Search

Search only in certain items:

I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.

There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.

The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.

It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
  
40x40

Kristy H (1252 KP) rated Pulp in Books

Mar 6, 2019  
Pulp
Pulp
Robin Talley | 2018 | Fiction & Poetry, LGBTQ+, Young Adult (YA)
9
9.0 (1 Ratings)
Book Rating
Beautiful well-written story with lovely characters
In 2017, Abby Zimet is struggling. Things are tough at home--her parents can barely stand to be in the same room together. Plus, Abby and her girlfriend, Linh, broke up in June. Abby thought it would only be temporary, but now school has started, and here they are: still friends, still broken up. Abby can't seem to concentrate on school or her senior project. That is until she discovers 1950s lesbian pulp fiction. In particular, a book called "Women of the Twilight Realm." Abby becomes obsessed with the author, who wrote under the name Marian Love. If Abby can somehow track down Marian, maybe life won't be so bad after all. Cut to 1955, where eighteen-year-old Janet Jones is in love with her best friend, Marie. It's a huge secret: one that could destroy their lives and that of their families. Marie is trying to get her security clearance with the State Department, after all. But when Janet finds a book at the bus station by an author called Dolores Wood, which features women falling in love with women, she starts to realize she isn't alone. And Janet, an aspiring writer, begins to wonder if there's more out there than the life that's always been planned for her.


"Janet had never understood, not until she turned the thin brown pages of Dolores Wood's novel, that other girls might feel the way she did. That a world existed outside the one she'd always known."


I loved this book so incredibly much that I can't even really explain it. It was captivating and beautiful and tragic and just appealed to me on so many levels. I have always been interested in lesbian pulp fiction since doing a project on it for a Queer Studies class in college, so it was so fascinating to read about Abby's research within the pages of this novel.

Talley effortlessly weaves so many narratives within this one that it sort of leaves you breathless at times. We have Abby's narrative, Janet's narrative, and then excerpts from the book by Marian Love that Abby grows to love so much, "Women of the Twilight Realm." The parallels are really striking between Abby and Janet, as each are discovering lesbian pulp fiction in their own era and using it to grow and learn about themselves.

Even more, we see how much things have changed between the 1950s and 2017. It's horrifying to see what Janet (and the entire gay community) had to endure, and the book really serves to educate on how terrible things were then. While I knew bits and pieces about the Lavender Scare, its ties to our actual characters here really brings it home. I have to say, I just adored Janet. She seems so incredibly real, and I just fell for her and her incredible strength and bravery. I think she will remain one of my favorite characters in lesbian fiction (and all fiction) for all time.

As for Abby, I really liked her too, although in some of her sections, I was more captivated by her research than her story. Still, she presents a poignant tale of a young bisexual trying to find herself, and I appreciated the diverse set of characters with whom she surrounds herself. Abby and her friends stand in stark contrast to Janet in their sexual freedoms, but, in many ways, they aren't so different at heart.


"That was the best part of being in love. The way it set the rest of the world on mute."


I just really really loved this book. It has so much of what I love--lesbians, diverse characters, passionate and realistic storylines, well-done research, literary references and ties. Reading Janet and Abby's stories took me back to a time when I wasn't yet out and when I had first come out--when the world wasn't yet so forgiving (not that it always is, but things were pretty different even 15+ years ago). I remember how much comfort books provided me, how wonderful it was to realize I wasn't alone in the world. I love how well this book shows that fact, and how the books-within-the book are almost their own characters.

Overall, I can't recommend this one enough. It's just a beautiful, well-written story, and, to top it off, it's informative to boot. The characters are lovely, the story is amazing, and it really leaves you feeling a bit awed. Highly recommend.

I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
  
The Postscript Murders
The Postscript Murders
Elly Griffiths | 2021 | History & Politics, Mystery, Thriller
9
9.0 (1 Ratings)
Book Rating
Witty mystery with lots of bookish references
When the elderly Peggy Smith passes away, her carer, Natalka, is convinced the death was suspicious. While helping clean out Peggy's flat, she finds a variety of books--all crime novels--dedicated to Peggy. Then a gunman breaks into Peggy's flat to steal only a book. DS Harbinder Kaur is not convinced at first about Peggy's death, but she cannot deny everything that begins to happen after Peggy's death. After another death occurs, DS Kaur is convinced writers are being targeted.

This is such a fun book. Not only is it an engaging mystery, it's truly a wonderfully bookish book for people who love reading, especially mysteries. This is Griffiths' second book featuring Harbinder Kaur, the Best Gay Sikh Detective in West Sussex--the "first out of a field of one," as she puts it. It's wonderful to have a crime series with a lesbian lead, especially one as intelligent and witty as Harbinder. She notices everything and offers some humorous insights into her life living with her parents and working with her rodent-like partner, Neil.

POSTSCRIPT is written in truly Elly Griffiths fashion. It's incredibly easy to read and everyone just embodies their characters so effortlessly. The supporting cast here is excellent: a former monk; Peggy's elderly neighbor; Natalka; and a host of folks spread across the writing community. The wonderful inside jokes and asides about writing, publishing, and books are so much fun.

Overall, I quite enjoyed this book. The mystery of what happened to Peggy and the subsequent sequence of events is interesting while the story and characters are witty and diverse. Elly Griffiths remains my go-to author. I highly recommend you read both Harbinder books, but this one does stand-alone.

I received a copy of this book from Netgalley and Houghton Mifflin Harcourt in return for an unbiased review. The U.S. version releases 03/02/2021.
  
One Last Stop
One Last Stop
Casey McQuiston | 2021 | LGBTQ+, Romance
9
9.0 (1 Ratings)
Book Rating
A dazzling, heartfelt queer romance
August Landry moves to New York City, just another stop among many in her quest to prove that she's fine being alone. Everything she owns fits in five boxes, and she sleeps on an inflatable mattress. She belongs nowhere and needs no one. But NYC feels different to August: her diverse group of roommates, who adopt her immediately; her job at an all-night pancake diner; and the subway. Because the subway brings Jane: beautiful, enigmatic, leather jacket-clad Jane. Then August realizes something; Jane is always on the subway because she has to be. She's trapped and displaced in time from the 1970s. It seems as if August--and her new band of friends--may be the only one to save her. Can August believe in something, someone, enough to free Jane?

"Truth is, when you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in, where being alone looks like a choice."

I've put off writing this review because it's hard to see how I can do McQuiston's beautiful romance any justice. This book is such a romantic, sexy, and heartwarming read. August is an excellent character. She's spent most of her life in her uncle's shadow, working with her mother to try to solve his missing person's case. August eventually declared herself done--done searching, done with mysteries. But then this beautiful woman appears on the subway, and she offers the biggest mystery of all to August. Why is Jane stuck on the subway and how can August help?

"And she can't believe Jane had the nerve, the audacity, to become the one thing August can't resist: a mystery."

McQuiston gives us the most amazing, diverse queer novel one could ever wish for. August is bi and Jane basically every lesbian's dream. It's impossible not to fall in love with this gorgeous Asian subway vision. Even better, through Jane and other events, it's a tribute to those who came before our generation. Jane was a (incredibly sexy) activist / riot girl in the 1970s, yet is shocked that you can typically be openly gay on the subway now. She comes to everyone's defense there. She's amazing. As for August's roommates, they are beautiful and diverse, including trans and gay characters, with the lovely Myla taking care of the group. There are several drag queens given legitimate, true storylines. To say how meaningful this is to the queer community--it's hard to even explain. All of these characters--roommates Myla, her boyfriend, Niko, and Wes; neighbor Isaiah; coworkers Lucie and Winfield--are real and treated with care. They are funny, flawed, and create the most amazing found family ever.

"Jane doesn't age. She's magnetic and charming and gorgeous. She... kind of lives underground."

As for August and Jane, this is a romance for the ages. This book is swoony and sexy. It will make you laugh; it will make you cry. McQuiston has written a lesbian character for us lesbians to ogle for years to come, and a romance to stack all other romances against. It's funny and heartwarming. There's magic and mystery. There's pancakes. It's a beautiful ode to New York City, the subway, and falling in love. There's seriously nothing not to love.

So yes, I loved this book. I love McQuiston's way with words--the humor, the romance, the way she allows the queer community to have meaningful love stories in our world. This book is flowing with passion, with beauty, and magic. 4.5+ stars.