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Goddess in the Stacks (553 KP) rated Anna Dressed in Blood (Anna, #1) in Books
Oct 28, 2019
Another spooky story for October! On first glance, this one is very similar to Rin Chupeco's The Girl From The Well, but the plot is actually quite different. It's still human boy, murderous ghost girl, but here the girl is bound to her house and forced to murder whoever comes inside. Unraveling the WHY is a major part of the plot.
I'd say this one is actually less creepy than The Girl From The Well, though one of the evil things Cas encounters is VERY creepy. Both of these were just about the right amount of spooky for me. I'm actually REALLY disappointed that the sequel is proving very difficult to get my hands on! I had to request it through Marina, my statewide lending program, so I'm not sure when it will arrive. But I NEEEEEEED to know what happens to Cas and Anna after this book ends!
I think I liked the relationship between boy and ghost better in Girl From The Well; you could clearly see the draw for the ghost, and the connection between them. Not so much here; Cas is trying to kill Anna, but then they become fascinated with each other for...some reason? Anna isn't compelled to kill Cas, and that's never explained, and seems to be her main source of fascination with the boy.
Another major difference is that while Tark in Girl From The Well is rather isolationist and creeps out his peers, Cas seems to attract his peers, and quickly finds friends wherever he goes. He's typically used them as contacts in the past, not really valuing them as friends, but that changes with the events of this book, as he actually comes to know a couple of the kids at his new school and value their friendship. He even puts up with their jokes about being Ghostbusters and who would be which character, which is kind of hilarious.
Both stories are great; I'd say this one is slightly more light-hearted than Girl From The Well, but only slightly. There's still lots of creepy ghosts, life-or-death situations, gory deaths of side characters, and curses. It's another great spooky October book for scaredy-cats like me!
You can find all my reviews and more at http://goddessinthestacks.com
I'd say this one is actually less creepy than The Girl From The Well, though one of the evil things Cas encounters is VERY creepy. Both of these were just about the right amount of spooky for me. I'm actually REALLY disappointed that the sequel is proving very difficult to get my hands on! I had to request it through Marina, my statewide lending program, so I'm not sure when it will arrive. But I NEEEEEEED to know what happens to Cas and Anna after this book ends!
I think I liked the relationship between boy and ghost better in Girl From The Well; you could clearly see the draw for the ghost, and the connection between them. Not so much here; Cas is trying to kill Anna, but then they become fascinated with each other for...some reason? Anna isn't compelled to kill Cas, and that's never explained, and seems to be her main source of fascination with the boy.
Another major difference is that while Tark in Girl From The Well is rather isolationist and creeps out his peers, Cas seems to attract his peers, and quickly finds friends wherever he goes. He's typically used them as contacts in the past, not really valuing them as friends, but that changes with the events of this book, as he actually comes to know a couple of the kids at his new school and value their friendship. He even puts up with their jokes about being Ghostbusters and who would be which character, which is kind of hilarious.
Both stories are great; I'd say this one is slightly more light-hearted than Girl From The Well, but only slightly. There's still lots of creepy ghosts, life-or-death situations, gory deaths of side characters, and curses. It's another great spooky October book for scaredy-cats like me!
You can find all my reviews and more at http://goddessinthestacks.com
LeftSideCut (3778 KP) rated The Walking Dead - Season 7 in TV
Dec 3, 2019
Contains spoilers, click to show
Season 7 of The Walking Dead opens with a hard to watch bang, and one of the most infamous scenes from the comic series.
The introduction of Negan is suitably bleak, gory and unexpected, delivering a throat punch of two main character executions.
It is made clear that Rick could very well be out if his depth. It's a strong and terrifying opener, but it unfortunately does not set the tone for the rest of the season.
As I've mentioned before, TWD settled into a formula - a season would tend to consist of a couple of outstanding episodes, a handful a good ones, and then passed out with a lot of filler.
The main problem with season 7 is that after the opening episode, the remaining episodes all feel like filler. For the first time since it's beginning to, I found myself bored with TWD.
The plot remains very samey for the most part, with Rick and co. gathering supplies for Negan to avoid anymore culling of the cast.
Meanwhile we're introduced to new communities in the shape of The Kingdom and Oceanside, and it becomes clear early one that the four communities (including Alexandria and Hilltop) will unite to take on The Saviours, but it takes an excruciatingly long time to get there.
The side plot of Daryl's capture is dragged out for way too long and becomes testing.
The side plot of Eugene's reluctant turn to The Savior's is dragged out for way too long (it doesn't actually get resolved until the end of season 8!)
It all just feels like a bit of a slog.
We're also introduced to a group of survivors lead by a woman called Jadis, who are so f*cking pretentious, that they made me want to stop TWD altogether.
Its not all bad. My personal highlight of the season is probably Negan himself, a character that a lot of people didn't like. His jokey demeanor works well against all the seriousness, and to be honest, I'm just a fan of Jeffrey Dean Morgan in general.
Overall though, season 7 is thoroughly average, and unfortunately, it's not quite the low point of TWD. The main positive here is that it reminded me just how good the first few seasons were.
The introduction of Negan is suitably bleak, gory and unexpected, delivering a throat punch of two main character executions.
It is made clear that Rick could very well be out if his depth. It's a strong and terrifying opener, but it unfortunately does not set the tone for the rest of the season.
As I've mentioned before, TWD settled into a formula - a season would tend to consist of a couple of outstanding episodes, a handful a good ones, and then passed out with a lot of filler.
The main problem with season 7 is that after the opening episode, the remaining episodes all feel like filler. For the first time since it's beginning to, I found myself bored with TWD.
The plot remains very samey for the most part, with Rick and co. gathering supplies for Negan to avoid anymore culling of the cast.
Meanwhile we're introduced to new communities in the shape of The Kingdom and Oceanside, and it becomes clear early one that the four communities (including Alexandria and Hilltop) will unite to take on The Saviours, but it takes an excruciatingly long time to get there.
The side plot of Daryl's capture is dragged out for way too long and becomes testing.
The side plot of Eugene's reluctant turn to The Savior's is dragged out for way too long (it doesn't actually get resolved until the end of season 8!)
It all just feels like a bit of a slog.
We're also introduced to a group of survivors lead by a woman called Jadis, who are so f*cking pretentious, that they made me want to stop TWD altogether.
Its not all bad. My personal highlight of the season is probably Negan himself, a character that a lot of people didn't like. His jokey demeanor works well against all the seriousness, and to be honest, I'm just a fan of Jeffrey Dean Morgan in general.
Overall though, season 7 is thoroughly average, and unfortunately, it's not quite the low point of TWD. The main positive here is that it reminded me just how good the first few seasons were.
JT (287 KP) rated Rogue (2008) in Movies
Mar 10, 2020
Along the quiet river banks of the Australian outback, buried deep within the baron red plains that surround desolate bush, lies a fear, a fear that lurks beneath the murky waters. Greg McLean does to boat trips what backpacking did for Wolf Creek, after seeing it you’re going to want to steer well clear of ever doing it.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Pete (Vartan) is a travel writer, sent around the world to exotic locations he finds himself in a place that he has no idea about. Taking a boat trip up the river with a bunch of people that we really won’t care much about, he goes in search of what the territory has to offer.
Leading the tour is Kate (Mitchell) someone who is the polar opposite to Pete and has never traveled out of her comfort zone once. As the boat glides up the river McLean makes sure he includes sweeping shots of the quiet picturesque landscape, of which is beautiful.
The focus of course is on the salt water crocodile’s that populate the river itself, a quick lesson from Kate about these prehistoric looking creatures sets up for the carnage that is only minutes away. Once the boat is capsized the unfortunate crew end up stranded on an island surrounded by a fast rising tidal river, with no direct route off it.
Like any monster movie we only ever catch glimpses of the predator (at least until the very end), a tail there, a moving ripple in the water there. The stranded patrons of course go through the motions, there’s infighting, emotion, selfishness and a coming together that in the end they are going to be able to escape the island.
It does carry a fairly decent degree of suspense even though it is predictable in places, and has an ending which quite frankly is a little preposterous.
The story line is as basic as it can get and the script is not brilliantly written, the acting has its moments with characters that don’t really have time to reveal their back stories to great effect, before a few all but disappear between the teeth of the seven foot beast.
It’s not overly gory but does have some scenes for those that are blood thirsty. On a whole it’s a decent flick, not as terrifying as Wolf Creek but holds itself well for the 100 minute run time.
Charlie Cobra Reviews (1840 KP) rated Rambo: Last Blood (2019) in Movies
Jul 7, 2020
Rambo's Last Hurrah, Decent Action Flick
Rambo: Last Blood is a 2019 action movie directed by Adrian Grunberg, with screenplay written by both Sylvester Stallone and Matthew Cirulnick and story by Stallone and Dan Gordon. It was produced by Millennium Media, Balboa Productions and Templeton Media and distributed by Lionsgate with producers Avi Lerner, Kevin King Templeton, Yariv Lerner and Les Weldon. The film stars Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, and Adriana Barraza.
In Bowie, Arizona on his father's horse ranch John Rambo (Sylvester Stallone) lives with his old friend Maria (Adriana Barraza) and her granddaughter Gabriela (Yvette Monreal), eleven years after the events in Burma. Against Rambo and Maria's wishes, Gabriela ventures to Mexico to find her estranged father when her friend Gizelle finds his location. In Mexico she is drugged and kidnapped by a Mexican Cartel and now Rambo must do everything he can to save her.
I have to say that before I saw this movie I was hearing bad things from reviewers and critics. That made me lower expectations before I saw it but what I took away from it was that it was going to be lacking story wise but definitely shouldn't be lacking in action. Then I was very surprised to learn that the creator of Rambo said that the movie wasn't good. Now I wasn't sure if I was going to enjoy the movie. After watching it, I have to say that this movie was good. I have to be honest and say that usually I'm a sucker for revenge movies but this movie was better than what I thought it would be. The plot, of course was very simple but for the story it was trying to tell, it didn't need to be complicated. The acting was alright, some actors could have done a better job. Stallone did a decent job reprising John Rambo. The setting when they travel to Mexico was pretty realistic and I really liked his ranch in Arizona that was the backdrop for the third act of the movie. The action was really brutal and gory which was expected as the last installment in the franchise Rambo was also equally brutal. All in all I thought this movie was pretty good, I give it a 7/10.
In Bowie, Arizona on his father's horse ranch John Rambo (Sylvester Stallone) lives with his old friend Maria (Adriana Barraza) and her granddaughter Gabriela (Yvette Monreal), eleven years after the events in Burma. Against Rambo and Maria's wishes, Gabriela ventures to Mexico to find her estranged father when her friend Gizelle finds his location. In Mexico she is drugged and kidnapped by a Mexican Cartel and now Rambo must do everything he can to save her.
I have to say that before I saw this movie I was hearing bad things from reviewers and critics. That made me lower expectations before I saw it but what I took away from it was that it was going to be lacking story wise but definitely shouldn't be lacking in action. Then I was very surprised to learn that the creator of Rambo said that the movie wasn't good. Now I wasn't sure if I was going to enjoy the movie. After watching it, I have to say that this movie was good. I have to be honest and say that usually I'm a sucker for revenge movies but this movie was better than what I thought it would be. The plot, of course was very simple but for the story it was trying to tell, it didn't need to be complicated. The acting was alright, some actors could have done a better job. Stallone did a decent job reprising John Rambo. The setting when they travel to Mexico was pretty realistic and I really liked his ranch in Arizona that was the backdrop for the third act of the movie. The action was really brutal and gory which was expected as the last installment in the franchise Rambo was also equally brutal. All in all I thought this movie was pretty good, I give it a 7/10.
Emma @ The Movies (1786 KP) rated Body Cam (2020) in Movies
Feb 20, 2021
I'd been seeing this floating around for a while and finally decided to give it a go, I was intrigued by the mix of genre with Mary J. Blige in the top spot.
An unexpected death on what should have been a routine traffic stop leads a cop down a dangerous path to uncover the truth within her own department.
Body Cam is where cop thriller meets horror... in an intriguing and slightly disappointing way... as I write that, disappointing doesn't feel like the right word. Maybe it is just unusual, I don't remember seeing anything like this combined before.
The combination of footage works very well, it added to the suspense for me and I liked the cuts between body cam/CCTV, real life and unexplained. It allowed for a lot to be held in reserve for later in the film.
If you combine that with the effects it gives quite a strong foundation for everything. The palette was dark, but that helped to make some of the effects shine with drama and suspense. The one scene that particularly liked was set in the convenience store, but I don't want to spoil that for you. As a warning, the film is rather gory and there's the appearance of bugs at one point, it doesn't feel like it holds back.
Normally I'd talk about the acting early in my reviews, but if I'm honest, this is where the film seems to be lacking. I can't really pick out anyone to mention as being standout. That and a slightly uninspiring script didn't do this story justice.
The one thing that I take away from Body Cam is the idea of it, and that one particular scene. It makes me think, but about what I would have liked to see rather than what I did see. I'd be interested to know what you think if you've seen this one... I would have liked to see the film in silence apart from the cam footage and music... but that's just the weird feeling in my head.
Body Cam has the basis of something great, and the execution of the technical aspects felt impressive, but it lacked a spark to elevate it above everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/body-cam-movie-review.html
An unexpected death on what should have been a routine traffic stop leads a cop down a dangerous path to uncover the truth within her own department.
Body Cam is where cop thriller meets horror... in an intriguing and slightly disappointing way... as I write that, disappointing doesn't feel like the right word. Maybe it is just unusual, I don't remember seeing anything like this combined before.
The combination of footage works very well, it added to the suspense for me and I liked the cuts between body cam/CCTV, real life and unexplained. It allowed for a lot to be held in reserve for later in the film.
If you combine that with the effects it gives quite a strong foundation for everything. The palette was dark, but that helped to make some of the effects shine with drama and suspense. The one scene that particularly liked was set in the convenience store, but I don't want to spoil that for you. As a warning, the film is rather gory and there's the appearance of bugs at one point, it doesn't feel like it holds back.
Normally I'd talk about the acting early in my reviews, but if I'm honest, this is where the film seems to be lacking. I can't really pick out anyone to mention as being standout. That and a slightly uninspiring script didn't do this story justice.
The one thing that I take away from Body Cam is the idea of it, and that one particular scene. It makes me think, but about what I would have liked to see rather than what I did see. I'd be interested to know what you think if you've seen this one... I would have liked to see the film in silence apart from the cam footage and music... but that's just the weird feeling in my head.
Body Cam has the basis of something great, and the execution of the technical aspects felt impressive, but it lacked a spark to elevate it above everything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/body-cam-movie-review.html
Kristy H (1252 KP) rated Lola on Fire in Books
Feb 25, 2021
A dark, fast-paced thriller
Brody Ellis has lost his job: desperate for cash to pay rent and to help take care of his younger sister, he robs a gas station. On his way out, he bumps into a woman. It's only once he's home that the realizes he's lost his wallet. He's waiting for the cops to arrest him when he receives a call. A woman named Blair Mayo, the one whom he ran into, has the wallet. She'll return it if he'll do something in return: steal her late mother's diamonds from her father's hateful new wife. But when Brody executes Blair's plan, he finds something else: a murdered woman and a security camera watching his every move. After he flees, slipping in blood, Blair tells him someone has already taken care of the footage. The woman's husband, the notorious mobster Jimmy Latzo. But he wants his own special revenge on Brody (and his sister, Molly, by default). The two flee, with the mob hot on their tail, and get caught up in a tangled web that involves Jimmy, Blair, and a woman named Lola Bear who came up against Jimmy years ago.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
Jesters_folly (230 KP) rated Saw: The Final Chapter (2010) in Movies
Apr 29, 2021
Contains spoilers, click to show
This is it, the Final Saw film (it's not), It even says it in the title, Saw: The Final Chapter (but it's really not.)
After escaping the reverse bear trap placed on him by Jill in the previous film, Detective Hoffman is out for revenge, whilst also running another game or two (Where does he find the time?)
I think this may be the most outrageous Saw film yet, Jill is having nightmares about being ripped apart, there is a Jigsaw survivor group and Hoffman goes over the top with the traps and then decides it's easier to just go on a killing spree. Honestly if he'd decided to do that two films ago we could have saved ourselves a lot of time.
As usual, the traps are interesting and gory with three 'games' played this time (maybe four or even five, depending on what you class as a game) although I'm not sure about the machine gun.
There isn't the backstory in the same way as the other films, not until the end of the film anyway as 'The final chapter' concentrates on the new player of the game and Hoffman's hunt for Jill and yet 'Saw: The final Chapter' still manages to bring the story full circle, with the help of another of John's recruits.
If it's possible I think that this is the most violent of the Saw films (up to now) as we not only have three main games but Hoffman's killing spree and the machine gun and the return of the original bear trap.
For a film that calls itself 'The Final Chapter' it leaves itself quite open, there seems to be an increase in the 'pig' population as well as the return of an old character as a new (old) disciple.
I do like the fact that Jigsaw (John) died in the third film and was never brought back (or faked his death) and the ways that the new disciples are weaved (retconned) into the back story, I think bringing John back would have been a mistake.
Anyway now I've finished the Saw films it's time for, Oh Jigsaw because films don't know the meaning of the word final (especially as there is ninth film out this year (2021)) oh well, on with the gore.
After escaping the reverse bear trap placed on him by Jill in the previous film, Detective Hoffman is out for revenge, whilst also running another game or two (Where does he find the time?)
I think this may be the most outrageous Saw film yet, Jill is having nightmares about being ripped apart, there is a Jigsaw survivor group and Hoffman goes over the top with the traps and then decides it's easier to just go on a killing spree. Honestly if he'd decided to do that two films ago we could have saved ourselves a lot of time.
As usual, the traps are interesting and gory with three 'games' played this time (maybe four or even five, depending on what you class as a game) although I'm not sure about the machine gun.
There isn't the backstory in the same way as the other films, not until the end of the film anyway as 'The final chapter' concentrates on the new player of the game and Hoffman's hunt for Jill and yet 'Saw: The final Chapter' still manages to bring the story full circle, with the help of another of John's recruits.
If it's possible I think that this is the most violent of the Saw films (up to now) as we not only have three main games but Hoffman's killing spree and the machine gun and the return of the original bear trap.
For a film that calls itself 'The Final Chapter' it leaves itself quite open, there seems to be an increase in the 'pig' population as well as the return of an old character as a new (old) disciple.
I do like the fact that Jigsaw (John) died in the third film and was never brought back (or faked his death) and the ways that the new disciples are weaved (retconned) into the back story, I think bringing John back would have been a mistake.
Anyway now I've finished the Saw films it's time for, Oh Jigsaw because films don't know the meaning of the word final (especially as there is ninth film out this year (2021)) oh well, on with the gore.
LeftSideCut (3778 KP) rated Mortal Kombat (2021) in Movies
May 7, 2021
Contains spoilers, click to show
After all the hype I tried desperately hard not to buy into, Mortal Kombat turned out to be exactly what I expected...
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
The whole film suffers from an excruciatingly piss poor script (with the exception of Kano's anal bead comment at Lui Kang of course). Every character gets to announce their name unnecessarily at every opportunity, phrases from the game are shouted when the they don't really make sense in the moment, and the narrative is just about held together by bizarre edits and cuts. I can only assume that anyone not familiar with the source material may have a few issues following what the fuck is going on at certain points, even when the pacing takes a hard dip around the mid point.
Having Cole (a non-game character written for the movie) as the main lead is a shot in the foot - the character himself isn't unlikable by any stretch, but he's a little bland, and his inclusion means that a lot of familiar characters are sort of pushed to the side, and moulded around his story. Without naming names, unless they do some ret-conning in the inevitable sequels, I take issues with a few big characters being killed off so early in a proposed franchise. If these deaths stick, then there's some seriously wasted content being thrown away.
All of these negatives however are surrounded by a number of positives. For the most part, the fight scenes are entertaining enough, but the climactic duels are pretty damn awesome. The action is complimented with decent CG work (I kind of miss weird-puppet Goro but he did look pretty great in this one).
The gory moments are pretty full on as they should be and the cast are pretty solid. Some great turns from Hiroyuki Sanada, Max Huang, and Josh Lawson in particular. The film manages to pack in a tonne of references to the wider MK lore as well which is a nice touch for fans.
Overall, Mortal Kombat is dumb and trashy, but manages to be a whole heap of fun with some spectacular violence to boot. It might not be the best video game adaption out there, but it's a far cry from being a bad one.
Between this, Sonic, and Detective Pikachu, I truly, and possibly naively, hope that the era of shit video game films has passed - all eyes on Uncharted to carry on the trend.
Matthew Krueger (10051 KP) rated The Fly (1986) in Movies
Sep 10, 2020
Buzz Buzz
The Fly is a excellent remake of the 1958 version. Cronenberg does it again. All of his 80's films are excellent. I mean the gore, the violence, the horror, the suspense, the thrills, the sci-fi, the visuals, the terror and the acting.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
The Plot: When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to a merger of man and insect. Initially, Brundle appears to have undergone a successful teleportation, but the fly's cells begin to take over his body. As he becomes increasingly fly-like, Brundle's girlfriend (Geena Davis) is horrified as the person she once loved deteriorates into a monster.
The Fly was critically acclaimed, with most praise going to Goldblum's performance and the special effects. Despite being a gory remake of a classic made by a controversial, non-mainstream director, the film was a commercial success, the biggest of Cronenberg's career, and was the top-grossing film in the United States for two weeks, earning a total domestic gross of $40,456,565.
Film critic Gene Siskel named The Fly as the tenth best film of 1986. In 1989, Premiere and American Film magazines both conducted independent polls of American film critics, directors and other such groups to determine the best films of the 1980s, and The Fly appeared on both lists.
In 2008, the American Film Institute distributed ballots to 1,500 directors, critics and other people associated with the film industry in order to determine the top ten American films in ten different genre categories. Cronenberg's version of The Fly was nominated under the science fiction category, although it did not make the top ten. It was also nominated for AFI's 100 Years... 100 Thrills and AFI's 100 Years...100 Passions and Veronica's warning to Tawny in the film—"Be afraid. Be very afraid."—was nominated for AFI's 100 Years... 100 Movie Quotes.
The quote "Be afraid. Be very afraid." was also used as the film's marketing tagline, and became so ingrained in popular culture (as it—and variants—have appeared in countless films and TV series) that a large number of people who are familiar with the phrase are unaware that it originated in The Fly.
Its a excellent movie.
LeftSideCut (3778 KP) rated Fright Night (1985) in Movies
Jan 19, 2021
Fright Night absolutely epitomizes everything that is great about its era and genre. Its just flat out top tier 80s horror.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.