"Though I love ALL of Eileen Myles’ books, Not Me was the first that I got my hands on as a young person and it’s the one that I’ve read over and over again through the years. Myles’s poetry is a river of words and beauty that a reader can float downstream, easy and profound and lyrical to read under your breath, making all of the ordinary moments we experience in life more complex and packed with meaning."

"I first heard 'Frank Sinatra' when Erasure where recording the album Erasure in 1994 at the Strongroom in Shoreditch East London, which has now become metrosexual electro Grand Central. I love her completely nonchalant don't give a fuck attitude on Hollywood Star, it kind of reminds me of my pre-Erasure work with Pierre Cope - very minimal. On 'Frank Sinatra' she sounds like a Russian Mafia gangster that would kill you stone dead. They're also brilliant live."

"This trilogy was rereleased at Film Forum in the summer of 2015, right before we started shooting Menashe. I went once a week and cried in the theater by myself. A universal story of birth, death, love, and coming of age. So many moments I can never forget: the joy of the school montage, and the famous scene in which the children see a train for the first time, a symbol of the arrival of modernity."

"This trilogy was rereleased at Film Forum in the summer of 2015, right before we started shooting Menashe. I went once a week and cried in the theater by myself. A universal story of birth, death, love, and coming of age. So many moments I can never forget: the joy of the school montage, and the famous scene in which the children see a train for the first time, a symbol of the arrival of modernity."

"I was having a hard time between — I’m a Big Quentin Tarantino fan — having a hard time between Inglorious Basterds and Django Unchained. I really like Django. Inglorious I can watch, like, pretty much all the way through. Just something about the way Quentin Tarantino writes and films his movies that I love, so it’s hard to pick one, but I definitely… I have Inglorious Basterds written down here first so I have to go with that."

"I love Kurosawa’s crime movies. The first half of High and Low is so well told, paced, acted, and shot—and it’s all in one room! Then you get into this fascinating police procedural where Toshiro Mifune and his family vanish and the cops take over. I mean, this movie has the “guy unloading crates while being questioned by the cops” scene that is in every Law and Order episode. Kurosawa’s influence is always being felt!"

"He becomes obsessed with some Charlie Chaplin character that disappears in the 1930s, and then he gets a strange letter in the mail, and his life changes. I tried to get more people to read it. The first time I read it, I was like 18 or 19, and I loved it. I really like Paul Auster. He’s hit or miss, but I love his books. I read them even if they are shit and they go nowhere."

"I always go back to Death on the Stairs, the Libertines song. I love that tune. It’s the story it tells, it takes me to a place so far away and yet so familiar. It’s really hard though - I don’t believe in first or best or worse, I'm into liberty and verse - as Pete once sang [in a demo for The Libertines’ The Man Who Would be King]. It’s like going through your kids and picking your favourite child"