Search
Search results
Alice (12 KP) rated The Promise of the Child (The Amaranthine Spectrum #1) in Books
Jul 3, 2018
<blockquote>How little is the promise of the child fulfilled in the man</blockquote>
The Promise of the Child was one of those impulse books bought because I’d attended a festival (Gollancz festival October 15th 2016 I think) with the author in attendance and I liked the sound of both him and his debut novel; I have no regrets for purchasing this book on impulse unlike some of my impulse buys.
I think, personally, that 100 pages is all you get to grab me, if your book fails to grab me by then there’s a likelihood that I’ll abandon it sooner rather than later and I will admit I came so incredibly close to abandoning at about 80 pages because the book hadn’t grabbed me enough to keep me interested – I am glad I didn’t and persevered to the 100 page mark as shortly after my thoughts to abandon the book picked up massively.
The book is understandably a little confusing in places, sometimes a touch frustrating also but the world building was brilliantly done. It’s the 147th century and there are so many species of creature as to overload a new reader – which I will admit, I am and yes, it did happen – but there’s a wonderful glossary at the back of the book which for the first 150 pages or so I kept flicking backwards and forwards between to understand what it was I was reading. Tom also kindly answered my random Twitter message about the Melius – a giant non-reptilian chameleon-esque creature that wear colours instead of clothes (can I get a hell yeah?) and he’s such a nice guy (Tom, not the Melius, though they are quite nice too) he also suggested that the glossary would basically be my new best friend and no truer words have ever been spoken.
The characters were great – three main characters and a few main side characters that got a little more page time that you’d expect a secondary character to get.
Lycaste – a Melius who has been blessed/cursed with good looks and a soft heart.
Sotiris – an Amaranthine approximately 12,000 years old who mourns the death of his sister and plots to stop the man determined to become Emperor.
Ghaldezuel – a Lacaille knight of the stars who must steal the object that the Pretender will stop at nothing to obtain.
Each character had their own little quirks which didn’t deter from their overall character view but merely added to it. Lycaste for example is really soft hearted in the beginning but then another male encroaches on what he considers his territory and he flips – he’s a totally different man from how I’d gotten used to him and what I liked was that this new Lycaste continued throughout the rest of the book – he became infinitely more “masculine” than the hermit Lycaste of the beginning of the book.
For a debut novel the writing style was fresh if just a touch wordy, a lot of new words and styles of words specifically designed for The Amaranthine Spectrum world and though they’re long, and do put a bit of potentially unnecessary wordage in the book, I think that without them, The Promise of the Child wouldn’t have been the book it was.
On occasion, the book didn’t quite flow as well as I would have thought but it was made better by the general flow of it and the overall world building, characters and the plot line. The plot line was at first a bit confusing (I’d like to point out that I knew this going into the book and that this is no detriment on the book as a whole) but once it hit past the 100 page mark the plots stabilised and became their own individual side plots mixed together to make the one big plot.
The ending of the book threw me for a loop as I didn’t expect that ending in the slightest. It didn’t seem to match up with the beginning of the book where a random kid is taken by the Pretender and you don’t really hear about this child for the rest of the book. Then BAM! Dinosaur.
Yes. Dinosaur.
The book is perfectly spacey and sci/fi but it has that sweet touch of fantasy with the seemingly random designed creatures and alien species.
In all, this was a good book and I’d recommend it.
The Promise of the Child was one of those impulse books bought because I’d attended a festival (Gollancz festival October 15th 2016 I think) with the author in attendance and I liked the sound of both him and his debut novel; I have no regrets for purchasing this book on impulse unlike some of my impulse buys.
I think, personally, that 100 pages is all you get to grab me, if your book fails to grab me by then there’s a likelihood that I’ll abandon it sooner rather than later and I will admit I came so incredibly close to abandoning at about 80 pages because the book hadn’t grabbed me enough to keep me interested – I am glad I didn’t and persevered to the 100 page mark as shortly after my thoughts to abandon the book picked up massively.
The book is understandably a little confusing in places, sometimes a touch frustrating also but the world building was brilliantly done. It’s the 147th century and there are so many species of creature as to overload a new reader – which I will admit, I am and yes, it did happen – but there’s a wonderful glossary at the back of the book which for the first 150 pages or so I kept flicking backwards and forwards between to understand what it was I was reading. Tom also kindly answered my random Twitter message about the Melius – a giant non-reptilian chameleon-esque creature that wear colours instead of clothes (can I get a hell yeah?) and he’s such a nice guy (Tom, not the Melius, though they are quite nice too) he also suggested that the glossary would basically be my new best friend and no truer words have ever been spoken.
The characters were great – three main characters and a few main side characters that got a little more page time that you’d expect a secondary character to get.
Lycaste – a Melius who has been blessed/cursed with good looks and a soft heart.
Sotiris – an Amaranthine approximately 12,000 years old who mourns the death of his sister and plots to stop the man determined to become Emperor.
Ghaldezuel – a Lacaille knight of the stars who must steal the object that the Pretender will stop at nothing to obtain.
Each character had their own little quirks which didn’t deter from their overall character view but merely added to it. Lycaste for example is really soft hearted in the beginning but then another male encroaches on what he considers his territory and he flips – he’s a totally different man from how I’d gotten used to him and what I liked was that this new Lycaste continued throughout the rest of the book – he became infinitely more “masculine” than the hermit Lycaste of the beginning of the book.
For a debut novel the writing style was fresh if just a touch wordy, a lot of new words and styles of words specifically designed for The Amaranthine Spectrum world and though they’re long, and do put a bit of potentially unnecessary wordage in the book, I think that without them, The Promise of the Child wouldn’t have been the book it was.
On occasion, the book didn’t quite flow as well as I would have thought but it was made better by the general flow of it and the overall world building, characters and the plot line. The plot line was at first a bit confusing (I’d like to point out that I knew this going into the book and that this is no detriment on the book as a whole) but once it hit past the 100 page mark the plots stabilised and became their own individual side plots mixed together to make the one big plot.
The ending of the book threw me for a loop as I didn’t expect that ending in the slightest. It didn’t seem to match up with the beginning of the book where a random kid is taken by the Pretender and you don’t really hear about this child for the rest of the book. Then BAM! Dinosaur.
Yes. Dinosaur.
The book is perfectly spacey and sci/fi but it has that sweet touch of fantasy with the seemingly random designed creatures and alien species.
In all, this was a good book and I’d recommend it.
Gareth von Kallenbach (980 KP) rated The Purge: Anarchy (2014) in Movies
Jun 19, 2019
Last year audiences got a glimpse into a future America where crime, unemployment, and other social factors were at an all-time low. The cost for such radical social transformation was an annual Purge where for 12 hours; all crimes including murder are legal.
The film was made for less than $4 million and went on to become a surprise hit which naturally gave rise to sequel plans.
“The Purge: Anarchy” picks up a year later shortly before the annual Purge commences. The story follows three main groups of people who are preparing for the pending evening in Los Angeles.
Eva, (Carmen Ejogo), is a single mom who works as a waitress when she is not caring for her daughter and father, Shane and Liz a coupling facing a possible separation, ( Zach Gilford, Kiele Sanchez), and a mysterious man known as Sargent (Frank Grillo).
Although strangers at the start of the evening, fate brings them all together on an evening where not everyone can be trusted as people can turn on one another over long standing grudges or simply to ‘free the beast” as they call it citing their right to do so as granted by the new founding fathers.
The streets have become a battlefield as the carnage builds up and people locked in their buildings soon find themselves under attack from black armor clad shock troops supported by chain gun equipped semi-trailers.
The main characters of the film must work with one another to stay alive as Sergeant as desperate need of a car to replace the one he lost saving his companions, but to the others he is a dangerous wildcard that they are not sure can be trusted.
As the group moves through the streets looking for safety, danger is all around them and as they evening progresses they learn more and more about the Purge and who in society benefits the most from this annual event.
With death a constant companion, the group must survive against all odds in a world gone mad for 12 hours and with limited options, they must take on the deadliest threats ever assembled for The Purge.
The film is a rare sequel that is actually better than the original. The increased budget shows as the ability to set the story in a city rather than a single home has allowed a more diverse cast of characters, motivations, and scenarios to be presented.
Aside from the solid mix of action and suspense, I enjoyed the fact that the characters came across as real people rather than stereotypical fodder for films of this type. While there is not tons of depth given to them, we are given enough information to understand their motivations and find a reason to care for them.
The film also takes on some very touchy subjects such as social injustices, the needs of the poor vs the seemingly uncaring attitudes of the wealthy and how laws seem to be made often to appease only the rich and powerful at the expense of everyone else.
Taking on such difficult subject matter without becoming overly preachy was a strong point of the film as it not only entertained but raised some very good questions and social commentary while allowing the audience to make up their own minds.
This reminded me in many ways of the original Star Trek series as they were pioneers in taking on topics that the network censors would not allow by hiding it in the cloak of fantasy. The powers that be had little knowledge of what was being presented but those who did watch the show clearly got the message.
This was evident in the film when the tables turned on a sadistic and elite socialite which resulted in loud cheers and applause from the audience.
There has been talk that the next film in the series may be a prequel and deal with the original Purge and how it came to be. I for one would love to see more as the nature of the premise gives rise to so many stories and scenarios in one night alone, and the fact that the Purge is an annual event, and then perhaps we will see films in this series on a regular basis. If they keep up the quality of this one, then I say bring them on.
http://sknr.net/2014/07/18/the-purge-anarchy/
The film was made for less than $4 million and went on to become a surprise hit which naturally gave rise to sequel plans.
“The Purge: Anarchy” picks up a year later shortly before the annual Purge commences. The story follows three main groups of people who are preparing for the pending evening in Los Angeles.
Eva, (Carmen Ejogo), is a single mom who works as a waitress when she is not caring for her daughter and father, Shane and Liz a coupling facing a possible separation, ( Zach Gilford, Kiele Sanchez), and a mysterious man known as Sargent (Frank Grillo).
Although strangers at the start of the evening, fate brings them all together on an evening where not everyone can be trusted as people can turn on one another over long standing grudges or simply to ‘free the beast” as they call it citing their right to do so as granted by the new founding fathers.
The streets have become a battlefield as the carnage builds up and people locked in their buildings soon find themselves under attack from black armor clad shock troops supported by chain gun equipped semi-trailers.
The main characters of the film must work with one another to stay alive as Sergeant as desperate need of a car to replace the one he lost saving his companions, but to the others he is a dangerous wildcard that they are not sure can be trusted.
As the group moves through the streets looking for safety, danger is all around them and as they evening progresses they learn more and more about the Purge and who in society benefits the most from this annual event.
With death a constant companion, the group must survive against all odds in a world gone mad for 12 hours and with limited options, they must take on the deadliest threats ever assembled for The Purge.
The film is a rare sequel that is actually better than the original. The increased budget shows as the ability to set the story in a city rather than a single home has allowed a more diverse cast of characters, motivations, and scenarios to be presented.
Aside from the solid mix of action and suspense, I enjoyed the fact that the characters came across as real people rather than stereotypical fodder for films of this type. While there is not tons of depth given to them, we are given enough information to understand their motivations and find a reason to care for them.
The film also takes on some very touchy subjects such as social injustices, the needs of the poor vs the seemingly uncaring attitudes of the wealthy and how laws seem to be made often to appease only the rich and powerful at the expense of everyone else.
Taking on such difficult subject matter without becoming overly preachy was a strong point of the film as it not only entertained but raised some very good questions and social commentary while allowing the audience to make up their own minds.
This reminded me in many ways of the original Star Trek series as they were pioneers in taking on topics that the network censors would not allow by hiding it in the cloak of fantasy. The powers that be had little knowledge of what was being presented but those who did watch the show clearly got the message.
This was evident in the film when the tables turned on a sadistic and elite socialite which resulted in loud cheers and applause from the audience.
There has been talk that the next film in the series may be a prequel and deal with the original Purge and how it came to be. I for one would love to see more as the nature of the premise gives rise to so many stories and scenarios in one night alone, and the fact that the Purge is an annual event, and then perhaps we will see films in this series on a regular basis. If they keep up the quality of this one, then I say bring them on.
http://sknr.net/2014/07/18/the-purge-anarchy/
David McK (3562 KP) rated The Shepherd's Crown in Books
Jan 28, 2019
THE FINAL DISCWORLD BOOK
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Those four words were always going to make a long-time Discworld reader feel quite emotional, making it hard to objectively review the novel itself: are you reviewing this last peek into Pratchett's mirror reality, or are you reviewing the entire 41-book series? I'm going to try both:
THE SERIES
The first Disworld book I read (I'm pretty sure it was [b: Pyramids|64217|Pyramids (Discworld, #7)|Terry Pratchett|https://images.gr-assets.com/books/1439098306s/64217.jpg|968512]) wasn't actually the first in the series (that would be [b: The Colour of Magic|833512|The Colour of Magic The Illustrated Screenplay|Vadim Jean|https://images.gr-assets.com/books/1347346368s/833512.jpg|17589693]), although I did later go back and read the earlier works. Reading them in order released (as opposed to one of the numerous Discworld Reading Order Guides: I'm quite partial to the 'Unofficial Discworld Reading Order Guide'), you can see how Terry Pratchett's writing style evolved, how he moved from outright satire to a more subtle comedy fantasy that holds a mirror up to real-world issues. Personally, I feel he was at his best at around the mid-way point of the series (say, [b: Maskerade|64305|Maskerade The Play|Terry Pratchett|https://images.gr-assets.com/books/1170622047s/64305.jpg|62427] or [b: Men at Arms|7557548|Men at Arms The Play|Terry Pratchett|https://images.gr-assets.com/books/1353573652s/7557548.jpg|9910828], after he'd found his feet (so-to-speak), but before the 'embuggerance' of his posterior cortical atrophy set in and the novels - perhaps understandably - started becoming almost too serious.
Throughout the series, there was a rich tapestry of characters introduced, from CMOT Dibbler through to the Patrician of Ankh-Morpork, with certain groups of characters (e.g. The City Watch) effectively becoming a sub-series in their own right. One of those groups - Granny Weatherwax (first introduced in [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611] and The Witches of Lancre (first introduced in [b: Wyrd Sisters|233664|Wyrd Sisters The Play|Terry Pratchett|https://images.gr-assets.com/books/1388363090s/233664.jpg|17589683] - would later themselves have 'guest spots' in another group of such characters, ostensibly written for Young Adult Readers but still very enjoyable for older; the Nac Mac Feegles (Crivens!) and Tiffany Aching, both of who first appeared in [b: The Wee Free Men|7881001|The Wee Free Men The Beginning (Discworld, #30 & #32)|Terry Pratchett|https://images.gr-assets.com/books/1388181365s/7881001.jpg|22017239]. Which nicely brings me to:
THE NOVEL ITSELF
'The Shepherd's Crown' sees a return of both Tiffany Aching, now a young Witch setting out on her career path, and those Nac Mac Feegles. There's a strong sense of change throughout, kicked off by the surprising early exit of a previous major character in the entire series, leading to old foes - the Elves - to try to make their way back into the world. These Elves, remember, are *not* the dainty do-gooders of Tolkien: these are nasty, malicious, self-serving creatures who last attempted to invade in [b: Lords and Ladies|34529|Lords and Ladies (Discworld, #14; Witches #4)|Terry Pratchett|https://images.gr-assets.com/books/1469186110s/34529.jpg|1185086], before eventually being defeated by Granny Weatherwax, Nanny Ogg and Magrat Garlik. Those three characters make a return in this, as well as bit-parts for the Arch-Chancellor of Unseen University, Ponder Stibbons (and HEX) alongside King Verence and the Patrician. Despite all these, the novel, however, is really Tiffany's story, and of how she finds her feet in the circumstances into which she is rather abruptly thrown. There's also a plot element that recalls [b: Equal Rites|34507|Equal Rites (Discworld, #3; Witches, #1)|Terry Pratchett|https://images.gr-assets.com/books/1407706800s/34507.jpg|583611]: that of a person wanting to do a role that is generally considered to be that for a member of the opposite sex.
As always, footnotes are present and correct, with the novel even raising a few laugh-out-loud moments. While the story does finish with the words 'THE END', the world itself will continue on: all that has come to an end is our ability to peek into it.
In the words of the Nac Mac Feegle: "Waily waily waily ..."
Rating for the series: 5*
Rating for the novel: 4*
Purple Phoenix Games (2266 KP) rated Tiny Epic Galaxies in Tabletop Games
Jul 16, 2019
When it comes to game themes, I’ve got them all – modern mystery, fantasy, superhero, abstract puzzle, pirates, zombies, and more. But the one theme I never had was space. Which, thinking back on it now, is kind of weird because there are so many space-themed games out there. In my exploration of the Tiny Epic series, I eventually came to the third installment, Tiny Epic Galaxies. And thus, the space-game void I didn’t even know I had was filled. Since then, I’ve played a handful of other space-themed games, but Tiny Epic Galaxies is by far my favorite.
In Tiny Epic Galaxies, you are the leader of a galactic empire looking to expand its borders and influence across space. Unfortunately, you are not the only one vying for power – competing galactic leaders are also gathering resources and sending out scouts to planets in hopes of bringing them into the folds of their own empires. Can you outwit your opponents and stake your claim on these new planets before your rivals do? Or are you doomed to live under someone else’s rule forever?
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Tiny Epic Galaxies is a game of dice rolling and area control/influence in which players take turns rolling dice and activating powers in order to gather resources and increase their influence on newly-discovered planets. On your turn, you will roll a specified number of dice, and activate them in any order you choose to perform any of the available actions: move a ship, advance your colonization of a planet, acquire resources, or utilize the special power of a planet you control. Gaining control of a planet earns victory points, and the game ends once a player has reached 21 VPs. Sounds simple enough, right? But here’s a twist – when you activate a die on your turn, any other player can spend a resource to follow your action and perform the same action you just did. Make sure you keep an eye on your opponents’ ships and resources – a beneficial action for you could also earn your opponents a planet!
My absolute favorite part of all the Tiny Epic games is that they have so much more to offer than meets the eye, and Tiny Epic Galaxies is no exception. The premise of the game is simple and easy to learn, yet mastering the strategy is what keeps me coming back for more. There is no single strategy for guaranteed success, and the necessity to adapt strategy based upon your dice rolls keeps the game engaging and exciting. You may have a plan in mind, but unless the dice cooperate, you’ll have to adjust that plan on the fly. And you’ve also got to pay attention to your resources and your opponents’ turns, because you might be able to capitalize on their dice if you can afford the cost. It could potentially always be your turn, even if it’s not your official turn, since you have the ability to follow an opponent’s action. You’re coming up with your own strategy, while also trying to decipher your opponents’ strategies so you can outwit them and earn the most VPs the fastest.
Another great part of this game is that there is a good amount of player interaction, but not in a way that feels confrontational. In some situations it may feel like a bit of ‘take that,’ but remember – you’re the one who gave them the opportunity to take that action! Without you taking the action in the first place, your opponent would not have had the chance to follow you! Your strategy must transcend your individual galaxy and also take into account every other galaxy in play. In Tiny Epic Galaxies, you’re constantly interacting – some interactions are just more subtle than others.
Tiny Epic Galaxies is perhaps my favorite Tiny Epic game to date. It’s quick, simple, and yet deceptively strategic. Plus the little spaceships are so cute! If I had to pick one Tiny Epic game to use to introduce someone to the series, I would pick this one. Purple Phoenix Games gives Tiny Epic Galaxies an out-of-this-world 17 / 18.
In Tiny Epic Galaxies, you are the leader of a galactic empire looking to expand its borders and influence across space. Unfortunately, you are not the only one vying for power – competing galactic leaders are also gathering resources and sending out scouts to planets in hopes of bringing them into the folds of their own empires. Can you outwit your opponents and stake your claim on these new planets before your rivals do? Or are you doomed to live under someone else’s rule forever?
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
Tiny Epic Galaxies is a game of dice rolling and area control/influence in which players take turns rolling dice and activating powers in order to gather resources and increase their influence on newly-discovered planets. On your turn, you will roll a specified number of dice, and activate them in any order you choose to perform any of the available actions: move a ship, advance your colonization of a planet, acquire resources, or utilize the special power of a planet you control. Gaining control of a planet earns victory points, and the game ends once a player has reached 21 VPs. Sounds simple enough, right? But here’s a twist – when you activate a die on your turn, any other player can spend a resource to follow your action and perform the same action you just did. Make sure you keep an eye on your opponents’ ships and resources – a beneficial action for you could also earn your opponents a planet!
My absolute favorite part of all the Tiny Epic games is that they have so much more to offer than meets the eye, and Tiny Epic Galaxies is no exception. The premise of the game is simple and easy to learn, yet mastering the strategy is what keeps me coming back for more. There is no single strategy for guaranteed success, and the necessity to adapt strategy based upon your dice rolls keeps the game engaging and exciting. You may have a plan in mind, but unless the dice cooperate, you’ll have to adjust that plan on the fly. And you’ve also got to pay attention to your resources and your opponents’ turns, because you might be able to capitalize on their dice if you can afford the cost. It could potentially always be your turn, even if it’s not your official turn, since you have the ability to follow an opponent’s action. You’re coming up with your own strategy, while also trying to decipher your opponents’ strategies so you can outwit them and earn the most VPs the fastest.
Another great part of this game is that there is a good amount of player interaction, but not in a way that feels confrontational. In some situations it may feel like a bit of ‘take that,’ but remember – you’re the one who gave them the opportunity to take that action! Without you taking the action in the first place, your opponent would not have had the chance to follow you! Your strategy must transcend your individual galaxy and also take into account every other galaxy in play. In Tiny Epic Galaxies, you’re constantly interacting – some interactions are just more subtle than others.
Tiny Epic Galaxies is perhaps my favorite Tiny Epic game to date. It’s quick, simple, and yet deceptively strategic. Plus the little spaceships are so cute! If I had to pick one Tiny Epic game to use to introduce someone to the series, I would pick this one. Purple Phoenix Games gives Tiny Epic Galaxies an out-of-this-world 17 / 18.
Gareth von Kallenbach (980 KP) rated Bohemian Rhapsody (2018) in Movies
Jul 2, 2019
How many of these reviews are going to start with “Is this the real life? Is this just fantasy?” A lot I am willing to bet. The thing is, it’s a good way to start. Bohemian Rhapsody has been a highly anticipated film for many years. I remember back when they were considering Johnny Depp for Freddie Mercury. Then it was Sasha Baren Cohen. And then they announced Rami Malek, and a majority of the country went, “Who?” Rami Malek is mostly known for his work as the lead in the USA Network series Mr. Robot. He got his start in the Night at the Museum series, and has scene big screen time in Need for Speed and, most recently, Papillion alongside Charlie Hunnam. I think it’s safe to say that after November 2, 2018, people will definitely know who he is.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Purple Phoenix Games (2266 KP) rated Harbour in Tabletop Games
Dec 19, 2019
“Ugh, I have too much stone and not enough fish! What am I going to do, just magically convert this stone into fish?” In Harbour, the answer is YES. Harbour is a light economic, worker placement, set collection game with fantasy elements to spice up the theming. Your goal is to amass the most victory points at the end of the game and become the greatest Harbourmaster ever!
In Harbour, you control a gobleeple (I am really horrible at this, but it’s a meeple in the shape of a goblin) who travels around town visiting buildings to enact their special abilities. Using these abilities will help you amass goods whose value is ever-changing on a uniquely-designed market board. Knowing when to sell your wood and livestock to purchase buildings is the key factor to creating a strategic path to income and winning the game of Harbour.
DISCLAIMER: I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. Furthermore, there is an expansion to this game, but we are not reviewing it at this time. Should we review it in the future we will either update this review or post a link to the new material here. -T
To setup give each player a gobleeple of their color choice (I choose you, purple!), a player board of their choice – or randomly dealt, and one token of each good to later be placed on their warehouse spaces. Place the main market board in the middle of the table with one goods token per space on the market to indicate starting prices for each good. Have each player now assign goods to warehouse spaces not to exceed three total goods stored. Shuffle the main building cards and place out in a grid a number of cards equal to three plus the number of players (seven total in a four-player game). Determine the starting player and you are ready to begin!
On your turn you must move your gobleeple to another vacant building, even the starting one on your player mat, or another player’s built building (but you must pay them a good to do so). From there you may take advantage of any special abilities that building offers. It could be adjusting the prices of goods, trading one type of good for another, or allowing you to purchase buildings from the grid. Purchasing buildings brings the game closer to its end, as the end is triggered by a player purchasing their fourth building. The round continues until everyone has had equal amount of turns and the player with the highest VP in buildings wins! I will have you play the game to see the various abilities that each player mat and each building offer.
Components. This is a small game in a small box (ironically it’s a Scott Almes design – you know, of Tiny Epic fame). You are given lots of player mats that feature different characters and abilities that you can choose to emulate. These mats are great, laid out well, and have funny flavor text on them. Also included are the aforementioned painted wooden gobleeples in fun colors and with an even funner shrugging pose. To keep track of your goods and market values you use blocks with stickers applied. In addition to this is a giant stack of cards to represent the buildings you will be visiting and purchasing. I have sleeved mine and they all fit back in the box (even with a few promos included). Everything is of great quality. No problems at all for me, as per usual with Tasty Minstrel Games fare.
I do not own many market and economic games because usually they do not really interest me at all. I do have many worker placement games because I really enjoy the mechanic. This one, though, is special to me. It is one of the games I have Kickstarted that I feel really delivered and fires on all cylinders for me. Your opinions may vary if you have played it, but this game is an absolute gem. It is light, fast, and incredibly fun. There is a slight learning curve if you are not used to either economic or worker placement games, but after a few rounds it will all fall into place. If you are looking for a euro game in fun clothing, I highly recommend Harbour (and it’s a steal right now in stores). Purple Phoenix Games gives this one a rousing 10 / 12.
In Harbour, you control a gobleeple (I am really horrible at this, but it’s a meeple in the shape of a goblin) who travels around town visiting buildings to enact their special abilities. Using these abilities will help you amass goods whose value is ever-changing on a uniquely-designed market board. Knowing when to sell your wood and livestock to purchase buildings is the key factor to creating a strategic path to income and winning the game of Harbour.
DISCLAIMER: I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. Furthermore, there is an expansion to this game, but we are not reviewing it at this time. Should we review it in the future we will either update this review or post a link to the new material here. -T
To setup give each player a gobleeple of their color choice (I choose you, purple!), a player board of their choice – or randomly dealt, and one token of each good to later be placed on their warehouse spaces. Place the main market board in the middle of the table with one goods token per space on the market to indicate starting prices for each good. Have each player now assign goods to warehouse spaces not to exceed three total goods stored. Shuffle the main building cards and place out in a grid a number of cards equal to three plus the number of players (seven total in a four-player game). Determine the starting player and you are ready to begin!
On your turn you must move your gobleeple to another vacant building, even the starting one on your player mat, or another player’s built building (but you must pay them a good to do so). From there you may take advantage of any special abilities that building offers. It could be adjusting the prices of goods, trading one type of good for another, or allowing you to purchase buildings from the grid. Purchasing buildings brings the game closer to its end, as the end is triggered by a player purchasing their fourth building. The round continues until everyone has had equal amount of turns and the player with the highest VP in buildings wins! I will have you play the game to see the various abilities that each player mat and each building offer.
Components. This is a small game in a small box (ironically it’s a Scott Almes design – you know, of Tiny Epic fame). You are given lots of player mats that feature different characters and abilities that you can choose to emulate. These mats are great, laid out well, and have funny flavor text on them. Also included are the aforementioned painted wooden gobleeples in fun colors and with an even funner shrugging pose. To keep track of your goods and market values you use blocks with stickers applied. In addition to this is a giant stack of cards to represent the buildings you will be visiting and purchasing. I have sleeved mine and they all fit back in the box (even with a few promos included). Everything is of great quality. No problems at all for me, as per usual with Tasty Minstrel Games fare.
I do not own many market and economic games because usually they do not really interest me at all. I do have many worker placement games because I really enjoy the mechanic. This one, though, is special to me. It is one of the games I have Kickstarted that I feel really delivered and fires on all cylinders for me. Your opinions may vary if you have played it, but this game is an absolute gem. It is light, fast, and incredibly fun. There is a slight learning curve if you are not used to either economic or worker placement games, but after a few rounds it will all fall into place. If you are looking for a euro game in fun clothing, I highly recommend Harbour (and it’s a steal right now in stores). Purple Phoenix Games gives this one a rousing 10 / 12.
Night Reader Reviews (683 KP) rated Holding Out for a Hero (Jelvia: Not Human #1) in Books
Jan 9, 2020
Honest Review for Free Copy of Book
WARNING: FOR READERS 18 YEARS OLD AND OLDER ONLY!
Normally I would put who I believe the target readers are at the end of my review, but because of the genre of this book things are going to be a little different. The target readers for this book are adults, 18 years old and older. This book is labeled as an erotica. There are vivid sex scenes with mild bondage and kinky play throughout this book. You have been warned.
Jelvia Not Human 1: Holding Out for a Hero by T. E. Kessler was originally published under the author name of L. Wise and with a different cover. Most erotica fantasy books use vampires or werewolves as a main character type but this book introduced is an entirely new race, the Jelvia. From reading this book I have learned that they are similar to humans and appearance, only they are significantly taller. I don't want to give away too much about who or what they are as I enjoyed learning about them during the book.
Macy, a journalist for a newspaper called the London Echo, lives with her friend Courtney. One night Courtney is attacked by a group of guys outside of a store. Suddenly her attack flee and Courtney find herself face to face with a Jelvia. Now Macy's sets out to prove that Jelvias are not the dangerous threat to mankind that everyone seems to think they are. After William, the owner of the paper Macy works for, sees a video of Macy speaking to a Jelvia he invite her to work directly for him. He has this idea of a special team for a paper that will report the truth on Jelvias all of the fear inducing media hype other papers publish.
As it turns out William is not exactly who he says he is. He askes Macy to get close to a Jelvia to get information from him. As it turns out the Jelvia, named Narcifer, has received the same orders in regards to Macy. Things get even more complicated when Macy and Narcifer fall for each other and realize that both of their bosses are using them. The two races do not approve of or trust the other, so now it is up to Macy and Narcifer decide if their love is worth everything they may lose. Can they approve to humans that the Jelvia are not as dangerous as they are made out to be? Can they prove to the Jelvias that look down on humans that humans are not just wheat creatures that are in the way or a danger to their own race?
What I liked best about this book is that it stayed true to the erotica style. Many erotica books tend to fall too much toward the side of a mushy romance instead. It also contained a strong storyline that remained interesting. The sex, while it was consistent, was not the main focus of the story and was appropriate in its timing. What I liked least about the book is actually a common complaint of mine. Parts of the story were repeated multiple times as information was spread from one person to another. To me this starts to make a book drag and I find myself wanting to skim over paragraphs or even pages at a time.
Overall I rate this book a 3 out of 4. It is hard to find an erotica book that bounces the sex and story well. This book is very well balanced and the plot was strong. Only reason why it got a 3 instead of a 4 was because of it being repetitive. I do look forward to reading more of this series as it becomes available and hope that I have a chance to review the rest of the books. I am very interested and where Macy's relationship will lead and if humans and Jelvia ever become mostly tolerant of each other.
https://www.facebook.com/nightreaderreviews
Normally I would put who I believe the target readers are at the end of my review, but because of the genre of this book things are going to be a little different. The target readers for this book are adults, 18 years old and older. This book is labeled as an erotica. There are vivid sex scenes with mild bondage and kinky play throughout this book. You have been warned.
Jelvia Not Human 1: Holding Out for a Hero by T. E. Kessler was originally published under the author name of L. Wise and with a different cover. Most erotica fantasy books use vampires or werewolves as a main character type but this book introduced is an entirely new race, the Jelvia. From reading this book I have learned that they are similar to humans and appearance, only they are significantly taller. I don't want to give away too much about who or what they are as I enjoyed learning about them during the book.
Macy, a journalist for a newspaper called the London Echo, lives with her friend Courtney. One night Courtney is attacked by a group of guys outside of a store. Suddenly her attack flee and Courtney find herself face to face with a Jelvia. Now Macy's sets out to prove that Jelvias are not the dangerous threat to mankind that everyone seems to think they are. After William, the owner of the paper Macy works for, sees a video of Macy speaking to a Jelvia he invite her to work directly for him. He has this idea of a special team for a paper that will report the truth on Jelvias all of the fear inducing media hype other papers publish.
As it turns out William is not exactly who he says he is. He askes Macy to get close to a Jelvia to get information from him. As it turns out the Jelvia, named Narcifer, has received the same orders in regards to Macy. Things get even more complicated when Macy and Narcifer fall for each other and realize that both of their bosses are using them. The two races do not approve of or trust the other, so now it is up to Macy and Narcifer decide if their love is worth everything they may lose. Can they approve to humans that the Jelvia are not as dangerous as they are made out to be? Can they prove to the Jelvias that look down on humans that humans are not just wheat creatures that are in the way or a danger to their own race?
What I liked best about this book is that it stayed true to the erotica style. Many erotica books tend to fall too much toward the side of a mushy romance instead. It also contained a strong storyline that remained interesting. The sex, while it was consistent, was not the main focus of the story and was appropriate in its timing. What I liked least about the book is actually a common complaint of mine. Parts of the story were repeated multiple times as information was spread from one person to another. To me this starts to make a book drag and I find myself wanting to skim over paragraphs or even pages at a time.
Overall I rate this book a 3 out of 4. It is hard to find an erotica book that bounces the sex and story well. This book is very well balanced and the plot was strong. Only reason why it got a 3 instead of a 4 was because of it being repetitive. I do look forward to reading more of this series as it becomes available and hope that I have a chance to review the rest of the books. I am very interested and where Macy's relationship will lead and if humans and Jelvia ever become mostly tolerant of each other.
https://www.facebook.com/nightreaderreviews
Ivana A. | Diary of Difference (1171 KP) rated Switched (Trylle, #1) in Books
Apr 20, 2020
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2886475888">Switched</a>; - ★★★★★
#1 <a href="https://www.goodreads.com/review/show/3257360720">Torn</a>; - Not Read Yet
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2020/03/Book-Review-Banner-29.png?w=1920&ssl=1"/>;
<b>Wendy Everly knew she was different the day her mother tried to kill her…</b>
Her mother told her she has been switched at birth. Unable to fit anywhere, bored and frustrated by her small-town life, she also has to hide her secret - the fact that she can somehow influence people’s decisions, without knowing how or why she does it.
When the dark and handsome Finn shows up at her bedroom window one night, her life changes forever! The secret she has been waiting for has finally been revealed. Finn holds the key to her past and has an answer to her strange ability. He is also about to introduce her to a place she never imagined could exist: Forening, the home of Trylle.
Among the Trylle she is not different, but she is special. But being special also brings danger wherever she goes and with everything around her being new, Finn is the only person she can trust. But will trusting him be enough to stay alive?
<a href="https://www.instagram.com/p/B-VtJ8ZAUlF/">View this post on Instagram</a>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/03/IMG_20200330_022115_989.jpg?ssl=1&w=510"/>;
<b><i>My Thoughts:</i></b>
I absolutely LOVED, LOVED, LOVED Switched, and I need to buy the second book in the series as soon as possible!
Wendy is a girl that you immediately want to be friends with. Witty, honest and caring, willing to do everything for the people she loves - she is so precious and I wouldn’t let anyone touch her!
Finn - he is the fiction version of my boyfriend… Dark, handsome, brutally honest and his ego can sometimes get in the way. He is a tracker - and his job is to find other people like Wendy, who have special powers. Finn is a sort of a body-guard. And because Wendy is special and the future Queen, she cannot be with anyone that is not the same or similar rank as her. Which means that being with Finn is impossible.
<b>Not allowed.</b>
Frowned upon and could result in banishment for both. Loss of crown type of bad.
From the first chapter I was into Wendy’s world and this book was so quick to read. I read it in less than a day and it felt too short! It’s a page-turner in every sense of the world.
The world building as well as the Trylle people were quite interesting and unique. I also loved the fact that even though Wendy and Finn were amazing characters, we met so many other characters, who were also very well portrayed in their own way and all left a mark: Elora, Rhys, Matt, Tove, Rhiannon, Willa… All of them had their own uniqueness, and I can imagine how hard it can be to give life to so many characters in such a small book.
I rooted for Wendy and Finn’s romance, as you can imagine, and I have to say, I was a bit disappointed with the ending. However, I knew that was the right choice for Wendy at the time, and also, it left a great cliff-hanger for the second book, for me to read. I think that in the second book, a few old things will open up again and maybe, this time, the ending will go as I wanted it to go in the first book.
<b><i>I recommend this book with all my heart to all of you that love fantasy and young-adult romance. You will read it fast and you will fall in love with it even faster. Switched is definitely a book I am adding to my favorites.</i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2886475888">Switched</a>; - ★★★★★
#1 <a href="https://www.goodreads.com/review/show/3257360720">Torn</a>; - Not Read Yet
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2020/03/Book-Review-Banner-29.png?w=1920&ssl=1"/>;
<b>Wendy Everly knew she was different the day her mother tried to kill her…</b>
Her mother told her she has been switched at birth. Unable to fit anywhere, bored and frustrated by her small-town life, she also has to hide her secret - the fact that she can somehow influence people’s decisions, without knowing how or why she does it.
When the dark and handsome Finn shows up at her bedroom window one night, her life changes forever! The secret she has been waiting for has finally been revealed. Finn holds the key to her past and has an answer to her strange ability. He is also about to introduce her to a place she never imagined could exist: Forening, the home of Trylle.
Among the Trylle she is not different, but she is special. But being special also brings danger wherever she goes and with everything around her being new, Finn is the only person she can trust. But will trusting him be enough to stay alive?
<a href="https://www.instagram.com/p/B-VtJ8ZAUlF/">View this post on Instagram</a>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/03/IMG_20200330_022115_989.jpg?ssl=1&w=510"/>;
<b><i>My Thoughts:</i></b>
I absolutely LOVED, LOVED, LOVED Switched, and I need to buy the second book in the series as soon as possible!
Wendy is a girl that you immediately want to be friends with. Witty, honest and caring, willing to do everything for the people she loves - she is so precious and I wouldn’t let anyone touch her!
Finn - he is the fiction version of my boyfriend… Dark, handsome, brutally honest and his ego can sometimes get in the way. He is a tracker - and his job is to find other people like Wendy, who have special powers. Finn is a sort of a body-guard. And because Wendy is special and the future Queen, she cannot be with anyone that is not the same or similar rank as her. Which means that being with Finn is impossible.
<b>Not allowed.</b>
Frowned upon and could result in banishment for both. Loss of crown type of bad.
From the first chapter I was into Wendy’s world and this book was so quick to read. I read it in less than a day and it felt too short! It’s a page-turner in every sense of the world.
The world building as well as the Trylle people were quite interesting and unique. I also loved the fact that even though Wendy and Finn were amazing characters, we met so many other characters, who were also very well portrayed in their own way and all left a mark: Elora, Rhys, Matt, Tove, Rhiannon, Willa… All of them had their own uniqueness, and I can imagine how hard it can be to give life to so many characters in such a small book.
I rooted for Wendy and Finn’s romance, as you can imagine, and I have to say, I was a bit disappointed with the ending. However, I knew that was the right choice for Wendy at the time, and also, it left a great cliff-hanger for the second book, for me to read. I think that in the second book, a few old things will open up again and maybe, this time, the ending will go as I wanted it to go in the first book.
<b><i>I recommend this book with all my heart to all of you that love fantasy and young-adult romance. You will read it fast and you will fall in love with it even faster. Switched is definitely a book I am adding to my favorites.</i></b>
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Emma @ The Movies (1786 KP) rated Endless (2020) in Movies
Nov 22, 2020
The synopsis was suitably intriguing, but there's always a slight worry that a fantasy romance is going to be a little cheesy.
Riley and Chris are the definition of young love, their future together is almost certain, until a car accident takes Chris. But Chris isn't gone yet, he's stuck on Earth in limbo. When he finds he can communicate with Riley, their love lives on, but are the consequences of living this way a price they can pay?
So, Endless is exactly what it sounds like, ghost boyfriend hangs around living girlfriend and they learn things about themselves... because that's what these films do. The opening gives you the impression you're about to see the film love child of a Disney Channel Original movie and a Hallmark movie, and that's not far off what we get... except it probably could have done with a bit more humour injected into it, and maybe a smidge less drama.
Riley and Chris are our young leading duo, they're in love, they want their future to be together... and yet somehow he is baffled by her life choices with college. The opening of the film is a montage that shows this perfect couply life, and it's very much used to cover up the fact that the main bulk of the film skips over this development between them. That would be fine if it wasn't for the fact that our first big interaction with them is basically an argument about something that they would have already talked about had they been this couple we'd seen portrayed. So not only are we starting the film with a scenario that seems contrary to the life we're shown, but we're also confronted with hostility between them which gives us no chance to get to know either one and "be on their side" through the rest of the film.
I was astounded to see that this film is only 1 hour 35... I can already sense that many people will be making jokes about this film's title and the runtime (because I can't be the only one who feels things about this film), it really did feel longer so I can't blame them for it. That does also go some way to explain bits that seem to happen very suddenly, I'm not sure if they've written it this way or if it's been cut down, but it left me with an odd feeling at times.
When it comes to acting I'm having trouble separating it from the characters and the script. Many of the characters have such a swift change in emotion that I imagined someone behind the camera was shouting "Now you're angry!" at them randomly. No one seems to be immune, even DeRon Horton, who struck me as doing the best job of his piece, has a mad moment that didn't seem to fit with the character or the story.
Endless honestly seems to have a bit of an identity crisis, I couldn't see a clear goal for what the final product was trying to be. Was it the story of them as a couple? Was it the story of Chris coming to terms with his passing? Or was it the story of Riley finding herself and her passion through grief? It appeared to be all of those with varying importance throughout.
I'm aware I'm rambling a little at this point... I'll try to get a move on!
With Chris being dead they've decided they need to capture the spirit world on screen. It's certainly clear when this happens with its hazy glimmer, but I don't think they needed to do that at all, it's a little over the top. As is the addition of the traditional ghost-passing-through-things effect. That was indeed a little cheesy in this drama and is one of the main reasons I stated above that it could have embraced some more humour. Something that particularly bugged me with the effects though is the fact they paid money to give us a Snapchat filter but didn't pay someone to take out the sound of Chris and Jordan walking on gravel.
For all my griping though, I did find it an emotional watch, sadly that couldn't pull it back from the many problems I encountered along the way. An extra ten minutes to expand on their relationship would have helped it along a little, but I think its biggest problem is the inconsistency that plagues us throughout with the characters and the storylines.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/endless-movie-review.html
Riley and Chris are the definition of young love, their future together is almost certain, until a car accident takes Chris. But Chris isn't gone yet, he's stuck on Earth in limbo. When he finds he can communicate with Riley, their love lives on, but are the consequences of living this way a price they can pay?
So, Endless is exactly what it sounds like, ghost boyfriend hangs around living girlfriend and they learn things about themselves... because that's what these films do. The opening gives you the impression you're about to see the film love child of a Disney Channel Original movie and a Hallmark movie, and that's not far off what we get... except it probably could have done with a bit more humour injected into it, and maybe a smidge less drama.
Riley and Chris are our young leading duo, they're in love, they want their future to be together... and yet somehow he is baffled by her life choices with college. The opening of the film is a montage that shows this perfect couply life, and it's very much used to cover up the fact that the main bulk of the film skips over this development between them. That would be fine if it wasn't for the fact that our first big interaction with them is basically an argument about something that they would have already talked about had they been this couple we'd seen portrayed. So not only are we starting the film with a scenario that seems contrary to the life we're shown, but we're also confronted with hostility between them which gives us no chance to get to know either one and "be on their side" through the rest of the film.
I was astounded to see that this film is only 1 hour 35... I can already sense that many people will be making jokes about this film's title and the runtime (because I can't be the only one who feels things about this film), it really did feel longer so I can't blame them for it. That does also go some way to explain bits that seem to happen very suddenly, I'm not sure if they've written it this way or if it's been cut down, but it left me with an odd feeling at times.
When it comes to acting I'm having trouble separating it from the characters and the script. Many of the characters have such a swift change in emotion that I imagined someone behind the camera was shouting "Now you're angry!" at them randomly. No one seems to be immune, even DeRon Horton, who struck me as doing the best job of his piece, has a mad moment that didn't seem to fit with the character or the story.
Endless honestly seems to have a bit of an identity crisis, I couldn't see a clear goal for what the final product was trying to be. Was it the story of them as a couple? Was it the story of Chris coming to terms with his passing? Or was it the story of Riley finding herself and her passion through grief? It appeared to be all of those with varying importance throughout.
I'm aware I'm rambling a little at this point... I'll try to get a move on!
With Chris being dead they've decided they need to capture the spirit world on screen. It's certainly clear when this happens with its hazy glimmer, but I don't think they needed to do that at all, it's a little over the top. As is the addition of the traditional ghost-passing-through-things effect. That was indeed a little cheesy in this drama and is one of the main reasons I stated above that it could have embraced some more humour. Something that particularly bugged me with the effects though is the fact they paid money to give us a Snapchat filter but didn't pay someone to take out the sound of Chris and Jordan walking on gravel.
For all my griping though, I did find it an emotional watch, sadly that couldn't pull it back from the many problems I encountered along the way. An extra ten minutes to expand on their relationship would have helped it along a little, but I think its biggest problem is the inconsistency that plagues us throughout with the characters and the storylines.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/endless-movie-review.html
Purple Phoenix Games (2266 KP) rated Set a Watch in Tabletop Games
Sep 26, 2019
Purple Phoenix Games Solo Chronicles
I love a good fantasy-themed game. We’ve all, at some point in our lives, probably dreamed of being adventurers – traveling across the land, fighting monsters, and saving all of humanity. Sounds like it could maybe be fun to me. So whenever I see a game that emulates that theme, I am drawn to it. Such was definitely the case when I stumbled across Set a Watch as I was perusing Kickstarter one day, and the rest is history.
The kingdom is under attack. Hoards of creatures are amassing at locations around the realm in an attempt to resurrect ancient Unhallowed monsters. Their ultimate goal? To take control of the world. You and your fellow adventurers have been tasked with stopping this uprising. By traveling to these various locations, you will attempt to clear the area of evil-doers and maintain peace in the kingdom. Keep a vigilant watch, and your team will be successful. But if you wane for even a moment, all could be lost.
DISCLAIMER: This review uses the Deluxe version of Set a Watch that we backed on Kickstarter. Some components may differ from components found other versions. -T
Set A Watch is a cooperative game for 1-4 players in which players must secure nine locations around the realm to prevent the release of the deadly Unhallowed monsters. The party always consists of 4 adventurers, regardless of actual player count. In each round, one adventurer will stay back at camp, resting and taking strategic actions, while the other 3 adventurers take watch and fight off the creatures attempting to infiltrate the camp by using special abilities and powers to aid in battle. The game ends in victory if the adventurers have successfully secured all locations. If, at the end of a round, all adventurers on watch are exhausted, the camp is overrun and the game is lost.
So how does solo play differ from multiplayer games? It doesn’t! A solo game of Set A Watch plays identically to a multiplayer game – the solo player just controls all 4 adventurers at once instead of being split up among the players. Obviously, as a solo player, you have to make all of the decisions, which is sometimes nicer than playing with other people. You get to play whatever strategy YOU want to, without having to compromise with other players. On the flip side, that could be treacherous if your strategy is too bold/too meek or if you get in a tight spot and are at a loss for what to do next. Other than the aspect of solo decision-making, the gameplay remains unchanged. One adventurer still rests at camp while the other 3 stand watch and battle monsters.
Typically, I am not a fan of solo games in which you are forced to play multiple characters. That just feels like kind of a cop-out way to say ‘Yeah, we have a solo mode’ when in reality you’re still playing a multiplayer game, just by yourself. That being said, I actually don’t mind this aspect in Set A Watch. Why? Because there really are no ‘turns’ to track. One adventurer stays at camp and acts first, but the other 3 go to battle and act whenever/however they want. There is no real turn order. I make the characters act when and how I want them to, and that really opens the rounds up to a lot of freedom. I don’t have to sacrifice special powers/abilities because it wasn’t that character’s ‘turn’ – I can come up with some sweet combos, utilizing whichever characters I need to, to really do some damage. The lack of turns makes this a truly cooperative game, even when playing solo.
Overall, I love Set A Watch. It was, admittedly, a little intimidating at first, but once I got the hang of it, it plays great! The components are nice and sturdy, the box transforms into the game board, and the artwork is very nicely done. Set A Watch is a game I would definitely play either multiplayer or solo, and not as a last resort. The gameplay is engaging, the strategic options give you a different game every play, and the theme itself is just exciting to me. I am very happy with this Kickstarter purchase, and I look forward to any expansions/reimplementations that could be in the works!
The kingdom is under attack. Hoards of creatures are amassing at locations around the realm in an attempt to resurrect ancient Unhallowed monsters. Their ultimate goal? To take control of the world. You and your fellow adventurers have been tasked with stopping this uprising. By traveling to these various locations, you will attempt to clear the area of evil-doers and maintain peace in the kingdom. Keep a vigilant watch, and your team will be successful. But if you wane for even a moment, all could be lost.
DISCLAIMER: This review uses the Deluxe version of Set a Watch that we backed on Kickstarter. Some components may differ from components found other versions. -T
Set A Watch is a cooperative game for 1-4 players in which players must secure nine locations around the realm to prevent the release of the deadly Unhallowed monsters. The party always consists of 4 adventurers, regardless of actual player count. In each round, one adventurer will stay back at camp, resting and taking strategic actions, while the other 3 adventurers take watch and fight off the creatures attempting to infiltrate the camp by using special abilities and powers to aid in battle. The game ends in victory if the adventurers have successfully secured all locations. If, at the end of a round, all adventurers on watch are exhausted, the camp is overrun and the game is lost.
So how does solo play differ from multiplayer games? It doesn’t! A solo game of Set A Watch plays identically to a multiplayer game – the solo player just controls all 4 adventurers at once instead of being split up among the players. Obviously, as a solo player, you have to make all of the decisions, which is sometimes nicer than playing with other people. You get to play whatever strategy YOU want to, without having to compromise with other players. On the flip side, that could be treacherous if your strategy is too bold/too meek or if you get in a tight spot and are at a loss for what to do next. Other than the aspect of solo decision-making, the gameplay remains unchanged. One adventurer still rests at camp while the other 3 stand watch and battle monsters.
Typically, I am not a fan of solo games in which you are forced to play multiple characters. That just feels like kind of a cop-out way to say ‘Yeah, we have a solo mode’ when in reality you’re still playing a multiplayer game, just by yourself. That being said, I actually don’t mind this aspect in Set A Watch. Why? Because there really are no ‘turns’ to track. One adventurer stays at camp and acts first, but the other 3 go to battle and act whenever/however they want. There is no real turn order. I make the characters act when and how I want them to, and that really opens the rounds up to a lot of freedom. I don’t have to sacrifice special powers/abilities because it wasn’t that character’s ‘turn’ – I can come up with some sweet combos, utilizing whichever characters I need to, to really do some damage. The lack of turns makes this a truly cooperative game, even when playing solo.
Overall, I love Set A Watch. It was, admittedly, a little intimidating at first, but once I got the hang of it, it plays great! The components are nice and sturdy, the box transforms into the game board, and the artwork is very nicely done. Set A Watch is a game I would definitely play either multiplayer or solo, and not as a last resort. The gameplay is engaging, the strategic options give you a different game every play, and the theme itself is just exciting to me. I am very happy with this Kickstarter purchase, and I look forward to any expansions/reimplementations that could be in the works!
