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Justin Patchett (42 KP) rated Roma (2018) in Movies
Mar 3, 2019
Caught in a bad Roma
Contains spoilers, click to show
It’s been a long while since I watched a film deserving of a truly, harshly negative review. I have gotten so close so many times, and I’ll be damned if Netflix hadn’t gotten close to earning that with the fridge-logic that ruined Bird Box. Even Bird Box, though, feels enjoyable in retrospect compared to another Netflix exclusive: Alfonso Cuarón’s Roma.
Since I’m in a clear minority on this film, I feel obligated to preemptively address some common criticisms. If Roma had been produced in English, presented in color and with any score, it couldn’t fix the fact that I simply dislike Roma’s genre. Sure, I’ve liked slice-of-life drama films, and modern period pieces do fine by me. Pretentious Oscar-farming arthouse flicks like this, though, never win my praise.
Roma follows Cleo, a housemaid in Mexico City. Cleo has gotten pregnant and the presumed father, Fermín, leaves her to buy cigarettes before the baby’s even born. Her employer, Sofía, is dealing with a cheating spouse. What follows is two hours of both of these women marginally helping each other with their respective situations. As slice-of-life films do.
Since it's a slice-of-life film, much of the story just basically happens. You'll remember a scene here or there that happened, even if it was ultimately insignificant. In one scene for instance, Cleo goes to confront the baby daddy, who’s at a huge martial arts class. She spectates and proves to be the only one able to perform a certain yoga pose. Which is important because it helped add another few minutes to the film.
Cleo goes into labor not long after this confrontation, but her daughter ends up being stillborn. This all happens in the midst of the Corpus Christi Massacre. What the heck was the Corpus Christi Massacre, you may ask? According to this film, it was a brutal inconvenience on Cleo’s way to the hospital after her water breaks. This actual historical event simply happens and is never addressed for one second more. You know, just like in Titanic where the shipwreck just makes things inconvenient for Rose and Jack.
The last major scene in the film comes when Sofía invites Cleo to come with her family on a trip to the beach, not as staff but to help Cleo cope with the tragedy of losing her child. While they’re there, Sofía leaves the children in Cleo’s care for two freaking minutes, and two of the kids nearly drown. Cleo, though, can’t swim, and so she stands out in the water as the kids rescue each other. And that's about as close as Roma gets to a cohesive plot. Cleo only came with them to help her grieving, which meant she could be there to be powerless while her employer’s kids save each other’s lives. Bad things happen to us, the film teaches, so that good things can coincidentally happen in our proximity.
In fact, coincidence seems to be the running theme, here. Remember the Corpus Christi Massacre? No? What if I call it “the scene where Cleo goes into labor”? Maybe that helps? Fermín briefly held Cleo at gunpoint in the middle of it. Again, mere coincidence. Just like it’s a mere coincidence that she goes into labor the same day as a massacre that killed 120 people. As coincidences do.
Roma isn’t an aggressively bad film. There are a rare few moments within Roma’s 2-hour runtime where you think, “I can see that clip showing up during a Facebook video binge,” but again: These are moments more rare than our current president ordering a rare steak. That rarity has everything to do with the fact that the movie has so few moments, at all. The rest is shots that linger too long from angles that repeat themselves all too often. It’s like Cuarón asked someone, “What does a movie like Juno need to be better?” They responded, “Nothing.” So Cuarón packed Roma with nothing.
Which brings up one of my biggest criticisms of Roma: The cinematography is bland. Cuarón shot practically the entire film on one camera, set a specific distance from the subject, and kept takes running as longer than they should have, padding out a short-film’s worth of content to feature length. It’s bland cinematography that somehow earned an Oscar for Best Cinematography.
Gravity showed us what Cuarón was capable of. Beyond bringing a seemingly authentic view of space to the big screen, Gravity offered variety. Yes, the huge collision scene in Gravity takes on the feel of a one-take scene, but even then, the camera moves with the action. And if your attention moves away from the foreground the shot, you’re able to see other important things going on. With Roma, though, your foreground is your film. Period. And to be sure, you'll be kept at arm's length from that foreground at all times, both metaphorically and cinematically.
There's a number of reasons why Roma wasn't the Best Picture, this year. Gravity proved that Roma is not Cuarón’s best film. Bo Burnham–yes, that Bo Burnham–wrote and directed a better slice-of-life film with Eighth Grade. And Roma might not even be the past year’s best black-and-white film; I dare suggest that Cold War may have been better.
To give it the credit it’s due, Roma’s cast rightly earned nominations for their performances. Yalitza Aparicio and Marina de Tavira earned Best Actress nominations for their roles, and for their part, their performances were authentic as can be. It's the least the Academy could do for having them endure Cuarón's lengthy takes.
But now that I've given it credit, I demand my time back for the scene of Fermín going Star Wars Kid meets Full Monty.
Since I’m in a clear minority on this film, I feel obligated to preemptively address some common criticisms. If Roma had been produced in English, presented in color and with any score, it couldn’t fix the fact that I simply dislike Roma’s genre. Sure, I’ve liked slice-of-life drama films, and modern period pieces do fine by me. Pretentious Oscar-farming arthouse flicks like this, though, never win my praise.
Roma follows Cleo, a housemaid in Mexico City. Cleo has gotten pregnant and the presumed father, Fermín, leaves her to buy cigarettes before the baby’s even born. Her employer, Sofía, is dealing with a cheating spouse. What follows is two hours of both of these women marginally helping each other with their respective situations. As slice-of-life films do.
Since it's a slice-of-life film, much of the story just basically happens. You'll remember a scene here or there that happened, even if it was ultimately insignificant. In one scene for instance, Cleo goes to confront the baby daddy, who’s at a huge martial arts class. She spectates and proves to be the only one able to perform a certain yoga pose. Which is important because it helped add another few minutes to the film.
Cleo goes into labor not long after this confrontation, but her daughter ends up being stillborn. This all happens in the midst of the Corpus Christi Massacre. What the heck was the Corpus Christi Massacre, you may ask? According to this film, it was a brutal inconvenience on Cleo’s way to the hospital after her water breaks. This actual historical event simply happens and is never addressed for one second more. You know, just like in Titanic where the shipwreck just makes things inconvenient for Rose and Jack.
The last major scene in the film comes when Sofía invites Cleo to come with her family on a trip to the beach, not as staff but to help Cleo cope with the tragedy of losing her child. While they’re there, Sofía leaves the children in Cleo’s care for two freaking minutes, and two of the kids nearly drown. Cleo, though, can’t swim, and so she stands out in the water as the kids rescue each other. And that's about as close as Roma gets to a cohesive plot. Cleo only came with them to help her grieving, which meant she could be there to be powerless while her employer’s kids save each other’s lives. Bad things happen to us, the film teaches, so that good things can coincidentally happen in our proximity.
In fact, coincidence seems to be the running theme, here. Remember the Corpus Christi Massacre? No? What if I call it “the scene where Cleo goes into labor”? Maybe that helps? Fermín briefly held Cleo at gunpoint in the middle of it. Again, mere coincidence. Just like it’s a mere coincidence that she goes into labor the same day as a massacre that killed 120 people. As coincidences do.
Roma isn’t an aggressively bad film. There are a rare few moments within Roma’s 2-hour runtime where you think, “I can see that clip showing up during a Facebook video binge,” but again: These are moments more rare than our current president ordering a rare steak. That rarity has everything to do with the fact that the movie has so few moments, at all. The rest is shots that linger too long from angles that repeat themselves all too often. It’s like Cuarón asked someone, “What does a movie like Juno need to be better?” They responded, “Nothing.” So Cuarón packed Roma with nothing.
Which brings up one of my biggest criticisms of Roma: The cinematography is bland. Cuarón shot practically the entire film on one camera, set a specific distance from the subject, and kept takes running as longer than they should have, padding out a short-film’s worth of content to feature length. It’s bland cinematography that somehow earned an Oscar for Best Cinematography.
Gravity showed us what Cuarón was capable of. Beyond bringing a seemingly authentic view of space to the big screen, Gravity offered variety. Yes, the huge collision scene in Gravity takes on the feel of a one-take scene, but even then, the camera moves with the action. And if your attention moves away from the foreground the shot, you’re able to see other important things going on. With Roma, though, your foreground is your film. Period. And to be sure, you'll be kept at arm's length from that foreground at all times, both metaphorically and cinematically.
There's a number of reasons why Roma wasn't the Best Picture, this year. Gravity proved that Roma is not Cuarón’s best film. Bo Burnham–yes, that Bo Burnham–wrote and directed a better slice-of-life film with Eighth Grade. And Roma might not even be the past year’s best black-and-white film; I dare suggest that Cold War may have been better.
To give it the credit it’s due, Roma’s cast rightly earned nominations for their performances. Yalitza Aparicio and Marina de Tavira earned Best Actress nominations for their roles, and for their part, their performances were authentic as can be. It's the least the Academy could do for having them endure Cuarón's lengthy takes.
But now that I've given it credit, I demand my time back for the scene of Fermín going Star Wars Kid meets Full Monty.
Sophia (Bookwyrming Thoughts) (530 KP) rated Through the White Wood in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>Through the White Wood</strong></em><strong> was interesting to read.</strong></h2>
Although there were some things I didn't like about this one, I enjoyed many aspects of Jessica Leake's latest novel. <em>Through the White Wood</em> is the companion novel to <em>Beyond a Darkened Shore</em>, following Katya as she journeys to the palace of Kiev after losing control of her powers. But as she enters palace life, she learns the country she calls home is threatened by outside forces.
We learn from the beginning Katya is feared since childhood due to her ability to freeze anything she touches. Throughout the book, Katya is constantly struggling with the question, "am I a monster?"
<h2><strong>Elements of History and Folklore.</strong></h2>
Although Leake mentions in the author's note she took liberties with certain elements, I loved seeing how they would come together in <em>Through the White Wood</em>. There's a good blend of history, folklore and fantasy that nothing seems out of place and sparks a curiosity to do my own research outside of the book.
<h2><strong>I wanted more from <em>Through the White Wood</em>.</strong></h2>
I enjoyed going back into the Byzantine Empire and seeing some of the Slavic folklore coming to life. However, I really felt there's something missing from the novel. As I got further into the story, I found myself somewhat disappointed with a few aspects:
~ Katya - I wanted more from her. Sometimes I feel she is going through actions because she feels she has to and eventually it morphs into wanting.
~ Prince Sasha - I also wanted more from him, particularly his backstory and the rumors surrounding him before Katya meets him. Also, Prince Sasha's real name is Vladimir, which kind of struck me as odd? The novel mentions Sasha is a childhood name, but I don't recall going into the particulars of <em>why</em>.
~ The romance - it just felt out of place and a little rushed. I found the world far more interesting.
Most of the novel dives into this struggle as Katya learns about her history and power, and she struggles with accepting her ability as part of who she is. There is little action up until the final battle, where everything feels a little rushed to get to victory. (Little action may just be me - at a certain time of day, lots of telling exhausts me and my goal is to stay awake.)
<h2><strong>Overall</strong></h2>
I enjoyed <em>Through the White Wood</em>! I liked seeing Katya's constant struggle of whether or not she's a monster and her journey to discover who she is. The world is interesting enough for me to continue reading Katya's story, and I liked seeing the various elemental powers being a part of it. Jessica Leake's latest novel is a solid story for those who enjoy a slower-paced book with historical and folklore elements woven together.
<a href="https://bookwyrmingthoughts.com/through-the-white-wood-by-jessica-leake/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>Through the White Wood</strong></em><strong> was interesting to read.</strong></h2>
Although there were some things I didn't like about this one, I enjoyed many aspects of Jessica Leake's latest novel. <em>Through the White Wood</em> is the companion novel to <em>Beyond a Darkened Shore</em>, following Katya as she journeys to the palace of Kiev after losing control of her powers. But as she enters palace life, she learns the country she calls home is threatened by outside forces.
We learn from the beginning Katya is feared since childhood due to her ability to freeze anything she touches. Throughout the book, Katya is constantly struggling with the question, "am I a monster?"
<h2><strong>Elements of History and Folklore.</strong></h2>
Although Leake mentions in the author's note she took liberties with certain elements, I loved seeing how they would come together in <em>Through the White Wood</em>. There's a good blend of history, folklore and fantasy that nothing seems out of place and sparks a curiosity to do my own research outside of the book.
<h2><strong>I wanted more from <em>Through the White Wood</em>.</strong></h2>
I enjoyed going back into the Byzantine Empire and seeing some of the Slavic folklore coming to life. However, I really felt there's something missing from the novel. As I got further into the story, I found myself somewhat disappointed with a few aspects:
~ Katya - I wanted more from her. Sometimes I feel she is going through actions because she feels she has to and eventually it morphs into wanting.
~ Prince Sasha - I also wanted more from him, particularly his backstory and the rumors surrounding him before Katya meets him. Also, Prince Sasha's real name is Vladimir, which kind of struck me as odd? The novel mentions Sasha is a childhood name, but I don't recall going into the particulars of <em>why</em>.
~ The romance - it just felt out of place and a little rushed. I found the world far more interesting.
Most of the novel dives into this struggle as Katya learns about her history and power, and she struggles with accepting her ability as part of who she is. There is little action up until the final battle, where everything feels a little rushed to get to victory. (Little action may just be me - at a certain time of day, lots of telling exhausts me and my goal is to stay awake.)
<h2><strong>Overall</strong></h2>
I enjoyed <em>Through the White Wood</em>! I liked seeing Katya's constant struggle of whether or not she's a monster and her journey to discover who she is. The world is interesting enough for me to continue reading Katya's story, and I liked seeing the various elemental powers being a part of it. Jessica Leake's latest novel is a solid story for those who enjoy a slower-paced book with historical and folklore elements woven together.
<a href="https://bookwyrmingthoughts.com/through-the-white-wood-by-jessica-leake/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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Sensitivemuse (246 KP) rated The Supernaturals in Books
Apr 10, 2018
Great horror story with creep factor
The beauty of reading horror books is this: even though you’ve probably read this same thing or read the same horror book with similar plots, cookie cutter characters, etc, what really matters at the end of the day is; does it provide you with enough chills and creep factor to get you reading?
Thankfully, this one delivers!
The plot is pretty standard; haunted house that is on the market but nobody buys it. It needs a super cleansing and a group of people are gathered and led by a Professor who’s looking out for redemption. It seems pretty much like a typical horror plot out there but it’s well written and the flow is consistent. That being said, the real action starts about the last third of the book. Think of this book as an introduction to a cast of characters, and what their ‘gifts’ are like. Their background stories are provided, and everything leading up to the night at the house is well done. It prepares to reader as to what to look forward to (with some creep factor in between)
So let’s get to the creep factor. It’s definitely there. The descriptions and events happening is enough to give the reader chills and leaves it to their imagination. There’s plenty of loud noise moments, evil laughter, and things going bump in the night to contribute to the enjoyment of reading this book.
The characters could have been better now, perhaps because it’s an introduction to the group but there’s not much substance to them (at least to some) I was a bit disappointed in George and Leonard because they had a lot to contribute but it seemed to have fizzled out when it really counts. For the most part it’s mostly John, Jenny and Gabriel in the spotlight. They’re all pretty much likable and their own storylines are good to read to provide more ‘fleshing out’ of the character.
It’s a solid horror story with a good ending. Of course it looks like there’s a second book coming out and I’m going to go and read it. I enjoyed this one immensely.
Thankfully, this one delivers!
The plot is pretty standard; haunted house that is on the market but nobody buys it. It needs a super cleansing and a group of people are gathered and led by a Professor who’s looking out for redemption. It seems pretty much like a typical horror plot out there but it’s well written and the flow is consistent. That being said, the real action starts about the last third of the book. Think of this book as an introduction to a cast of characters, and what their ‘gifts’ are like. Their background stories are provided, and everything leading up to the night at the house is well done. It prepares to reader as to what to look forward to (with some creep factor in between)
So let’s get to the creep factor. It’s definitely there. The descriptions and events happening is enough to give the reader chills and leaves it to their imagination. There’s plenty of loud noise moments, evil laughter, and things going bump in the night to contribute to the enjoyment of reading this book.
The characters could have been better now, perhaps because it’s an introduction to the group but there’s not much substance to them (at least to some) I was a bit disappointed in George and Leonard because they had a lot to contribute but it seemed to have fizzled out when it really counts. For the most part it’s mostly John, Jenny and Gabriel in the spotlight. They’re all pretty much likable and their own storylines are good to read to provide more ‘fleshing out’ of the character.
It’s a solid horror story with a good ending. Of course it looks like there’s a second book coming out and I’m going to go and read it. I enjoyed this one immensely.
Nadya R (9 KP) rated The Tea Rose in Books
Jul 2, 2018
Fiona is 17 years old girl who works in Burton's tea factory. She leads a life of Irish emigrant with her big family. There is Joe as well. The next door boy she is inlove with and also he is inlove with her since they were children. The only light in their light is their cacao box. It consist all of their savings set aside to support their dream - to have their own shop. When one day everything broke down. His father died in accident. Joe, the men she always love, is forced to marry to other woman.
London's atmosphere is so vivdly described. With only two word Donnally took us into her universe. Everything is so bright. It's make you feel the smell of the tea into English's humid air. You can hear Joe, who call you to go and buy some of his fruits and veggies. This is also the time of Jack the Ripper. Series of brutally killed women spread the fear trough the people in Whitechapel. Trying to take the ill baby to the doctor, Fiona's mother Kate became a witness of another Jack's murder and for that she paid with her life. The baby died a couple of days after her mom. Fiona's bigger brother Charlie disappeared, heart-broken because of his mother death. And Fiona end up with her little brother. But when their life is threatened, they catch the first ship to New York. There from poor little girl without a family, she become one of the richest women in New York.
Unputdownable! Totally deserve to be read. All this tragedy. Her misfortune love with Joe. Every time when they are going to meet I became so happy, only to be disappointed because they missed out the chance. Its a huge book with its 800 pages (Bulgarian edition), but they aren't enough for me. I wanted to learn more about Fiona's success. How she became this powerful woman. I missed this ten years that aren't described in the book.
Amazing book that kept me awake three nights in a row.
London's atmosphere is so vivdly described. With only two word Donnally took us into her universe. Everything is so bright. It's make you feel the smell of the tea into English's humid air. You can hear Joe, who call you to go and buy some of his fruits and veggies. This is also the time of Jack the Ripper. Series of brutally killed women spread the fear trough the people in Whitechapel. Trying to take the ill baby to the doctor, Fiona's mother Kate became a witness of another Jack's murder and for that she paid with her life. The baby died a couple of days after her mom. Fiona's bigger brother Charlie disappeared, heart-broken because of his mother death. And Fiona end up with her little brother. But when their life is threatened, they catch the first ship to New York. There from poor little girl without a family, she become one of the richest women in New York.
Unputdownable! Totally deserve to be read. All this tragedy. Her misfortune love with Joe. Every time when they are going to meet I became so happy, only to be disappointed because they missed out the chance. Its a huge book with its 800 pages (Bulgarian edition), but they aren't enough for me. I wanted to learn more about Fiona's success. How she became this powerful woman. I missed this ten years that aren't described in the book.
Amazing book that kept me awake three nights in a row.
Phil Leader (619 KP) rated The Tiger Warrior (Jack Howard #4) in Books
Nov 26, 2019
The Tiger Warrior follows archaeologist and adventurer Jack Howard as he follows a tantalising clue that perhaps some escaped Roman legionaries had found themselves pitched against the bodyguard of the First Emperor of China and one had taken refuge in the jungles of India.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
So Many Roads: The Life and Times of the Grateful Dead
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Fifty years after they first came together and changed the sound of rock'n' roll, the Grateful Dead...
Leanne Crabtree (480 KP) rated Tessa Ever After (Reluctant Hearts, #2) in Books
Jan 6, 2021
This one starts with Tessa late to pick up her daughter from day care as she struggles to adjust to life since her older brother, Cade, moved away and left her alone with everything. Cade used to be babysitter, chef, chauffeur, DIY-er and many other things that made Tessa's life much easier and she's struggling to get herself in gear. She's also online dating, trying to find the older guy who'll be there and treat her right...when maybe the guy she really wants is a little closer to home.
In walks her brothers best friend, Jason, who Cade has tasked with keeping an eye on her. Jason's view of Tessa has slowly been changing from "best friends little sister" to gorgeous woman and mum and after some warnings from Cade and encouragement from their joint friend Adam, he decides to pursue Tessa.
First things first, I feel like I need to let you know that I have a big weakness for super cute children in my romances and Haley is certainly that. There were some really cute scenes with her and Tessa and Jason. She was super cuteness personified.
I did like their relationship. It was cute how it progressed and I'm glad they stuck with each other despite the obstacles that popped up here and there. And of course there was a misunderstanding that caused a slight rift but luckily they got around it and became a very cute little family unit.
Some of the secondary characters like Adam and Paige grew on me in this. We got to know Paige more than Adam but she seems to need to find that special someone and I think sparks may be flying between her and Adam in the next one. I'm not sure if I'll read it though.
I think I missed some of the angst that can happen in the romances I like with this. It was a little too nice. I like the bad boy type to be full of tattoos and dirty mouthed so they can rile their love interest up enough for her to answer back and sparks to fly.
In walks her brothers best friend, Jason, who Cade has tasked with keeping an eye on her. Jason's view of Tessa has slowly been changing from "best friends little sister" to gorgeous woman and mum and after some warnings from Cade and encouragement from their joint friend Adam, he decides to pursue Tessa.
First things first, I feel like I need to let you know that I have a big weakness for super cute children in my romances and Haley is certainly that. There were some really cute scenes with her and Tessa and Jason. She was super cuteness personified.
I did like their relationship. It was cute how it progressed and I'm glad they stuck with each other despite the obstacles that popped up here and there. And of course there was a misunderstanding that caused a slight rift but luckily they got around it and became a very cute little family unit.
Some of the secondary characters like Adam and Paige grew on me in this. We got to know Paige more than Adam but she seems to need to find that special someone and I think sparks may be flying between her and Adam in the next one. I'm not sure if I'll read it though.
I think I missed some of the angst that can happen in the romances I like with this. It was a little too nice. I like the bad boy type to be full of tattoos and dirty mouthed so they can rile their love interest up enough for her to answer back and sparks to fly.