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BankofMarquis (1832 KP) rated Father Stu (2022) in Movies
Sep 25, 2022
One Note Performance In The Lead Sinks Film
When one creates a film that is based on the real life exploits of a person, the Writer/Director of the film will be sorely tempted to include that character in every scene. Which is fine if that character is written in an interesting enough way to keep our attention. When it is NOT written well, then the film is poorer because of it.
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
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Sarah (7800 KP) rated Dead Man's Shoes (2006) in Movies
Feb 3, 2019
Brilliantly savage
Finally managed to get a hold of this after borrowing it on DVD from my brother, I’ve been wanting to watch it again for a long time and it’s still a fantastic hard hitting film.
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
This is a darkly savage and fairly brutal story of revenge that makes for a powerful watch. The plot is straight forward and simple, but it just goes to show that you don’t need a massive budget or fancy Hollywood effects to make an outstanding film. From the effective story telling (colour current day scenes vs black and white flashbacks), to a clever script, bleak, creepy and almost gruesome scenes and some great performances. Paddy Considine is a fantastic actor, and probably deserves a lot more accolades, and Toby Kebbell has an outstanding yet fairly small and moving breakthrough performance as Anthony. The final twist at the end too is one of the few film endings that has always stuck with me. And I will admit to having a bit of a soft spot for films that are set in or around my local area, and Derbyshire isn’t too far away....
AT (1676 KP) rated When We Were Vikings in Books
Apr 13, 2020
I enjoyed When we were Vikings, but I had to take breaks from reading it, so it wasn't the fastest read for me on a personal level. I'm a parent of a special needs child, and personally, after dealing with my son all day, sometimes I could only read a couple of pages before needing a break. Like I said, that's just a personal thing. I did enjoy the story, and once I hit the major part of the story about halfway in, I didn't have to take as many breaks. Then there were more things going on in the story, rather than only focusing on Zelda's way of seeing things. I did not like the character of Marxy's mother at all, though. For me, I was almost ready to stop reading at one point because of her. Thankfully, she's wasn't a main character, that takes up a lot of time in the book. To me, what she was doing felt borderline abusive, if not fully abusive, considering the situation. I could've done without her part in the book, though I know it lays groundwork for other things down the road.
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LoganCrews (2861 KP) rated Beckman (2020) in Movies
Mar 17, 2021 (Updated Mar 17, 2021)
"𝘠𝘰𝘶'𝘳𝘦 𝘪𝘯 𝘮𝘺 𝘱𝘭𝘢𝘤𝘦 𝘸𝘪𝘵𝘩 𝘢 𝘨𝘶𝘯 𝘵𝘰 𝘮𝘺 𝘩𝘦𝘢𝘥, 𝘩𝘰𝘸 𝘥𝘰 𝘐 𝘯𝘦𝘦𝘥 𝘵𝘩𝘪𝘴 𝘢𝘨𝘨𝘳𝘢𝘷𝘢𝘵𝘪𝘰𝘯, 𝘩𝘶𝘩? 𝘖𝘷𝘦𝘳 𝘰𝘯𝘦 𝘥𝘦𝘢𝘥 𝘬𝘪𝘥?"
When I say Pure Flix's superbly silly Christian 𝘑𝘰𝘩𝘯 𝘞𝘪𝘤𝘬 + Holy Bible mashup with 𝘎𝘰𝘥'𝘴 𝘕𝘰𝘵 𝘋𝘦𝘢𝘥's Pastor Dave in the Keanu Reeves role and William Baldwin as a twisted desert sex cult leader where a drill goes into some dude's eye at one point - I want you to know that not only is that as righteously (no pun intended) entertaining as that sounds... it's better. Shocking what good acting, minimal preaching, and a budget that costs more than a Happy Meal can do for these things even as there's still no real characterization. Made by people who aren't just trying to cash-in on the success of Wick, but people who clearly love and respect the franchise: this has the delicious wide-angle comically over-the-top fight sequences, bumping screechsynth score, general nasty brutality, portentous monologues, and weaponized masculinity in all their respective glories. Never thought I'd see the day where one of these is executed with actual competency, especially when they aren't afraid to get down and dirty. I haven't seen a film which instantly made me demand cult status in forever - but this one absolutely deserves it.
When I say Pure Flix's superbly silly Christian 𝘑𝘰𝘩𝘯 𝘞𝘪𝘤𝘬 + Holy Bible mashup with 𝘎𝘰𝘥'𝘴 𝘕𝘰𝘵 𝘋𝘦𝘢𝘥's Pastor Dave in the Keanu Reeves role and William Baldwin as a twisted desert sex cult leader where a drill goes into some dude's eye at one point - I want you to know that not only is that as righteously (no pun intended) entertaining as that sounds... it's better. Shocking what good acting, minimal preaching, and a budget that costs more than a Happy Meal can do for these things even as there's still no real characterization. Made by people who aren't just trying to cash-in on the success of Wick, but people who clearly love and respect the franchise: this has the delicious wide-angle comically over-the-top fight sequences, bumping screechsynth score, general nasty brutality, portentous monologues, and weaponized masculinity in all their respective glories. Never thought I'd see the day where one of these is executed with actual competency, especially when they aren't afraid to get down and dirty. I haven't seen a film which instantly made me demand cult status in forever - but this one absolutely deserves it.