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BookwormLea (3034 KP) rated Brightburn (2019) in Movies
Mar 14, 2020 (Updated Mar 14, 2020)
Contains spoilers, click to show
Wow... I've always loved anti villains but this was just fab! Very gory but who doesn't love some blood and guts in a horror!?? The whole movie plays along like Clark Kent: SuperVillain... and that credits scene with Micheal Rooker was amazing too. Hinting at possible sequels and/or a Injustice Leauge style group.
Back to the movie. The kid himself is terrifying, like seriously. If I seen him irl I would know he was a criminal or something. The actors themselves play the scared townsfolk very well. If I had to be disappointed at anything, it would be how stupid they are. I don't necessarily hate it but it annoys me in films when the characters can't put 2 and 2 together... everyone except the mother pretty much knew it was the kid and she was still in denial until she went upstairs and found visual evidence. 'No way! My son from another planet could no way have lifted a car or murdered people. Especially not after he smashes my husband backwards into a wall' 🙄
But apart from that, this could be one of my new horrors! I hope there is at least a second film, possibly featuring the anti-aquawoman or anti-wonderwoman featured in the credits scene.
Back to the movie. The kid himself is terrifying, like seriously. If I seen him irl I would know he was a criminal or something. The actors themselves play the scared townsfolk very well. If I had to be disappointed at anything, it would be how stupid they are. I don't necessarily hate it but it annoys me in films when the characters can't put 2 and 2 together... everyone except the mother pretty much knew it was the kid and she was still in denial until she went upstairs and found visual evidence. 'No way! My son from another planet could no way have lifted a car or murdered people. Especially not after he smashes my husband backwards into a wall' 🙄
But apart from that, this could be one of my new horrors! I hope there is at least a second film, possibly featuring the anti-aquawoman or anti-wonderwoman featured in the credits scene.
LeftSideCut (3778 KP) rated Species II (1998) in Movies
Sep 21, 2020
Species II adds more of everything that made the first one such a success, but unfortunately with lesser results.
It obviously has a bigger budget this time around, the spaceships in the opening shots look pretty decent (even if they are plastered with product placement), it's has noticeably more gore, more nudity, more tentacles flying out of nipples, more Marg Helgenberger, more full body shots of the aliens, but have no doubt, this sequel is the epitome of guilty pleasure trash - it's obviously a bad film, but is so much goddam fun.
The bad CGI is a slight improvement on the first film, but I can respect the numerous practical effects in use, and the aliens seen near the end look both silly and quite horrific (good old H.R. Giger). The dialogue leaves a lot to be desired, but when you have lines like "They could fuck the human race into extinction" being thrown around, it hard to not ironically enjoy yourself.
Ultimately, Species II is a worse film than it's predecessor (which is hardly a masterpiece in the first place) but it's loud, dumb, gory, sci-fi action that equates to that age old saying - it's so bad, it's kind of good.
It obviously has a bigger budget this time around, the spaceships in the opening shots look pretty decent (even if they are plastered with product placement), it's has noticeably more gore, more nudity, more tentacles flying out of nipples, more Marg Helgenberger, more full body shots of the aliens, but have no doubt, this sequel is the epitome of guilty pleasure trash - it's obviously a bad film, but is so much goddam fun.
The bad CGI is a slight improvement on the first film, but I can respect the numerous practical effects in use, and the aliens seen near the end look both silly and quite horrific (good old H.R. Giger). The dialogue leaves a lot to be desired, but when you have lines like "They could fuck the human race into extinction" being thrown around, it hard to not ironically enjoy yourself.
Ultimately, Species II is a worse film than it's predecessor (which is hardly a masterpiece in the first place) but it's loud, dumb, gory, sci-fi action that equates to that age old saying - it's so bad, it's kind of good.
Sarah (7798 KP) rated Friday the 13th Part 2 (1981) in Movies
Sep 30, 2019
Overrated
Out of all of the old school horror films, Friday the 13th is probably the one I like the least. Whilst it’s a great concept being set in a camp by a lake, I think it’s rather poorly and cheesily executed. I’ve seen the original many times, but this is the first time I’ve seen any of the ‘original’ sequels and I’m afraid I didn’t think much of this either.
The main problem with this is that i found Jason to be rather disappointing. Admittedly I’ve grown up with the later version of Jason (hockey mask and machete), and whilst the machete makes an appearance, I don’t find this version of Jason very scary at all. He isn’t helped by the cheesy scenes, poor script and rather bizarre fade to white scenes. It’s a shame, as the deaths are actually rather inventive but as with all 80s horrors, they’re not nearly as gruesome as they could be. Either that or I’ve become numb to the deaths after the extreme and gory modern horrors that have been out since.
Despite all of the negatives, it is still a rather silly yet enjoyable film. Just not quite the classic it’s made out to be.
The main problem with this is that i found Jason to be rather disappointing. Admittedly I’ve grown up with the later version of Jason (hockey mask and machete), and whilst the machete makes an appearance, I don’t find this version of Jason very scary at all. He isn’t helped by the cheesy scenes, poor script and rather bizarre fade to white scenes. It’s a shame, as the deaths are actually rather inventive but as with all 80s horrors, they’re not nearly as gruesome as they could be. Either that or I’ve become numb to the deaths after the extreme and gory modern horrors that have been out since.
Despite all of the negatives, it is still a rather silly yet enjoyable film. Just not quite the classic it’s made out to be.
Lee KM Pallatina (951 KP) rated Manhunt (PS2 Classic) in Video Games
Aug 18, 2019
Kill or be killed
Contains spoilers, click to show
Manhunt is a classic game released for ps2 & xbox original. The game brought serious intensity to a very dark and violent videogame story.
With so may dark, demented, gory & bloodsoaked videogames released today, manhunt to me remains one of THE very best, although it may not have aged well, it does not take away what a major hit it was with mainstream players.
Manhunt is a stealth-based psychological horror video game developed by Rockstar North and published by Rockstar Games.
originally released for the PlayStation 2 on November 18, 2003, and for Microsoft Windows and Xbox on April 20, 2004.
Manhunt follows the story of convicted serial killer James earl cash, who wakes up after his execution to realise...He's still Alive?!
You take control of Cash, who is given an opportunity to escape by "the Director" a mysterious man who locked you up in carcer city, jam packed with more free roaming criminals..the worst of the worst, who gets off to violence and will be watching your every move via cctv.
If your going to escape. Prepare to get EXTREMELY VIOLENT!
With so may dark, demented, gory & bloodsoaked videogames released today, manhunt to me remains one of THE very best, although it may not have aged well, it does not take away what a major hit it was with mainstream players.
Manhunt is a stealth-based psychological horror video game developed by Rockstar North and published by Rockstar Games.
originally released for the PlayStation 2 on November 18, 2003, and for Microsoft Windows and Xbox on April 20, 2004.
Manhunt follows the story of convicted serial killer James earl cash, who wakes up after his execution to realise...He's still Alive?!
You take control of Cash, who is given an opportunity to escape by "the Director" a mysterious man who locked you up in carcer city, jam packed with more free roaming criminals..the worst of the worst, who gets off to violence and will be watching your every move via cctv.
If your going to escape. Prepare to get EXTREMELY VIOLENT!
ClareR (5726 KP) rated The Resident in Books
Jul 26, 2020 (Updated Jul 26, 2020)
How can a thriller be both horrific and hilarious at the same time? The humour in The Resident keeps poking its head up in the most unlikely and inappropriate circumstances, and I loved it.
Thomas Brogan is a serial killer on the run, who finds an abandoned end of terrace house to hide in. He discovers that this house and the other three in the row have a shared loft space. So Brogan starts to spy on his neighbours. He has a penchant for playing games with his victims, and this is an ideal set up for him - and the secrets that he discovers are more than enough to keep him entertained.
This is such a fast paced, entertaining read, and I can well imagine it as a film. There are some very interesting twists and turns, and some real heart-in-mouth moments. It was another great reading experience with The Pigeonhole, the comments and opinions from the other readers making it all the more entertaining, and the author dropping in to answer questions. This is what makes The Pigeonhole so great!
If you like your thrillers a bit gory and a bit inappropriately funny, you’ll love this book - I did!
Thomas Brogan is a serial killer on the run, who finds an abandoned end of terrace house to hide in. He discovers that this house and the other three in the row have a shared loft space. So Brogan starts to spy on his neighbours. He has a penchant for playing games with his victims, and this is an ideal set up for him - and the secrets that he discovers are more than enough to keep him entertained.
This is such a fast paced, entertaining read, and I can well imagine it as a film. There are some very interesting twists and turns, and some real heart-in-mouth moments. It was another great reading experience with The Pigeonhole, the comments and opinions from the other readers making it all the more entertaining, and the author dropping in to answer questions. This is what makes The Pigeonhole so great!
If you like your thrillers a bit gory and a bit inappropriately funny, you’ll love this book - I did!
LeftSideCut (3778 KP) rated The Sadness (2021) in Movies
May 12, 2022
Let's get the obvious out of the way, The Sadness is pretty damn gory. This aspect is both a positive and negative. Most of (if not all) the gore is achieved in a practical manner, and as such is undeniably impressive. It goes for the jugular, with the intention of shocking. There are multiple moments where everything is just caked in blood and viscera, but to be honest, it does come across as gore for the sake of gore. There's little else on offer, which is a great shame. There are some solid enough performances from Berant Zhu, Regina Lei, and Tzu-Chiang Wang, and the general look of the infected people is genuinely quite unsettling, but everything else feels a bit empty. It's hard to care about any of the characters trying to survive, and the attempt at an emotional ending falls flat as a result.
Gore hounds and horror fans will no doubt find things to love about The Sadness. It's bleak, nihilistic, and doesn't shy away from its depravity. I certainly didn't dislike it, but the overall experience left me very unmoved. It's ultimately a movie that is just an extreme splatter flick, and it could have been so much more.
Gore hounds and horror fans will no doubt find things to love about The Sadness. It's bleak, nihilistic, and doesn't shy away from its depravity. I certainly didn't dislike it, but the overall experience left me very unmoved. It's ultimately a movie that is just an extreme splatter flick, and it could have been so much more.
Connor Sheffield (293 KP) rated The Raven (2012) in Movies
Apr 27, 2017
A brilliant crime thriller (4 more)
Gory
Connections to the work of Edgar Allan Poe
Great Cast
Watchable over and over again
Would love to know what happens in the end (1 more)
Not as exhilirating after the first watch
Quote the Raven, Nevermore.
First of all let me say this;
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
graveyardgremlin (7194 KP) rated Happy Hour of the Damned (Amanda Feral, #1) in Books
Feb 15, 2019
Snarky, crude, smart, bitchy, strange, dirty (in more ways than one), superficial, gory and more-y, HAPPY HOUR OF THE DAMNED is a hard book to describe in few words. Besides calling it zombie chick-lit urban fantasy, which is such a disservice. Amanda isn't the type of main character I usually enjoy reading about, I admit I'd rather read about someone more sympathetic than a label-conscious, cocktail swigging, loose, uppity, self-absorbed diva. But guess what, I actually liked her. Go figure. Now I wouldn't want to hang out with someone like her in real life, but in a book, it's all in good fun and I definitely will pick up the next two Amanda Feral books and hope there's more to come.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
I loved the snarkiness, the footnotes (how many fiction authors actually do that?), the memoir-style writing, the cleverness of it all, it's a very good book. So why didn't I give it a higher rating, you may be thinking. Or maybe you're not. Whatever. Well, it did lose me a couple places and the plot meandered a bit in the beginning, and I'm still not sure what the master plot entailed (or is it entrailed? LMAO :D) exactly, as the plot did get a bit confusing towards the end. That could have just been me, I'm not the brightest at times. However, I think I did get the gist of the whole thing, so I wasn't left completely confused. In addition, I didn't find myself absorbed in the book, meaning I could put it down without withdrawal symptoms, so that brings my rating down slightly. I found the best thing to do with HAPPY HOUR OF THE DAMNED was to just let the book take me for the bizarre and fun ride the author had in store for the readers.
I'm sorry to hear that the series is in trouble, as it's much better than a lot of urban fantasy out there. We snarks of the world need these brainy reads (the fun kind) to survive, so in a way, we're zombies too. You may be wondering, "What can I do to help a good author out?" Well, go buy it! But only if you don't mind foul language, queasy and disgustingly gory scenes and imagery, sex in all it's kinkiness (which is mostly mentioned in passing), brand name designers, in-the-gutter-humor and more! All for the low, low price of $6.99. Have your credit card handy, operators are standing by - okay, I'm done with my infomercial sales pitch now. But really, if you do mind the aforementioned descriptions of what's covered inside, why are you looking at a zombie book anyway?
3.75 stars - just because I can.
Matthew Krueger (10051 KP) rated Re-Animator (1985) in Movies
Oct 30, 2020
Jeffrey Combs (2 more)
Bruce Abbott
Stuart Gordan
Mad Man
Re-Animator- is frankenstien. But alot more gorer. So much gory, so much viloence, so much horror. Its different than frankenstein, but has a lot in common.
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
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