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Rachel King (13 KP) rated Keridan's Journey in Books
Feb 11, 2019
I stopped reading this book at page 88. I just could not stand the blatant lack of proper grammar and punctuation so prevalent on every page. Since I could not understand how something so bad could actually get published, I looked up the "book imprint" and realized that this is self-publishing at its worst. Michelle Peterson runs an art website and teaches art, then conceives of the idea to write her own book and create her own Imprint so that the book can be considered published. Really??
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
Ross (3284 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 5, 2018 (Updated Nov 5, 2018)
Slight variation on the Alice in Wonderland reboot
I'm guessing Disney want to keep going with their live action Princess films, and thought they'd hit gold with the rights to the Nutcracker for a Christmas release. Similar to the 2010 Alice in Wonderland, the film intends to act as a sequel to the original tale of the Nutcracker, where the world has fallen into disarray. Clara is the daughter of the original story's Marie, who has passed away, and looking to open the intriguing present left by her mother she finds herself following a mouse (not a rabbit!) into a strange world. She is introduced to the world her mother was made queen of, though sadly learns that the "fourth realm" (led by Helen Mirren as Mother Ginger) is at war with the other three (among them are realms led by Keira Knightley and an underused Richard E Grant).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Kelly (279 KP) rated Year One: Chronicles of The One in Books
Jan 8, 2019
Interesting characters (1 more)
Use of fantasy mixed into the apocalypse
Post apocalyptic with a sprinkle of fairy dust!
Originally purchasing this based on my previous purchases, I have to honestly confess that I had never heard of Nora Roberts! How I have missed this author, I do not know. I have thoroughly enjoyed this book, and will definitely be reading the remainder of the series.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Hazel (1853 KP) rated A Grimm Curse (Grimm Tales #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
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Darren (1599 KP) rated Rise of the Guardians (2012) in Movies
Oct 14, 2019
Characters – Jack Frost is the spiritual figure that nobody believes in, he keeps children happy everyday, but no one will remember him for his work, now he gets given a chance to become a guardian giving him the chance to be the hero the world needs. North is the leader of the guardians the first selected to help to replace Pitch giving the children of the world hope, even if he does feel like colossus from Deadpool. Pitch was once the one that struck fear into children, he wants his crown back and will look to take the belief out of any children in the world. Tooth, Bunny and Sandy make up the rest of the guardians that have mixed feelings towards Jack being chosen as their newest member. Using the iconic fantasy characters does make us understand what they thieve for, but is often used for a pun throughout the film.
Story – The story here follows a reckless potential new guardian that must prove his place in the guardians with the much more experienced and famous icons of fantasy. While this does follow a generic idea, it is fun throughout and does play into the idea of childhood innocence keeping legends alive. The idea of Jack Frost needing to find his place in the battle is the strongest part of the film and is easily the one part of the film you want to see most of.
Adventure/Fantasy – The adventure that Jack Frost must go on brings him to the next moment of his stage of immortality, being on a level with a Santa or Tooth Fairy, this is him finding himself in this world that is full of fantasy icons that children will always be believing in.
Settings – The film takes us to different lands which would be the ones you would imagine finding the fantasy icons, the north pole being the most iconic.
Animation – The animation standard is top notch just like we are expecting from a major study involvement in a film.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – A lot of the jokes are aimed at how people would imagine talking to each of the guardians.
Final Thoughts – This is a fantasy family animation that can be enjoyed by all, it doesn’t over test the audience and comes off fun throughout.
Overall: Fun family animation that will give you a smile.
Story – The story here follows a reckless potential new guardian that must prove his place in the guardians with the much more experienced and famous icons of fantasy. While this does follow a generic idea, it is fun throughout and does play into the idea of childhood innocence keeping legends alive. The idea of Jack Frost needing to find his place in the battle is the strongest part of the film and is easily the one part of the film you want to see most of.
Adventure/Fantasy – The adventure that Jack Frost must go on brings him to the next moment of his stage of immortality, being on a level with a Santa or Tooth Fairy, this is him finding himself in this world that is full of fantasy icons that children will always be believing in.
Settings – The film takes us to different lands which would be the ones you would imagine finding the fantasy icons, the north pole being the most iconic.
Animation – The animation standard is top notch just like we are expecting from a major study involvement in a film.
Scene of the Movie – The final battle.
That Moment That Annoyed Me – A lot of the jokes are aimed at how people would imagine talking to each of the guardians.
Final Thoughts – This is a fantasy family animation that can be enjoyed by all, it doesn’t over test the audience and comes off fun throughout.
Overall: Fun family animation that will give you a smile.
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