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Awix (3310 KP) rated Fistful of Dollars (1964) in Movies
Jun 12, 2018 (Updated Oct 22, 2018)
Genre-defining spaghetti western is an Italian-made interpretation of a quintessentially American genre, filmed in Spain and based on a Japanese movie (so stop going on about how much you hate globalisation). Taciturn stranger moseys into a divided town south of the border, decides to make some quick money by playing the two ruling gangs off against one another. Cue many trumpet solos and Clint Eastwood gunning folk down like it's going out of fashion.
Not quite up to the same standards as the film that inspired it, Yojimbo, but still a really impressive film in the way it combines Leone's visual style, Eastwood's inscrutable charisma and Morricone's operatic score. The focus is so visual that the film ends up coming across as slightly superficial and overly interested in violence and sadism, but it is still a classic of its kind and really a landmark in both US and European cinema.
Not quite up to the same standards as the film that inspired it, Yojimbo, but still a really impressive film in the way it combines Leone's visual style, Eastwood's inscrutable charisma and Morricone's operatic score. The focus is so visual that the film ends up coming across as slightly superficial and overly interested in violence and sadism, but it is still a classic of its kind and really a landmark in both US and European cinema.
Flynn (6 KP) rated Lizard Radio in Books
Sep 18, 2018
<spoiler>Kind of disappointed there weren't actual lizard people, and we never learned what vaping actually was, or if blight was as bad as they made it out to be,</spoiler> so the book left me wanting a lot more answers to my questions in a fairly unsatisfying way. A lot of terms thrown at you to with no explanation, and the context makes it hard to actually figure out what stuff means.
Pretty good rep of non-binary and trans folk though and how confusing and hard it can be to be yourself in a strict binary world, but for people who haven't experienced anything really related to being gender non-conforming, it might be a bit hard to understand Kivali's perspective.
As a kid who legit thought they weren't human because they were different and wished I was picked up by my fellow aliens, having actual aliens get Kivali would've been a lot more satisfying than them not being real.
Pretty good rep of non-binary and trans folk though and how confusing and hard it can be to be yourself in a strict binary world, but for people who haven't experienced anything really related to being gender non-conforming, it might be a bit hard to understand Kivali's perspective.
As a kid who legit thought they weren't human because they were different and wished I was picked up by my fellow aliens, having actual aliens get Kivali would've been a lot more satisfying than them not being real.
Awix (3310 KP) rated Queen & Slim (2019) in Movies
Feb 6, 2020
Another powerful film about racial tensions in America; this one is unusually subtle and sophisticated, too. A young couple are forced to kill a racist cop and go on the run from the authorities, falling in love as they go. The subtext - that the bias in the system inevitable ends up criminalising decent young folk - is obvious, but the film finds nuance as well. There are decent white people and corrupt black people, while the protagonists have no interest in bigger political issues - but find themselves being claimed as symbols or representatives of some dubious political movements.
The film seems to be suggesting that in a conflicted and corrupt world, the best thing is to find joy where you can, and the developing romance between the two leads is as memorable as any of the political or dramatic content. Possibly a bit overlong at two and a quarter hours, but an engaging, intelligent and moving film from the first moment to the last.
The film seems to be suggesting that in a conflicted and corrupt world, the best thing is to find joy where you can, and the developing romance between the two leads is as memorable as any of the political or dramatic content. Possibly a bit overlong at two and a quarter hours, but an engaging, intelligent and moving film from the first moment to the last.
Awix (3310 KP) rated Worzel Gummidge in TV
Jan 3, 2020
Writer-director-actor-everything Mackenzie Crook's new take on the famous scarecrow draws much more from the original books than the first TV series with Jon Pertwee forty years ago. It certainly sounds like the stuff of classic children's literature: two children visiting the countryside discover Worzel Gummidge, a walking, talking scarecrow.
What makes it special is that, firstly, it is genuinely very funny, with strong performances from all concerned, and, secondly, when it's not trying to be funny, it is actually quite eerie: as the Unthanks' soundtrack played and the scarecrows of Albion stirred into awkward life, I felt a genuine shiver down my spine. It's not quite folk horror for kids, but there is a mystical atmosphere to the whole thing which suits the story extremely well. All of this is handled with a surprising but very welcome lightness of touch. One of the best things I saw on TV in 2019 (not that this is necessarily saying much).
What makes it special is that, firstly, it is genuinely very funny, with strong performances from all concerned, and, secondly, when it's not trying to be funny, it is actually quite eerie: as the Unthanks' soundtrack played and the scarecrows of Albion stirred into awkward life, I felt a genuine shiver down my spine. It's not quite folk horror for kids, but there is a mystical atmosphere to the whole thing which suits the story extremely well. All of this is handled with a surprising but very welcome lightness of touch. One of the best things I saw on TV in 2019 (not that this is necessarily saying much).
Kirk Bage (1775 KP) rated City Of God (2002) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
If there is one film I insist folk who don’t often go for a subtitled film watch, then City of God is it. Organised crime takes on a much different flavour in different cultures, and here we see how it is not merely a choice in search of riches and power, but a way of life that becomes a matter of survival. This exceptional film has everything: story, character, beauty, cruelty, ugliness, religion, morality and an abundance of heart and soul. Importantly it was co-directed, including a rare female eye in the genre, and it shows. There is a sensibility to City of God that transcends the trivial nature of many gangster / crime films. The violence is a means by which we feel genuine sorrow and empathy for a world gone mad. A highly polished work of art that resonates in human ways a lot of films on this list fail to do.
Amy Norman (1042 KP) rated Queen of Nothing in Books
Apr 1, 2020
This is the final book for the trilogy of The Folk of the Air series.
I adored this book, and struggled to put it down; the culmination of a very fast paced series that delivers.
I would highly recommend this to anyone who preferred Arya's story arc in Game of Thrones but with more magic, intrigue, and scheming oh so many schemes.
Holly has built a beautiful world, that is absolutely intoxicating, and I will honestly ache for more to come from this series.
I also appreciate this book so much for the strong female characters, there were some really subtle and nuanced details that I don't believe a male writer could portray, or even think of.
It is vulnerable in a way that I think most will relate to, and might get under your skin 😉but it is not overwhelming or over the top, in fact it is extremely well balanced overall.
Please go and enjoy for yourself ☺
I adored this book, and struggled to put it down; the culmination of a very fast paced series that delivers.
I would highly recommend this to anyone who preferred Arya's story arc in Game of Thrones but with more magic, intrigue, and scheming oh so many schemes.
Holly has built a beautiful world, that is absolutely intoxicating, and I will honestly ache for more to come from this series.
I also appreciate this book so much for the strong female characters, there were some really subtle and nuanced details that I don't believe a male writer could portray, or even think of.
It is vulnerable in a way that I think most will relate to, and might get under your skin 😉but it is not overwhelming or over the top, in fact it is extremely well balanced overall.
Please go and enjoy for yourself ☺
Matthew Krueger (10051 KP) rated The Hills Have Eyes (1977) in Movies
Sep 4, 2020
Cannibal Savages
The Hills Have Eyes- is a disturbing psychological survival horror film. Wes did it again.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
The plot: Wes Craven's cult classic about cannibalistic mountain folk, including the Carter family, who are on the trail of stranded vacationers in the arid Southwest Californian desert.
Craven based the film's script on the legend of cannibal Sawney Bean, which Craven viewed as illustrating how supposedly civilized people could become savage.
Wes Craven desired to make a non-horror film, following his directorial debut, The Last House on the Left (1972), because he saw the horror genre as constraining. However, he could not find producers interested in financing a project that did not feature bloody violence.
The film was initially given an X rating by the MPAA due to its graphic violence. Due to this, significant material was removed from Fred's death scene, the sequence where Mars and Pluto attack the trailer, and the last confrontation with Papa Jupiter.
Its a excellent movie.
David McK (3251 KP) rated Sharpe's Justice (1997) in Movies
Jan 8, 2023 (Updated Jan 8, 2023)
There's only, I think, a single novel in the original run of Sharpe stories by Bernard Conrwell in which Sharpe spends most of his time in England.
That's Sharpe's Regiment.
As such, it never touches at all upon the impact of the war on the 'ordinary folk', which is exactly what this one (of only two) specially-written-for-TV episodes do, with Sharpe returning home to England, during the peace of 1814, with his reputation restored (following the events of Sharpe's Revenge) in search of his money which has been stolen by his unfaithful wife who is now having an affair.
Posted to the Yorkshire moors, Sharpe soon finds himself trapped between his corrupt employers and their downtrodden (and luddite, as they fear machines are taking their place) workers, reconnecting with those from his childhood and discovering along the way that some of them are closer related to him than he thought ...
That's Sharpe's Regiment.
As such, it never touches at all upon the impact of the war on the 'ordinary folk', which is exactly what this one (of only two) specially-written-for-TV episodes do, with Sharpe returning home to England, during the peace of 1814, with his reputation restored (following the events of Sharpe's Revenge) in search of his money which has been stolen by his unfaithful wife who is now having an affair.
Posted to the Yorkshire moors, Sharpe soon finds himself trapped between his corrupt employers and their downtrodden (and luddite, as they fear machines are taking their place) workers, reconnecting with those from his childhood and discovering along the way that some of them are closer related to him than he thought ...
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
