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Louise (64 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jul 2, 2018
First I would like to say a massive thank you to Goodreads as I won myself a copy on one of their giveaways( Aren’t they great!)
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
And I Darken is a new Historical fiction/Re-telling of Vlad the Impaler but gender swapped. Goodreads have it listed as being a fantasy, but there is no magic or any paranormal goings on whatsoever…glad we got that cleared up.
Our story follows Ladislav (Lada) and Radu Dragwyla the descendants of Vlad Dracul, Prince of Wallachia. Vlad is a vile human being and uses his own children for bargaining with the Ottoman Empire, there lives are at risk if he does not keep to the treaties terms. Living in the Ottoman Empire is risky for Lada and Radu, Lada could easily be married off to some suitor for allegiance or killed whichever is easier for the Sultan. Running the grounds they bump into a young boy the same age as them, only to find that he is the Sultan’s son Mehmed. Mehmed is a lonely boy with only his tutors for company so he befriends them both and shares all his education and time with them, which in turn takes them out of the spotlight.
Lada is a very strong character, she is a force to be reckoned with. She is brutal,fierce and just a total badass throughout the book. Being born a woman is one almighty struggle to be taken seriously in the 1400’s. She knows that she is the rightful heir of Wallachia at the young age of 11. She wants to impress her father with her fighting skills and there is a point when she thinks she has, but the only thoughts her father has is marrying her off to a suitor and being a dutiful wife. Lada is very family orientated and has a very unique relationship with her brother Radu but she will never show any emotion as this is a sign of weakness and she is perceived as a cold-hearted bitch.
Radu was always a disappointment to his father, weak,cowardly and clinging to his nursemaids side infuriated Vlad. Radu was the more emotional of siblings, even though he was not great at fighting he had a devious and cunning mind that made him equally as dangerous as Lada.
My feelings towards the characters changed a lot throughout the book at first I thought Lada was just a psychotic child but realised she is trying to prove herself as being fierce. Radu he was very sweet throughout the book and always wanted his sister to just open up and tell him she loved him and for him to tell her his secrets and feelings. The main point is that they are flawed and this is what makes characters great.
Mehmed just annoyed me and he got in the way of Lada’s plans.
The book does contain romance, a love triangle where no one expresses their love for anyone as they are too scared of the consequences or that it will stop them from their goals in life. So the romance is frustrating to say the least.
This book has a lot of political intrigue,so be prepared for wars,treaties,soldiers and their ranks. This is Historical fiction but as in the author’s notes at the end it is not accurate and a lot is made up. Religion is also touched upon, mostly Islam with Christianity but it’s not too in your face or info dumping. The book is nearly 500 pages long! I felt it could have been shorter. I enjoyed the relationship between Radu and Lada,it was a very different set-up from what we are used to. This did take me a little longer to read as in places it was very slow and I found myself getting bored.
This book covers themes such as sibling rivalry, relationships, families, romance, feminism, sexism and politics
<img src="https://images.gr-assets.com/books/1476160834l/22817331.jpg"; width="120" height="180"/>
Now I Rise is the second installment of the And I Darken saga which is due to be released in June 2017 which I will be reading as I am interested in what is going to happen next with Lada.
Overall I rated this 3.5 out of 5 stars
Darren (1599 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 24, 2019
Verdict: Goosebumps With Pure Horror
Story: Scary Stories to Tell in the Dark starts with the backdrop of the Richard Nixon election, where high school students Stella (Colletti), Auggie (Rush) and Chuck (Zajur) look to get revenge on the school bully, which sees them stumble into stranger’s Ramon (Garza) car on Halloween which sees them head to a haunted house that has the story about the daughter of the family Sarah Bellows, writing scary stories for the local kids that soon went missing.
When Stella finds the story book she starts to investigate the stories, only to see the stories writing themselves with the locals starting to go missing, including her friends, Stella must investigate the myth about Sarah to stop the people she loves going missing.
Thoughts on Scary Stories to Tell in the Dark
Characters – Stella is an outsider at her school, she has always struggled with the people talking about her mother that disappeared, she is known for writing stories and enjoys a horror film, she wants to investigate the haunted house and is fascinated by what she finds, even though she must do anything to protect her friends once she learns the evil involved. Most of this film Stella feels like a young Velma from Scooby Doo too, which can be hard to shake without realizing. Ramon Morales is a stranger in town, the police don’t take to him too kindly, but Stella sees him as a nice guy, it is slightly confusing trying to figure out how old he is and why he is hanging out with the high schoolers, but he does have a reason to be on the run. Auggie and Chuck are the two banter filled friends of Stella that do make the smart decisions when it comes to dealing with horror moments. Roy Nicholls is the father of Stella that has been struggling with his wife’s disappearance, which has seen him become distant from Stella too.
Performances – Zoe Margaret Colletti is great in the leading role, we see her give us a vulnerable, but strong character that needs to break out of her shell. Michael Garza is strong through the film, playing the mysterious stranger, needing to keep a lot of his secrets close to his chest. Gabriel Rush and Austin Zajur have great chemistry and the friends, while Dean Norris doesn’t do anything wrong, but does feel wasted at times.
Story – The story here follows a group of teenagers that find a book that tells scary stories that come true with horrifying outcomes and they must figure out how to break the curse placed upon them. This does feel like a much darker version of a Goosebumps set of stories, with each horror figure being terrifying in their own right, which will lead to an event that you don’t see coming. We do have the investigation side of the film which does answer the questions about what is going on and why, which as always is entertaining to watch in a horror and with everything adding up nicely we will be left with a story that flows smoothly throughout.
Horror/Mystery – The horror in the film comes from the different creations of horror, for the most part the trailer does show us each of the creations involved in the film, the mystery plays into why the horror events are happening and just what Sarah is making this happen.
Settings – The film is set in a small town, where everybody knows everyone, which does play into the idea that the stories around the town can destroy reputations and feelings.
Special Effects – The effects in the film are used to make the horror creatures seem more terrifying where they look like practical effects too, which is a delight to see.
Scene of the Movie – Chuck’s visit.
That Moment That Annoyed Me – The trailer gives away all of the horror figures.
Final Thoughts – This is a fun horror film that is filled with scary figures that will fill you with dread as they are original creations and will surprise with what happens to the characters.
Overall: Fun Dark Horror.
Story: Scary Stories to Tell in the Dark starts with the backdrop of the Richard Nixon election, where high school students Stella (Colletti), Auggie (Rush) and Chuck (Zajur) look to get revenge on the school bully, which sees them stumble into stranger’s Ramon (Garza) car on Halloween which sees them head to a haunted house that has the story about the daughter of the family Sarah Bellows, writing scary stories for the local kids that soon went missing.
When Stella finds the story book she starts to investigate the stories, only to see the stories writing themselves with the locals starting to go missing, including her friends, Stella must investigate the myth about Sarah to stop the people she loves going missing.
Thoughts on Scary Stories to Tell in the Dark
Characters – Stella is an outsider at her school, she has always struggled with the people talking about her mother that disappeared, she is known for writing stories and enjoys a horror film, she wants to investigate the haunted house and is fascinated by what she finds, even though she must do anything to protect her friends once she learns the evil involved. Most of this film Stella feels like a young Velma from Scooby Doo too, which can be hard to shake without realizing. Ramon Morales is a stranger in town, the police don’t take to him too kindly, but Stella sees him as a nice guy, it is slightly confusing trying to figure out how old he is and why he is hanging out with the high schoolers, but he does have a reason to be on the run. Auggie and Chuck are the two banter filled friends of Stella that do make the smart decisions when it comes to dealing with horror moments. Roy Nicholls is the father of Stella that has been struggling with his wife’s disappearance, which has seen him become distant from Stella too.
Performances – Zoe Margaret Colletti is great in the leading role, we see her give us a vulnerable, but strong character that needs to break out of her shell. Michael Garza is strong through the film, playing the mysterious stranger, needing to keep a lot of his secrets close to his chest. Gabriel Rush and Austin Zajur have great chemistry and the friends, while Dean Norris doesn’t do anything wrong, but does feel wasted at times.
Story – The story here follows a group of teenagers that find a book that tells scary stories that come true with horrifying outcomes and they must figure out how to break the curse placed upon them. This does feel like a much darker version of a Goosebumps set of stories, with each horror figure being terrifying in their own right, which will lead to an event that you don’t see coming. We do have the investigation side of the film which does answer the questions about what is going on and why, which as always is entertaining to watch in a horror and with everything adding up nicely we will be left with a story that flows smoothly throughout.
Horror/Mystery – The horror in the film comes from the different creations of horror, for the most part the trailer does show us each of the creations involved in the film, the mystery plays into why the horror events are happening and just what Sarah is making this happen.
Settings – The film is set in a small town, where everybody knows everyone, which does play into the idea that the stories around the town can destroy reputations and feelings.
Special Effects – The effects in the film are used to make the horror creatures seem more terrifying where they look like practical effects too, which is a delight to see.
Scene of the Movie – Chuck’s visit.
That Moment That Annoyed Me – The trailer gives away all of the horror figures.
Final Thoughts – This is a fun horror film that is filled with scary figures that will fill you with dread as they are original creations and will surprise with what happens to the characters.
Overall: Fun Dark Horror.
Heather Cranmer (2721 KP) rated The Safe Place in Books
May 30, 2020
I'm a sucker for psychological thrillers, so when the opportunity arose to read The Safe Place by Anna Downes, I jumped at the chance! Luckily, I ended up loving this book!
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)
Bound for Justice Box Set
Book
Bound for Justice: A Box Set Against the Rules Targeted by a drug cartel, Teague is out for...
ANTHOLOGIES AND COLLECTIONS BONDAGE AND BDSM CONTEMPORARY EROTIC ROMANCE
Bob Mann (459 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Sep 29, 2021
Marvelous Cash Cows and How to Milk Them.
As just about everyone in the whole muggle world (or nomaj world if you’re reading this in the States) knows, FBaWtFT is the first of a five film spin-off series from the Potter franchise, still under the careful stewardship of David Yates. (And if the other films in the series were ‘amber-lit’ rather than ‘green-lit’, their production now seems assured after the US opening weekend alone has brought in nearly half its $180 million budget).
Set in New York in the mid-1920’s Eddie Redmayne (“The Danish Girl”; “The Theory of Everything”) plays Newt Scamander, a Brit newly arrived with a case full of trouble. Newt is a bit like an amiable and ditsy David Attenborough, with a strong desire to protect and establish breeding colonies for endangered species. It’s fair to say though that these are creatures that even Sir David hasn’t yet filmed.
Within the battered old case (a forerunner of Hermione Grainger’s bag, which was probably borrowed from Mary Poppins), Newt stores a menagerie of strange and wonderful creatures which – after a bump and a mishap – get released by wannabe baker and muggle Jacob Kowalski (Dan Fogler, “Fanboys”). Newt has the job of rounding up the strays with the help of Tina (Katherine Waterston, “Steve Jobs”), an out of favour member of the Magical Congress of the USA (MACUSA). Unfortunately this couldn’t be happening at a worse time: something else – nothing to do with Newt – is wreaking havoc across New York and MACUSA is on red alert suspecting the involvement of a dark wizard, Gellert Grindelwald, following attacks in Europe. And keeping the secrets of wizardry from the NoMaj population is getting increasingly difficult, especially with the efforts of the “Second Salemers” movement run by Mary Lou (Samantha Morton, “Minority Report”) and her strange adopted family.
This film will obviously be an enormous success given the love of all things Potter, but is it any good? Well, its different for sure, being set many years before Potter and only having glancing references to Hogwarts and related matters. And that gives the opportunity to start afresh with new characters and new relationships which is refreshing. It’s all perfectly amiable, with Redmayne’s slightly embarrassed lack of eye-contact* in delivering his lines being charming. [* Is this perhaps the second leading character in a month that is high on the autistic spectrum?] . Redmayne does have a tendency to mutter though and (particularly with the sound system for the cinema I saw this in) this made a lot of his dialogue inaudible. Waterston makes for a charming if somewhat insipid heroine, not being given an awful lot to do in the action sequences.
Kowalski adds a humorous balance to the mixture, but the star comic turns are some of the creatures, especially the Niffler… a light fingered magpie-like creature with a voluminous pouch and expensive tastes!
In the ‘I-almost-know-who-that-is-behind-the-make-up-but-can’t-quite-place-him’ role is Ron “Hellboy” Perlman as the untrustworthy gangster Gnarlack. And in another cameo – and probably paid an enormous fee for his 30 seconds of screen time – is Johnny Depp, which was money well-wasted since, like most of his roles, he was completely unrecognisable (I only knew it was him from checking imdb afterwards).
At the pen is J.K.Rowling herself, and there are a few corking lines in the script. However, in common with many of her novels, there is also a tendency for extrapolation and padding. Some judicial editing could have knocked at least twenty minutes off its child-unfriendly 133 minute running time and made a better film. Undoubtedly the first half of the film is better than the second, with the finale slouching into – as my other half put it – “superhero” territory with much CGI destruction and smashing of glass. What is perhaps most surprising about the story is that there are few obvious set-ups for the next film.
Quirky and original, its a film that will no-doubt please Potter fans and it stands as a decent fantasy film in its own right. It’s difficult though to get the smell of big business and exploitation out of your nostrils: no doubt stockings throughout the world will be full of plush toy nifflers this Christmas.
Set in New York in the mid-1920’s Eddie Redmayne (“The Danish Girl”; “The Theory of Everything”) plays Newt Scamander, a Brit newly arrived with a case full of trouble. Newt is a bit like an amiable and ditsy David Attenborough, with a strong desire to protect and establish breeding colonies for endangered species. It’s fair to say though that these are creatures that even Sir David hasn’t yet filmed.
Within the battered old case (a forerunner of Hermione Grainger’s bag, which was probably borrowed from Mary Poppins), Newt stores a menagerie of strange and wonderful creatures which – after a bump and a mishap – get released by wannabe baker and muggle Jacob Kowalski (Dan Fogler, “Fanboys”). Newt has the job of rounding up the strays with the help of Tina (Katherine Waterston, “Steve Jobs”), an out of favour member of the Magical Congress of the USA (MACUSA). Unfortunately this couldn’t be happening at a worse time: something else – nothing to do with Newt – is wreaking havoc across New York and MACUSA is on red alert suspecting the involvement of a dark wizard, Gellert Grindelwald, following attacks in Europe. And keeping the secrets of wizardry from the NoMaj population is getting increasingly difficult, especially with the efforts of the “Second Salemers” movement run by Mary Lou (Samantha Morton, “Minority Report”) and her strange adopted family.
This film will obviously be an enormous success given the love of all things Potter, but is it any good? Well, its different for sure, being set many years before Potter and only having glancing references to Hogwarts and related matters. And that gives the opportunity to start afresh with new characters and new relationships which is refreshing. It’s all perfectly amiable, with Redmayne’s slightly embarrassed lack of eye-contact* in delivering his lines being charming. [* Is this perhaps the second leading character in a month that is high on the autistic spectrum?] . Redmayne does have a tendency to mutter though and (particularly with the sound system for the cinema I saw this in) this made a lot of his dialogue inaudible. Waterston makes for a charming if somewhat insipid heroine, not being given an awful lot to do in the action sequences.
Kowalski adds a humorous balance to the mixture, but the star comic turns are some of the creatures, especially the Niffler… a light fingered magpie-like creature with a voluminous pouch and expensive tastes!
In the ‘I-almost-know-who-that-is-behind-the-make-up-but-can’t-quite-place-him’ role is Ron “Hellboy” Perlman as the untrustworthy gangster Gnarlack. And in another cameo – and probably paid an enormous fee for his 30 seconds of screen time – is Johnny Depp, which was money well-wasted since, like most of his roles, he was completely unrecognisable (I only knew it was him from checking imdb afterwards).
At the pen is J.K.Rowling herself, and there are a few corking lines in the script. However, in common with many of her novels, there is also a tendency for extrapolation and padding. Some judicial editing could have knocked at least twenty minutes off its child-unfriendly 133 minute running time and made a better film. Undoubtedly the first half of the film is better than the second, with the finale slouching into – as my other half put it – “superhero” territory with much CGI destruction and smashing of glass. What is perhaps most surprising about the story is that there are few obvious set-ups for the next film.
Quirky and original, its a film that will no-doubt please Potter fans and it stands as a decent fantasy film in its own right. It’s difficult though to get the smell of big business and exploitation out of your nostrils: no doubt stockings throughout the world will be full of plush toy nifflers this Christmas.
Purple Phoenix Games (2266 KP) rated Exodus: An Interstellar Pathways Adventure in Tabletop Games
Jan 10, 2022
We ALL loved those “Adventure Books That Let You Choose Your Own Path” when growing up. At least I THINK we all loved them. But what would happen if the same premise was applied to a card game and set in the same universe as another game from the same designer and publisher? Well let me introduce you to Exodus.
Exodus is a “choose thine own pathway” card game for one to five players. In it, players will be reading sections of a story that unfolds across several oversized cards in the hopes of settling down on some other planet not being torn apart by galactic war. Sound familiar?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are preview copy components (I think), and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook or purchase the game from the publisher directly. -T
Setup is super simple with this one. Yank out the cards from the box (and make sure they are numerically ordered), place them in a stack on the table, and also place out the stack of Inventory cards. The main Exodus cards are numbered 1-121 and there are 12 Inventory cards. Determine the first reader and the game may begin!
There really are not any “rules,” aside from reading the new card/scenario and choosing the card to jump to in order to continue the story. Or die, as I happen to do quite often. DARN YOU, CARD 13!! Players may decide to follow one path, or players may even split up and follow their own stories. The rules state that stories may have players rejoining each other on future cards, but I have yet to experience that before death.
The game continues with players reading cards, collecting Inventory items that are necessary for certain future choices, and attempting to tell a great story. Exodus could take five minutes, or even up to 60 minutes if the players make good choices. Players decide when to finish, and are even allowed to respawn after death or even retrace their steps in order to choose alternate endings to their stories.
Components. Again, we were provided with a prototype copy of the game. That said, Exodus is a box full of big tarot cards depicting excellent artwork and lots of text to be read. This certainly is not a game for budding readers (like my 5-year-old), but for players who enjoy a nice night reading an interesting sci-fi story.
I have a hard time deciding if I consider this a game or not. There are definitely choices to be made, akin to those made in the inspiration sourcebooks. However, I really feel this is more an activity that is set in the Xenohunters universe that may setup lore and be a jump-off to other games in the family. This is not at all a knock on the game, as having fleshed out lore for a game universe is necessary for a series containing several titles. You know, a game or not a game, I enjoyed playing through this one and discovering little secrets about the lore of the Xenohunters universe.
Though this isn’t a complex game at all, the choices made are sometimes quite difficult and could result in game-end conditions. I have definitely had games last five minutes before I died, but I have also had a couple that have lasted a lot longer as I try to find optimal choices and even backtracked a choice or two. I think I would suggest gamers play through this one a few times before attempting the Xenohunters game, if just for the backstories and lore alone. Want to grab a copy for yourself? Check out the Half-Monster Games store listing for Exodus. I also recommend grabbing both Xenohunters and Trust Me, I’m A Superhero. They are both great!
Exodus is a “choose thine own pathway” card game for one to five players. In it, players will be reading sections of a story that unfolds across several oversized cards in the hopes of settling down on some other planet not being torn apart by galactic war. Sound familiar?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are preview copy components (I think), and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook or purchase the game from the publisher directly. -T
Setup is super simple with this one. Yank out the cards from the box (and make sure they are numerically ordered), place them in a stack on the table, and also place out the stack of Inventory cards. The main Exodus cards are numbered 1-121 and there are 12 Inventory cards. Determine the first reader and the game may begin!
There really are not any “rules,” aside from reading the new card/scenario and choosing the card to jump to in order to continue the story. Or die, as I happen to do quite often. DARN YOU, CARD 13!! Players may decide to follow one path, or players may even split up and follow their own stories. The rules state that stories may have players rejoining each other on future cards, but I have yet to experience that before death.
The game continues with players reading cards, collecting Inventory items that are necessary for certain future choices, and attempting to tell a great story. Exodus could take five minutes, or even up to 60 minutes if the players make good choices. Players decide when to finish, and are even allowed to respawn after death or even retrace their steps in order to choose alternate endings to their stories.
Components. Again, we were provided with a prototype copy of the game. That said, Exodus is a box full of big tarot cards depicting excellent artwork and lots of text to be read. This certainly is not a game for budding readers (like my 5-year-old), but for players who enjoy a nice night reading an interesting sci-fi story.
I have a hard time deciding if I consider this a game or not. There are definitely choices to be made, akin to those made in the inspiration sourcebooks. However, I really feel this is more an activity that is set in the Xenohunters universe that may setup lore and be a jump-off to other games in the family. This is not at all a knock on the game, as having fleshed out lore for a game universe is necessary for a series containing several titles. You know, a game or not a game, I enjoyed playing through this one and discovering little secrets about the lore of the Xenohunters universe.
Though this isn’t a complex game at all, the choices made are sometimes quite difficult and could result in game-end conditions. I have definitely had games last five minutes before I died, but I have also had a couple that have lasted a lot longer as I try to find optimal choices and even backtracked a choice or two. I think I would suggest gamers play through this one a few times before attempting the Xenohunters game, if just for the backstories and lore alone. Want to grab a copy for yourself? Check out the Half-Monster Games store listing for Exodus. I also recommend grabbing both Xenohunters and Trust Me, I’m A Superhero. They are both great!
Ivana A. | Diary of Difference (1171 KP) rated Harry Potter and the Goblet of Fire in Books
Oct 5, 2020
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
#4 <a href="https://www.goodreads.com/review/show/3328396363">Harry Potter and the Goblet of Fire</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-73.png"/>;
<b>Diving into the Harry Potter universe is a treat to my soul every time.</b>
There is something so familiar and comfortable to this world, especially Harry Potter and the Goblet of Fire, that always pulls me back to where it all started.
Since there is a lot of drama going on with the author at the moment, I want to say just this. While I do not agree with some of the author’s statements, her work meant a lot to me throughout my years, and I have chosen to draw a line between her personal life and her work. You may have a different opinion, and that is valid too.
Harry Potter and the Goblet of Fire by J.K. Rowling is one of my favorite books from the series. The year is filled with the Quidditch World Cup, the Triwizard Tournament, the fight for elves’ freedom, the beginning of the rising of evil and the terrible destiny of Cedric Diggory.
Harry has a weird dream about Voldemort at the beginning of the book. He lets Sirius Black know in a letter. Then, he and his friends, as well as the whole Weasley family attend the Quidditch World Cup, where there is an incident with Harry’s wand - that will start this book in a very dark way.
As the new school year of Hogwarts begins, Dumbledore has an exciting announcement to make. Hogwarts will be hosting the Triwizard tournament this year!
<b><i>“The Triwizard Tournament was first established some seven hundred years ago, as a friendly competition between the three largest European schools of wizardry - Hogwarts, Beauxbatons and Durmstrang. A champion was selected to represent each school, and the three champions competed in three magical tasks. The schools took it in turns to host the Tournament once every five years, and it was generally agreed to be a most excellent way of establishing ties between young witches and wizards of different nationalities - until, that is, the death toll mounted so high that the Tournament was discontinued.”</i></b>
When the Goblet of Fire selects the three champions for each house, everyone is ready to move on. Viktor Krum, from Durmstrang, was selected first, followed by Fleur Delacour of Beauxbatons. The Goblet selected Cedric Diggory as the Hogwarts Champion.
But then, the Goblet spits out one more name - Harry Potter!
But how is that possible, when Harry hasn’t put his name in?
<b><i>“Did you put your name into the Goblet of Fire, Harry?” Dumbledore asked calmly. </i></b>
Careful of the fact that someone wants Harry to be in danger, he still needs to compete in the three tasks of the tournament. I loved all three tasks and how smart some wizards had to be to overcome their challenges.
I also really loved the Yule Ball, and the atmosphere it had. Everyone seemed happier and forgot their worries for the evening. Things were calming down before the real storm began.
The part I loved the most, which wasn’t included in the movies, was Harmione’s fight for the rights of the elves. She fought that they deserved to be free and be paid for their work, not be slaves to witches and wizards. On top of all this, what I loved most was Dobby’s story in this whole situation.
<b>Also, did you know this?</b>
Hermione’s name is pronounced “Her-my-oh-nee”. I have somehow always known this at the back of my mind, but because it’s pronounced as “Her-my-nee” in the movies, I have been saying it like that for a very long time.
<b><i>“If you want to know what a man’s like, take a good look at how he treats his inferiors, not his equals.”</i></b>
Still a favourite and still amazing. After all this time? Always!
<b><i>“Understanding is the first step to acceptance, and only with acceptance can there be recovery.”</i></b>
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#1 <a href="https://www.goodreads.com/review/show/3217515684">Harry Potter and the Philosopher's Stone</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2371215543">Harry Potter and the Chamber of Secrets</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/3275165909">Harry Potter and the Prisoner of Azkaban</a> - ★★★★
#4 <a href="https://www.goodreads.com/review/show/3328396363">Harry Potter and the Goblet of Fire</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-73.png"/>;
<b>Diving into the Harry Potter universe is a treat to my soul every time.</b>
There is something so familiar and comfortable to this world, especially Harry Potter and the Goblet of Fire, that always pulls me back to where it all started.
Since there is a lot of drama going on with the author at the moment, I want to say just this. While I do not agree with some of the author’s statements, her work meant a lot to me throughout my years, and I have chosen to draw a line between her personal life and her work. You may have a different opinion, and that is valid too.
Harry Potter and the Goblet of Fire by J.K. Rowling is one of my favorite books from the series. The year is filled with the Quidditch World Cup, the Triwizard Tournament, the fight for elves’ freedom, the beginning of the rising of evil and the terrible destiny of Cedric Diggory.
Harry has a weird dream about Voldemort at the beginning of the book. He lets Sirius Black know in a letter. Then, he and his friends, as well as the whole Weasley family attend the Quidditch World Cup, where there is an incident with Harry’s wand - that will start this book in a very dark way.
As the new school year of Hogwarts begins, Dumbledore has an exciting announcement to make. Hogwarts will be hosting the Triwizard tournament this year!
<b><i>“The Triwizard Tournament was first established some seven hundred years ago, as a friendly competition between the three largest European schools of wizardry - Hogwarts, Beauxbatons and Durmstrang. A champion was selected to represent each school, and the three champions competed in three magical tasks. The schools took it in turns to host the Tournament once every five years, and it was generally agreed to be a most excellent way of establishing ties between young witches and wizards of different nationalities - until, that is, the death toll mounted so high that the Tournament was discontinued.”</i></b>
When the Goblet of Fire selects the three champions for each house, everyone is ready to move on. Viktor Krum, from Durmstrang, was selected first, followed by Fleur Delacour of Beauxbatons. The Goblet selected Cedric Diggory as the Hogwarts Champion.
But then, the Goblet spits out one more name - Harry Potter!
But how is that possible, when Harry hasn’t put his name in?
<b><i>“Did you put your name into the Goblet of Fire, Harry?” Dumbledore asked calmly. </i></b>
Careful of the fact that someone wants Harry to be in danger, he still needs to compete in the three tasks of the tournament. I loved all three tasks and how smart some wizards had to be to overcome their challenges.
I also really loved the Yule Ball, and the atmosphere it had. Everyone seemed happier and forgot their worries for the evening. Things were calming down before the real storm began.
The part I loved the most, which wasn’t included in the movies, was Harmione’s fight for the rights of the elves. She fought that they deserved to be free and be paid for their work, not be slaves to witches and wizards. On top of all this, what I loved most was Dobby’s story in this whole situation.
<b>Also, did you know this?</b>
Hermione’s name is pronounced “Her-my-oh-nee”. I have somehow always known this at the back of my mind, but because it’s pronounced as “Her-my-nee” in the movies, I have been saying it like that for a very long time.
<b><i>“If you want to know what a man’s like, take a good look at how he treats his inferiors, not his equals.”</i></b>
Still a favourite and still amazing. After all this time? Always!
<b><i>“Understanding is the first step to acceptance, and only with acceptance can there be recovery.”</i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
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Kirk Bage (1775 KP) rated Knives Out (2019) in Movies
Jan 22, 2021
Murder mystery films tend to be more fun in theory and anticipation than they are to watch. It’s a genre that I very much enjoy and have indulged in over the years. Yet, if I look back in detail at it, I find that it is the books, especially those of Agatha Christie, that I like much more than anything lasting a couple of hours on the screen. There’s something about the mystery being rushed and squeezed into the cinema artform that is usually anti-climactic or even a full on let down.
Perhaps my favourite of the entire genre is a film that refuses to take itself seriously and is at once a pastiche of the multiple cliches that have accumulated over the years. And that film is, of course, the wonderfully camp, funny and charming 1985 romp Clue, starring Tim Curry and a slough of 80s B stars having the time of their lives. It isn’t a “good” film, it is a cult film, it’s joy being in its absolute lack of pretension or moral judgement. Like the board game that inspired it, it isn’t overly complicated or long, but has just enough cleverness, mirth and ambiance about it to always be a winner.
Rian Johnson’s take on the genre, Knives Out, is aware of these elements at all times, being above all things colourful, playful, arch and glib, but never convoluted or cerebral in an alienating way. He is something of a master at subverting a genre and wringing new life into it; take the invention of the teen noir in Brick, or the blend of assassin time travel sci-fi in Looper. He even gave an entire franchise a new breath of life by re-examining the use of humour and self referencing in Star Wars: The Last Jedi.
All of those previous films have as many detractors as mega fans, proving his style is devisive, for its audacity and its irreverence towards any idea of purism within an established model. And Knives Out is no exception to that. However, it may be the film of his that most people can agree on that they enjoyed, for one reason or another. I think it’s as interesting to ask why that is as it is to talk about the film itself… so, I will. At least, I’ll try to do both without losing my train of thought.
Firstly, it looks stunning; the palate of rich colours used in the poster and all marketing just make it look like something you want to immerse yourself in – every jacket, tie, dress, or piece of furniture is designed to precision, and it works like a dream of the genre you may have once had, as if it had been plucked directly from your subconscious. As in all good murder mysteries, the location, props and costumes should hold as much character as the actors, and the stately home of the Thrombey family certainly provides plenty of atmosphere in every texture and material on display.
Of course, the cast of characters is wonderfully put together with some inspired casting of familiar faces and actors you trust, such as Toni Collette and Michael Shannon, together with a few we don’t see enough of these days, such as Jamie Lee Curtis and Don Johnson, who both manage to create something as memorable as anything they did in their golden days. Add to the mix two bone fide action film superstars in Daniel Craig and Chris Evans, who leave the baggage of their most famous characters far behind and manage to convince you they are real actors again, the former with the aide of a jarring but hilarious Southern drawl, that grates at first but is a perfect choice on reflection.
Then there are the two lynchpins of this film’s ultimate success and joy: the exceptional legendary gravitas of 90 year old Christopher Plummer as the patriarch and victim at the centre of the intrigue, and the quite glorious revelation of Ana de Armas, whose charisma, beauty and skill in this delicately balanced role was the most impressive thing for me about the whole production. It may be Craig who is the ever present focus, as the detective tasked with solving the “crime”, but it is de Armas that you will remember most long after the credits roll.
As for the plot, well… I obviously can’t talk about it without ruining the whole thing. But, I can say that it isn’t far into the intricate web of motives, alibis and secrets before you start to sense this is going somewhere different, even unique. The examination of the relationships and personalities, and the extent to which they each demonstrate greed and selfishness is fascinating, superceding the crime that exists on the surface with a swamp of far seedier and unpleasant goings-on. Craig’s suave Benoit Blanc isn’t so much a detective here as a family therapist, or perhaps a supernatural presence in the style of the old classic, An Inspector Calls. Perhaps, it is suggested, no one completely escapes guilt and shame here… or do they? Are we looking for a murderer, or the only morally good person amidst a pack of dogs?
Another key element is how modern and unstuffy it feels, despite the country house and riches this is no play of manners, quite the opposite – no one here is on their best behaviour for the sake of decorum, and being upper class is an idea played with rather than enforced. The tea and cakes of the classic Christie, such as Murder on the Orient Express is replaced by smartphones and similar trappings, that identify it as definitely 2019 and no period piece. The concerns and themes are very much rooted in our present problems, and for that it engages and resonates in ways a costume drama just can’t do.
Upon finishing it for the first time, you may be thinking “sure, OK, I enjoyed that… but I’m not blown away here”. Then, as it sinks in over coming weeks, you find yourself recommending it to people, and thinking about how good it is in ways you didn’t initially think about. And that is surely why it was so embraced by the critics and paying public alike; it is a likeable, fun film, that can also stand some artistic scrutiny. It isn’t the smartest, or prettiest, or most meaningful film ever made, but it is enough of all three to make it an instant mini-classic, in my opinion.
I feel like there is maybe more to say about it, which is always a good sign, but that will do for now. I’d be happy to discuss it with anyone that feels the need. Or hear from anyone that didn’t like it! It would be interesting to hear that side of it, because I haven’t heard many negative comments on it at all. I don’t think I would defend it as a masterpiece to the end of the Earth, ‘cos it ain’t that good. I’m just hard pressed to find a serious fault. And it’s great when one of those sneaks up on you!
Perhaps my favourite of the entire genre is a film that refuses to take itself seriously and is at once a pastiche of the multiple cliches that have accumulated over the years. And that film is, of course, the wonderfully camp, funny and charming 1985 romp Clue, starring Tim Curry and a slough of 80s B stars having the time of their lives. It isn’t a “good” film, it is a cult film, it’s joy being in its absolute lack of pretension or moral judgement. Like the board game that inspired it, it isn’t overly complicated or long, but has just enough cleverness, mirth and ambiance about it to always be a winner.
Rian Johnson’s take on the genre, Knives Out, is aware of these elements at all times, being above all things colourful, playful, arch and glib, but never convoluted or cerebral in an alienating way. He is something of a master at subverting a genre and wringing new life into it; take the invention of the teen noir in Brick, or the blend of assassin time travel sci-fi in Looper. He even gave an entire franchise a new breath of life by re-examining the use of humour and self referencing in Star Wars: The Last Jedi.
All of those previous films have as many detractors as mega fans, proving his style is devisive, for its audacity and its irreverence towards any idea of purism within an established model. And Knives Out is no exception to that. However, it may be the film of his that most people can agree on that they enjoyed, for one reason or another. I think it’s as interesting to ask why that is as it is to talk about the film itself… so, I will. At least, I’ll try to do both without losing my train of thought.
Firstly, it looks stunning; the palate of rich colours used in the poster and all marketing just make it look like something you want to immerse yourself in – every jacket, tie, dress, or piece of furniture is designed to precision, and it works like a dream of the genre you may have once had, as if it had been plucked directly from your subconscious. As in all good murder mysteries, the location, props and costumes should hold as much character as the actors, and the stately home of the Thrombey family certainly provides plenty of atmosphere in every texture and material on display.
Of course, the cast of characters is wonderfully put together with some inspired casting of familiar faces and actors you trust, such as Toni Collette and Michael Shannon, together with a few we don’t see enough of these days, such as Jamie Lee Curtis and Don Johnson, who both manage to create something as memorable as anything they did in their golden days. Add to the mix two bone fide action film superstars in Daniel Craig and Chris Evans, who leave the baggage of their most famous characters far behind and manage to convince you they are real actors again, the former with the aide of a jarring but hilarious Southern drawl, that grates at first but is a perfect choice on reflection.
Then there are the two lynchpins of this film’s ultimate success and joy: the exceptional legendary gravitas of 90 year old Christopher Plummer as the patriarch and victim at the centre of the intrigue, and the quite glorious revelation of Ana de Armas, whose charisma, beauty and skill in this delicately balanced role was the most impressive thing for me about the whole production. It may be Craig who is the ever present focus, as the detective tasked with solving the “crime”, but it is de Armas that you will remember most long after the credits roll.
As for the plot, well… I obviously can’t talk about it without ruining the whole thing. But, I can say that it isn’t far into the intricate web of motives, alibis and secrets before you start to sense this is going somewhere different, even unique. The examination of the relationships and personalities, and the extent to which they each demonstrate greed and selfishness is fascinating, superceding the crime that exists on the surface with a swamp of far seedier and unpleasant goings-on. Craig’s suave Benoit Blanc isn’t so much a detective here as a family therapist, or perhaps a supernatural presence in the style of the old classic, An Inspector Calls. Perhaps, it is suggested, no one completely escapes guilt and shame here… or do they? Are we looking for a murderer, or the only morally good person amidst a pack of dogs?
Another key element is how modern and unstuffy it feels, despite the country house and riches this is no play of manners, quite the opposite – no one here is on their best behaviour for the sake of decorum, and being upper class is an idea played with rather than enforced. The tea and cakes of the classic Christie, such as Murder on the Orient Express is replaced by smartphones and similar trappings, that identify it as definitely 2019 and no period piece. The concerns and themes are very much rooted in our present problems, and for that it engages and resonates in ways a costume drama just can’t do.
Upon finishing it for the first time, you may be thinking “sure, OK, I enjoyed that… but I’m not blown away here”. Then, as it sinks in over coming weeks, you find yourself recommending it to people, and thinking about how good it is in ways you didn’t initially think about. And that is surely why it was so embraced by the critics and paying public alike; it is a likeable, fun film, that can also stand some artistic scrutiny. It isn’t the smartest, or prettiest, or most meaningful film ever made, but it is enough of all three to make it an instant mini-classic, in my opinion.
I feel like there is maybe more to say about it, which is always a good sign, but that will do for now. I’d be happy to discuss it with anyone that feels the need. Or hear from anyone that didn’t like it! It would be interesting to hear that side of it, because I haven’t heard many negative comments on it at all. I don’t think I would defend it as a masterpiece to the end of the Earth, ‘cos it ain’t that good. I’m just hard pressed to find a serious fault. And it’s great when one of those sneaks up on you!
Curiosity Quills: Chronology
Richard Roberts, Tony Healey, Piers Anthony, J.R. Rain, Jordan Elizabeth Mierek, James Wymore, Stan Swanson, Darin Kennedy , Julie Frost , Andrew Buckley , J.P. Moynahan, B. C. Johnson, J. P. Sloan, Andrew J. Rausch, Katie Young , Scott Nicholson, Wilbert Stanton, Tara Tyler, Mark W. Woodring, J. E. Anckorn, Nathan L. Yocum, G. Miki Hayden, Matthew S. Cox and Matthew Graybosch
6.0
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It's time... for time! Embark on a literary journey through the ages with Curiosity Quills Press in...
Ivana A. | Diary of Difference (1171 KP) rated The Language Of Thorns in Books
Feb 3, 2020
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<b>3.8 ★, to be exact. </b>
Sometimes, we enter a library, not really knowing what we are looking for. One day, I entered the library, only to return a few books. Instead, I returned with two more. The first one didn’t impress me, but the second one was this book – The Language of Thorns by Leigh Bardugo. I only picked it up, because I liked the cover. And I know, we shouldn’t judge a book by its cover, but I guess the magic worked on me this time around.
This book featured six stories, all six magical and beautiful in their own way. Some attracted me more, some a bit less, but I, overall, feel delighted to have read this book. I haven’t read Leigh’s previous books, so I didn’t know about this world before, but these are apparently the same woods featured in those books as well.
I will give a brief opinion on all stories, and the main rating will be the average from them all. Let’s go.
<b><i>1. Ayama and the Thorn Wood – ★★★★★</i></b>
<b>‘’Interesting things only happen to pretty girls.’’</b>
A beautiful tale that will show you how beauty comes from within. The King and Queen have two sons – one is a beautiful man, the future king, and the other one is a monster. They are scared and ashamed of the monster-boy, and let him live his life in the labyrinth they made for him. In the village, in a poor family, there are two daughters, one as beautiful as the sun, and the other one ugly. When the monster escapes the labyrinth and starts ruining fields and make disasters, everyone is scared to go and talk to him and beg for forgiveness, so the ugly lady is sent to her woods – quite certain she will never return…
<b>‘’This little prince was shaped a bit like a boy but more like a wolf, his body covered in slick black fur from crown to clawed foot. His eyes were red as blood, and the nubs of two budding horns protruded from his head.’’</b>
<b><i>2. The Too-Clever Fox – ★★★★★</i></b>
<b>‘’Freedom is a burden, but you will learn to bear it.’’</b>
I loved this story the most, out of all six of them. It reminded me of home, and of how we tell stories back there. The whole ‘’Once Upon a Time’’ is real, and I enjoyed every moment of it. The winter theme, the hunting, the girl and the fox. This is a story that will teach you to not be assured you can outsmart everyone. Foxes in stories have always been presented as the smart ones, outsmarting every animal in the woods. This reminds me of Aesop’s Tales, which I really loved as a little girl. But sometimes, you will get outsmarted, and it might cost you your life. The twist was definitely unexpected, but indeed satisfying.
<b><i>3. The Witch of Duva – ★★★</i></b>
A story where girls disappear, and one girl decides to go into the woods and try to figure out why. This story upset me, and I didn’t like it. But deep inside, it’s a good one. Very creepy though, and very horror-y, but worth reading. Turn the lights off, get under a blanket, turn your torch on, and only then you will be ready to know the deep secrets this story tells you.
<b><i>4. Little Knife – ★★★★</i></b>
The shortest story in the book, but by all means not the least intriguing. A story that features a woman that is too beautiful, that men lose their mind as soon as they see her. To get the chance to marry her, men will have to go through a various of tasks. The twist at the end is incredible, and I really liked it. It starts off as a usual story, but it goes wild.
<b><i>5. The Soldier Prince – ★★</i></b>
This was a story I enjoyed the least. It all screamed ‘’The Nutcracker’’ to me, and I couldn’t see it as original. It was a re-make, and it was very different that the story we know, but it just didn’t work for me. This is a story about a man who makes toys and gives them life. And when one toy sort of ‘’wakes up’’, interesting things start to happen. Quite a creepy story. I usually like those, but this one was not my cup of tea.
<b><i>6. When Water Sand Fire – ★★★★</i></b>
<b>‘’ We were not made to please princes.’’</b>
This one is the longest story in the book. It features a world of creatures living underwater, and Ulla, who can sing and create magic, but who, as the people believe, is not a true born, but a mix between the underwater world and the humans. She is asked to help the prince become a king, but when the magic price is too high to paid, it doesn’t seem like she has a choice. I truly enjoyed this story, as it’s a beautiful mix of emotions while you read it. It was a bit disappointing that it seems as a remake of the creation of the character of Ursula from The Little Mermaid, at least to me.
Have you read this book, or any of Leigh Bardugo’s books? Let me know in the comments, I love to chat with you!
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<b>3.8 ★, to be exact. </b>
Sometimes, we enter a library, not really knowing what we are looking for. One day, I entered the library, only to return a few books. Instead, I returned with two more. The first one didn’t impress me, but the second one was this book – The Language of Thorns by Leigh Bardugo. I only picked it up, because I liked the cover. And I know, we shouldn’t judge a book by its cover, but I guess the magic worked on me this time around.
This book featured six stories, all six magical and beautiful in their own way. Some attracted me more, some a bit less, but I, overall, feel delighted to have read this book. I haven’t read Leigh’s previous books, so I didn’t know about this world before, but these are apparently the same woods featured in those books as well.
I will give a brief opinion on all stories, and the main rating will be the average from them all. Let’s go.
<b><i>1. Ayama and the Thorn Wood – ★★★★★</i></b>
<b>‘’Interesting things only happen to pretty girls.’’</b>
A beautiful tale that will show you how beauty comes from within. The King and Queen have two sons – one is a beautiful man, the future king, and the other one is a monster. They are scared and ashamed of the monster-boy, and let him live his life in the labyrinth they made for him. In the village, in a poor family, there are two daughters, one as beautiful as the sun, and the other one ugly. When the monster escapes the labyrinth and starts ruining fields and make disasters, everyone is scared to go and talk to him and beg for forgiveness, so the ugly lady is sent to her woods – quite certain she will never return…
<b>‘’This little prince was shaped a bit like a boy but more like a wolf, his body covered in slick black fur from crown to clawed foot. His eyes were red as blood, and the nubs of two budding horns protruded from his head.’’</b>
<b><i>2. The Too-Clever Fox – ★★★★★</i></b>
<b>‘’Freedom is a burden, but you will learn to bear it.’’</b>
I loved this story the most, out of all six of them. It reminded me of home, and of how we tell stories back there. The whole ‘’Once Upon a Time’’ is real, and I enjoyed every moment of it. The winter theme, the hunting, the girl and the fox. This is a story that will teach you to not be assured you can outsmart everyone. Foxes in stories have always been presented as the smart ones, outsmarting every animal in the woods. This reminds me of Aesop’s Tales, which I really loved as a little girl. But sometimes, you will get outsmarted, and it might cost you your life. The twist was definitely unexpected, but indeed satisfying.
<b><i>3. The Witch of Duva – ★★★</i></b>
A story where girls disappear, and one girl decides to go into the woods and try to figure out why. This story upset me, and I didn’t like it. But deep inside, it’s a good one. Very creepy though, and very horror-y, but worth reading. Turn the lights off, get under a blanket, turn your torch on, and only then you will be ready to know the deep secrets this story tells you.
<b><i>4. Little Knife – ★★★★</i></b>
The shortest story in the book, but by all means not the least intriguing. A story that features a woman that is too beautiful, that men lose their mind as soon as they see her. To get the chance to marry her, men will have to go through a various of tasks. The twist at the end is incredible, and I really liked it. It starts off as a usual story, but it goes wild.
<b><i>5. The Soldier Prince – ★★</i></b>
This was a story I enjoyed the least. It all screamed ‘’The Nutcracker’’ to me, and I couldn’t see it as original. It was a re-make, and it was very different that the story we know, but it just didn’t work for me. This is a story about a man who makes toys and gives them life. And when one toy sort of ‘’wakes up’’, interesting things start to happen. Quite a creepy story. I usually like those, but this one was not my cup of tea.
<b><i>6. When Water Sand Fire – ★★★★</i></b>
<b>‘’ We were not made to please princes.’’</b>
This one is the longest story in the book. It features a world of creatures living underwater, and Ulla, who can sing and create magic, but who, as the people believe, is not a true born, but a mix between the underwater world and the humans. She is asked to help the prince become a king, but when the magic price is too high to paid, it doesn’t seem like she has a choice. I truly enjoyed this story, as it’s a beautiful mix of emotions while you read it. It was a bit disappointing that it seems as a remake of the creation of the character of Ursula from The Little Mermaid, at least to me.
Have you read this book, or any of Leigh Bardugo’s books? Let me know in the comments, I love to chat with you!
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