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Phil Leader (619 KP) rated A Night Inn Hell in Books
Nov 21, 2019
This is the first book in a trilogy about a remote and haunted inn - the Hang Inn - where each book tells the story of how some of the souls came to be trapped there. The bulk of the story is set at the end of the 19th century, with the first and last chapters set in contemporary times and told from the point of view of one of the haunting spirits. In preparing to scare a couple of tourists visiting the notorious haunted in, the narrator tells the reader their story.
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sarah (7798 KP) rated Rebecca (2020) in Movies
Nov 1, 2020
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Bob Mann (459 KP) rated Ghost Stories (2018) in Movies
Sep 29, 2021
In that sleep of death, what dreams may come.
“Ghost Stories” is based on the spooky London West-End stage play by Jeremy Dyson and Andy Nyman who both write and direct the film version. I didn’t know this until the end credits, but began to wonder in the final act where the action suddenly becomes very “stagey” in nature. The screenplay was always bound to be both bizarre and intriguing, since Dyson has been a past contributor to TV’s “League of Gentlemen” and other equally surreal programmes and Nyman has been a major collaborator with the stage-illusionist Derren Brown.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Heather Cranmer (2721 KP) rated The Book of Cold Cases in Books
May 5, 2022
I love a thriller that involves a chilling ghost story, so when I heard about The Book of Cold Cases by Simone St. James, I knew I had to read it. (Plus, I loved her other book The Broken Girls.) I was heavily immersed in this novel from the beginning!
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
Acanthea Grimscythe (300 KP) rated The Grownup in Books
May 16, 2018
Ambiguity in a story isn't necessarily a bad thing, but there's also a point where it becomes too much. In Gillian Flynn's award winning short story, "The Grownup," the reader is presented with a perfect example of exactly what happens when there is simply too much story left unanswered.
I would be doing myself a disservice if I didn't admit that Flynn immediately snared my attention with the opening to her short story: a main character whose job is to... well... to pleasure men, but not by having sex with them (oral or otherwise). Of course, this profession of hers is masqueraded by a front as a psychic. Because of this need to cover up her actual job, the main character meets a troubled woman by the name of Susan Burke and from there, things get a little crazy to say the least.
Plot-wise, Flynn does a great job at sticking to what many horror fans might describe as a classic ghost story, only she doesn't really go too far in depth as to the details of the haunting - or lack thereof. Instead, she introduces several characters, a plausible chain of what might be paranormal events, and then an inconclusive ending where no fault is actually placed.
For a short story, "The Grownup" isn't all that bad, though I must admit that the title doesn't mesh well with its contents. I would much rather have read this as a full length novel, as Flynn undoubtedly has a knack for unexpected twists and turns. Even though I found "The Grownup" to be unsatisfying, Flynn's talent at the element of surprise still shined through brightly in this short work.
I would be doing myself a disservice if I didn't admit that Flynn immediately snared my attention with the opening to her short story: a main character whose job is to... well... to pleasure men, but not by having sex with them (oral or otherwise). Of course, this profession of hers is masqueraded by a front as a psychic. Because of this need to cover up her actual job, the main character meets a troubled woman by the name of Susan Burke and from there, things get a little crazy to say the least.
Plot-wise, Flynn does a great job at sticking to what many horror fans might describe as a classic ghost story, only she doesn't really go too far in depth as to the details of the haunting - or lack thereof. Instead, she introduces several characters, a plausible chain of what might be paranormal events, and then an inconclusive ending where no fault is actually placed.
For a short story, "The Grownup" isn't all that bad, though I must admit that the title doesn't mesh well with its contents. I would much rather have read this as a full length novel, as Flynn undoubtedly has a knack for unexpected twists and turns. Even though I found "The Grownup" to be unsatisfying, Flynn's talent at the element of surprise still shined through brightly in this short work.
Rachel King (13 KP) rated Blood Bound (Mercy Thompson, #2) in Books
Feb 11, 2019
What I think I like best about Briggs' style of writing - at least in the Mercy Thompson series - is how in-depth the background information is. Everything and everyone has a history and then some - whether it be political, eventful, magical, biological, etc., Briggs' writes it and Mercy gets to discover it. I find it all intensely fascinating and makes me want to grill the author about all of the details that she has not yet uncovered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
Billie Wichkan (118 KP) rated Never Fear the Reaper in Books
May 22, 2019
In a world filled with darkness
can true love spark just enough light to save it?
When Chase hires the mysterious ghost exterminator, Ryder, to cleanse his house from a pesky poltergeist he gets way more than hes paying her for
Theres just something about Ryder that has him mesmerized.
Is it the fact that hes witnessed her do the unexplainable? Or the fact that shes absolutely breathtaking? Or perhaps its that eerie familiar feeling that theyve met before, perhaps in another lifetime.
Chase desperately tags along with Ryder on a whirlwind of life threatening adventures in exchange for a few precious moments of alone time with her. With the Grimm Reapers Scythe as their defense, Chase developing some supernatural gifts of his own and an intense crush developing between the both of them what crazy supernatural force will target them next?
Never Fear the Reaper (A Never Fear the Reaper Series Book 1) Ashley Pagano is an original read that is full of non stop action and the paranormal/supernatural.
Ghosts, Poltergeists and Demons abound in our world and a pair of reckless humans are determined to either help them move on, or make them.
Ms. Pagano is a new-to-me author and I have very much enjoyed my first experience of her work.
I loved reading it. I was hooked from the very beginning and found myself lost in the pages. It not only has a wonderful storyline it has characters that I loved reading about.
Thanks to netgalley and the publisher for a free copy for an honest opinion
can true love spark just enough light to save it?
When Chase hires the mysterious ghost exterminator, Ryder, to cleanse his house from a pesky poltergeist he gets way more than hes paying her for
Theres just something about Ryder that has him mesmerized.
Is it the fact that hes witnessed her do the unexplainable? Or the fact that shes absolutely breathtaking? Or perhaps its that eerie familiar feeling that theyve met before, perhaps in another lifetime.
Chase desperately tags along with Ryder on a whirlwind of life threatening adventures in exchange for a few precious moments of alone time with her. With the Grimm Reapers Scythe as their defense, Chase developing some supernatural gifts of his own and an intense crush developing between the both of them what crazy supernatural force will target them next?
Never Fear the Reaper (A Never Fear the Reaper Series Book 1) Ashley Pagano is an original read that is full of non stop action and the paranormal/supernatural.
Ghosts, Poltergeists and Demons abound in our world and a pair of reckless humans are determined to either help them move on, or make them.
Ms. Pagano is a new-to-me author and I have very much enjoyed my first experience of her work.
I loved reading it. I was hooked from the very beginning and found myself lost in the pages. It not only has a wonderful storyline it has characters that I loved reading about.
Thanks to netgalley and the publisher for a free copy for an honest opinion
Mark @ Carstairs Considers (2200 KP) rated Murder at the Palace in Books
Jun 14, 2019
First Days are Murder
When Nora Paige’s movie star husband is caught having an affair with a co-star, she decides it is time to start over. Fortunately, Nora’s friend Robbie needs someone to manage the Palace Theater up in San Francisco. However, Nora’s first day doesn’t go as planned. She’s barely met the staff when she finds a dead body in the backup ice maker in the basement. Naturally, she doesn’t recognize the victim, but none of the staff know who he is either. Could his murder be tied to the death of the previous manager? And, if that shock weren’t enough, Nora starts to see a hallucination that just might be the ghost of an usherette named Trixie from the 1930’s. Is Nora going crazy? Can she figure out what is going on?
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Jessica - Where the Book Ends (15 KP) rated Dead Letter Office in Books
Jan 30, 2019
I received this book for free in exchange for an honest review
This book started off with great promise, but for me went downhill rather quickly. I love the idea of a young girl dealing with the loss of losing her father, and moving to a new place; however, the story began to seem extremely far fetched when the ghost started coming into play. I had trouble understanding how the person murdered now was related to the past, and that never really seemed to be explained at all. I guess you just have to accept that its paranormal and that's all there is to it.
Celia, is a very well written character, and its really easy to like her and root for her. Regardless of the way she acts, she means well, and cares about others. I even cried when she received closure at the end in regards to her father's death. It was very moving. Donovan and Tilly were very one dimensional and I would have loved to learn more information about these characters.
I think the thing that in essence killed this book for me was that it was a choose your own adventure book. I think if the fates of the characters had been decided and the book written as normal it would have been more exciting for me. I do have to admit that this book did remind me of reading the choose your own adventure books I read as a kid.
I might be inclined to read more books in this series to see how the characters develop. I gave it 3 stars out of 5.
This book started off with great promise, but for me went downhill rather quickly. I love the idea of a young girl dealing with the loss of losing her father, and moving to a new place; however, the story began to seem extremely far fetched when the ghost started coming into play. I had trouble understanding how the person murdered now was related to the past, and that never really seemed to be explained at all. I guess you just have to accept that its paranormal and that's all there is to it.
Celia, is a very well written character, and its really easy to like her and root for her. Regardless of the way she acts, she means well, and cares about others. I even cried when she received closure at the end in regards to her father's death. It was very moving. Donovan and Tilly were very one dimensional and I would have loved to learn more information about these characters.
I think the thing that in essence killed this book for me was that it was a choose your own adventure book. I think if the fates of the characters had been decided and the book written as normal it would have been more exciting for me. I do have to admit that this book did remind me of reading the choose your own adventure books I read as a kid.
I might be inclined to read more books in this series to see how the characters develop. I gave it 3 stars out of 5.