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LoganCrews (2861 KP) rated Miss March (2009) in Movies

Oct 1, 2020 (Updated Oct 8, 2020)  
Miss March (2009)
Miss March (2009)
2009 | Comedy
Bizarre, funny, and lovingly goofy enough to get a pass; but for being barely 90 or so minutes this doesn't just tread water it *drowns* before even the hour + ten mark. Still liked it, saw what this was going for immediately - a mostly effective satire of the usually ignominious teen sex genre at the time and its far past tired formula, as well as the way the 2000s noxious 'sex culture' warped its young men into Neanderthal-esque sexists (both the open kind and those who were brainwashed enough to think that they weren't) who saw women as nothing more than empty meat ciphers to project their selfish desires onto. Can't believe so many people misunderstood this but then again, the WKUK bunch have always been far ahead of their time anyway. That being said however, I have very similar problems with this as I did with a genre satire such as ๐˜๐˜ข๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ต in that it sets up its tropes to lambast and then not much sooner does it start to embrace them itself. Though this is still ten trillion times better than some bottom-of-the-barrel, spoon-fed meta horseshit like ๐˜๐˜ด๐˜ฏ'๐˜ต ๐˜๐˜ต ๐˜™๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ค? - Trevor Moore's quintessential dopey dudebro is deeply hysterical, and both he and Cregger are pitch-perfect as always. For all its grinding halts and hit-or-miss jokes this still remains a smart, unfiltered sideshow of point-blank slapstick and caustic gross-out gags that certainly catered to my inner imbecile.
  
The Oath (2018)
The Oath (2018)
2018 | Comedy
Mental horror. What was marketed as a routine goofy comedy ended up being this fucking monster of intense, bleak, hyper-abusive, bloody torment that still has hard laughs to spare. Outside of its tidy ending which wraps things up a bit too quickly (that I have good and bad things to say about) it's as good as ๐˜Ž๐˜ฆ๐˜ต ๐˜–๐˜ถ๐˜ต in weaving the seemingly intrinsically violent divisiveness of American politics into a hard-hitting socio-political satire that toes the line between horrifying and hilarious with a natural ease. There's a crescendo near the end of this that had me physically biting my fist and leaning closer and closer over in my chair I damn near couldn't take it. I already loved Ike Barinholtz going into this but I'm still so impressed with this, he and Haddish have terrific chemistry and the whole cast is a knockout (Billy Magnussen holy shit). Rather than being a cringy "both sides" white man rant as we may (not so unreasonably) expect (*cough* ๐˜“๐˜ฐ๐˜ฏ๐˜จ ๐˜š๐˜ฉ๐˜ฐ๐˜ต), it's instead mainly convinced with being incredibly loud and incredibly mean to these people without really declaring one viewpoint the ultimate winner or the ultimate loser in a way which perfectly emulates today's political landscape. Attacks habits and opinions that until this the genre had left untapped. Luckily for me my comfort genre is assholes jostling each other so this was like candy. One of the best political comedies I've seen in eons. Couldn't have picked many better films than this to watch while Trump was finally getting voted out.
  
Saw (2004)
Saw (2004)
2004 | Horror
Now *this* is more like it. Cruel, grimy, and goofy in just about equal measure - I sorely underrated this deservedly revolutionary gem the first time I saw it. Uses aspects which are unfairly maligned by other horror/thriller filmmakers who claim to be 'above' them much to its advantage; you're going to sit there and tell me that sped-up series of 360 shots around the reverse bear trap wasn't totally fucking awesome? Elements like that tap so deeply into that primal survival instinct which few other films of the genre even dare to explore, let alone as well as this does. The acting gets a lot of shit but tbh Cary Elwes and - in particular - Leigh Whannell are stellar as these two clashing personalities that effortlessly carry the entire movie on their backs. The decision to play up these performances akin to a WWE episode (even confining them to a stage-like arena for weaponized melodrama) adds even further to its untouched singularity. Could you imagine the direction of Wan with the gore of the sequels? Goddamn what an A1 product that would be. Just a concoction of ideas that work beautifully together: from the memorable aesthetic to its dastardly smart premise it's about as engrossing as can be. The twist is still just as riveting as it was back then if only because of the sheer commitment to delve into such gonzo levels of outlandishness. The fact that ๐˜š๐˜ฑ๐˜ช๐˜ณ๐˜ข๐˜ญ turned this one's iconically atmospheric music into a cringe 21 Savage song tells you all you need to know about it.
  
The A-Team (2010)
The A-Team (2010)
2010 | Action
Goofy fun!
Oh, good lord, this movie is just ridiculously fun. Liam Neeson, Bradley Cooper, Sharlto Copley, and Quinton Jackson are pretty much the perfect cast for this movie. They were together so well, and watching them go in the midst of absolute chaos just had me laughing so hard I had tears in my eyes. The A-Team movie takes all the best parts of the original show (which I very vaguely remember), and ramps it up a notch with outrageous stunts and great special effects.

Quinton Jackson is a bit more baby-faced than the original Mr. T, but when heโ€™s screaming in the helicopter and other places at Sharlto/Murdock? Itโ€™s enough to put an ear-to-ear smile on your face. He was probably my favorite person in the film. Liam Neeson โ€“ well, he plays a slightly more fun version of his normal characters, so thereโ€™s not much to say about him. Bradley Cooper was a treat โ€“ mainly when he was shirtless โ€“ playing Face. Heโ€™s not particularly memorable โ€“ except, again, when shirtless โ€“ but still did a great job. Sharlto? Sharlto was pure crazy in the best possible way.

In terms of the others, seeing a younger Patrick Wilson was a treat. His tantrum scene was great. Jessica Biel is, erm, a good straight shooter? Really, she was pretty unmemorable.

The action combined with the humor was perfect. I mean, I like Mission Impossible as much as the next adrelaline-driven female, but it takes itself too seriously. You need the giggles to be the icing on the cake. Hm, and a half-naked Bradley Cooper to be the cherry on top.
  
Shazam! (2019)
Shazam! (2019)
2019 | Action, Sci-Fi
Pow right in the kisser
#shazam is DC's answer to #deadpool its witty, dark & stylish but also feels a tad 'weve seen all this before'. Shazam always looked to me like a film nobody asked for or a straight to #netflix film so when it started I was actually very surprised with what I was watching. Its an extremely well shot film with seemingly high production values, stylish cinematography & a pretty neat soundtrack too. I was also pleasantly surprised at the dark tone/atmosphere the film decided to go for & considering the trailers suggest this was to be a comedy for a younger audience there are some quite horrific deaths, adult #humour, nasty enemies & also some very dark subject matter. All this darkness however is balanced out quite nicely with goofy humour & some genuinely #funny gags & some brilliant references to films like #tomhanks #Big & the #terminator. Theres a running theme throughout about #family/sticking together & another about there being #heroes inside all of us be it from security guards that keep our schools safe, #mums raising #kids, people who adopt & even people who dress up as #santa can help #inspire our kids to do good. Shazam does alot right & at times its a spellbinding film full of #charm but sadly I found it to fall apart in the final act where it loses its #freakazoid mixed with #hancock & #batman the #animated series vibe in favour for a more generic & forgettable conclusion with a main #villain who came across more pedestrian than menacing which is a shame. Shazam is generally a really great #popcorn flick & crowed pleaser, its got #heart & #laughs but I can see it being forgotten about in a few years but for now its well worth your time. #odeon #odronlimitles #dc #dcuniverse #superhero #geek #comic
  
Hereditary (2018)
Hereditary (2018)
2018 | Drama, Horror, Mystery
The trailer lies
Pay attention for this one folks. The prize is in the details.

I will try to avoid spoilers but I recommend going in having seen nothing except maybe the trailer.

This film is a mystery horror. It's not in your face, it's suggestive. Every shot is thought out and significant, I'm sure I missed a hundred things. The whole time I was nervously trying to understand all the little clues that seemed out of place. But still my theories were so wrong. It may be that no theory us fans come up with is wrong or right. Not knowing is better.

The mystery and horror is only half of Hereditary in my opinion. I felt empathy for Toni Collette's character more than I felt fear. If you don't think you could handle depictions of grief then you should skip this one. My stomach still feels tense. Toni deserves every award for her performance.

I imagine a few people might call out a couple of moments as goofy or amateurish, but I feel like I need those moments. At one point very near the end the whole cinema laughed and the tension in the whole room released, and we'd been scared for a long time by that point.

By far the most beautifully crafted element of this film was the sound editing. The perfectly timed score builds and releases, playing with your adrenal response.

I will watch this movie a hundred times and enjoy it each time. It will stay with me, and I'm going to spook my mother with it to pay her back for that time we watched the Blair witch when I was a teenager and she shrieked every time I went near a corner.