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When the Men Were Gone
7.0
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A cross between Friday Night Lights and The Atomic City Girls, When The Men Were Gone is a debut...
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It’s a long time since I read George Orwell’s 1984, but it is one of those books that stays with you - and my son recently wanted to watch the film with John Hurt (which was very good, by the way!).
If you’ve ever wondered what happened what happened to Winston Smith’s girlfriend both before, during and after the original novel, then this book will answer those questions.
Julia starts off being able to navigate the world under the ideology of IngSoc and the rule of the Party, for example, she’s a member of the Anti-Sex League whilst being promiscuous at the same time: she plays their game, but leads her own life in secret. She’s good at protecting herself - right up until she encounters Winston. And then she loses her grip on her self-preservation skills.
A lot of the scenes are the same as in the original and written from Julia’s point of view, and I enjoyed reading about the backstory of Oceania and the countryside that at first didn’t seem to be effected by the Party. I don’t think Julia detracted from the original. In fact she adds to it.
1984 was written between 1946 and 1949 shortly after WW2, and Orwell was very close historically to Stalinist Russia and Nazi Germany. It was a time of geopolitical tension and fear of totalitarianism. Sandra Newman was able to write Julia at a considerable distance from these regimes. I’m not saying this is better, just different. Newman has seen the fall of both regimes and is perhaps able to write with more perspective. She can take social media into account for one thing (it gives the Two Minutes Hate a run for it’s money, that’s for sure!).
I enjoyed this. If you’re interested in the female perspective on 1984, then you’ll probably enjoy it too.
If you’ve ever wondered what happened what happened to Winston Smith’s girlfriend both before, during and after the original novel, then this book will answer those questions.
Julia starts off being able to navigate the world under the ideology of IngSoc and the rule of the Party, for example, she’s a member of the Anti-Sex League whilst being promiscuous at the same time: she plays their game, but leads her own life in secret. She’s good at protecting herself - right up until she encounters Winston. And then she loses her grip on her self-preservation skills.
A lot of the scenes are the same as in the original and written from Julia’s point of view, and I enjoyed reading about the backstory of Oceania and the countryside that at first didn’t seem to be effected by the Party. I don’t think Julia detracted from the original. In fact she adds to it.
1984 was written between 1946 and 1949 shortly after WW2, and Orwell was very close historically to Stalinist Russia and Nazi Germany. It was a time of geopolitical tension and fear of totalitarianism. Sandra Newman was able to write Julia at a considerable distance from these regimes. I’m not saying this is better, just different. Newman has seen the fall of both regimes and is perhaps able to write with more perspective. She can take social media into account for one thing (it gives the Two Minutes Hate a run for it’s money, that’s for sure!).
I enjoyed this. If you’re interested in the female perspective on 1984, then you’ll probably enjoy it too.
Movie Metropolis (309 KP) rated Arrival (2016) in Movies
Jun 11, 2019
Thrilling from start to finish
Sci-fi seems to be having somewhat of a renaissance recently, that is, if you don’t count Independence Day: Resurgence which could’ve easily derailed the whole genre, never mind just the franchise.
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
What with last year’s The Martian, the rebirth of Star Wars and the upcoming Passengers, sci-fi is really getting its mojo back. The subject of this review, Arrival, has been hailed as a masterpiece across the Atlantic. But is it worthy of such a strong adjective?
From the director of Prisoners and Sicario; Arrival is not only one of the best sci-fi films of the last year, it’s up there with the genre’s greatest assets. We’re talking a Close Encounters level of good.
Linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators when humongous spaceships touch down in 12 locations around the world. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extra-terrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life and quite possibly all of mankind.
Amy Adams leads a pleasing cast that includes commanding turns from Forest Whitaker and Jeremy Renner but it is in our female protagonist that we find the most joy. Adams is fast becoming one of Hollywood’s best actresses and her complex character is superbly written and incredibly well acted.
Elsewhere, the cinematography is truly exceptional with the alien craft taking a backseat to sweeping landscapes from across the world. The focal point of the film, a lush and open Montana valley is filmed to a breath-taking standard especially during Arrival’s opening sequences.
When it comes to special effects, director Denis Villeneuve doesn’t bombard the audience with constant CGI, instead opting for a laidback approach. Even the aliens themselves are understated in their appearance. It’s also fair to say that the film is a slow-burner with very little in the way of action – though it manages to stay well-clear of becoming tedious.
In spite of all this though, Arrival’s greatest strength is its story. This is thinking person’s sci-fi that somehow manages to cement its themes with an emotional heft of gravitational proportions. Throughout the 114 minute running time, we’re constantly reminded of our characters and where it is they come from, something missing from the majority of mass-market blockbusters these days.
Overall, Arrival is more than worthy of an adjective like masterpiece. From it’s incredible story and beautiful cinematography to what is Amy Adams’ best performance to date, it’s a new classic for the sci-fi genre and well worth a watch.
https://moviemetropolis.net/2016/11/11/thrilling-from-start-to-finish-arrival-review/
Defiance (Rise of the Iliri #3)
8.0
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HER ONLY CHOICE IS TO CHANGE HER WORLD… Salryc Luxx came to the Black Blades as ignorant of her...
ArecRain (8 KP) rated Take Me for Granted (Take Me, #1) in Books
Jan 18, 2018
For someone who doesnt like reading bad boy/good girl tropes, I seem to be reading a lot of them lately. I dont even know why I picked up a copy of Take Me for Granted. The synopsis was one I have read a thousand times and the cover was nothing eye catching.
But let me tell you I am sure glad I did. If downloading it was whim then I dont even know what opening it up was. I was hooked from the very first page though. I identified with Ari more than most female leads. While I didnt grow up in a rich family nor do I attend an Ivy League school, I care more about schoolwork than I do most people. Reading Aris inner monologues and thoughts had me laughing because I understood. Its so easy to push people away, create a cold demeanor, and escape into school work. School doesnt hurt you the way people can.
Grant was also absolutely charming. He reminds me so much of my own fiancé in ways and I loved listening to him banter with Ari. At first, his pushiness rubbed me the wrong way. Having been in an abusive relationship, I wanted so much to just scream no in his face over and over again until he understood. However, he wasn't actually harmful in his pushiness, just persistent, and, honestly, had the patience of saint when it came to Ari considering how wishy washy she was at times.
I really enjoyed the story. Linde has a lovely, easy style and is a fantastic storyteller. I especially liked being able to read from both Grant's and Ari's POVs. The cliffhanger nearly destroyed me though, so you better believe I am going to continue the series. Somehow Lindes characters crawled their way beneath my skin, and I wont be content until I know they received a happy ending.
But let me tell you I am sure glad I did. If downloading it was whim then I dont even know what opening it up was. I was hooked from the very first page though. I identified with Ari more than most female leads. While I didnt grow up in a rich family nor do I attend an Ivy League school, I care more about schoolwork than I do most people. Reading Aris inner monologues and thoughts had me laughing because I understood. Its so easy to push people away, create a cold demeanor, and escape into school work. School doesnt hurt you the way people can.
Grant was also absolutely charming. He reminds me so much of my own fiancé in ways and I loved listening to him banter with Ari. At first, his pushiness rubbed me the wrong way. Having been in an abusive relationship, I wanted so much to just scream no in his face over and over again until he understood. However, he wasn't actually harmful in his pushiness, just persistent, and, honestly, had the patience of saint when it came to Ari considering how wishy washy she was at times.
I really enjoyed the story. Linde has a lovely, easy style and is a fantastic storyteller. I especially liked being able to read from both Grant's and Ari's POVs. The cliffhanger nearly destroyed me though, so you better believe I am going to continue the series. Somehow Lindes characters crawled their way beneath my skin, and I wont be content until I know they received a happy ending.
JT (287 KP) rated Dallas Buyers Club (2013) in Movies
Mar 10, 2020
All the hype surrounding Dallas Buyers Club has been focused on the individual performances of it’s leading cast, but director Jean-Marc Vallée deserves considerable recognition for so skillfully crafting this tale of exceptional warmth, humour and eternal hope.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
Ron Woodroof is a hustling, homophobic, bull-riding, womanising, sometimes-electrician, whose life revolves around excess drugs, alcohol and female copulation. But after a freak accident leads to doctors discovering he’s HIV positive, Ron is forced to re-examine his priorities.
With his hillbilly friends shunning him and the back-alley supply of the drug that could prolong his life cut off, Woodroof heads across the border to Mexico in search of alternative treatments. When he realises that the medication he’s given isn’t available in the US, he seizes the opportunity to make a quick buck.
Along the way he encounters fellow AIDS sufferer and cross-dresser Rayon (Leto) with whom he strikes an unlikely partnership in forming the Dallas Buyers Club, as well as Dr. Eve Saks (Garner) who becomes increasingly sympathetic to his plight.
McConaughey’s extreme physical transformation for the lead role is in itself worthy of great praise and his Oscar-winning turn is one of outstanding range and capability, portraying all the raw emotions Woodroof is forced to conflict as the character himself is changed irrevocably throughout the film’s two hour duration.
The scenes shared by Rayon – another remarkable performance from Leto – and Woodruff are triumphant and their relationship continually brings light relief to a backdrop of struggle as The Dallas Buyers Club fights what always seems like a losing battle with the FDA.
Much like Philadelphia, this film highlights the many struggles and injustices faced by early AIDS sufferers, not just in getting the medication they needed to survive, but also the prejudices they were forced to endure. It’s an exceptional piece of cinema that everyone should take the time to see.
Emergency Powers (Imogen Trager #3)
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The accidental president is no accident. The investigation that was FBI Agent Imogen Trager’s...
Suspense Thriller Imogen Trager
Prophecy of the Mayan Undead
8.0
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Keisha is a neurobiology researcher determined to discover the secret to intelligence to save...
Paranormal Romance Vampires
Alex Hope(Alex Hope #1)
9.0
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‘All I could really see were her eyes…and they were exquisite. They were a bright, crystal clear...
Lady In The Lake
8.0
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The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that...