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Absurdistan
Book
Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the...
Yardie (2018)
5.2
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Movie Watch
Set in '70s Kingston and '80s Hackney, Yardie centres on the life of a young Jamaican man named D...
The Dead of Winter
9.0
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Book
It was supposed to be an easy job. All Detective Constable Edward Reekie had to do was pick up a...
I wanted to read this book for the first story by Mercedes Lackey, since I am a fan of the Five Hundred Kingdom series. This story featured Leopold and Brunnhilde in a setting straight out of Greek mythology. In short, I loved it. It weaves Leopold's quest for immortality in with the tale of Persephone and her union with Hades. The perspective is different from the usual story of a victimized Persephone, and turns her into a strong, young woman who will stop at nothing to be with the man she loves. To make Greek mythology fit in with the rest of the series, Lackey explains that the Gods and Goddesses of Mount Olympus are half-Fae who have forgotten their origins thanks to the power of The Tradition.
I am not familiar with the second author, Michelle Sagara. This short story is a prequel to her Chronicles of Elantra series and introduces the reader to the character of Kaylin Neya. I was a little lost when I began this story because of the variety of characters that I was introduced to at the very beginning. I actually was not even sure who the story was about at first. The story seemed a bit bogged down with details and descriptions, and Kaylin seemed to get lost in the mayhem of Sagara's attempt to introduce the reader to the world of Elantra in such a short tale. I stuck with it, though, and by the end of the story I was intrigued enough to want to continue on with the series in Cast in Shadow (The Chronicles of Elantra, Book 1).
The third story, written by Caleron Haley, is meant to be a prequel to Mob Rules (Luna Books). I am not familiar with this author either, and when I began this story I realized immediately that this story was heavily-flavored with gangster-style speak and vocabulary, even more so than the urban fantasy elements. I really tried to adjust to the language used in the story, but the lack of explanation to accompany such terms as "juice" and "outfit", as well as the overabundance of foul-mouthed language and typical gangster lingo like "capping" someone mad me lose interest in the actual plot of the short story halfway through. I am sure there are other readers that enjoy this style of story-telling, but I am not one of them.
I am not familiar with the second author, Michelle Sagara. This short story is a prequel to her Chronicles of Elantra series and introduces the reader to the character of Kaylin Neya. I was a little lost when I began this story because of the variety of characters that I was introduced to at the very beginning. I actually was not even sure who the story was about at first. The story seemed a bit bogged down with details and descriptions, and Kaylin seemed to get lost in the mayhem of Sagara's attempt to introduce the reader to the world of Elantra in such a short tale. I stuck with it, though, and by the end of the story I was intrigued enough to want to continue on with the series in Cast in Shadow (The Chronicles of Elantra, Book 1).
The third story, written by Caleron Haley, is meant to be a prequel to Mob Rules (Luna Books). I am not familiar with this author either, and when I began this story I realized immediately that this story was heavily-flavored with gangster-style speak and vocabulary, even more so than the urban fantasy elements. I really tried to adjust to the language used in the story, but the lack of explanation to accompany such terms as "juice" and "outfit", as well as the overabundance of foul-mouthed language and typical gangster lingo like "capping" someone mad me lose interest in the actual plot of the short story halfway through. I am sure there are other readers that enjoy this style of story-telling, but I am not one of them.
Phillip McSween (751 KP) rated The Public Enemy (1931) in Movies
Jul 30, 2020
Boring
The story of the rise and fall of prohibition-era Tom Powers. The Public Enemy currently sits at 100% on Rotten Tomatoes. I was excited to dive in to this movie, but I started drowning as soon as I hit the first ten minutes. And, no, it didn’t get better.
Acting: 7
Beginning: 4
The beginning is extremely slow. It was very hard for me to get engaged or even stay that way. I got out of the first ten minutes thinking, “If this is any indication of how the rest of the movie is going to be, count me out.”
Characters: 2
Cinematography/Visuals: 10
Conflict: 5
For a gangster movie, I was really hoping for a lot more action. The gun fights aren’t bad, but they happen so few and far between it makes the rest of the movie really boring. I never felt any stakes at any point with any of the characters either so the conflict is mediocre by comparison.
Entertainment Value: 5
I enjoyed watching a part of cinematic history. I respected that aspect at least. Overall, though, I was mildly entertained at best. I felt there were more lulls than high spots.
Memorability: 6
Pace: 4
I was bored out of my mind for most of the movie. Again, I expected more from a gangster movie. Too much talking, way too much exposition. The movie drags like a sloth.
Plot: 8
The story is solid. The execution was weak. There are a number of different ways this story could have been approached without there being so much repeated dialogue. Tom Powers has an interesting story that happened to get lost in translation with all of this.
Resolution: 2
I won’t spoil the ending, but it did nothing for the main character or his story overall. I felt we reached a climax where I had no sympathy for Tom because they had done little to nothing to that point to make me give a shit about him. Considering how bad the beginning was already, this was absolutely horrible.
Overall: 53Do I think The Public Enemy is a bad movie? Clearly, but I will say it’s not without a handful of shining moments. The camerawork is phenomenal particularly during gun fights. However, because I could never get to a point where I rooted for the main character, it made the movie as a whole hard to enjoy for me.
Acting: 7
Beginning: 4
The beginning is extremely slow. It was very hard for me to get engaged or even stay that way. I got out of the first ten minutes thinking, “If this is any indication of how the rest of the movie is going to be, count me out.”
Characters: 2
Cinematography/Visuals: 10
Conflict: 5
For a gangster movie, I was really hoping for a lot more action. The gun fights aren’t bad, but they happen so few and far between it makes the rest of the movie really boring. I never felt any stakes at any point with any of the characters either so the conflict is mediocre by comparison.
Entertainment Value: 5
I enjoyed watching a part of cinematic history. I respected that aspect at least. Overall, though, I was mildly entertained at best. I felt there were more lulls than high spots.
Memorability: 6
Pace: 4
I was bored out of my mind for most of the movie. Again, I expected more from a gangster movie. Too much talking, way too much exposition. The movie drags like a sloth.
Plot: 8
The story is solid. The execution was weak. There are a number of different ways this story could have been approached without there being so much repeated dialogue. Tom Powers has an interesting story that happened to get lost in translation with all of this.
Resolution: 2
I won’t spoil the ending, but it did nothing for the main character or his story overall. I felt we reached a climax where I had no sympathy for Tom because they had done little to nothing to that point to make me give a shit about him. Considering how bad the beginning was already, this was absolutely horrible.
Overall: 53Do I think The Public Enemy is a bad movie? Clearly, but I will say it’s not without a handful of shining moments. The camerawork is phenomenal particularly during gun fights. However, because I could never get to a point where I rooted for the main character, it made the movie as a whole hard to enjoy for me.
John Garrett (27 KP) rated La La Land (2016) in Movies
Jul 11, 2017
Cinematography (1 more)
The leads
The ending (1 more)
Pacing
A musical love letter for hollywood
this charming movie is an unashamedly nostalgic love letter to years of cinema gone. The musical numbers to the impromptu dance routines make this a throughly enjoyable film for lovers of film old and new.
the 2 leads in this film Emma Stone and Ryan Gosling are superb. They both manage beautiful nuanced performances. They have fantastic chemistry as shown in previous films (crazy stupid love & gangster squad) but it really comes alive in this film.
the direction and cinematography of this movie is sometimes visually breathtaking. Damen Chiselle has proven what a versatile director he is with this movie and is willing to take a real risk.
where this movie does fall flat unfortunately is the pacing. At times the movie feels like it drags and could do with slimming out. At just over 2 hours this film is fairly long for a musical of modern standards. Also I felt the ending to be rather disjointed and jarring.
That being said I still found this movie to be absolutely charming and has a brilliant musical score you will be humming and whistling for days to come.
the 2 leads in this film Emma Stone and Ryan Gosling are superb. They both manage beautiful nuanced performances. They have fantastic chemistry as shown in previous films (crazy stupid love & gangster squad) but it really comes alive in this film.
the direction and cinematography of this movie is sometimes visually breathtaking. Damen Chiselle has proven what a versatile director he is with this movie and is willing to take a real risk.
where this movie does fall flat unfortunately is the pacing. At times the movie feels like it drags and could do with slimming out. At just over 2 hours this film is fairly long for a musical of modern standards. Also I felt the ending to be rather disjointed and jarring.
That being said I still found this movie to be absolutely charming and has a brilliant musical score you will be humming and whistling for days to come.
Niten. NR (75 KP) rated Donnie Brasco (1997) in Movies
Jul 15, 2017
Johnny Depp (2 more)
Al Pacino
True Story
Forgettaboutit!
Great film. Great start to a film....Just look at the information passed in the opening credits, we see gangsters, photographs, evidence, this film sets the scene in the first 1 minute, let alone 20. After that, the film plays out brilliantly. Depp plays Don the Jeweller (aka undercover FBI Agent Joe Pistone) infiltrating the New York mob/crime family. Al Pacino plays the flawed gangster Lefty Two Guns. I like a few other supporting roles like Michael Madsen as the rising mob boss Sonny Black, and Paul Giamatti show us great talent in a small role as FBI technician.
This is just a great film where we see Donny torn to pieces by the guilt of not being with his family, the pressure and danger of infiltrating the mob as an undercover agent, and the confused loyalties and love for his connected contact Lefty.
Lefty struggles with his tenuous and fragile position within the mob and looks at Donny as a way up or out.
The film can only go one way but it's fun getting there.
Ill not divulge too much but, for me, its a must watch. Enjoy.
This is just a great film where we see Donny torn to pieces by the guilt of not being with his family, the pressure and danger of infiltrating the mob as an undercover agent, and the confused loyalties and love for his connected contact Lefty.
Lefty struggles with his tenuous and fragile position within the mob and looks at Donny as a way up or out.
The film can only go one way but it's fun getting there.
Ill not divulge too much but, for me, its a must watch. Enjoy.
Bong Mines Entertainment (15 KP) rated Trapstar - Single by Mexcco in Music
Jun 18, 2019
Mexcco is an emerging rapper from San Pedro, California. Not too long ago, he released a music video for his “Trapstar” single.
“Told her I’m a boss even though the b*tch know it. If the sh*t about money, then you know that I’m on it. Talkin’ about a pack if it’s dope I’ma roll it. I just got a pint and you know I’ma pour it.” – lyrics
‘Trapstar’ tells an interesting tale of a young guy who hustles in a trap house to make ends meet.
Apparently, he’s a very successful trap star, and his main concern is making money and plenty of it.
‘Trapstar’ will be featured on Mexcco’s upcoming debut album, entitled, “In The Trap”, available Summer 2019.
The likable tune contains an edgy street narrative, gangster raps, and melodic instrumentation flavored with a West Coast hip-hop aroma. Also, it was produced by Cypress Moreno (Shoreline Mafia’s official producer).
Mexcco has been rapping for 6 months and has no shortage of life experience to rap about.
So far, he has received a lot of industry cosigns as well as features from Shoreline Mafia, Icewear Vezzo, AD, and Mozzy.
https://www.bongminesentertainment.com/mexcco-trapstar/
“Told her I’m a boss even though the b*tch know it. If the sh*t about money, then you know that I’m on it. Talkin’ about a pack if it’s dope I’ma roll it. I just got a pint and you know I’ma pour it.” – lyrics
‘Trapstar’ tells an interesting tale of a young guy who hustles in a trap house to make ends meet.
Apparently, he’s a very successful trap star, and his main concern is making money and plenty of it.
‘Trapstar’ will be featured on Mexcco’s upcoming debut album, entitled, “In The Trap”, available Summer 2019.
The likable tune contains an edgy street narrative, gangster raps, and melodic instrumentation flavored with a West Coast hip-hop aroma. Also, it was produced by Cypress Moreno (Shoreline Mafia’s official producer).
Mexcco has been rapping for 6 months and has no shortage of life experience to rap about.
So far, he has received a lot of industry cosigns as well as features from Shoreline Mafia, Icewear Vezzo, AD, and Mozzy.
https://www.bongminesentertainment.com/mexcco-trapstar/
Lyndsey Gollogly (2893 KP) rated Damaged in Books
Nov 24, 2019
Another Amazing book from Martina Cole
When the bodies of missing schoolgirls start turning up, former DCI Kate Burrows is dragged out of retirement.
A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help. She welcomes the distraction from her home life with former gangster, Patrick Kelly, whose long lost son has turned up out of the blue, bringing trouble with him.
It soon becomes clear the killer is on their doorstep and as the body count grows, Kate and Annie face a race against the clock.
But they have no real leads ... and there's more to these murders than meets the eye. Can Kate take the killer down before another schoolgirl dies?
I absolutely love Martina Cole and this series is my favourite! It kicks you in the gut within the first 4 chapters especially if you're a mum to young girls. Martina writes in such a way your scared of what's on the the next page! Although nothing stops you from turning the page!
Following DI Kate Burrows and Pat Kelly's life has been just eye opening and a full on roller coaster. Time to reread !
A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help. She welcomes the distraction from her home life with former gangster, Patrick Kelly, whose long lost son has turned up out of the blue, bringing trouble with him.
It soon becomes clear the killer is on their doorstep and as the body count grows, Kate and Annie face a race against the clock.
But they have no real leads ... and there's more to these murders than meets the eye. Can Kate take the killer down before another schoolgirl dies?
I absolutely love Martina Cole and this series is my favourite! It kicks you in the gut within the first 4 chapters especially if you're a mum to young girls. Martina writes in such a way your scared of what's on the the next page! Although nothing stops you from turning the page!
Following DI Kate Burrows and Pat Kelly's life has been just eye opening and a full on roller coaster. Time to reread !