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Mark @ Carstairs Considers (2585 KP) rated I'll Be There for You: The One about Friends in Books
Oct 16, 2019
The One Where We Look at the Friends Phenomenon
Over the course of the book, we get a well-researched look at the sitcom Friends and the impact it has had on the US and the world in the 25 years since it premiered. We learn about how the creators met and came up with the show, the path the actors took before they landed on the show, and some of the bumps and growing pains that everyone experienced during the 10 years the show was on the air. There is also talk about the impact the show has had on fashion, trends, and overall pop culture the world over.
Author Kelsey Miller starts out by talking about her own connection to the show, and at various times in the book she talks about how she gained insight into the show (and vice versa) while talking to her real-life friends about it. As I said, the book is well-researched, but that is part of the problem – it has too much research, rehashing stories we can find elsewhere with little new insights from the cast and crew. I did find her commentary on a few episodes and arcs to be interesting. I had already thought of some of her comments myself, and the rest make perfect sense to me. My biggest issue with the book is the way she works modern social issues into a look at a comedy from 25 years ago. Now, I’m not saying that the issues on the show aren’t worth talking about. This is the only part of the book where she did her any original research, reaching out to people to get reactions to the show’s handing of diversity, etc. However, her experts all seem to be of the opinion that it would be nice if the show had done a better job, but that was TV in the day, and it is a funny comedy that wasn’t trying to push an agenda. It is clear she wasn’t happy these people didn’t agree with her more since she obvious thinks these are major issues in the show. She even spends much of the last chapter talking about the lawsuit a writer’s assistant brought for a hostile work environment and speculating how it would have been handled in the current environment. These complaints aside, I found the book very readable, and when I picked it up, I was hooked. I was even choking up as I read about the taping of the final episodes. This would probably appeal most to die hard Friends fans, but most of the material here they probably already know.
Author Kelsey Miller starts out by talking about her own connection to the show, and at various times in the book she talks about how she gained insight into the show (and vice versa) while talking to her real-life friends about it. As I said, the book is well-researched, but that is part of the problem – it has too much research, rehashing stories we can find elsewhere with little new insights from the cast and crew. I did find her commentary on a few episodes and arcs to be interesting. I had already thought of some of her comments myself, and the rest make perfect sense to me. My biggest issue with the book is the way she works modern social issues into a look at a comedy from 25 years ago. Now, I’m not saying that the issues on the show aren’t worth talking about. This is the only part of the book where she did her any original research, reaching out to people to get reactions to the show’s handing of diversity, etc. However, her experts all seem to be of the opinion that it would be nice if the show had done a better job, but that was TV in the day, and it is a funny comedy that wasn’t trying to push an agenda. It is clear she wasn’t happy these people didn’t agree with her more since she obvious thinks these are major issues in the show. She even spends much of the last chapter talking about the lawsuit a writer’s assistant brought for a hostile work environment and speculating how it would have been handled in the current environment. These complaints aside, I found the book very readable, and when I picked it up, I was hooked. I was even choking up as I read about the taping of the final episodes. This would probably appeal most to die hard Friends fans, but most of the material here they probably already know.
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Phillip McSween (751 KP) rated Baby Driver (2017) in Movies
Feb 1, 2020
Will Baby Get Out of the Game?
A young getaway driver finds himself in over his head when he tries to get out of the crime game.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
JT (287 KP) rated The Dictator (2012) in Movies
Mar 10, 2020
Sacha Baron Cohen is back doing what he does best, offending everyone and anyone without so much as a care in the world. The Dictator is a much funnier venture than Bruno was (while not quite as shocking) and still provides some hilarious moments.Given the recent run of press that dictators like Saddam Hussein, Colonel Gaddafi and Kim Jong Il have had this provides an untapped platform of Cohen’s ability to step up to.
As fictional dictator Hafez Aladeen he rules over The Republic of Wadiya, and Cohen models the character on all of the above in some way. The film is even dedicated to the memory of Kim Jong Il, and let’s not forget his real life appearance at a US awards ceremony where he spilled the ashes of the Korean dictator all over the red carpet and on entertainment anchor Ryan Seacrest.
It’s not that Aladeen is particularly vicious, despite claiming that he has sent men to execution for the slightest thing, say not making weapons of mass destruction with a pointy top, he’s just a bit of an idiot.
After refusing to sell Wadiyan oil internationally and denying that he has or is in the process of making nuclear weapons Aladeen heads to New York to address the UN Council. While there he’s captured and left to fend for himself on the streets of New York, while one of his lookalikes takes his place in order to sign a document democratizing Wadiya and opening the country’s oil fields for business.
In typical Cohen fashion there are some scenes that might still touch the nerves of a few American civilians. One particular involves Aladeen and his former head of the W.M.D. program, Nadal take a joy flight in a helicopter above the New York Skyline.
While surveying the landscape they talk in Wadiyan about Aladeen’s Porsche 911, well you can pretty much see where it’s going to go from there. It’s one of a few great scenes that you’re either going to wince at or laugh out loud. The film also draws in the acting talents of Ben Kingsley (how or why he agreed is beyond me) as Aladeen’s right hand man who is responsible for the plot to bring him down.
Also along for the ride is Anna Faris, no slouch when it comes to the slapstick comedy field, she’s more than at home here as Aladeen’s love interest. Directed by Larry Charles who was also behind the camera for Borat and Bruno it keeps tradition with juvenile humor and un-politically correct jokes. If you don’t laugh you’ll be asking yourself how the hell has he got away with it….again!?
As fictional dictator Hafez Aladeen he rules over The Republic of Wadiya, and Cohen models the character on all of the above in some way. The film is even dedicated to the memory of Kim Jong Il, and let’s not forget his real life appearance at a US awards ceremony where he spilled the ashes of the Korean dictator all over the red carpet and on entertainment anchor Ryan Seacrest.
It’s not that Aladeen is particularly vicious, despite claiming that he has sent men to execution for the slightest thing, say not making weapons of mass destruction with a pointy top, he’s just a bit of an idiot.
After refusing to sell Wadiyan oil internationally and denying that he has or is in the process of making nuclear weapons Aladeen heads to New York to address the UN Council. While there he’s captured and left to fend for himself on the streets of New York, while one of his lookalikes takes his place in order to sign a document democratizing Wadiya and opening the country’s oil fields for business.
In typical Cohen fashion there are some scenes that might still touch the nerves of a few American civilians. One particular involves Aladeen and his former head of the W.M.D. program, Nadal take a joy flight in a helicopter above the New York Skyline.
While surveying the landscape they talk in Wadiyan about Aladeen’s Porsche 911, well you can pretty much see where it’s going to go from there. It’s one of a few great scenes that you’re either going to wince at or laugh out loud. The film also draws in the acting talents of Ben Kingsley (how or why he agreed is beyond me) as Aladeen’s right hand man who is responsible for the plot to bring him down.
Also along for the ride is Anna Faris, no slouch when it comes to the slapstick comedy field, she’s more than at home here as Aladeen’s love interest. Directed by Larry Charles who was also behind the camera for Borat and Bruno it keeps tradition with juvenile humor and un-politically correct jokes. If you don’t laugh you’ll be asking yourself how the hell has he got away with it….again!?
Phillip McSween (751 KP) rated 2 Fast 2 Furious (2003) in Movies
Mar 11, 2020
Faster Than the Newer Films...But Also Much Worse
Brian O’Connor (Paul Walker) tries to redeem himself from the first film by taking out a gang of car enthusiasts.
Acting: 4
Beginning: 6
Characters: 0
These characters are about as interesting as an empty takeout box. Not only is there no kind of depth whatsoever, I never really liked the characters to begin with. I can usually deal with characters not growing if they’re at least interesting, but 2 Fast 2 Furious gives us neither. The cars have more characters than the characters themselves. Might has well let them do the talking instead.
Cinematography/Visuals: 4
Speaking from the future, the car chases/race don’t nearly have the same impact as the latter films. In comparison, they are boring and stale and aren’t enough to carry the movie. Overall it’s shot in gimmicky fashion with lots of slowmo and near-misses. It is painful to watch at times.
Conflict: 7
Entertainment Value: 5
Sometimes a movie can be so bad that it keeps your interest solely for the fact that you want to see what crappity crap crap is going to happen next. I fell asleep on more than one occasion which is a horrible thing to say about a movie that revolves around car chases. There was little in the way of redemption here.
Memorability: 5
One line made me give this score above a zero, a line I will always remember for the rest of my days. At one point, Walker almost put me in a casket by saying, “I said forget about it, cuh.” This line has since become the source of a number of memes and Youtube clips and I can still burst into laughter if I were to watch it right now. Regarding everything else about the movie? Forget about it, cuh.
Pace: 9
If I’m holding it to the standard of the latter movies, I do have to acknowledge that the movie gets through its plot at a fairly quick pace. It is easily one of the shortest in the franchise as almost all of the others top two hours. Yes, it still put me to sleep, but only because the content sucked.
Plot: 4
Sports a story that my six-year-old nephew could have come up with. Barely believable, it has holes inside of holes. I almost wish they had just said, “Screw it. Just look at the cool cars.”
Resolution: 5
Overall: 49
Dumpster fire. Burning poop. A fly walking on a windowsill with only one wing. These are all things that are more interesting than 2 Fast 2 Furious. Talk about a nightmare.
Acting: 4
Beginning: 6
Characters: 0
These characters are about as interesting as an empty takeout box. Not only is there no kind of depth whatsoever, I never really liked the characters to begin with. I can usually deal with characters not growing if they’re at least interesting, but 2 Fast 2 Furious gives us neither. The cars have more characters than the characters themselves. Might has well let them do the talking instead.
Cinematography/Visuals: 4
Speaking from the future, the car chases/race don’t nearly have the same impact as the latter films. In comparison, they are boring and stale and aren’t enough to carry the movie. Overall it’s shot in gimmicky fashion with lots of slowmo and near-misses. It is painful to watch at times.
Conflict: 7
Entertainment Value: 5
Sometimes a movie can be so bad that it keeps your interest solely for the fact that you want to see what crappity crap crap is going to happen next. I fell asleep on more than one occasion which is a horrible thing to say about a movie that revolves around car chases. There was little in the way of redemption here.
Memorability: 5
One line made me give this score above a zero, a line I will always remember for the rest of my days. At one point, Walker almost put me in a casket by saying, “I said forget about it, cuh.” This line has since become the source of a number of memes and Youtube clips and I can still burst into laughter if I were to watch it right now. Regarding everything else about the movie? Forget about it, cuh.
Pace: 9
If I’m holding it to the standard of the latter movies, I do have to acknowledge that the movie gets through its plot at a fairly quick pace. It is easily one of the shortest in the franchise as almost all of the others top two hours. Yes, it still put me to sleep, but only because the content sucked.
Plot: 4
Sports a story that my six-year-old nephew could have come up with. Barely believable, it has holes inside of holes. I almost wish they had just said, “Screw it. Just look at the cool cars.”
Resolution: 5
Overall: 49
Dumpster fire. Burning poop. A fly walking on a windowsill with only one wing. These are all things that are more interesting than 2 Fast 2 Furious. Talk about a nightmare.
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