Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (1063)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
40x40

Jon Cryer recommended GoodFellas (1990) in Movies (curated)

 
GoodFellas (1990)
GoodFellas (1990)
1990 | Crime, Drama, Thriller
8.6 (70 Ratings)
Movie Favorite Watch

"It is one of the most effective and, in my mind, realistic gangster movies ever made in that it shows you what the allure of that criminal life is, but it also shows how petty and dangerous and stupid it is. But all the time you’re dragged along. It has this incredible compelling force that drags you along whether you want to go or not. And, I think, a beautiful and brutal use of comedy along with absolute horror and fear and moments of sort of operatic beauty, like when they open up the back of the truck with the Eric Clapton song, and the camera goes in to find one of the dead gang members. That mixed with these incredible moments of subtlety like when Ray Liotta realizes that Robert De Niro may well be setting him up. It’s just this tiny little moment. It’s great because it’s incredibly small, mixed with these incredibly big things. And they shoot Michael Imperioli in the foot. You know, come on, that’s wonderful."

Source
  
40x40

Richard Hell recommended Leon Morin, Priest (1961) in Movies (curated)

 
Leon Morin, Priest (1961)
Leon Morin, Priest (1961)
1961 | Drama, Romance, War
(0 Ratings)
Movie Favorite

"I suppose given the tenor of this list, Melville is pretty predictable, being that he’s a genius of crime noir, but this film is neither noir nor gangster; it’s about a thoughtful, intelligent, wise, and committed country priest, played by the young Jean-Paul Belmondo (!). Melville has a strong moral code, standards of honor and loyalty, as seen not just in his crime movies, but in the devastating Army of Shadows, his film drawn from his experience in the French Resistance, but I never could have foreseen him making a movie that is basically an argument of morality between a compassionate young stud of an impeccably behaved priest and a wild and magnetic, cynical woman, the riveting Emmanuelle Riva. Also, it made me get Catholicism in a way I never had before, namely the appeal of having as a confessor and advisor someone whose concern is for one’s soul. What could be more moving and fulfilling (and flattering)? It’s way more seductive than a psychiatrist, and it’s almost free."

Source
  
40x40

Michael Korda recommended Rififi (1955) in Movies (curated)

 
Rififi (1955)
Rififi (1955)
1955 | Crime, Drama, Thriller
(0 Ratings)
Movie Favorite

"Jules Dassin’s gangster film about a robbery and its consequences is a French classic, noir before the word was in use to describe a certain kind of filmmaking. A word is in order here: I was educated in Switzerland, in an era when French-speaking people expected to see French films, so when we were allowed to go to the local cinema at Rolle or Gstaad, we mostly saw French films. British films, except for The Third Man, which is very “European” in tone, seldom played; still less big Hollywood ones. Rififi was a stunner, and an eye-opener, teaching us that French gangsters were a lot more interesting and attractive than our own mobsters, but just as tough, if not tougher. “Julie” Dassin was an American who moved to France, but he captured a whole, pungent slice of French life, and for months everyone at my school (le Rosey) went around trying to sound like Jean Servais, and to talk with a cigarette glued to their lips. Whole scenes from it still play in my fantasies."

Source
  
40x40

Awix (3310 KP) rated 365 Days (2020) in Movies

Jul 30, 2020 (Updated Jul 30, 2020)  
365 Days (2020)
365 Days (2020)
2020 | Drama, International
1
1.0 (2 Ratings)
Movie Rating
The same old story: boy meets girl, then he kidnaps her and keeps her prisoner for a year because he is a gangster and had a vision of her a few years previously while taking a bullet during his dad's assassination. Naturally she quickly falls in love with him; many games of hide-the-sausage ensue. Needless to say the whole thing looks like a commercial, albeit with much more cunningly-framed fellatio than the typical advert.

Basically attempts to mash up an erotic thriller (a genre noted for almost never generating excitement or arousal) with a coercive romance (the nastiest of all genres), with results that are virtually unwatchable: woodenly acted, leadenly directed, badly written in every way, it's a mixture of the clumsy and the tasteless from start to (baffling) finish. A horrible, unpleasant film: if future historians want evidence of just how badly screwed up this year was, they need only look at the fact that this film somehow became a streaming hit. Ugh, ugh; a thousand times ugh.