though likable were not my favorite. I liked that both characters were open and honest with each other, but I also struggled with their relationship. It seemed that every time there was a conflict it was solved by sex. Don’t get me wrong, sex is fantastic, but it shouldn’t be used as the sole way to resolve a conflict.
Something else that struck me as weird and out of place was being blindsided by specific characteristics. We have the entire first novella where PTSD isn’t really mentioned, and then, we’re hit with him having PTSD nightmares. It was a little off-putting to me that we’re just now learning about his nightmares. The same thing can be said about him “holding back” his need for rough sex.
Though I had a few things that I didn’t like about his novella, I had some stuff I loved. I really liked that Blake always had Erin’s back. He constantly wanted to be there for her and supported her in whatever way he could. I loved that though they both had insecurities, their relationship wasn’t one of them. They both were willing to fight for what they had & shut down some of the antagonists in this book.
Even though this book wasn’t perfect, I did enjoy it. I do recommend reading some of Skye Warren’s latest books instead of this series. You can tell that her writing has grown & improved since this book was first released. One of my personal favorites of hers is Prisoner.
Falling for the Beast is the second novella in the “A Modern Fairy Tale Duet.” I rated the first book, Beauty and the Professor, 3 1/2 Caffeinated Stars, and though there were some faults, I was excited to continue on in the series. I love Skye Warren as an author & I’m a huge fan of Beauty and the Beast, so I really thought this duet would be perfect for me. Unfortunately, I really did struggle with this series.
Going into part two, I was hoping for more character development but I never really got that. The characters though likable were not my favorite. I liked that both characters were open and honest with each other, but I also struggled with their relationship. It seemed that every time there was a conflict it was solved by sex. Don’t get me wrong, sex is fantastic, but it shouldn’t be used as the sole way to resolve a conflict.
Something else that struck me as weird and out of place was being blindsided by specific characteristics. We have the entire first novella where PTSD isn’t really mentioned, and then, we’re hit with him having PTSD nightmares. It was a little off-putting to me that we’re just now learning about his nightmares. The same thing can be said about him “holding back” his need for rough sex.
Though I had a few things that I didn’t like about his novella, I had some stuff I loved. I really liked that Blake always had Erin’s back. He constantly wanted to be there for her and supported her in whatever way he could. I loved that though they both had insecurities, their relationship wasn’t one of them. They both were willing to fight for what they had & shut down some of the antagonists in this book.
Even though this book wasn’t perfect, I did enjoy it. I do recommend reading some of Skye Warren’s latest books instead of this series. You can tell that her writing has grown & improved since this book was first released. One of my personal favorites of hers is Prisoner.
TheBookMother (105 KP) rated All That She Can See in Books
May 11, 2019 (Updated May 11, 2019)
As light and pleasant as one of Mary Berry's bakes!
I had some doubts about this book when I picked it up in a charity shop recently but hands up now, I was pleasantly surprised and did enjoy it.
I am a bit of a fan of the Fletcher's and find them to write some quite charming books which I tend to think of as my guilty pleasure!
They are the ones that have a heart warming tail or romantic fairy tale twist that gives you the warm fuzzies.
They are what I turn to in-between some heavy reads for some light relief.
It started off in a fairly standard way but I was very taken aback to where the story did lead and in fact end!
There is a sci fi and almost paranormal element that reminded me of something you can imagine watching on Netflix a bit like The OA. It was similar to The Book of Tomorrow by Celia Adhern.
It was very emotive which was to be expected when alot of the story is about feelings.
There is alot of very imaginative text which really does draw you in and you want to carry on reading.
I did devour this book in a couple of days. Some areas are a tad predictable but all in all it is a pleasant read.
It isn't a literary masterpiece per se but I don't think it's pretending to be either.
It may not change your life but it will stay with you for a little while afterwards and what it did do was help one mum escape the chaos of raising two young boys for a little while!
If you like Celia Adhern, Joanne Harris and of course Giovanna Fletcher then you will no doubt enjoy this read too.
I am a bit of a fan of the Fletcher's and find them to write some quite charming books which I tend to think of as my guilty pleasure!
They are the ones that have a heart warming tail or romantic fairy tale twist that gives you the warm fuzzies.
They are what I turn to in-between some heavy reads for some light relief.
It started off in a fairly standard way but I was very taken aback to where the story did lead and in fact end!
There is a sci fi and almost paranormal element that reminded me of something you can imagine watching on Netflix a bit like The OA. It was similar to The Book of Tomorrow by Celia Adhern.
It was very emotive which was to be expected when alot of the story is about feelings.
There is alot of very imaginative text which really does draw you in and you want to carry on reading.
I did devour this book in a couple of days. Some areas are a tad predictable but all in all it is a pleasant read.
It isn't a literary masterpiece per se but I don't think it's pretending to be either.
It may not change your life but it will stay with you for a little while afterwards and what it did do was help one mum escape the chaos of raising two young boys for a little while!
If you like Celia Adhern, Joanne Harris and of course Giovanna Fletcher then you will no doubt enjoy this read too.
Sassy Brit (97 KP) rated Pretty Ugly Lies in Books
Jun 5, 2019
In “Pretty Ugly Lies” Pamela Crane reveals the lives of four very different women in this dramatic, intimate domestic noir, of which I could not put down, especially upon opening the book to suddenly discover how someone is killing a whole family!
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
Kaysee Hood (83 KP) rated The Darkest Part of the Forest in Books
Jul 14, 2018
The Knight is Young
Holly Black sticks with folklore for Faeries and still is able to make her own twist about a town called Fairfold where the townspeople coexist cautiously with the Fae. In this town there is a boy who is a changeling pretending to be human, a boy who wishes for love out of fairy tales, a girl who desires to be more than ordinary, and a horned prince in a glass coffin all of who are very important to the story because without one it is possible none of which is happening would be happening.
Ben and Hazel are on the hunt for their prince who's awoken from the glass coffin, but what is the cost of finding him when his freedom is the start of the town pointing fingers at Jack? Will these once duo in hunting the wild faeries drift further apart? Will Hazel be able to decide who she wants to be? Can she decide which side she must be on? Or will be betray those she loves, those who have confessed to her what they hold for her to keep her place? Will Ben betray his sister for the horned prince? Will he allow his jealousy for her to overcome him to ensure he is able to finally have what he wants? Will he ruin his friendship for all this?
And is anyone safe in town?
The flow of this book was amazing. We're introduced to our key characters, minor ones, and even less important ones within the first few pages or throughout without any of the development taking from the story or plot. It takes off into the action without pause and even though one would think not skipping a beat would be bad to convey the story it works here as there is so much occurring to piece the puzzles pieces together. The relationship between brother and sister despite what is between them is wonderful as it shows you can care for someone no matter what you believe within your own mind. Their interactions are what makes TDPOTF so great. I believe without Hazel's and Ben's siblinghood this book would have not worked.
Ben and Hazel are on the hunt for their prince who's awoken from the glass coffin, but what is the cost of finding him when his freedom is the start of the town pointing fingers at Jack? Will these once duo in hunting the wild faeries drift further apart? Will Hazel be able to decide who she wants to be? Can she decide which side she must be on? Or will be betray those she loves, those who have confessed to her what they hold for her to keep her place? Will Ben betray his sister for the horned prince? Will he allow his jealousy for her to overcome him to ensure he is able to finally have what he wants? Will he ruin his friendship for all this?
And is anyone safe in town?
The flow of this book was amazing. We're introduced to our key characters, minor ones, and even less important ones within the first few pages or throughout without any of the development taking from the story or plot. It takes off into the action without pause and even though one would think not skipping a beat would be bad to convey the story it works here as there is so much occurring to piece the puzzles pieces together. The relationship between brother and sister despite what is between them is wonderful as it shows you can care for someone no matter what you believe within your own mind. Their interactions are what makes TDPOTF so great. I believe without Hazel's and Ben's siblinghood this book would have not worked.
Kaysee Hood (83 KP) rated Spelled (The Storymakers, #1) in Books
Jul 16, 2018
Oh Pix this went wrong
All Dorthea ever wanted was to be free from responsibilities, free from her mother, and free from the curse. She wanted to be able to leave the Emerald Palace without everyone thinking she would turn into a wicked creature. She wanted to be able to make her own choices about the future. She mostly wanted to matter to her mother more than being the queen.
In a fit of selfish anger Dorthea attempts to make her desires come true when she uses a gift she received earlier to make a wish where she doesn't have to live up to parents' ideas, where she doesn't have to marry a prince, and everything is not how it is; however, the wishing star is cursed and it backfires tremendously. Everything is turned upside down. Magic doesn't work quite right anymore. What should be isn't and what isn't is. Her parents are gone. Her home is destroyed. She's stuck with a snarky servant, Rexi, and her betrothed, Kota, has turned into a chimera. Worst of all, Griz the Gray Witch is hunting her down.
So, Dorthea sets out to fix what she has done. The problem is knowing who she can and cannot trust. Oh, and trying to travel through the lands when the rules no longer exist. Can she or her friends survive? Are those who appear to have her best interest at heart people she can trust? Or is it those she would have previously looked down on the ones she needs to be put her life into?
Schow has a new take on fairy tales in Spelled in a world where Storymakers have written what shall and shall not be. Princess will find their Princes. The villains will always lose in the end. Yet she has made them better with her characters from well known tales we grew up with to new ones all of which bring to life the story she's written. Best of all it is filled with sass, wit, and cleverness to keep the pages turning while trying to see if Dorthea will make it to the end as the hero, dead, or wicked.
Forget what you know about Grimm and get ready for this book.
In a fit of selfish anger Dorthea attempts to make her desires come true when she uses a gift she received earlier to make a wish where she doesn't have to live up to parents' ideas, where she doesn't have to marry a prince, and everything is not how it is; however, the wishing star is cursed and it backfires tremendously. Everything is turned upside down. Magic doesn't work quite right anymore. What should be isn't and what isn't is. Her parents are gone. Her home is destroyed. She's stuck with a snarky servant, Rexi, and her betrothed, Kota, has turned into a chimera. Worst of all, Griz the Gray Witch is hunting her down.
So, Dorthea sets out to fix what she has done. The problem is knowing who she can and cannot trust. Oh, and trying to travel through the lands when the rules no longer exist. Can she or her friends survive? Are those who appear to have her best interest at heart people she can trust? Or is it those she would have previously looked down on the ones she needs to be put her life into?
Schow has a new take on fairy tales in Spelled in a world where Storymakers have written what shall and shall not be. Princess will find their Princes. The villains will always lose in the end. Yet she has made them better with her characters from well known tales we grew up with to new ones all of which bring to life the story she's written. Best of all it is filled with sass, wit, and cleverness to keep the pages turning while trying to see if Dorthea will make it to the end as the hero, dead, or wicked.
Forget what you know about Grimm and get ready for this book.
Gareth von Kallenbach (980 KP) rated Rise of the Guardians (2012) in Movies
Aug 7, 2019
Remember what it was like when you were in elementary school and it snowed? Remember that feeling of anticipation waiting for your mom to say, “No school today kids”, and once she did you just knew you were going to have a blast? If not, you will when you see “Rise of the Guardians”, The newest animated movie from Dreamworks casts Jack Frost (Chris Pine), the Sand Man, Santa Claus (Alec Baldwin), the Tooth Fairy (Isla Fisher), the Easter Bunny (Hugh Jackman), and the Boogie Man (Jude Law). The later four, except the Boogie Man, all fulfill their individual roles and come together as a group to protect children as the Guardians.
Cast out centuries ago; Pitch (Law) concocts a plan to bring fear back into children’s hearts by turning their dreams into nightmares. This fear will make him more powerful and, as the Guardian’s lose children’s belief, they become less powerful and are not as able to fight him off. Around the same time that Pitch was cast out, the Man in the Moon picks Jack to be the newest Guardian. Jack is literally left out in the cold for the next 300 years which he spends having fun, creating mischief, and causing snow days. However, he is also on a search for what he is meant to do in life, and why he is here. Something that people of all ages can understand. Through helping the Guardians he finds his purpose.
You know you are at a good show when you sit in an audience consisting mostly of children and hear nothing but the movie. This was a great movie for kids of all ages; I laughed through the whole thing! I loved Santa Claus and his Yetis. They added comic relief that any adult will enjoy. The voice casting was spot on, and each character is relatable in some way. The story of finding one’s self will capture children’s attention and remind adults that they are always on that journey, but it is supposed to be fun. Both children and adults alike will be captivated by the dreams, wonder, memories, hope, and fun this movie provides.
Cast out centuries ago; Pitch (Law) concocts a plan to bring fear back into children’s hearts by turning their dreams into nightmares. This fear will make him more powerful and, as the Guardian’s lose children’s belief, they become less powerful and are not as able to fight him off. Around the same time that Pitch was cast out, the Man in the Moon picks Jack to be the newest Guardian. Jack is literally left out in the cold for the next 300 years which he spends having fun, creating mischief, and causing snow days. However, he is also on a search for what he is meant to do in life, and why he is here. Something that people of all ages can understand. Through helping the Guardians he finds his purpose.
You know you are at a good show when you sit in an audience consisting mostly of children and hear nothing but the movie. This was a great movie for kids of all ages; I laughed through the whole thing! I loved Santa Claus and his Yetis. They added comic relief that any adult will enjoy. The voice casting was spot on, and each character is relatable in some way. The story of finding one’s self will capture children’s attention and remind adults that they are always on that journey, but it is supposed to be fun. Both children and adults alike will be captivated by the dreams, wonder, memories, hope, and fun this movie provides.
Candy Fever Mania - The Kingdom of Match 3 Games
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Welcom to the paradise of candy fever mania world! Candy Fever Blast is a FREE game. The Candy world...