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Heather Cranmer (2721 KP) rated Infinite Sky (Infinite Sky, #1) in Books
Jun 7, 2018
(This review can also be found on my blog (<a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first heard of Infinite Sky by C.J. Flood, I knew it was a book that I was going to have to read as soon as possible. Firstly, because I have a thing for Irish travellers. I find them fascinating. Secondly, it sounded like a really good read. I must say that I fell in love with this story.
Infinite Sky is a coming of age story told by thirteen year old Iris. Iris' mother has left her, her brother, and her dad behind so she can go to traveling. Iris' brother, Sam, takes this extremely hard and starts to become a moody, violent person. To top it off, travellers, or gypsies as Iris's dad and brother call them, have moved into their field. Sam and Iris' dad are enraged about this, but Iris in intrigued especially when she catches a glimpse of fourteen year old Trick. Day by day, Trick and Iris spend time together and just talking about life. Irish begins to fall in love with Trick. However, Sam and Iris' dad aren't going to make it easy for the two love birds to spend time together. Due to prejudices, someone close to Iris ends up dead.
I love the title of this book. Infinite Sky sounds so innocent and makes me think of a world of possibilities. For a middle grade/young adult book, I don't think the title could've been any better.
I do like the cover of Infinite Sky. It has a sort of classic look about it. It looks like it'd be a happy book, but after reading the synopsis, we know it's not all full of sunshine and rainbows, or in this case, cornfields and birds. I really do hope the author sticks to this cover as I think adding or taking anything away from it would ruin it.
The world building/setting of Infinite Sky was done very well. The story mostly takes place in a cornfield and around it. C.J. Flood makes the world of Infinite Sky come alive with her writing. I was able to clearly picture every bit of the story in my mind quite easily.
Pacing wise, the story starts out just a bit slow but quickly, the pacing picks up, and the story is very easy to follow. It's not too fast and not too slow, but stays at a steady pace throughout. Sometimes I did feel as if the chapters ended rather abruptly though.
The dialogue/wording in this story is beautiful. C.J. Flood has a fine gift when it comes to her writing. I was really happy that Irish spoke like a thirteen year old girl as well as the other characters speaking like their age instead of sounding older. I loved how the dialogue between Trick and Iris didn't come across as being forced. It sounded just like two young teens having a conversation.
The characters felt very real to me. Iris speaks and acts like a thirteen year old girl. She has a somewhat innocent quality about her that is quite subtle in the book but still apparent. Trick is more street-wise and cares a lot about Iris. Sam is a chav (someone who dresses a certain way and is usually just a menace to society), but there is back story about why he became one that is quite heart wrenching.
The ending of the story is quite an emotional one, and C.J. Flood does a fantastic job in her writing to pull at the reader's heart strings. I felt like crying after reading how Iris is feeling.
Over all, Infinite Sky is a sweet coming of age story that is beautifully written and tugs at your heartstrings. This is one of those books that is destined and should be a classic.
I'd recommend this book to everyone aged 12+ as it's a really little gem of a book.
Infinite Sky by C.J. Flood gets a 4.5 out of 5 from me.
When I first heard of Infinite Sky by C.J. Flood, I knew it was a book that I was going to have to read as soon as possible. Firstly, because I have a thing for Irish travellers. I find them fascinating. Secondly, it sounded like a really good read. I must say that I fell in love with this story.
Infinite Sky is a coming of age story told by thirteen year old Iris. Iris' mother has left her, her brother, and her dad behind so she can go to traveling. Iris' brother, Sam, takes this extremely hard and starts to become a moody, violent person. To top it off, travellers, or gypsies as Iris's dad and brother call them, have moved into their field. Sam and Iris' dad are enraged about this, but Iris in intrigued especially when she catches a glimpse of fourteen year old Trick. Day by day, Trick and Iris spend time together and just talking about life. Irish begins to fall in love with Trick. However, Sam and Iris' dad aren't going to make it easy for the two love birds to spend time together. Due to prejudices, someone close to Iris ends up dead.
I love the title of this book. Infinite Sky sounds so innocent and makes me think of a world of possibilities. For a middle grade/young adult book, I don't think the title could've been any better.
I do like the cover of Infinite Sky. It has a sort of classic look about it. It looks like it'd be a happy book, but after reading the synopsis, we know it's not all full of sunshine and rainbows, or in this case, cornfields and birds. I really do hope the author sticks to this cover as I think adding or taking anything away from it would ruin it.
The world building/setting of Infinite Sky was done very well. The story mostly takes place in a cornfield and around it. C.J. Flood makes the world of Infinite Sky come alive with her writing. I was able to clearly picture every bit of the story in my mind quite easily.
Pacing wise, the story starts out just a bit slow but quickly, the pacing picks up, and the story is very easy to follow. It's not too fast and not too slow, but stays at a steady pace throughout. Sometimes I did feel as if the chapters ended rather abruptly though.
The dialogue/wording in this story is beautiful. C.J. Flood has a fine gift when it comes to her writing. I was really happy that Irish spoke like a thirteen year old girl as well as the other characters speaking like their age instead of sounding older. I loved how the dialogue between Trick and Iris didn't come across as being forced. It sounded just like two young teens having a conversation.
The characters felt very real to me. Iris speaks and acts like a thirteen year old girl. She has a somewhat innocent quality about her that is quite subtle in the book but still apparent. Trick is more street-wise and cares a lot about Iris. Sam is a chav (someone who dresses a certain way and is usually just a menace to society), but there is back story about why he became one that is quite heart wrenching.
The ending of the story is quite an emotional one, and C.J. Flood does a fantastic job in her writing to pull at the reader's heart strings. I felt like crying after reading how Iris is feeling.
Over all, Infinite Sky is a sweet coming of age story that is beautifully written and tugs at your heartstrings. This is one of those books that is destined and should be a classic.
I'd recommend this book to everyone aged 12+ as it's a really little gem of a book.
Infinite Sky by C.J. Flood gets a 4.5 out of 5 from me.
Ryan Hill (152 KP) rated Man of Steel (2013) in Movies
May 21, 2019
"It's not an s on my world it means hope"
Superman's origin has been retold in comics more than any other character. But how do you reboot such a beloved icon in film form without making his origin feel unnecessary to go through again. By handing him over to the masters of all reboots. While developing the story for The Dark Knight Rises, Director Christopher Nolan and writer David S. Goyer developed a new way to bring the man of steel to life. The duo previously saved Batman and made him a cinematic legend again and now they plan to save Superman from uneven sequels and a stale image. And who did they invite to lead this revival? None other than director Zack Snyder, a visual wizard with a lackluster reputation in storytelling thanks to his remake of Dawn of the Dead, 300, Watchmen and Sucker Punch. Now despite some filmmaking stumbles along the way, the trio make for a surprisingly great combination and deliver the modern Superman film we have waited 75 years for with Man of Steel. We are given both Superman and a Clark Kent who doesn't know his place in the world and is coming to terms with how the public perceives him.
As with all Superman mythology the story begins on Krypton, the planet that's hundreds of thousands of civilized years ahead of Earth. The whole planet is science fiction nirvana. The zooming spaceships, winged beast and advanced technology crafted from liquid metal. For once we experience the entire planet, not just a couple rooms made out of cheap crystal. There's a system of ways things work that has never been fleshed out on screen before. The government, the science and it's culture. At the head of the planet's scientific research is Jor-El (Russell Crowe) and he has discovered proof that may lead to the planet's destruction. But unfortunately his pleas towards his leaders are ignored due to the ongoing civil war with Jor-El's old friend General Zod (Michael Shannon). There's more history to the Jor-El/ Zod dynamic this time around which just enriches their conflict. There are millions of stories concerning Marlon Brando's $3 million dollar slumming in the '78 film. He intentionally mispronounced Krypton, made outrageous production demands and in the end that put him on the cutting room floor for it's sequel. Crowe see's Brando's paycheck acting and raises it with a performance full of gravitas. When conflicts begin to soften and punishments are served, more and more evidence begin to support Jor-El's claims of Krypton's destruction and with time and options exhausted, his final resort is to save his only son Kal-El. Still an infant, Jor-El concludes the only way his son will ever have any chance of life is to be sent to a more primitive alien planet and have a significant advantage over it's species. So he sends him to Earth, where it's sun will grant his body incredible abilities.
Jump 33 years later as the adult Kal-El, now under the name Clark Kent (Henry Cavil) is wandering the world trying to discover his place in it. There are multiple flashbacks to Clark's childhood with his adoptive parents Jonathan and Martha Kent (Kevin Costner and Diane Lane). Costner gives a heartfelt performance full of warmth as the father concerned with his son's well-being if the world rejects him. If someone with Clark's abilities were to be exposed to the public, it would be one of the biggest moments in human history. His existence alone would make everyone question religion, science and everything they had ever thought about the universe. And Lane strikes quiet, charming notes as the more understanding mother. Throughout his entire life Clark had been using his powers in secret, from saving derrick workers from fires to fighting a massive hurricane in his hometown of Smallville. If there's one word to describe Cavil's performance it's "Modern". He is not the "Aw shucks" farm boy nor is he the angst filled mess many feared he was going to be. There's still a humbleness, a sweetness and a sense of forthrightness to him. And of course he is a perfect physical representation of the character as well. As much as Christopher Reeve's performance still means to audiences today, it has reached a point where it has unfairly overshadowed the character. The idealism of Reeve's Superman isn't relevant today, at least not in the purest sense of the word. Cavil's Superman understands the difficulty of what his powers mean for the world and understands there really isn't anything to smile about.
Of course you can't tell a Superman story without his supporting players at the Daily Planet. Perry White (Laurence Fishburne, in an inspired piece of casting) knows the only way a newspaper could ever have hope at functioning these days is if they had major exclusives to the first alien ever revealed to the masses. Enter Lois Lane (Amy Adams, full of spunk) who has been chasing Clark's story all across the globe for several years. Lois has always been a tricky character to adapt, seeing how it's difficult for audiences to like her if you get it wrong. Can somebody who can't see Superman past a pair of thick glasses really be a Pulitzer Prize winning journalist? Thankfully, this Lois isn't as Shrill as Margot Kidder or as bland as Kate Bosworth in previous versions. Snyder and Adams treat Lois as the talented, dedicated journalist we know she really is by making her active at her profession and not having to prove anything just because she's a woman. The only thing she has to prove are her credentials, which are just as impressive as everything else about her. While some might be disappointed by the lack of romance between the couple, but to be fair, this isn't a Lois and Clark story, it's the story of Clark discovering his place in the world. But the spark between the two of them is certainly present when they first meet. For Clark to go from a lifetime of loneliness to have somebody instantly discover everything about you and admiring all of it is a luxury he has never had before.
Clark couldn't have picked a better time to make his presence known to the world, with General Zod returning to finish what he started. The cinematic Superman villains have created a history of scenery chewing performances dating back to Gene Hackman's Lex Luthor. Terrence Stamp was the first actor to portray Zod on film in Superman ll, but despite some memorable dialogue ("Kneel before Zod!") he was still essentially just a typical mustache twirling maniac. Zod this time around is nothing but bold tactics and is fully fledged to preserving his lost race, no matter what the cost. Michael Shannon is nothing but pure, demented megalomania. The only disadvantage Zod possesses though is that his body isn't used to the yellow son and must try and control all his new powers at once. Clark on the other hand, has had a lifetime to perfect his gifts.
Visual aesthetics have leaped skyscrapers since the Donner era. Snyder takes that technological advantage and gives fans what they have dreamed of for years. To put it bluntly, to see Supes punch somebody- really fucking hard! Snyder understands all of Superman's abilities and test them on the grandest scale imaginable. And he does so without resorting to his trademark slow-mo sequences and putting macho fantasies on display. In terms of action alone this is the first time the character has been given justice. Even as bombastic or repetitive it occasionally becomes, it can easily be forgiven because the character has been so overdue for it. It is unfortunate that cinematographer Amir Morki captures it all in a rather unpolished handheld style. But at least Snyder's chaotic direction finally seems to have a sense of aim and isn't relying on green screen to tell his stories. It may have to do with the influence of Nolan producing, but the end result is gloriously flashy, gritty and contains a well needed sense of gravity. And while Man of Steel never reaches the same dizzying heights as Nolan's Dark Knight trilogy, it still preserves and reintroduces it's legendary character in the same respect.
Snyder, Nolan and Goyer certainly have stayed true to the modern lore of Superman by adapting elements of his classic comic stories Birthright, Man for All Seasons, New Krypton and Earth One, and do so without damaging or over-explaining any of it. But if anything it's a science fiction story first then a comic book adaptation, in the vein of such first contact films as the original Day the Earth Stood Still and War of the Worlds. Man of Steel reminds us that Superman is not human, but still represents the best that humanity has to offer. It's the story of fathers, understanding your roots and taking hold of your destiny. It's always been that way for Superman, ever since he was created by young Jewish immigrants Jerry Siegel and Joe Shuster.
While the original theme music by John Williams is still the granddaddy of all superhero cinematic anthems, Hans Zimmer still creates a thunderous pulse of a score. Atmospheric, gentle and adrenaline charged, Zimmer accompanies Clark's drifting, the concerns of his parents and Superman's clashes with one perfect note after another.
Christopher Reeve for many people is still going to be the definitive Superman, but that's too be expected. For so long that's all we've had to go on as far as a great man of steel. There are multiple generations separating Reeve and Cavil and multiple generations separating their audiences. Will everyone accept Cavil as this modern Superman that understands today's humanity? As with Batman Begins, the conclusion doesn't technically set itself up for a sequel but it establishes an iconic part of it's universe in a nice wink that makes you want to see more of it. It isn't quite perfect, but this universe certainly deserved to grow. Because unlike what occurred in 2006, this time Superman really has returned.
As with all Superman mythology the story begins on Krypton, the planet that's hundreds of thousands of civilized years ahead of Earth. The whole planet is science fiction nirvana. The zooming spaceships, winged beast and advanced technology crafted from liquid metal. For once we experience the entire planet, not just a couple rooms made out of cheap crystal. There's a system of ways things work that has never been fleshed out on screen before. The government, the science and it's culture. At the head of the planet's scientific research is Jor-El (Russell Crowe) and he has discovered proof that may lead to the planet's destruction. But unfortunately his pleas towards his leaders are ignored due to the ongoing civil war with Jor-El's old friend General Zod (Michael Shannon). There's more history to the Jor-El/ Zod dynamic this time around which just enriches their conflict. There are millions of stories concerning Marlon Brando's $3 million dollar slumming in the '78 film. He intentionally mispronounced Krypton, made outrageous production demands and in the end that put him on the cutting room floor for it's sequel. Crowe see's Brando's paycheck acting and raises it with a performance full of gravitas. When conflicts begin to soften and punishments are served, more and more evidence begin to support Jor-El's claims of Krypton's destruction and with time and options exhausted, his final resort is to save his only son Kal-El. Still an infant, Jor-El concludes the only way his son will ever have any chance of life is to be sent to a more primitive alien planet and have a significant advantage over it's species. So he sends him to Earth, where it's sun will grant his body incredible abilities.
Jump 33 years later as the adult Kal-El, now under the name Clark Kent (Henry Cavil) is wandering the world trying to discover his place in it. There are multiple flashbacks to Clark's childhood with his adoptive parents Jonathan and Martha Kent (Kevin Costner and Diane Lane). Costner gives a heartfelt performance full of warmth as the father concerned with his son's well-being if the world rejects him. If someone with Clark's abilities were to be exposed to the public, it would be one of the biggest moments in human history. His existence alone would make everyone question religion, science and everything they had ever thought about the universe. And Lane strikes quiet, charming notes as the more understanding mother. Throughout his entire life Clark had been using his powers in secret, from saving derrick workers from fires to fighting a massive hurricane in his hometown of Smallville. If there's one word to describe Cavil's performance it's "Modern". He is not the "Aw shucks" farm boy nor is he the angst filled mess many feared he was going to be. There's still a humbleness, a sweetness and a sense of forthrightness to him. And of course he is a perfect physical representation of the character as well. As much as Christopher Reeve's performance still means to audiences today, it has reached a point where it has unfairly overshadowed the character. The idealism of Reeve's Superman isn't relevant today, at least not in the purest sense of the word. Cavil's Superman understands the difficulty of what his powers mean for the world and understands there really isn't anything to smile about.
Of course you can't tell a Superman story without his supporting players at the Daily Planet. Perry White (Laurence Fishburne, in an inspired piece of casting) knows the only way a newspaper could ever have hope at functioning these days is if they had major exclusives to the first alien ever revealed to the masses. Enter Lois Lane (Amy Adams, full of spunk) who has been chasing Clark's story all across the globe for several years. Lois has always been a tricky character to adapt, seeing how it's difficult for audiences to like her if you get it wrong. Can somebody who can't see Superman past a pair of thick glasses really be a Pulitzer Prize winning journalist? Thankfully, this Lois isn't as Shrill as Margot Kidder or as bland as Kate Bosworth in previous versions. Snyder and Adams treat Lois as the talented, dedicated journalist we know she really is by making her active at her profession and not having to prove anything just because she's a woman. The only thing she has to prove are her credentials, which are just as impressive as everything else about her. While some might be disappointed by the lack of romance between the couple, but to be fair, this isn't a Lois and Clark story, it's the story of Clark discovering his place in the world. But the spark between the two of them is certainly present when they first meet. For Clark to go from a lifetime of loneliness to have somebody instantly discover everything about you and admiring all of it is a luxury he has never had before.
Clark couldn't have picked a better time to make his presence known to the world, with General Zod returning to finish what he started. The cinematic Superman villains have created a history of scenery chewing performances dating back to Gene Hackman's Lex Luthor. Terrence Stamp was the first actor to portray Zod on film in Superman ll, but despite some memorable dialogue ("Kneel before Zod!") he was still essentially just a typical mustache twirling maniac. Zod this time around is nothing but bold tactics and is fully fledged to preserving his lost race, no matter what the cost. Michael Shannon is nothing but pure, demented megalomania. The only disadvantage Zod possesses though is that his body isn't used to the yellow son and must try and control all his new powers at once. Clark on the other hand, has had a lifetime to perfect his gifts.
Visual aesthetics have leaped skyscrapers since the Donner era. Snyder takes that technological advantage and gives fans what they have dreamed of for years. To put it bluntly, to see Supes punch somebody- really fucking hard! Snyder understands all of Superman's abilities and test them on the grandest scale imaginable. And he does so without resorting to his trademark slow-mo sequences and putting macho fantasies on display. In terms of action alone this is the first time the character has been given justice. Even as bombastic or repetitive it occasionally becomes, it can easily be forgiven because the character has been so overdue for it. It is unfortunate that cinematographer Amir Morki captures it all in a rather unpolished handheld style. But at least Snyder's chaotic direction finally seems to have a sense of aim and isn't relying on green screen to tell his stories. It may have to do with the influence of Nolan producing, but the end result is gloriously flashy, gritty and contains a well needed sense of gravity. And while Man of Steel never reaches the same dizzying heights as Nolan's Dark Knight trilogy, it still preserves and reintroduces it's legendary character in the same respect.
Snyder, Nolan and Goyer certainly have stayed true to the modern lore of Superman by adapting elements of his classic comic stories Birthright, Man for All Seasons, New Krypton and Earth One, and do so without damaging or over-explaining any of it. But if anything it's a science fiction story first then a comic book adaptation, in the vein of such first contact films as the original Day the Earth Stood Still and War of the Worlds. Man of Steel reminds us that Superman is not human, but still represents the best that humanity has to offer. It's the story of fathers, understanding your roots and taking hold of your destiny. It's always been that way for Superman, ever since he was created by young Jewish immigrants Jerry Siegel and Joe Shuster.
While the original theme music by John Williams is still the granddaddy of all superhero cinematic anthems, Hans Zimmer still creates a thunderous pulse of a score. Atmospheric, gentle and adrenaline charged, Zimmer accompanies Clark's drifting, the concerns of his parents and Superman's clashes with one perfect note after another.
Christopher Reeve for many people is still going to be the definitive Superman, but that's too be expected. For so long that's all we've had to go on as far as a great man of steel. There are multiple generations separating Reeve and Cavil and multiple generations separating their audiences. Will everyone accept Cavil as this modern Superman that understands today's humanity? As with Batman Begins, the conclusion doesn't technically set itself up for a sequel but it establishes an iconic part of it's universe in a nice wink that makes you want to see more of it. It isn't quite perfect, but this universe certainly deserved to grow. Because unlike what occurred in 2006, this time Superman really has returned.
Kristy H (1252 KP) rated Truly Madly Guilty in Books
Feb 13, 2018
Erika has the whole event planned: an afternoon tea with her friend, Clementine, Clementine's husband, Sam, and the couple's two young daughters, Holly and Ruby. She even has a glittery art table set up for the youngsters. But the day is derailed when Erika runs into her next-door neighbor, Vid, who invites both couples over for a last minute barbecue. Erika and her husband, Oliver, aren't the last minute types; besides, they had something they needed to talk about with Clementine and Sam. But, Erika feels like obligated to say yes. Clementine and Sam are secretly relieved, as Vid and his beautiful wife Tiffany are far more personable than Erika and Oliver. The afternoon starts off well enough; Tiffany and Vid's daughter, Dakota, is even happy enough to hang out with Holly and Ruby. But by the time the night is over, lives will be changed, and all the adults--Sam and Clementine in particular--will find themselves wishing they never attended this impromptu event.
So we all know the drill by now. Liane Moriarty is a well-known master of dramatic suspense, especially at capturing the tension that hides behind ordinary lives. I went through a period where I read all of Moriarty's books; [b:What Alice Forgot|6469165|What Alice Forgot|Liane Moriarty|https://d.gr-assets.com/books/1377159022s/6469165.jpg|6659752] and her last novel, [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886], rank as two of my particular favorites. Anyway, Moriarty has become rather famous in the book world, with [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886] being made into a 7-episode HBO TV series, starring Reese Witherspoon and Nicole Kidman.
Of course, with such fame comes great responsibility. And pressure. Can a new work live up to the hype and excitement of the previous? This one will divide readers. It certainly has all the hallmarks of a typical Moriarty novel: a cast of women (and men) living ordinary lives on the surface, with a hidden veneer beneath. There's a secret layer to all of Moriarty's characters, though the drama associated with those in [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://d.gr-assets.com/books/1467061262s/26247008.jpg|49997474] may not live up to some of her other novels.
First of all, this book will frustrate you. The beginning is incredibly maddening, as Moriarty starts leading up to the events that happened at the barbecue... in slow, excruciating detail. As she does so, we alternate chapters with the present, with the point-of-view told from our various characters. We have Erika, a slightly repressed accountant whose life has been formed around her stressful childhood as the only daughter of her hoarder mother, and Erika's husband, Oliver, her equally steady mate, who grew up with alcoholic parents and longs for the same order in life as Erika. Clementine and Erika have been friends since childhood, when Clementine basically felt Erika's friendship was forced upon her by Clementine's social worker mother, who felt bad for Erika and her flea-infested home. Clementine is a cellist and a bit of a free spirit, but she's balanced by her more grounded husband Sam, who works in business at an energy drink company. They are parents to five-year-old Holly and two-year-old, Ruby. And then, finally, we have Erika and Oliver's neighbors, Vid and Tiffany. Swarthy, wealthy Vid is a joyous, open man who loves sharing his home (and his food) with friends and family. His gorgeous wife Tiffany is his pride and joy. Their quiet 10-year-old daughter, Dakota, just loves to read.
See how I just distracted you from the events of the barbecue by a description of the characters? Imagine that, for pages and pages! It's a great technique, don't get me wrong, but there was one point where I truly wanted to fling the book across the room. "JUST TELL ME WHAT HAPPENS!" I actually shouted in my (thankfully empty) bedroom. I've read some reviews that state that the big reveal, when it happens, isn't shocking enough, but I disagree: I think that event would certainly change my life and haunt my dreams (no more than that; a spoiler will truly ruin this book).
So while this novel can be a bit frustrating, it really is a Liane Moriarty book. It's compulsively readable. At first, I thought it was a very detailed look at three self-involved couples, but over time, I realized I had really fallen for Erika and Oliver and eventually, Tiffany and Vid, too (and Dakota, I loved Dakota!). Moriarty has a way of humanizing her characters and differentiating each from another: they all stand as individuals. Even Sam and Clementine, who were my least favorites, were their own people. It's the tiny details and pieces about each that she sticks in that really build your picture of each character in your mind. Much of the book takes place in the rain, and I could truly visualize each character and every event, unspooling, in this torrential Sydney downpour.
Overall, this book connected with me less on a dramatic, "oh my gosh" level (though that exists) but more on an emotional one. It speaks to the guilt we can all feel about life events--adults and kids alike--and potentially carry with us all of our days. Not a lot may happen in the book, per se, yet it's really a strong story of friendship, marriage, life, and loss. When I framed it in that perspective, versus looking purely for moments of dramatic tension, I realized I'd really enjoyed it. A strong 3.5 stars and definitely worth picking up. Just keep an open mind.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
So we all know the drill by now. Liane Moriarty is a well-known master of dramatic suspense, especially at capturing the tension that hides behind ordinary lives. I went through a period where I read all of Moriarty's books; [b:What Alice Forgot|6469165|What Alice Forgot|Liane Moriarty|https://d.gr-assets.com/books/1377159022s/6469165.jpg|6659752] and her last novel, [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886], rank as two of my particular favorites. Anyway, Moriarty has become rather famous in the book world, with [b:Big Little Lies|19486412|Big Little Lies|Liane Moriarty|https://d.gr-assets.com/books/1399582436s/19486412.jpg|27570886] being made into a 7-episode HBO TV series, starring Reese Witherspoon and Nicole Kidman.
Of course, with such fame comes great responsibility. And pressure. Can a new work live up to the hype and excitement of the previous? This one will divide readers. It certainly has all the hallmarks of a typical Moriarty novel: a cast of women (and men) living ordinary lives on the surface, with a hidden veneer beneath. There's a secret layer to all of Moriarty's characters, though the drama associated with those in [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://d.gr-assets.com/books/1467061262s/26247008.jpg|49997474] may not live up to some of her other novels.
First of all, this book will frustrate you. The beginning is incredibly maddening, as Moriarty starts leading up to the events that happened at the barbecue... in slow, excruciating detail. As she does so, we alternate chapters with the present, with the point-of-view told from our various characters. We have Erika, a slightly repressed accountant whose life has been formed around her stressful childhood as the only daughter of her hoarder mother, and Erika's husband, Oliver, her equally steady mate, who grew up with alcoholic parents and longs for the same order in life as Erika. Clementine and Erika have been friends since childhood, when Clementine basically felt Erika's friendship was forced upon her by Clementine's social worker mother, who felt bad for Erika and her flea-infested home. Clementine is a cellist and a bit of a free spirit, but she's balanced by her more grounded husband Sam, who works in business at an energy drink company. They are parents to five-year-old Holly and two-year-old, Ruby. And then, finally, we have Erika and Oliver's neighbors, Vid and Tiffany. Swarthy, wealthy Vid is a joyous, open man who loves sharing his home (and his food) with friends and family. His gorgeous wife Tiffany is his pride and joy. Their quiet 10-year-old daughter, Dakota, just loves to read.
See how I just distracted you from the events of the barbecue by a description of the characters? Imagine that, for pages and pages! It's a great technique, don't get me wrong, but there was one point where I truly wanted to fling the book across the room. "JUST TELL ME WHAT HAPPENS!" I actually shouted in my (thankfully empty) bedroom. I've read some reviews that state that the big reveal, when it happens, isn't shocking enough, but I disagree: I think that event would certainly change my life and haunt my dreams (no more than that; a spoiler will truly ruin this book).
So while this novel can be a bit frustrating, it really is a Liane Moriarty book. It's compulsively readable. At first, I thought it was a very detailed look at three self-involved couples, but over time, I realized I had really fallen for Erika and Oliver and eventually, Tiffany and Vid, too (and Dakota, I loved Dakota!). Moriarty has a way of humanizing her characters and differentiating each from another: they all stand as individuals. Even Sam and Clementine, who were my least favorites, were their own people. It's the tiny details and pieces about each that she sticks in that really build your picture of each character in your mind. Much of the book takes place in the rain, and I could truly visualize each character and every event, unspooling, in this torrential Sydney downpour.
Overall, this book connected with me less on a dramatic, "oh my gosh" level (though that exists) but more on an emotional one. It speaks to the guilt we can all feel about life events--adults and kids alike--and potentially carry with us all of our days. Not a lot may happen in the book, per se, yet it's really a strong story of friendship, marriage, life, and loss. When I framed it in that perspective, versus looking purely for moments of dramatic tension, I realized I'd really enjoyed it. A strong 3.5 stars and definitely worth picking up. Just keep an open mind.
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Hazel (1853 KP) rated The Last Boat Home in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
I would rate this 3.5/5 stars.
I’ve never been able to find myself wanting to read Stephen King, and after a few attempts when I was younger to start one of his novels, I still couldn’t and so until this book I have never finished a Stephen King. I persevered through this one because it had been lent to me by a friend with a good review and I had watched the tv series based on it a few years ago.
The start of this novel was very slow and confused me in a few points (but I think that was intentional as our main character – Jake Epping – was also pretty confused at the same time). But because not much was happening, I kept putting the book down, distracted to do something else and really having to force myself to pick it back up. Once I managed to get to part 2, I found that I was much more interested in the story and the plot line and it wasn’t such a chore to make the time to read it. I then had a difficult time to put the book down, and most nights I was only putting it down because I was falling asleep in the middle of a sentence! I read the last quarter of the book in a day, because I just wanted to know what was going to happen and whether he was going to be able to stop the assassination of John F. Kennedy.
Overall, I found the concept very interesting and not just the time travel. I found the concept of the past not wanting to be changed and actively trying to stop someone from changing it interesting, and sometimes it was quite comical the amount of things that went wrong when Jake was trying to change the past. I did, however, find the ending very disappointing. It felt like it was starting to be set up for a different ending and then at the last minute the author decided to change it completely. It just didn’t seem to fit with the set up of the last chapter or so, but I can see why it was done and that the ending that was being set up wouldn’t work in terms of not changing the past.
A very interesting read, but with a disappointing ending, but I would still recommend it!
I’ve never been able to find myself wanting to read Stephen King, and after a few attempts when I was younger to start one of his novels, I still couldn’t and so until this book I have never finished a Stephen King. I persevered through this one because it had been lent to me by a friend with a good review and I had watched the tv series based on it a few years ago.
The start of this novel was very slow and confused me in a few points (but I think that was intentional as our main character – Jake Epping – was also pretty confused at the same time). But because not much was happening, I kept putting the book down, distracted to do something else and really having to force myself to pick it back up. Once I managed to get to part 2, I found that I was much more interested in the story and the plot line and it wasn’t such a chore to make the time to read it. I then had a difficult time to put the book down, and most nights I was only putting it down because I was falling asleep in the middle of a sentence! I read the last quarter of the book in a day, because I just wanted to know what was going to happen and whether he was going to be able to stop the assassination of John F. Kennedy.
Overall, I found the concept very interesting and not just the time travel. I found the concept of the past not wanting to be changed and actively trying to stop someone from changing it interesting, and sometimes it was quite comical the amount of things that went wrong when Jake was trying to change the past. I did, however, find the ending very disappointing. It felt like it was starting to be set up for a different ending and then at the last minute the author decided to change it completely. It just didn’t seem to fit with the set up of the last chapter or so, but I can see why it was done and that the ending that was being set up wouldn’t work in terms of not changing the past.
A very interesting read, but with a disappointing ending, but I would still recommend it!
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Phillip McSween (751 KP) rated Three O'Clock High (1987) in Movies
Jul 27, 2018
Solid 80's Film
I've seen a lot of 80's films this year alone. I have to say, I had just as much fun watching Three O'Clock High as I did any of the other more familiar 80's titles, in some cases moreso. The comedy is about a nerd who gets on a bully's bad side and gets challenged to a fight after school. Jerry (nerd in question) spends his entire day doing whatever he can to try and get out of the fight and the antics that ensue are hilarious.
Acting: 10
Beginning: 4
Definitely the weakest part of the film. The beginning of the day drags out as they follow every single facet of Jerry's routine. I understand that they are trying to show the audience how boring Jerry was, but I don't think it needed to take that long.
Characters: 10
Cinematography/Visuals: 7
So many great memorable shots. The scene in the library. Jerry's poetry reading in class where he's hitting on the teacher. The big climax. Director Phil Joanou does an excellent job of capturing the intensity and emotion from each moment.
Conflict: 10
Jerry doesn't want to get beat up so he's willing to do any and everything to get out of the proposed fight. Things never seem to get old as Jerry's efforts lead him down a rabbit hole of trouble. It only gets funnier as the story progresses.
Genre: 7
Memorability: 8
The film is captured and progresses in such a way that you can't help but remember a number of scenes that played out. I don't want to spoil the fun, but it's definitely a film you will want to again once you're done. I think that has a lot to do with Jerry's crazy character development over the course of the story.
Pace: 10
A less than stellar beginning is quickly corrected with nonstop comedy and action-driven moments. I couldn't wait to see what was going to happen next as Jerry pushes the envelope from one scene to the next. Among other things, I appreciated the film's consistency.
Plot: 10
Resolution: 9
Not perfect, but gets the job done. Not to mention, it's light years better than the beginning. Kind of cheesy, but in a good way.
Overall: 85
If you're looking for a fun movie night or a way to expand your 80's film palate, Three O'Clock High is definitely worth your time. Solid film.
Acting: 10
Beginning: 4
Definitely the weakest part of the film. The beginning of the day drags out as they follow every single facet of Jerry's routine. I understand that they are trying to show the audience how boring Jerry was, but I don't think it needed to take that long.
Characters: 10
Cinematography/Visuals: 7
So many great memorable shots. The scene in the library. Jerry's poetry reading in class where he's hitting on the teacher. The big climax. Director Phil Joanou does an excellent job of capturing the intensity and emotion from each moment.
Conflict: 10
Jerry doesn't want to get beat up so he's willing to do any and everything to get out of the proposed fight. Things never seem to get old as Jerry's efforts lead him down a rabbit hole of trouble. It only gets funnier as the story progresses.
Genre: 7
Memorability: 8
The film is captured and progresses in such a way that you can't help but remember a number of scenes that played out. I don't want to spoil the fun, but it's definitely a film you will want to again once you're done. I think that has a lot to do with Jerry's crazy character development over the course of the story.
Pace: 10
A less than stellar beginning is quickly corrected with nonstop comedy and action-driven moments. I couldn't wait to see what was going to happen next as Jerry pushes the envelope from one scene to the next. Among other things, I appreciated the film's consistency.
Plot: 10
Resolution: 9
Not perfect, but gets the job done. Not to mention, it's light years better than the beginning. Kind of cheesy, but in a good way.
Overall: 85
If you're looking for a fun movie night or a way to expand your 80's film palate, Three O'Clock High is definitely worth your time. Solid film.