Sign up
Search
Advanced search settings

Search only in certain items:

Search results
All (1702)
Content
People
Apps
Books
Orbs
Movies
Music
Podcasts
Shows
Tabletop Games
Tech
TV
Video Games
YouTube Channels
Videos
    Secret (2009)

    Secret (2009)

    (0 Ratings) Rate It

    Movie

    Sung-ryeol is a detective in charge of violent crimes. He is an upright man, but is having an affair...

40x40

Lyndsey Gollogly (2893 KP) rated The Trees Grew Because I Bled There in Books

Apr 14, 2024  
TT
The Trees Grew Because I Bled There
Eric La Rocca | 2024
8
8.0 (1 Ratings)
Book Rating
71 of 220
Book
The Trees Grew Because I Bled There: collected stories
By Eric LaRocca
⭐️⭐️⭐️⭐️

Eight stories of dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. A woman imagines horrific scenarios whilst caring for her infant niece; on-line posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution…

This was a compilation of stories from a very talented authors. You get taken on a journey with these short stories. A few stories stood out from the crowd! The Strange things we become a story of how cancer destroys everything it touches and plays with the mind.
You’re not supposed to be here l, I think this is my favourite of them all a parents worst nightmare and a dark tale of secrets and desperation.
I’d also mention Where Flames Burned as Grass, would you sacrifice your child on the word of a complete stranger?

Really enjoyed these stories and the writing style.
  
40x40

Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music

Mar 3, 2020 (Updated Aug 6, 2020)  
Ghosteen by Nick Cave & The Bad Seeds
Ghosteen by Nick Cave & The Bad Seeds
2019 | Alternative, Indie
8
8.5 (2 Ratings)
Album Rating
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.

Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.

It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.

As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.

At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.

Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.

For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.