"I’ll start with Midnight Run. Just one of the finest Goddamn movies I’ve ever seen. Charles Grodin and Robert De Niro. If there’s a better buddy comedy, show it to me, and I’ll shake your hand. It’s so funny. It’s also where I learned what chorizo is. Being from Illinois, not a lot of truck stops serve chorizo and eggs. It was part of my “goin’ out west” legend, like, “One day, I will go to California, and on the way there, I will experience chorizo and eggs.”"

"There are a number of books which I could go back and read... the other is A Confederacy Of Dunces (by John Kennedy Toole). On his blog: Watching Withnail And I reminded me of one of my favourite books, A Confederacy Of Dunces, written by John Kennedy Toole. Again a piece of work that I find supremely funny and tragic. Absolutely brilliant. A must read, but again I don’t know how many of you will like it. Have read the book twice and plan to read it once every couple years"

"The next one would be Star Trek IV, because it was the best Star Trek, and because I was in it. [laughs] Does it count as a plug if it was made a million years ago? I mean, it was the best Star Trek, so there you go. And it was about saving whales, which I would agree with, and it was the first time that they really let the characters get kind of funny and more relaxed, and I think that was a really good direction for them to go."

"This wonderful film about young female factory workers in an isolated town in central Czechoslovakia utterly convinced me that I wanted to spend my career making photographs of institutional life. To raise the morale of the women, the factory director invites a reserve unit of older men (mostly married) to the next factory dance. The only young man at the dance is a jazz musician from Prague. The result is hilariously funny and very touching, with a twist of sadness at the end—a typical Milos Forman film."

"Terry Gilliam’s masterpiece proves he is the only true heir to Fellini (and Salvador Dalì as well). Brazil is over-the-top, terrifying, funny, and moving. A hilarious and violent dystopian tale of the future using elements of the past, it strangely seems more and more like our present. Terrorism, surveillance, cosmetic surgery, hacking, and authoritarian control: Gilliam’s prescience is astounding. Ian Holm turns in one of cinema’s great supporting roles as Mr. Kurtzman, Jonathan Pryce’s sniveling and cowardly boss. And it has one of the most crushing and haunting endings in movie history."

"At a film festival conference a few decades past, I was asked by a solemn journalist which French director has had the most influence on me. I expressed undying appreciation of Truffaut, Godard, Renoir, but stated that the most accurate answer was that Jacques Tati left an indelible mark when I saw this film as a boy. The French hated that answer—Tati was out of favor at the time. Funny how that works. This film remains one of the most hilarious, affectionate, politely barbed creations. For me it’s a cinematic standard for human comedy."

"This movie came out when I was at film school, and everybody was talking about it. However, I resisted seeing it, because it sounded pretentious to me, the idea of a movie made up entirely of single-take scenes with black in between. It wasn’t until a couple years later that I saw it and realized it’s one of the oddest, most sincere and funny movies I’ve ever experienced. Entirely human and completely unique, it’s a movie I’m pretty sure I could watch every day of my life and still enjoy each time."

"Once Around is a beautiful movie. And it was funny, and it was moving, and it was great. The story itself, which is a true story, is such a remarkable — simple, but not simple — story about a woman who falls in love with a guy who is kind of socially unacceptable. He’s loud, and her family just thinks he’s chalk on a blackboard. It’s how they come to love him. Holly Hunter is fantastic. It’s actually quite a brilliant movie, and I’ve always been extremely proud of it."

"I can’t nor do I want to unsee the essays in this collection. Irby is well known as a humorist, and the essays in “We Are Never Meeting in Real Life” are, indeed, very funny. They are also poignant, and incredibly honest. Humor makes way for vulnerability and by the end of this book you will have cried as much as you laughed about what it means to be a black woman, what it is to live with chronic illness, how poverty marks you, how love always finds a way."

"I can't nor do I want to unsee the essays in this collection. Irby is well known as a humorist, and the essays in “We Are Never Meeting in Real Life” are, indeed, very funny. They are also poignant, and incredibly honest. Humor makes way for vulnerability and by the end of this book you will have cried as much as you laughed about what it means to be a black woman, what it is to live with chronic illness, how poverty marks you, how love always finds a way."