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Rob Halford recommended Cowboys from Hell by Pantera in Music (curated)
Lyndsey Gollogly (2893 KP) rated A Shadow of Light (A Shade of Vampire, #4) in Books
Jul 1, 2022
114 of 230
Kindle
A Shadow of Light ( A Shade of Vampire book 4)
By Bella Forrest
⭐️⭐️⭐️⭐️
Since the implosion at The Oasis and Derek's stay at Hawk Headquarters, The Shade has fallen into a state of utter chaos. To make matters worse, the citizens of Derek's kingdom have become suspicious of his loyalties and accuse him of siding with the enemy... At a time when Derek desperately needs full cooperation from his subjects, they wish to put their own King on trial.
Meanwhile, Sofia is being held hostage by the hunters. They are determined to rid her of her infatuation with the vampire. She submits to the strict routine and training they impose on her, but the only fuel that keeps her going is the thought of reuniting with Derek - something Reuben is fighting with every fiber of his being to ensure will never happen.
...Until one day, out of the blue, Reuben appears to have a change of heart and comes to Sofia with a proposal; a solution that she never dreamed possible. A solution that would fulfil her heart's deepest desires and secure her and Derek's future together, forever.
But can she really trust this man who is so renowned for his hatred of vampires? Does she even have a choice?
I really enjoyed this instalment of A Shade of Vampire series. We hear from a few of the characters and their point of views with Sofia being held captive by her father and Derek trying to find his way back to the shade it’s all going on. Sofia learns more about her so called parents while trying to convince her father to let her go back to Derek. Derek finds himself having to fight for his title against his own father. This books is all about positive parenting 😂😂. Overall a good read and a decent series.
Kindle
A Shadow of Light ( A Shade of Vampire book 4)
By Bella Forrest
⭐️⭐️⭐️⭐️
Since the implosion at The Oasis and Derek's stay at Hawk Headquarters, The Shade has fallen into a state of utter chaos. To make matters worse, the citizens of Derek's kingdom have become suspicious of his loyalties and accuse him of siding with the enemy... At a time when Derek desperately needs full cooperation from his subjects, they wish to put their own King on trial.
Meanwhile, Sofia is being held hostage by the hunters. They are determined to rid her of her infatuation with the vampire. She submits to the strict routine and training they impose on her, but the only fuel that keeps her going is the thought of reuniting with Derek - something Reuben is fighting with every fiber of his being to ensure will never happen.
...Until one day, out of the blue, Reuben appears to have a change of heart and comes to Sofia with a proposal; a solution that she never dreamed possible. A solution that would fulfil her heart's deepest desires and secure her and Derek's future together, forever.
But can she really trust this man who is so renowned for his hatred of vampires? Does she even have a choice?
I really enjoyed this instalment of A Shade of Vampire series. We hear from a few of the characters and their point of views with Sofia being held captive by her father and Derek trying to find his way back to the shade it’s all going on. Sofia learns more about her so called parents while trying to convince her father to let her go back to Derek. Derek finds himself having to fight for his title against his own father. This books is all about positive parenting 😂😂. Overall a good read and a decent series.
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BankofMarquis (1832 KP) rated Alien (1979) in Movies
Feb 22, 2020
This classic holds up very, very well more than 40 years later
I convinced my cynical 19 year old to watch an "ancient" film (her phrase) - so I was careful with my choice. I know she likes horror, so thought I would try to see if she could be scared the old fashioned way and pulled the 1979 Sci-Fi/Horror classic ALIEN off the shelves to show her.
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated American Sniper (2015) in Movies
Aug 6, 2019
Every once in a while a movie just sneaks up on me. A movie that comes out of nowhere to be one of the best that I have seen in a long while. This is how American Sniper hit me. I had seen previews, and thought that it might end up being a decent flick, but I did not expect it to grab a hold of me and teach me something about myself as well.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
ELLDBRY (0 KP) rated The Godfather (1972) in Movies
Apr 16, 2020
10/10
Contains spoilers, click to show
"I believe in America…."
What is it about someone you care about that sets them apart? Are they family, a friend, or someone you feel just needs help? What causes you to go the extra mile to put someone else ahead of yourself? You may find the answers in your religion, your upbringing, or in movies. For example, say your daughter goes out on a date with a guy and she is violently beaten by him and one of his friends. You go see her in the hospital and she cannot even weep because of the pain. So trying to keep your cool you press charges and try by the legal means to bring the young men to justice. It doesn't happen, their sentences are suspended. That may make you lose faith in the system that is supposed to protect you. So now you go to someone else who could help. This person is a bigshot, a pezzonovante in his own way but outside the system. You explain what happened and what you did, and all he says is 'why didn't you come to me first?' How many times in your life have some of us gone to others that don't care and asked for help instead of going to the ones that actually care. And the problem is solved. Imagine for another example that your father is in the hospital and men are coming to kill him. And you are the only one there that can help him. Imagine that you had your own dreams and your own goals that were different to what your father wanted. But in this moment you put all that aside to help your father survive. You assure him that everything will be ok and you are with him now. You bluff out the men trying to kill him and your father is saved. Most of us may never have to defend our dads from someone trying to kill him. But seeing someone laying helpless in a hospital bed in need of help we can all relate to. Every son, every daughter, every parent, every sibling, every friend. You see everybody wants to talk about the gangster mafia element of The Godfather, and say that is what it is all about. But family plays an even bigger role in the story by being the driving force behind the main characters. Family, love, loyalty, sacrifice all these elements are used in the movie to bring a standard boring mafia shootout movie to the level of greatest movie of all time. Francis Ford Coppola used as much he could to bring this point home. The wedding scene was not made up by any means but instead taken from other weddings witnessed by every Italian who has ever been to a wedding. Bringing envelopes filled with money to the bride, nieces dancing on the feet of uncle's, people waiting in line to see the father of the bride, sandwiches in white paper being tossed around. 'two gabagool, one proshootoh!' Then go to the kitchen to make spaghetti. Need a recipe? Try 'a little of oil then fry some garlic, throw in some tomatoes and tomato paste, fry it, make sure it does not stick, get it to boil, put in all your sausage and meatballs, add some wine and a little bit of sugar and that's the trick.' That recipe has been in Italian kitchens long before the cameras rolled. Need an idea for some quality time with the kids, well go to work do what you have to do and pick up some cannolis before you get home. Just remember to leave the gun and take the cannolis. Coppola always said he had to be good or no cannolis when his dad got home to share with the family. Coppola also put in his own family to work, his dad scored the movie, his sister Talia was Connie, and his daughter played the baby in the baptism scene. The family was on both sides of the family. But for me the movie revolves around Don Vito Corleone and Marlon Brando. Mario Puzo based the character of Don Corleone on his mother, everytime the Don opened his mouth all that came out was the passion of his mother, her wisdom, her ruthlessness, and her unconquerable love for her family and for life itself. Therefore only the greatest actor of the day will do to play the part. Coppola agreed and suggested either Brando or Laurence Olivier. Olivier was considered and it would have been interesting but he eventually passed on the role. Only two men wanted Brando, Coppola and Puzo. Brando had a history of being difficult and the studio executives nearly vetoed his casting. Coppola was able to make a deal with in order to cast Brando. Brando had to agree to do the movie for nothing, he had to put up a bond in order to cover cost overruns, and he had to do a screen test. They only got to the screen test because Brando transformed himself from a forty year old man into a sixty year old mafia don before their eyes in a matter of minutes. When the executives saw the footage they said ‘no no no, WOW THAT'S INCREDIBLE!’ Brando would be The Godfather. But Brando still needed a little extra help. If you watch the movie, everytime Don Corleone is speaking and stops and looks off in the distance he is reading from a card with his lines on it. He still won an oscar though. Two scenes are my favorite in the movie. One is the scene in the restaurant, I feel like I don’t need to explain it, because it is the most famous scene. Just know that without that scene the movie would not have existed. When you shoot a movie, the scenes are viewed day by day by the studio decision makers. They were hating what they were seeing, everything shot before the restaurant scene was met with cruel criticism by everyone on the outside not working on the movie. All Coppola could do was show them this scene and the movie was not only saved but validated. There are moments in the movie that other scenes build to, the restaurant was one of those scenes. You know of it’s importance because of everything that preceded it. The other scene is the meeting. Don Corleone stands before the other mafia dons and surrenders to them and their wishes. He reasons with them in order to come to a peaceful solution. But there is a catch: if you mess with my other son or if ‘he’s struck by a bolt of lightning. Then I’m going to blame some of the people in this room and that I do not forgive. So with that aside let me say that I swear, on the souls of my grandchildren, that I will not be the one that breaks the peace that we’ve made here today.’ There is a time for peace and a time for reckoning. This scene is my favorite because you believe him, you go along with his plea for peace. But the other dons do not realize it is not a surrender but a tactical retreat.
So the movie went on to make a lot of money, win a bunch of awards, and won it’s way on a bunch of lists that say it’s great. I was lucky enough to not know that when I first saw the movie. I saw it for what it was: a father and three sons. One son was intense and savage, another was sweet and innocent, another was conviving and calculating, the father was all those combined. But the father was the steadying force in all their lives. That is why when they all find out he was shot they react in ways we all would react. When you see the father lying in the street his second son is there to help but can’t, all he can do is cry and yell ‘papa.’ The first son nearly strong arms one of his father’s closest associates because he wants someone to beat up. The third son panics and tries to do whatever he can to help. That is for the audience, and that that’s how everyone relates. Finally, I’ll quote Martin Sheen: ‘The Godfather is the best filmmaking ever in the history of American cinema. There is nothing that speaks more to who we are, where we came from, what we stand for, and where we’re gonna go. That’s the work of a true genius.’ I agree. It is my favorite, of what I’ve seen of course.
".... Don Corleone."
What is it about someone you care about that sets them apart? Are they family, a friend, or someone you feel just needs help? What causes you to go the extra mile to put someone else ahead of yourself? You may find the answers in your religion, your upbringing, or in movies. For example, say your daughter goes out on a date with a guy and she is violently beaten by him and one of his friends. You go see her in the hospital and she cannot even weep because of the pain. So trying to keep your cool you press charges and try by the legal means to bring the young men to justice. It doesn't happen, their sentences are suspended. That may make you lose faith in the system that is supposed to protect you. So now you go to someone else who could help. This person is a bigshot, a pezzonovante in his own way but outside the system. You explain what happened and what you did, and all he says is 'why didn't you come to me first?' How many times in your life have some of us gone to others that don't care and asked for help instead of going to the ones that actually care. And the problem is solved. Imagine for another example that your father is in the hospital and men are coming to kill him. And you are the only one there that can help him. Imagine that you had your own dreams and your own goals that were different to what your father wanted. But in this moment you put all that aside to help your father survive. You assure him that everything will be ok and you are with him now. You bluff out the men trying to kill him and your father is saved. Most of us may never have to defend our dads from someone trying to kill him. But seeing someone laying helpless in a hospital bed in need of help we can all relate to. Every son, every daughter, every parent, every sibling, every friend. You see everybody wants to talk about the gangster mafia element of The Godfather, and say that is what it is all about. But family plays an even bigger role in the story by being the driving force behind the main characters. Family, love, loyalty, sacrifice all these elements are used in the movie to bring a standard boring mafia shootout movie to the level of greatest movie of all time. Francis Ford Coppola used as much he could to bring this point home. The wedding scene was not made up by any means but instead taken from other weddings witnessed by every Italian who has ever been to a wedding. Bringing envelopes filled with money to the bride, nieces dancing on the feet of uncle's, people waiting in line to see the father of the bride, sandwiches in white paper being tossed around. 'two gabagool, one proshootoh!' Then go to the kitchen to make spaghetti. Need a recipe? Try 'a little of oil then fry some garlic, throw in some tomatoes and tomato paste, fry it, make sure it does not stick, get it to boil, put in all your sausage and meatballs, add some wine and a little bit of sugar and that's the trick.' That recipe has been in Italian kitchens long before the cameras rolled. Need an idea for some quality time with the kids, well go to work do what you have to do and pick up some cannolis before you get home. Just remember to leave the gun and take the cannolis. Coppola always said he had to be good or no cannolis when his dad got home to share with the family. Coppola also put in his own family to work, his dad scored the movie, his sister Talia was Connie, and his daughter played the baby in the baptism scene. The family was on both sides of the family. But for me the movie revolves around Don Vito Corleone and Marlon Brando. Mario Puzo based the character of Don Corleone on his mother, everytime the Don opened his mouth all that came out was the passion of his mother, her wisdom, her ruthlessness, and her unconquerable love for her family and for life itself. Therefore only the greatest actor of the day will do to play the part. Coppola agreed and suggested either Brando or Laurence Olivier. Olivier was considered and it would have been interesting but he eventually passed on the role. Only two men wanted Brando, Coppola and Puzo. Brando had a history of being difficult and the studio executives nearly vetoed his casting. Coppola was able to make a deal with in order to cast Brando. Brando had to agree to do the movie for nothing, he had to put up a bond in order to cover cost overruns, and he had to do a screen test. They only got to the screen test because Brando transformed himself from a forty year old man into a sixty year old mafia don before their eyes in a matter of minutes. When the executives saw the footage they said ‘no no no, WOW THAT'S INCREDIBLE!’ Brando would be The Godfather. But Brando still needed a little extra help. If you watch the movie, everytime Don Corleone is speaking and stops and looks off in the distance he is reading from a card with his lines on it. He still won an oscar though. Two scenes are my favorite in the movie. One is the scene in the restaurant, I feel like I don’t need to explain it, because it is the most famous scene. Just know that without that scene the movie would not have existed. When you shoot a movie, the scenes are viewed day by day by the studio decision makers. They were hating what they were seeing, everything shot before the restaurant scene was met with cruel criticism by everyone on the outside not working on the movie. All Coppola could do was show them this scene and the movie was not only saved but validated. There are moments in the movie that other scenes build to, the restaurant was one of those scenes. You know of it’s importance because of everything that preceded it. The other scene is the meeting. Don Corleone stands before the other mafia dons and surrenders to them and their wishes. He reasons with them in order to come to a peaceful solution. But there is a catch: if you mess with my other son or if ‘he’s struck by a bolt of lightning. Then I’m going to blame some of the people in this room and that I do not forgive. So with that aside let me say that I swear, on the souls of my grandchildren, that I will not be the one that breaks the peace that we’ve made here today.’ There is a time for peace and a time for reckoning. This scene is my favorite because you believe him, you go along with his plea for peace. But the other dons do not realize it is not a surrender but a tactical retreat.
So the movie went on to make a lot of money, win a bunch of awards, and won it’s way on a bunch of lists that say it’s great. I was lucky enough to not know that when I first saw the movie. I saw it for what it was: a father and three sons. One son was intense and savage, another was sweet and innocent, another was conviving and calculating, the father was all those combined. But the father was the steadying force in all their lives. That is why when they all find out he was shot they react in ways we all would react. When you see the father lying in the street his second son is there to help but can’t, all he can do is cry and yell ‘papa.’ The first son nearly strong arms one of his father’s closest associates because he wants someone to beat up. The third son panics and tries to do whatever he can to help. That is for the audience, and that that’s how everyone relates. Finally, I’ll quote Martin Sheen: ‘The Godfather is the best filmmaking ever in the history of American cinema. There is nothing that speaks more to who we are, where we came from, what we stand for, and where we’re gonna go. That’s the work of a true genius.’ I agree. It is my favorite, of what I’ve seen of course.
".... Don Corleone."
Chris Sawin (602 KP) rated Black Widow (2021) in Movies
Oct 6, 2021
Florence Pugh (2 more)
The free-fall sequence at the end.
Taskmaster before the mask comes off.
It's way too long. (3 more)
The Taskmaster changes are weak.
It's as if the characters are fighting over who gets to be the comedic relief.
Familiar storyline.
Espionage Exhaustion
Black Widow is a film explaining what Natasha Romanoff (Scarlett Johansson) was up to in-between Captain America: Civil War and Avengers: Infinity War. The film was originally set to be released in May of 2020, but was pushed back and had three different release dates thanks to COVID-19. Unfortunately, most completed films that sit on the shelf and are in limbo for over a year rarely live up to the anticipation. Black Widow is worthwhile for a few key action sequences and notable characters that steal the spotlight, but is otherwise a mostly forgettable superhero film.
Marketed as a superhero film, Black Widow is also a spy thriller. Johansson has stated that films such as Logan, Harrison Ford’s The Fugitive, and Terminator 2: Judgment Day were influences. After Civil War, Thaddeus Ross (William Hurt) is on the hunt for Natasha Romanoff. Women like Natasha who have had similar training in a torturous training facility known as The Red Room are victims to brainwashing by a man named Dreykov (Ray Winstone), but a serum ends up in Natasha’s hands that can break Dreykov’s brainwashing. Natasha begins searching for The Red Room and Dreykov, which also has her crossing paths with other spies that posed as her family members; her “sister” Yelena Belova (Florence Pugh), her “father” Alexai Shostakov (David Harbour), and her “mother” Melina Vostokoff (Rachel Weisz).
The biggest selling point for Black Widow is that it’s a mostly female cast in front of and behind the camera. The film is directed by Cate Shortland and Black Widow is her first big budget feature. It’s also co-written by female screenwriter Jac Schaeffer (uncredited co-screenwriter of Captain Marvel) and Ned Benson (director of The Disappearance of Eleanor Rigby).
Taskmaster is cool in the film until you realize the character has been altered from his comic book origins. This isn’t uncommon in the MCU or even other live-action superhero adaptations, but what the character has become in the film will be received with mixed results. In the comics, Taskmaster’s real identity is Anthony Masters and he’s a mercenary not unlike Deadpool (the two have fought together and against each other). Copying fighting styles and weapon techniques is similar to the film, but it’s all thanks to his incredible memory and photographic reflexes.
The character is altered to fit the story in the Black Widow film. It’s not necessarily a bad thing as it gives a bigger purpose for the character since it suddenly becomes a major part of Natasha’s storyline, but how the character evolves over the course of the film seems to almost relieve Natasha of her past sins rather than continue to serve as a catalyst. Taskmaster is generally involved in some of the best hand-to-hand combat sequences, but seems to be left hanging by the end of the film. We could see the character again, but whether or not the desire is there to see Taskmaster return is debatable.
The free-fall sequence that has been teased in the trailers is Black Widow’s most unique source of action. There’s exploding elements and falling debris, Natasha trying to save someone’s life, and Taskmaster thrown in attempting to mess up whatever she has planned; plus a bunch of goons bringing up the rear that will obviously be taken out in peak fashion. The sequence is like a duel to the death taking place on the edge of a volcano that’s about to erupt. It’s on the verge of being overkill, but is just awesome enough to trigger all of the adrenaline in your body.
Kevin Feige apparently wanted an equal amount of screen time for both Natasha and Yelena. With the after-credits sequence, Natasha being very dead after the events of Infinity War, and the reports that Yelena may be the new Black Widow, she’s essentially the star of the film and for good reason. The character begins as an individual with a chip on her shoulder from someone from her past, but Florence Pugh is able to add humor and empathy with her performance. Yelena has the best one-liners in the film (“That would be a cool way to die,”) and is essentially the best source of comedic relief (i.e. her hysterectomy rant), as well. She is the one character in the film you’d want to see more of after Black Widow ends.
The storyline of Black Widow doesn’t feel like anything you haven’t experienced cinematically before, especially within the confines of the MCU. An evil man is responsible for pulling the strings of a bunch of women that would kick his ass otherwise. Unfortunately, Ray Winstone doesn’t feel all that intimidating as Dreykov since he doesn’t do much besides talk in Black Widow. The point is made in the film that is all there’s really needed of the character, but Dreykov’s biggest weapon is his mouth. However, his verbal skills don’t seem advantageous enough to make him such a threat let alone keep him alive for over 20 years.
It also feels like every MCU film has its on-screen characters competing over who can get the most laughs; this is something that only got worse after Thor: Ragnarok proved to be a success. Marvel films are already so formulaic with most villains being introduced and killed within the confines of a single film. Natasha’s spy family all feel like minor extensions of herself. Rachel Weisz, despite not aging a day in nearly 30 years, is forgettable as Melina. David Harbour is essentially his character from Stranger things cosplaying as Mr. Incredible with a Russian accent. Even Florence Pugh’s Yelena Belova character is basically a blonde younger version of Natasha even though they’re not related by blood.
Black Widow clocks in at over two hours and it feels like a film that could have been edited down. Witnessing the events of a dysfunctional spy family who then spend good chunks of the film reminiscing about those moments the audience has already seen is redundant storytelling that feels like nothing more than filler.
Black Widow is worth seeing for Florence Pugh, the free-fall action sequence, and anything involving Taskmaster before it’s revealed who is under the mask. Everything else about Black Widow feels like it was done better by the films it was supposedly influenced by and mostly feels like a diluted imitation of Captain America: The Winter Soldier. It’s fantastic that women are getting more opportunities in big summer blockbusters like this one, but it’s also disheartening since their filmmaking skills are shackled to formulaic superfluity that obviously stands in the way of creating extraordinary cinema.
Marketed as a superhero film, Black Widow is also a spy thriller. Johansson has stated that films such as Logan, Harrison Ford’s The Fugitive, and Terminator 2: Judgment Day were influences. After Civil War, Thaddeus Ross (William Hurt) is on the hunt for Natasha Romanoff. Women like Natasha who have had similar training in a torturous training facility known as The Red Room are victims to brainwashing by a man named Dreykov (Ray Winstone), but a serum ends up in Natasha’s hands that can break Dreykov’s brainwashing. Natasha begins searching for The Red Room and Dreykov, which also has her crossing paths with other spies that posed as her family members; her “sister” Yelena Belova (Florence Pugh), her “father” Alexai Shostakov (David Harbour), and her “mother” Melina Vostokoff (Rachel Weisz).
The biggest selling point for Black Widow is that it’s a mostly female cast in front of and behind the camera. The film is directed by Cate Shortland and Black Widow is her first big budget feature. It’s also co-written by female screenwriter Jac Schaeffer (uncredited co-screenwriter of Captain Marvel) and Ned Benson (director of The Disappearance of Eleanor Rigby).
Taskmaster is cool in the film until you realize the character has been altered from his comic book origins. This isn’t uncommon in the MCU or even other live-action superhero adaptations, but what the character has become in the film will be received with mixed results. In the comics, Taskmaster’s real identity is Anthony Masters and he’s a mercenary not unlike Deadpool (the two have fought together and against each other). Copying fighting styles and weapon techniques is similar to the film, but it’s all thanks to his incredible memory and photographic reflexes.
The character is altered to fit the story in the Black Widow film. It’s not necessarily a bad thing as it gives a bigger purpose for the character since it suddenly becomes a major part of Natasha’s storyline, but how the character evolves over the course of the film seems to almost relieve Natasha of her past sins rather than continue to serve as a catalyst. Taskmaster is generally involved in some of the best hand-to-hand combat sequences, but seems to be left hanging by the end of the film. We could see the character again, but whether or not the desire is there to see Taskmaster return is debatable.
The free-fall sequence that has been teased in the trailers is Black Widow’s most unique source of action. There’s exploding elements and falling debris, Natasha trying to save someone’s life, and Taskmaster thrown in attempting to mess up whatever she has planned; plus a bunch of goons bringing up the rear that will obviously be taken out in peak fashion. The sequence is like a duel to the death taking place on the edge of a volcano that’s about to erupt. It’s on the verge of being overkill, but is just awesome enough to trigger all of the adrenaline in your body.
Kevin Feige apparently wanted an equal amount of screen time for both Natasha and Yelena. With the after-credits sequence, Natasha being very dead after the events of Infinity War, and the reports that Yelena may be the new Black Widow, she’s essentially the star of the film and for good reason. The character begins as an individual with a chip on her shoulder from someone from her past, but Florence Pugh is able to add humor and empathy with her performance. Yelena has the best one-liners in the film (“That would be a cool way to die,”) and is essentially the best source of comedic relief (i.e. her hysterectomy rant), as well. She is the one character in the film you’d want to see more of after Black Widow ends.
The storyline of Black Widow doesn’t feel like anything you haven’t experienced cinematically before, especially within the confines of the MCU. An evil man is responsible for pulling the strings of a bunch of women that would kick his ass otherwise. Unfortunately, Ray Winstone doesn’t feel all that intimidating as Dreykov since he doesn’t do much besides talk in Black Widow. The point is made in the film that is all there’s really needed of the character, but Dreykov’s biggest weapon is his mouth. However, his verbal skills don’t seem advantageous enough to make him such a threat let alone keep him alive for over 20 years.
It also feels like every MCU film has its on-screen characters competing over who can get the most laughs; this is something that only got worse after Thor: Ragnarok proved to be a success. Marvel films are already so formulaic with most villains being introduced and killed within the confines of a single film. Natasha’s spy family all feel like minor extensions of herself. Rachel Weisz, despite not aging a day in nearly 30 years, is forgettable as Melina. David Harbour is essentially his character from Stranger things cosplaying as Mr. Incredible with a Russian accent. Even Florence Pugh’s Yelena Belova character is basically a blonde younger version of Natasha even though they’re not related by blood.
Black Widow clocks in at over two hours and it feels like a film that could have been edited down. Witnessing the events of a dysfunctional spy family who then spend good chunks of the film reminiscing about those moments the audience has already seen is redundant storytelling that feels like nothing more than filler.
Black Widow is worth seeing for Florence Pugh, the free-fall action sequence, and anything involving Taskmaster before it’s revealed who is under the mask. Everything else about Black Widow feels like it was done better by the films it was supposedly influenced by and mostly feels like a diluted imitation of Captain America: The Winter Soldier. It’s fantastic that women are getting more opportunities in big summer blockbusters like this one, but it’s also disheartening since their filmmaking skills are shackled to formulaic superfluity that obviously stands in the way of creating extraordinary cinema.
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