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ClareR (5667 KP) rated The Parisian in Books
May 30, 2019
Compelling historical fiction
Midhat Kamal arrives in Montpellier in 1914 to study at the University to become a doctor. He falls in love with his University professor landlords daughter, Jeanette, but he becomes disillusioned with the family, and leaves to continue studying in Paris. He lives here during the war, and becomes friends with other Arabic men during a tumultuous time in the Middle East.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
BankofMarquis (1832 KP) rated 7 Days In Entebbe (2018) in Movies
Mar 22, 2018
Doesn't really work
Most of us (including me), when we heard about the new film 7 DAYS IN ENTEBBE, thought to themselves "didn't they just make this film a few years ago...?" The answer is yes. A similar film to this - RAID ON ENTEBBE - was a TV movie made a few years ago - 42 years ago, to be precise. It starred Peter Finch, Martin Balsam, Jack Warden and good ol' Charles Bronson. Made a mere few months after the true events, this slapped together movie was an old-fashioned "shoot 'em up."
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Steven Sklansky (231 KP) rated Overlord (2018) in Movies
Nov 8, 2018
Action (2 more)
Great Acting
Intense
F******* Insane
Holy crap, this movie was amazing in IMAX, so you have the chance go see it there. On to the review. From the begin of this movie it was absolutely amazing. The film opens with the paratroops in the the plane getting ready to jump out in France to knock out a radio tower to let the planes know when to make their bombing run. This opening scene was done so well. It made you feel like you were in the plane being shot at and trying to get blown out of the sky. The soldiers getting ready to jump, you could really feel their fear and not wanting to die. It was edge of your seat fun wait to see what was going to happen.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Once they hit the ground the action did not stop, you had Germans shoot at you and explosions and wondering who was going to survive. This really did start like every other war movies, except for some reason I felt more invested the characters and not knowing what was going to happen. Once they arrived to the small town to take out the radio tower you just knew something strange was going on. There was a curfew and if you were out after dark you got taken to the church.
Now this was a really good plot about the Nazis and the crazy science experiments that Hitler was known for working on during the war. Now Nazi-zombies aren't necessarily new but I was a good take. This movie really had the feel of the video game Wolfenstein which was really cool.
Overall the action and scare factor was there on display, props to the crew for making this a great movie. If you are a fan of war and horror and not know what is going to happen. Get out there and enjoy the show.
Hazel (1853 KP) rated Aliens on Holiday in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Aliens On Holiday</i> is Gillian Bradshaw’s second novel for children involving extraterrestrial beings. Following on from the first book <i>Alien in the Garden</i>, Alex Marsh is reunited with his celestial friend, Shakespeare. It has been two years since fourteen-year-old Alex found himself involved with aliens, yet he is still glad to see Shakespeare and is determined to help him out with whatever his purpose on planet Earth is. However, this could put both Alex and his family in grave danger.
With the ruse of going on a family holiday to the south of France, Shakespeare tags along with the Marshes in the disguise of Alex’s cousin, whilst he takes part in an undercover operation for the police of the United Worlds. Despite trying not to get Alex too involved with his mission, Alex still ends up in a precarious situation involving both notorious drug dealers as well as treacherous aliens.
<i>Aliens on Holiday </i>is both funny and exciting, as the characters have to deal with communication difficulties whilst trying to save the world. Bradshaw has been very imaginative when creating her aliens and has thought up concepts that are unique and interesting to the child-like minds of the readers.
Although written for younger people, readers need to be mature enough to understand about drugs and drug culture. Despite being written for entertainment purposes, <i>Aliens on Holiday </i>does contain some very serious issues.
To get the most out of this book it would help to have read <i>Alien in the Garden </i>(I had not) as it would create a clearer understanding of Alex and Shakespeare’s relationship. Having said that, Aliens on Holiday contains enough information to comprehend and appreciate the storyline.
Overall, <i>Aliens on Holiday </i>is the perfect work of fiction for the child or young teenager interested in action, science and aliens.
Aliens On Holiday</i> is Gillian Bradshaw’s second novel for children involving extraterrestrial beings. Following on from the first book <i>Alien in the Garden</i>, Alex Marsh is reunited with his celestial friend, Shakespeare. It has been two years since fourteen-year-old Alex found himself involved with aliens, yet he is still glad to see Shakespeare and is determined to help him out with whatever his purpose on planet Earth is. However, this could put both Alex and his family in grave danger.
With the ruse of going on a family holiday to the south of France, Shakespeare tags along with the Marshes in the disguise of Alex’s cousin, whilst he takes part in an undercover operation for the police of the United Worlds. Despite trying not to get Alex too involved with his mission, Alex still ends up in a precarious situation involving both notorious drug dealers as well as treacherous aliens.
<i>Aliens on Holiday </i>is both funny and exciting, as the characters have to deal with communication difficulties whilst trying to save the world. Bradshaw has been very imaginative when creating her aliens and has thought up concepts that are unique and interesting to the child-like minds of the readers.
Although written for younger people, readers need to be mature enough to understand about drugs and drug culture. Despite being written for entertainment purposes, <i>Aliens on Holiday </i>does contain some very serious issues.
To get the most out of this book it would help to have read <i>Alien in the Garden </i>(I had not) as it would create a clearer understanding of Alex and Shakespeare’s relationship. Having said that, Aliens on Holiday contains enough information to comprehend and appreciate the storyline.
Overall, <i>Aliens on Holiday </i>is the perfect work of fiction for the child or young teenager interested in action, science and aliens.
A poignant story of family history.
Akin was such a lovely surprise of a book. It’s a touching story of an elderly widower, Noah, and his estranged 12 year old great-nephew Michael, going on holiday together to Noah’s birthplace in France. Noah hasn’t been back to Nice since he left as a four year old during WWII and wants to go there for his 80th birthday. Noah and his wife were both science professors at a New York university, and had decided not to have children so that they could concentrate on their careers. So when Michael is dropped in to Noah’s life, it’s something of a shock. Noah rises to the challenge, no matter how reluctantly, because Michaels mother is serving a five year prison sentence, his father (Noah’s nephew) is dead of an overdose, and his maternal grandmother has recently died. Noah is a good person, whether he realises it or not.
I loved how both of the characters were written: Noah is not some feeble old man, he’s fit, mentally sharp and has a great sense of humour - something that’s needed with a pre-teen! Michael puts on a front of being worldly wise, wise cracking and untouchable, whilst hiding the scared 12 year old that he is. I loved how the two of them bounced off one another. To be fair, Noah is incredibly patient with him, considering that he hasn’t had much experience with 12 year olds!
The mystery element was fascinating, too. Noah has found some photos in his deceased sisters belongings which came from their mother. They’re quite abstract: the backs of heads, legs, parts of a building, and Noah starts to find out things that he’s not sure that he likes about his mother’s war.
This search was really interesting, as were the details about Noah’s famous photographer grandfather, Père Sonne.
This is such a lovely story that looks at what it is to be family - warts and all. I would highly recommend it. It’s wonderful.
I loved how both of the characters were written: Noah is not some feeble old man, he’s fit, mentally sharp and has a great sense of humour - something that’s needed with a pre-teen! Michael puts on a front of being worldly wise, wise cracking and untouchable, whilst hiding the scared 12 year old that he is. I loved how the two of them bounced off one another. To be fair, Noah is incredibly patient with him, considering that he hasn’t had much experience with 12 year olds!
The mystery element was fascinating, too. Noah has found some photos in his deceased sisters belongings which came from their mother. They’re quite abstract: the backs of heads, legs, parts of a building, and Noah starts to find out things that he’s not sure that he likes about his mother’s war.
This search was really interesting, as were the details about Noah’s famous photographer grandfather, Père Sonne.
This is such a lovely story that looks at what it is to be family - warts and all. I would highly recommend it. It’s wonderful.
JT (287 KP) rated A Good Year (2006) in Movies
Mar 10, 2020
This is certainly not your conventional Ridley Scott film, but it’s one that was well shot but not very well written. Investment broker Max Skinner (Russell Crowe) knows only one thing, how to make money. But when he inherits his Uncle’s chateau in Provence where he spent much of his childhood he must decide between the life he has in London or the life in France.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
After arriving in Provence the only thing on his mind is to sell, but with childhood memories floating all around him as well as women it’s not long before the predictable is happening.It provides enough and features some telling performances but it’s simply not funny enough to register as the comedy it so desperately strives to be. The film most notably reunited Scott with Crowe and their first foray into a romantic comedy, with not a great deal of success.
A Good Year has scenery could not be more fitting for a romantic comedy, and the picturesque winery is paramount to the beautiful shots it creates. However, at times it looks more like a car advert than a film.
On the comedy aspect there are a few small laughs but they fall flat as Crowe is not able to deliver on them, you wonder if Hugh Grant might have done a better job. Crowe’s upper class English accent is out of place against the free flowing French that is predominant throughout and he’d probably feel more at home with large sword in his hand as opposed to a wine bottle.
The introduction of Uncle Henry’s supposedly long lost daughter throws a complicated spanner in the works which does more harm than good. It’s a heartwarming tale and it will tug on the heart strings of all the old romantics out there, but Scott and Crowe have never made a romantic comedy before and it certainly shows. It’s not got the characteristics of a fine wine, but may get past some peoples tastes.
Gaspar Noe recommended Angst (2006) in Movies (curated)
Matthew Weiner recommended And Now My Love (1974) in Movies (curated)
ClareR (5667 KP) rated The Burning Chambers (The Burning Chambers #1) in Books
Jan 26, 2021
This book is an immersive experience! I found myself drawn in to the world of 16th Century France - and to be fair, it was all pretty exciting stuff! Historical fiction is one of my favourite genres, one of my ‘go-to’s’, and this did not disappoint one bit. It’s a story of religion, conflict, ambition, with a bit of a love story thrown in for good measure.
It’s all history that I know little about - my history education being that of the carefully selected English type. I’ve always tried to find out more about European history (ahem, German degree) and further afield if I can, and historical fiction makes it a bit more interesting than a dry history book. This book taught me a lot about the tensions between the catholic majority, and the Huguenot minority.
Minou is the 19 year old daughter of a bookseller, and lives in Carcassonne with her family. She meets Piet, a Huguenot convert, and helps him to escape from the town. Later, in Toulouse, they meet again in far more dangerous circumstances. They become trapped in a city at war - Catholic against Huguenot - and someone that Piet believes is a friend is very far from that. In Puivert, the chatelaine of the castle has a secret that she wants to keep hidden, and the only way to do that is for her to find Minou.
First, the most obvious thing: this is one big book. It’s the kind of book that I would buy on my kindle, because at 600+ pages, it definitely won’t fit in my handbag! The Pigeonhole is great for these circumstances!
Secondly, although this book is a serious whopper, it didn’t feel that way when I was reading it. It’s an exciting, fast-paced, delight of a read. It has it all: action, history, romance. Everything that makes for a compulsive read! The heroes and heroines are good, and the villains are thoroughly bad, and I loved them all!
It’s all history that I know little about - my history education being that of the carefully selected English type. I’ve always tried to find out more about European history (ahem, German degree) and further afield if I can, and historical fiction makes it a bit more interesting than a dry history book. This book taught me a lot about the tensions between the catholic majority, and the Huguenot minority.
Minou is the 19 year old daughter of a bookseller, and lives in Carcassonne with her family. She meets Piet, a Huguenot convert, and helps him to escape from the town. Later, in Toulouse, they meet again in far more dangerous circumstances. They become trapped in a city at war - Catholic against Huguenot - and someone that Piet believes is a friend is very far from that. In Puivert, the chatelaine of the castle has a secret that she wants to keep hidden, and the only way to do that is for her to find Minou.
First, the most obvious thing: this is one big book. It’s the kind of book that I would buy on my kindle, because at 600+ pages, it definitely won’t fit in my handbag! The Pigeonhole is great for these circumstances!
Secondly, although this book is a serious whopper, it didn’t feel that way when I was reading it. It’s an exciting, fast-paced, delight of a read. It has it all: action, history, romance. Everything that makes for a compulsive read! The heroes and heroines are good, and the villains are thoroughly bad, and I loved them all!
LeftSideCut (3778 KP) rated 1917 (2020) in Movies
Aug 16, 2020
1917 is a remarkable film through and through, and I can't praise it enough.
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!
The cast, the cinematography, the set pieces, the music score are all outstanding.
The plot revolves around Lance Corporals Schofield (George McKay) and Blake (Dean-Charles Chapman) embarking on a seemingly impossible mission across no man's land in Northern France, deep into enemy territory to deliver a message to a fellow regiment, with the aim of preventing them from walking into a trap and potentially losing 1600 soldiers.
The two lead actors are fantastic, portraying two soldiers leaning on each other to achieve their goal.
The journey that takes place is tough and harrowing at times. There's a point about half way through the movie where the pace just doesn't slow down once. It's extremely intense, and bolstered infinitely by the shooting style.
The film is shot in a way that gives the viewer the impression of a one take movie. It's edited together so well that it appears seamless, and allows for some truly breathtaking moments, and never lets you break away from events unfolding. It caught my attention immediately and never lost it for one second.
This method allows for a very stylish looking experience, but it's a kind of style that never detracts or takes away from the horror of war. It's a perfect combination, ensuring that scenes of action feel relentless, whilst sadder moments are suitably poignant and perfectly executed. The emotional beats in 1917 are something else and took me by surprise. I have no shame in saying that I was fighting back tears a couple of times.
By the times the credits rolled, I was just sat in stunned silence, something that has only happened to me a few times before when it comes to movies.
1917 is pretty much perfect. A great war film, a great drama, and en effective exploration of what friendship and duty really mean.
Make the time to watch it if you haven't already!