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Sarah (7800 KP) rated The Outsider in TV
Apr 17, 2020
A great adaptation
I've had this series recorded on my box for quite a while, lockdown has finally allowed me time to watch it and it really is a brilliant adaptation of the King book.
It isnt an entirely accurate adaptation of the book, but it is a very good attempt. There are some changes but there are a lot of things that match the book too, and the majority of the changes aren't necessarily for the worst either. The story is a great one, not a surprise considering it's based on a King novel. It moves seamlessly from a detective crime thriller to a supernatural horror and the cinematography and soundtrack support this so well along with a decent amount of gore. It also has a fantastic cast. Ben Mendelsohn is perfect as Ralph and Cynthia Erivo is too as Holly, backed by a wonderful supporting cast.
There are some changes that I didn't appreciate as much though, some fairly small and minor nods towards the books - especially the references to Holly from the Bill Hodges trilogy series. Also I didn't appreciate the mid credits scene at the end of the final episode which appears to hint towards another series and a different ending. This series works so well as a standalone and I really dont appreciate them potentially looking at turning this into yet more series! It's also frustrating that the Bill Hodges trilogy has been turned into the Mr Mercedes series for another network, as really these 2 series should be linked with the same cast and theme.
Overall though this is a brilliant adaptation and definitely worth a watch.
It isnt an entirely accurate adaptation of the book, but it is a very good attempt. There are some changes but there are a lot of things that match the book too, and the majority of the changes aren't necessarily for the worst either. The story is a great one, not a surprise considering it's based on a King novel. It moves seamlessly from a detective crime thriller to a supernatural horror and the cinematography and soundtrack support this so well along with a decent amount of gore. It also has a fantastic cast. Ben Mendelsohn is perfect as Ralph and Cynthia Erivo is too as Holly, backed by a wonderful supporting cast.
There are some changes that I didn't appreciate as much though, some fairly small and minor nods towards the books - especially the references to Holly from the Bill Hodges trilogy series. Also I didn't appreciate the mid credits scene at the end of the final episode which appears to hint towards another series and a different ending. This series works so well as a standalone and I really dont appreciate them potentially looking at turning this into yet more series! It's also frustrating that the Bill Hodges trilogy has been turned into the Mr Mercedes series for another network, as really these 2 series should be linked with the same cast and theme.
Overall though this is a brilliant adaptation and definitely worth a watch.
Letters 1941-1985
Book
The extraordinary letters of Italo Calvino, one of the great writers of the twentieth century,...
LeftSideCut (3776 KP) rated Friday the 13th Part 2 (1981) in Movies
Jul 19, 2020
After the runaway success of the first Friday the 13th a mere year earlier, Part 2 is the first of many sequels spaffed out in a short space of time. The sequels are mostly ok, certainly watchable, with only a couple that I would say step into crappy territory.
Part 2 is one of the half decent ones, and for better or worse, I actually quietly love it.
Not too dissimilar to its predecessor, it's overflowing with over acting. This time around, the dialogue is pretty much balls awful and cheesy, but it's not enough to stop me from enjoying what is a damn fun horror sequel.
It set the stage for what slasher follow ups would become known for - more gore, more victims, more nudity, more silliness. It's just the way these things go and Friday the 13th Part 2 arguably introduced these sequel tropes to the world.
Of course, this is our first proper introduction to Jason, pre hockey mask, and I've always found Part 2 Jason to be quite intimidating. The hockey mask is undoubtedly iconic, and cemented Jason as a horror icon, but here he dons some dungarees and a potato sack over his face. There's something truly unsettling about a big dude in that get up, chasing people with a massive pick axe.
The closing moments of the movie boasts a memorable 'gotcha' moment once again, whilst showing off the decent make up and effects work, and a returning Harry Manfredini is present once again to provide a jarring music score.
Part 2 is trashy in parts but I can't help but love it. 💀
Part 2 is one of the half decent ones, and for better or worse, I actually quietly love it.
Not too dissimilar to its predecessor, it's overflowing with over acting. This time around, the dialogue is pretty much balls awful and cheesy, but it's not enough to stop me from enjoying what is a damn fun horror sequel.
It set the stage for what slasher follow ups would become known for - more gore, more victims, more nudity, more silliness. It's just the way these things go and Friday the 13th Part 2 arguably introduced these sequel tropes to the world.
Of course, this is our first proper introduction to Jason, pre hockey mask, and I've always found Part 2 Jason to be quite intimidating. The hockey mask is undoubtedly iconic, and cemented Jason as a horror icon, but here he dons some dungarees and a potato sack over his face. There's something truly unsettling about a big dude in that get up, chasing people with a massive pick axe.
The closing moments of the movie boasts a memorable 'gotcha' moment once again, whilst showing off the decent make up and effects work, and a returning Harry Manfredini is present once again to provide a jarring music score.
Part 2 is trashy in parts but I can't help but love it. 💀
LeftSideCut (3776 KP) rated See No Evil (2006) in Movies
Feb 21, 2021
See No Evil is a whole big mixed bag of average. The first 20-25 minutes are abhorrently terrible. It manages to tick every mid-00s horror cliché in its opening scene. It introduces all of its eye rollingly awful characters with edgy freeze frames and name cards.
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.
Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.
There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.
Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.
There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
Kim Pook (101 KP) rated Fear Street Part Two: 1978 (2021) in Movies
Jul 26, 2021
Contains spoilers, click to show
We get a recap of the previous movie, then when the movie starts properly we see a young woman who lives alone. This woman has alarms set for different times of the day, keeps her house locked up like a prison and appears to be scared of everything. It eventually turns out it was her who the teens in the previous movie had called for help, and they take a possessed Sam to her house in the hope that she would help. Initially she refuses, but then tells them a story about her time at camp when her sister died.
We get a flashback to 1978 where a young girl called Ziggy was being accused of being a witch and constantly bullied by a group of girls because of it. She isn't a witch but it isn't long before the first attack and ziggys sister Cindy realises something strange is going on and goes searching for answers.
Just like the first it was very teen Slasher, but I enjoyed this one more than the first one. There was more murders and more gore with a shocking twist at the end. It has the feel of the Friday the 13th movies, though I did find the scenes inside the cave difficult to watch, not because of the content but because it was so dark visually.
I find the movie let's you start to like certain characters and then when they're taken away you feel all the emotions because you get attached to them, especially the final kills, which was a surprisingly powerful moment, you tend not to get that in Slasher movies so I thought that was a nice touch.
We get a flashback to 1978 where a young girl called Ziggy was being accused of being a witch and constantly bullied by a group of girls because of it. She isn't a witch but it isn't long before the first attack and ziggys sister Cindy realises something strange is going on and goes searching for answers.
Just like the first it was very teen Slasher, but I enjoyed this one more than the first one. There was more murders and more gore with a shocking twist at the end. It has the feel of the Friday the 13th movies, though I did find the scenes inside the cave difficult to watch, not because of the content but because it was so dark visually.
I find the movie let's you start to like certain characters and then when they're taken away you feel all the emotions because you get attached to them, especially the final kills, which was a surprisingly powerful moment, you tend not to get that in Slasher movies so I thought that was a nice touch.
Erika (17789 KP) rated Mortal Kombat (2021) in Movies
May 8, 2021
You know when you watch a movie, and you're completely entertained during it, but afterwards, all you remember is the action portions, and none of the plot? That's me right now, after watching this movie just a little less than three hours ago.
I'll get this out of the way, the plot was obviously forgettable. Now, if this was a dramatic film, this would be a huge issue, but, this is a movie based on the first insanely violent video game ever produced. I was there for the fighting, and not the plot. The main focus was Cole, and sorry, but he was kind of a yawn until he got his stuff together.
Now, let's get into why I saw this movie. The action, the fighting, the gore. This earned its R-rating. The fighting choreography was great, and I loved that they used the some of the same moves from the video games. Also - the fact that some of the characters quipped with the closing fight messages was hilarious. The best placed one was 'Flawless Victory', after a kill.
Sub-Zero has always been one of my favorite characters, so I was glad he got the most screen time, out of the villain squad.. I have to say, as the movie was nearing the end, I was wondering when Scorpion would make his grand entrance. Finally, the pay dirt came at the very end, and yes, the 'Get Over Here' line did make an appearance.
They obviously left it open-ended for a sequel, which has been green-lit already. You can bet I'll be there on opening day for some big, dumb, gory fun.
I'll get this out of the way, the plot was obviously forgettable. Now, if this was a dramatic film, this would be a huge issue, but, this is a movie based on the first insanely violent video game ever produced. I was there for the fighting, and not the plot. The main focus was Cole, and sorry, but he was kind of a yawn until he got his stuff together.
Now, let's get into why I saw this movie. The action, the fighting, the gore. This earned its R-rating. The fighting choreography was great, and I loved that they used the some of the same moves from the video games. Also - the fact that some of the characters quipped with the closing fight messages was hilarious. The best placed one was 'Flawless Victory', after a kill.
Sub-Zero has always been one of my favorite characters, so I was glad he got the most screen time, out of the villain squad.. I have to say, as the movie was nearing the end, I was wondering when Scorpion would make his grand entrance. Finally, the pay dirt came at the very end, and yes, the 'Get Over Here' line did make an appearance.
They obviously left it open-ended for a sequel, which has been green-lit already. You can bet I'll be there on opening day for some big, dumb, gory fun.
LeftSideCut (3776 KP) rated Wishmaster 2: Evil Never Dies (1999) in Movies
Oct 6, 2020
Alternative/goth female lead? Check. Atrocious CGI? Check. Casual homophobic slurs? Check. We are deep into shitty 90s straight-to-video territory here.
Wishmaster 2 is a big step down from the first film in almost every way. In its defense, it had a pretty small budget, but Christ it looks cheap. All of the characters are boring and under-developed, the lead character is somehow more irritating than the girl from the first Wishmaster, some of the acting on display is pretty horrific and the sound mix is just all over the place.
I found myself forgetting the general plot as I was watching it - what the fuck was that Russian gangster side plot all about?
If there are some positives to take from Wishmaster 2 (and believe me, there aren't many) then the best one is obviously Andrew Divoff, returning as The Djinn. He hams it up a storm, and provides the only entertainment value this movie has to offer. I will also say that the make up work on his demonic form looks pretty good.
Aside from that, there are a couple of good gore scenes, the guy forcing himself through the prison bars is a particularly gratuitous and bloody moment and the practical effects are decent enough, it's just that these fleeting moments of something resembling quality are few and far between. There's also a bit where a guy contorts his body to literally fuck himself, so there's that...
Overall then, Wishmaster 2 is pretty crap, which is a shame, as the flawed but entertaing first movie showed some franchise potential. Can't wait to put myself through Wishmaster 3 and 4....
Wishmaster 2 is a big step down from the first film in almost every way. In its defense, it had a pretty small budget, but Christ it looks cheap. All of the characters are boring and under-developed, the lead character is somehow more irritating than the girl from the first Wishmaster, some of the acting on display is pretty horrific and the sound mix is just all over the place.
I found myself forgetting the general plot as I was watching it - what the fuck was that Russian gangster side plot all about?
If there are some positives to take from Wishmaster 2 (and believe me, there aren't many) then the best one is obviously Andrew Divoff, returning as The Djinn. He hams it up a storm, and provides the only entertainment value this movie has to offer. I will also say that the make up work on his demonic form looks pretty good.
Aside from that, there are a couple of good gore scenes, the guy forcing himself through the prison bars is a particularly gratuitous and bloody moment and the practical effects are decent enough, it's just that these fleeting moments of something resembling quality are few and far between. There's also a bit where a guy contorts his body to literally fuck himself, so there's that...
Overall then, Wishmaster 2 is pretty crap, which is a shame, as the flawed but entertaing first movie showed some franchise potential. Can't wait to put myself through Wishmaster 3 and 4....
LeftSideCut (3776 KP) rated Humanoids from the Deep (1980) in Movies
Oct 13, 2020
I'm completely aware that Humanoids from the Deep (originally titled Monster) is trashy as hell, but dammit I'm just a sucker for this kind of film.
It has a lot of issues - it's pacing is off for a start. A lot of the narrative focuses on a new fishing cannery in the seaside community of Noyo, a plot point that of course turns out to be completely irrelevant. It has some absurdly choppy editing - it has scenes that take place at the same time, in the same location, from different character perspectives, that inexplicably take place at different times of day. The big final scene has a sudden shot of an earlier part of the movie for no apparent reason other than saving money and time.
The same scene also has horrendously obvious looped sound editing. It's incredibly messy.
And yet, its still way more entertaining than it deserves to be. The mutant fish monster things look ridiculous of course, but it's the kind of hammy and gratuitous man-in-a-rubber-suit creature horror you just don't see these days.
There's plenty of gore and the usual Roger Corman endorsed nudity that sold these kind of films.
It has a respectable cast as well, including Doug McClure, Vic Morrow, Ann Turkel and Anthony Pena. It's a far cry from the copious amounts of teenagers usually associated with the genre during this era, and lends the film a sense of class amongst all the silliness.
Humanoids from the Deep is a film not to be taken seriously. That way, it's a pretty good time despite it's many flaws, and is an entertaining enough creature feature.
It has a lot of issues - it's pacing is off for a start. A lot of the narrative focuses on a new fishing cannery in the seaside community of Noyo, a plot point that of course turns out to be completely irrelevant. It has some absurdly choppy editing - it has scenes that take place at the same time, in the same location, from different character perspectives, that inexplicably take place at different times of day. The big final scene has a sudden shot of an earlier part of the movie for no apparent reason other than saving money and time.
The same scene also has horrendously obvious looped sound editing. It's incredibly messy.
And yet, its still way more entertaining than it deserves to be. The mutant fish monster things look ridiculous of course, but it's the kind of hammy and gratuitous man-in-a-rubber-suit creature horror you just don't see these days.
There's plenty of gore and the usual Roger Corman endorsed nudity that sold these kind of films.
It has a respectable cast as well, including Doug McClure, Vic Morrow, Ann Turkel and Anthony Pena. It's a far cry from the copious amounts of teenagers usually associated with the genre during this era, and lends the film a sense of class amongst all the silliness.
Humanoids from the Deep is a film not to be taken seriously. That way, it's a pretty good time despite it's many flaws, and is an entertaining enough creature feature.
LeftSideCut (3776 KP) rated Better Watch Out (2016) in Movies
Dec 19, 2020
Better Watch Out isn't just another unconventional Christmas movie to throw into the ever growing pile, no sir. As much as it sets itself up as another fun festive horror, it's actually possesses one hell of a mean streak, and is genuinely uncomfortable to watch for a huge chunk of it's runtime.
The basic premise revolves around 12 year old Luke. When his parents head out for the evening, his babysitter Ashley is hired one last time before she moves away from the area. Not long into the evening, weird shit starts happening, and it's soon apparent that the two of them and Luke's friend Garrett are all falling victim to a home invasion, and they have to fight to survive the night. Without going into spoiler territory, the plot isn't quite this straightforward, and there's a midway twist that gives us a properly sadistic main antagonist.
This is all portrayed superbly by its main cast. Levi Miller is great as Luke, and the other main cast are played by The Visit alumni Olivia DeJonge, and Ed Oxenbould (thankfully not constantly rapping this time around). The three of them absolutely carry this film to it's bloody climax.
The gore isn't too shabby, and is done fairly tastefully all things considered. When shit starts to hit the fan, we are treated to some genuinely tense moments, and a couple of jump scares that have that rare honour of feeling somewhat earned.
All in all, Better Watch Out is a decent slice of Christmas horror. It's different, it's clever, and has a fucked up Home Alone kind of vibe for good measure. Worth checking out!
The basic premise revolves around 12 year old Luke. When his parents head out for the evening, his babysitter Ashley is hired one last time before she moves away from the area. Not long into the evening, weird shit starts happening, and it's soon apparent that the two of them and Luke's friend Garrett are all falling victim to a home invasion, and they have to fight to survive the night. Without going into spoiler territory, the plot isn't quite this straightforward, and there's a midway twist that gives us a properly sadistic main antagonist.
This is all portrayed superbly by its main cast. Levi Miller is great as Luke, and the other main cast are played by The Visit alumni Olivia DeJonge, and Ed Oxenbould (thankfully not constantly rapping this time around). The three of them absolutely carry this film to it's bloody climax.
The gore isn't too shabby, and is done fairly tastefully all things considered. When shit starts to hit the fan, we are treated to some genuinely tense moments, and a couple of jump scares that have that rare honour of feeling somewhat earned.
All in all, Better Watch Out is a decent slice of Christmas horror. It's different, it's clever, and has a fucked up Home Alone kind of vibe for good measure. Worth checking out!
Matthew Krueger (10051 KP) rated The Texas Chain Saw Massacre (1974) in Movies
Oct 14, 2019
What Noise Does A Chainsaw Make?
The Texas Chainsaw Massacre- a classic horror film. Directed by a horror icon and legend- Tobe Hopper.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.