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Phillip McSween (751 KP) rated Up (2009) in Movies
May 30, 2019
A Movie That Never Stumbles Towards its End Goal.
After the death of his wife (tear), Carl Fredericksen (Edward Asner) decides to tie a bunch of balloons to his house and fly off on a great adventure. He gets more than what he bargained for when he realizes he won’t be alone on this adventure.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Acting: 10
Beginning: 10
Up has more power in its first twelve minutes than most films do in their entire runtime. I can watch this a dozen times and it still hits me the same exact way. It tells the story of the relationship between Carl and Ellie in all of its highs and lows. You will be hard-pressed to find a better beginning than this throughout the history of movies. There’s something so real and heartfelt about it that sucks you in and sets up Carl’s character perfectly.
Characters: 10
Life has turned Carl into a cranky old man whose everything hurts all the time. He takes no guff and, at the end of the day, just wants to be left alone. He is one of numerous rich characters than shine throughout the movie, both animal and human alike. Young boyscout Russell (Jordan Nagai) puts a smile on my face with every single scene that he’s in. He’s always willing to go above and beyond to help. So inquisitive, yet so clueless. Throw in Doug the talking dog and the awesome Snipe and you have the perfect mix of original characters you want to root for.
Cinematography/Visuals: 10
I was blown away by the amazing visuals Up has to offer. So many colors shoot out at you as you see the balloons hovering over Carl’s house for the first time. The house floats into Paradise Falls after surviving a wicked storm and you’re treated to just that—Paradise. Canyons and a tropical rainforest full of lush greenery. The detail that went into this animation is outstanding.
Conflict: 10
There is plenty of action to be had on this great adventure. What starts as an innocent trip is quickly disrupted by a storm that turns everything upside down. The adventure soars to new heights after that, never really slowing down much for you to check on the time. Beginnings are important, but middles even moreso, and the events that unfold during the meat of the film are fun and harrowing at the same time.
Genre: 10
Memorability: 10
Pace: 10
Up is like riding a smooth wave. Some moments are more intense than others, but you’re always headed towards an end goal of sorts. Bad pacing is filled with road blocks and unnecessary scenes, but Up manages to maximize its full runtime by making every single moment count.
Plot: 10
A beautiful story that couldn’t have been told in a more beautiful way. It’s fun and unique, definitely something you haven’t seen before. I honestly can’t think of a better way it could have been done.
Resolution: 10
I’m one of the few weirdos who was touched just as much by the ending as I was the beginning. It makes you happy to see what befalls the characters, yet a bit sad as you realize the movie is reaching its conclusion. At the end, Up doesn’t linger. It does what it needs to do and concludes perfectly.
Overall: 100
There is a reason Up is one of three animated movies nominated for Best Picture. It is one of the greatest movies ever made and tops my all-time list as of 5/30/2019. Noticed I didn’t say “one of the greatest animated movies”, but one of the greatest MOVIES. It’s an all-timer driven by great character relationships and powerful, emotion-filled scenes.
Gareth von Kallenbach (980 KP) rated Sinister (2012) in Movies
Aug 7, 2019
Sinister is a movie that surprised me. I love scary movies, but most of the time it is the pure humor that I find in what people think is scary these days that makes me love them. I figured I would walk into this movie and leave in the same mood I always do. Laughing about how many people jumped in the theater because of what happened on screen. But, this time, I was one of those people. For the first time in over a decade I found a scary movie that downright creeped me out and made me jump. Not just once, more several times.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
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Ross (3284 KP) rated Awaken Online: Catharsis in Books
Jan 4, 2019
Bloody loved it
Catharsis takes the ideas of LitRPG (see Ready Player One for the best known but lowest explored potential example) and goes to town on it, really showing how open such an online world would be to be exploited.
Jason has always been fairly downtrodden in his high-achieving school and is neglected by his parents. One day, Falling Down-style, events transpire to make him snap and shout at his teacher and headmaster, and is expelled. He rushed home and immerses himself in the brand new online world of AO (Awaken Online).
As with Euphora Online (Phil Tucker), AO has been designed with the help of AI to try and maximise the time gamers would want to spend in the game. We are treated to flashbacks by the developers/testers who are seeing the changes the AI is making to the game's code and are trying to assess whether it remains safe for release.
Jason starts the game from scratch but due to an unusual reaction to an initial test is aligned to evil, and is therefore treated with suspicion by the in-game characters meant to help him train and become familiar with his new surroundings. This begins the chain of events that lead Jason to the path of in-game evil, in true Walter White style as one slightly dubious decision after another sees him become embroiled in some very nasty events.
Over the course of the game, Jason is honest with himself and knows what he's doing is bad but hey its just a game, why not have some fun with it. And he does. As his power grows, so does the nastiness of his actions and he soon becomes very powerful in certain ways (but thankfully more strategically and directing the action than suddenly becoming a battle master or he-man).
The world around Jason develops as he does, and his actions truly start to shape his game experience, and that of other people. I can't really go into much more detail without dropping spoilers but there are some absolutely fantastic sequences.
The game supposedly uses time compression so that an hour in the real world will feel like 3 or 4 hours in the game. My one gripe with the book is that when the game developers notice Jason's unprecedented progress through the game they begin to watch his actions and this seems to be real-time - there is no real attempt to explain how they can watch it as it unfolds (or the fact that what they are seeing will have happened quite some time before and events will have continued from there).
This book has more interaction between Jason's real life and in-game life than Euphoria Online did, which helps to explain his motivation for decisions. His real life troubles and requirements drive his desires in-game.
As usual, there is the evil AI/conspiracy aspect to the world, but this doesn't yet feel quite as big a deal as in other books, but I think that is the groundwork laid for the next two books (plus two side-quests).
I heartily recommend this book, but readers should not expect something like Ready Player one, much more like D&D or The Witcher style gaming.
Jason has always been fairly downtrodden in his high-achieving school and is neglected by his parents. One day, Falling Down-style, events transpire to make him snap and shout at his teacher and headmaster, and is expelled. He rushed home and immerses himself in the brand new online world of AO (Awaken Online).
As with Euphora Online (Phil Tucker), AO has been designed with the help of AI to try and maximise the time gamers would want to spend in the game. We are treated to flashbacks by the developers/testers who are seeing the changes the AI is making to the game's code and are trying to assess whether it remains safe for release.
Jason starts the game from scratch but due to an unusual reaction to an initial test is aligned to evil, and is therefore treated with suspicion by the in-game characters meant to help him train and become familiar with his new surroundings. This begins the chain of events that lead Jason to the path of in-game evil, in true Walter White style as one slightly dubious decision after another sees him become embroiled in some very nasty events.
Over the course of the game, Jason is honest with himself and knows what he's doing is bad but hey its just a game, why not have some fun with it. And he does. As his power grows, so does the nastiness of his actions and he soon becomes very powerful in certain ways (but thankfully more strategically and directing the action than suddenly becoming a battle master or he-man).
The world around Jason develops as he does, and his actions truly start to shape his game experience, and that of other people. I can't really go into much more detail without dropping spoilers but there are some absolutely fantastic sequences.
The game supposedly uses time compression so that an hour in the real world will feel like 3 or 4 hours in the game. My one gripe with the book is that when the game developers notice Jason's unprecedented progress through the game they begin to watch his actions and this seems to be real-time - there is no real attempt to explain how they can watch it as it unfolds (or the fact that what they are seeing will have happened quite some time before and events will have continued from there).
This book has more interaction between Jason's real life and in-game life than Euphoria Online did, which helps to explain his motivation for decisions. His real life troubles and requirements drive his desires in-game.
As usual, there is the evil AI/conspiracy aspect to the world, but this doesn't yet feel quite as big a deal as in other books, but I think that is the groundwork laid for the next two books (plus two side-quests).
I heartily recommend this book, but readers should not expect something like Ready Player one, much more like D&D or The Witcher style gaming.
Phil Leader (619 KP) rated IA: Initiate in Books
Nov 15, 2019
Naz seems like a normal boy. Both his parents have died and the only family he has is his younger sister Meri. Moving from foster home to foster home in the ghetto for the disadvantaged called the Exclave, earning spare money running errands for local shopkeepers.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
But Naz is not a normal boy. He can remember nothing before waking up in hospital three years previously following the car crash in which his father died. And he hears voices in his head, or rather one voice which seems familiar although he does not recognise it.
Following an apparently random act of gang violence on the way to his his first day at high school, his life begins to change and he starts to question exactly who he is and what makes him the way he is.
Told from Naz's point of view the reader is drawn into his tale of discovery as he goes about is every day life of school and afterwards in the Exclave. Naz is a very likeable character, concerned for the safety of his sister above all else and suspicious of strangers. He is clever and quick witted but doesn't really use his talents, drifting through school and life in general with the minimum of effort, generally happy with his lot until he is forced to re-evaluate his life as events unfold around him.
The story is paced well with periods of Naz leading his life and going to school, which is made interesting by his observations on everything around him, interspersed with things that Naz does or sees, or that other people say and do, that really make the reader realise that there is 'something else' going on, a bigger picture that Naz is unable to put together, although he gets glimpses. There are also chapters at the start of each section describing a lecture given by Naz's father which adds some more clues.
The ideas here are certainly interesting - this is science fiction of a subtle kind, where only the edges of Naz's life are visible to both him and us, with outsiders often recognising that there is more to him, more that he can achieve. The supporting cast works well, from the hard-pressed merchants fighting the big multiple chain stores to the menacing gang members and other more eccentric inhabitants of the Exclave.
Overall a fascinating and thought provoking read, with plenty of questions left to draw the reader to the next in the series.
Rachel King (13 KP) rated Saving Max in Books
Feb 11, 2019
Though I was not familiar with this author when I recieved this book, upon reading it I could easily tell that Heugten was well-educated, especially since I actually came across a few words I did not know the meaning of - and I consider myself fairly well-read. Words like eidolon and glistered (both from the same sentence) made me a little intimidated by the book, but I stuck with it anyways. The prose of the text is written excellently and I thoroughly appreciated the book for this alone.
I was originally drawn to the book because it focuses on a mother's fight for the life and freedom of her son - which I can relate to in some ways. The sub-plots quickly intersect when the mother, Danielle, has to rely on her career as a lawyer to fight for her son while working with another lawyer, who happens to be the man she has a one-night stand with after turning to what she terms as "liquid courage." Some scenes in the plot were quite horrific, especially at the end of the book, but they were necessary to the plot. The psychiatric facility of Maitland where the plot centers at is intended to be the foremost facility of its kind in the country, but I found many of its practices either abysmal or downright terrifying. I found it very satisfying when Max began to take a more active role in his own court case, showing to me that he is indeed in charge of his own faculties (mostly) and not responsible for what he is being accused of. The big revelation that Danielle discovers is incredibly shocking and grotesque and reveals a psychosis I never knew even existed, much less the depths of depravity that it takes a person to. I have no doubt that such individuals exist in real life, though I believe that such people are beyond what psychologists or psychiatrists can fix. These kinds of people either need God or corporal punishment, but that is another soap box for another day.
I found the progression of the plot unpredictable, which is a good thing, but the ending not completely fulfilling, since the author obviously opted to leave one loose thread for a possible sequel. While I normally like book series, in this case I would have much preferred a more rewarding ending.
I was originally drawn to the book because it focuses on a mother's fight for the life and freedom of her son - which I can relate to in some ways. The sub-plots quickly intersect when the mother, Danielle, has to rely on her career as a lawyer to fight for her son while working with another lawyer, who happens to be the man she has a one-night stand with after turning to what she terms as "liquid courage." Some scenes in the plot were quite horrific, especially at the end of the book, but they were necessary to the plot. The psychiatric facility of Maitland where the plot centers at is intended to be the foremost facility of its kind in the country, but I found many of its practices either abysmal or downright terrifying. I found it very satisfying when Max began to take a more active role in his own court case, showing to me that he is indeed in charge of his own faculties (mostly) and not responsible for what he is being accused of. The big revelation that Danielle discovers is incredibly shocking and grotesque and reveals a psychosis I never knew even existed, much less the depths of depravity that it takes a person to. I have no doubt that such individuals exist in real life, though I believe that such people are beyond what psychologists or psychiatrists can fix. These kinds of people either need God or corporal punishment, but that is another soap box for another day.
I found the progression of the plot unpredictable, which is a good thing, but the ending not completely fulfilling, since the author obviously opted to leave one loose thread for a possible sequel. While I normally like book series, in this case I would have much preferred a more rewarding ending.
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