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Neon's Nerd Nexus (360 KP) rated Widows (2018) in Movies
May 13, 2019
Perfection
#widows is this years biggest surprise. Just like a punch to the gut its full of #pain, suffering an overload of #emotion & shock. My goodness what an exceptional & #stunning piece of work this is. As soon as the film opened is was hanging off my seat, with an opening which not only sets the stage for what's to come but showcases just how talented #stevemcqueen is as a director. This calm before the storm style of directing works so well that it constantly lulls you into a false sense of security (by using #beautiful/unique camera work, a powerful score, subbtle #humour, interesting characters & deep character connections) to pull you in which are then followed instantly by incredibly tense action or scenes of #brutal #violence or shocking emotional breakdowns which hit you hard like a slap across the face. Long but never once #boring this is such a heavy, bleak & #depressing film not only about grief, loss, #broken trust & #survival but also about #racism, corruption, power abuse & the using of money & #religion as a control tool. I dont want to spoil to much because its best to go in blind here to feel the full impact of the #film & its twists. #Widowsmovie is so powerful & full of so much depth I felt like id been hit by a train walking out. Everything flows together so perfectly here from its pacing to its plot & its cinematography right down to its sound & set design. Theres also stellar acting all across the board here & i mean seriously impressive preformances by a good chunk of the cast which makes sure each & every characters pain, grief & struggle through #life is felt deeply, making it at times increadibly #heartbreaking & tuff to watch. This film overall was such an engaging/draining & absorbing thrill ride full of intelligent & current themes that I cant wait to see it again & delve deeper into its layers. Absolutely mind blowing & one of the most tense & well constructed #heist films ive seen in a long long time. #odeon #odeonlimitless #filmbuff #filmcritic #thursdaythoughts #violadavis #collinfarrell #liamnesson #danielkaluuya #love
Katie Guinn (34 KP) rated Goodbye Days in Books
Dec 7, 2018
Where do I start with this book? I read Jeff Zentner’s debut novel, The Serpent King, last year and I absolutely loved it, I’m talking one of my favorite reads of the year. And after finishing his follow-up novel, it’s safe to say that he’s becoming an auto-read author for me. The story opens with Carver Briggs (named after Raymond Carver and nicknamed Blade, how cool is that?) attending the funerals of his three best friends who were killed in an auto accident while texting Carver. As you can imagine, Carver is constantly plagued by guilt, grief, and the threat of possible prosecution. Every time I picked up this book, I immediately had a lump in my throat, the emotion was so real and so raw. Throughout the course of the book, Carver has “goodbye days” with each of his friends’ families, sharing memories and trying to make peace with his loss. They were the hardest parts to read, but also the most beautiful, where you could really feel Carver’s love for his friends and the depth of his grief.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
One of my favorite things about Jeff Zentner is how he writes his characters. Carver and his friends, The Sauce Crew, feel like real teenage boys, sometimes cringingly so. Zentner writes misfits and outcasts as only someone who has been there can; honestly and compassionately. His prose sometimes feels almost poetical, lyrical; which makes sense. He’s also a guitarist and songwriter with five albums under his belt, who’s recorded with Iggy Pop and Debbie Harry. His love for music is a common thread in his books, both of which feature musicians and the power of music to heal and inspire. (The music-related Serpent King cameo was possibly my favorite thing in this novel)
While I didn’t love this one quite as much as The Serpent King, it was still a five star read for me and I recommend it if you’re a YA contemporary fan or if you just enjoy having your heart ripped out of your chest and shredded into confetti multiple times.
Kristy H (1252 KP) rated Hazel Bly and the Deep Blue Sea in Books
Jul 8, 2021
A beautiful story about love and loss
Hazel Bly lived a great life with her Mum and Mama until a kayaking accident. Then her Mum died, leaving Hazel with a scar on her face and terrible anxiety. She wants nothing more than to keep her little sister Peach safe. The Blys move around a lot now. Two years after the accident, they are in Maine. It turns out that one of their new neighbors is her Mama's old childhood friend, Claire. The introduction of Claire into Hazel's world--along with her chatty daughter Lemon--makes Hazel feel unsettled. Plus Lemon is fixated on a local legend, the Rose Maid, a mermaid often seen in the waters. Hazel notes a resemblance between herself and Rose and soon she finds herself as fascinated by the mermaid as Lemon. Because sometimes everyone needs to believe in a little magic, especially when their world is crumbling around them.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
"Now it's two and one, with me as the odd one out."
Oh this book is excellent-- an absolutely stunning read, which captures grief and loss so viscerally. I truly felt traumatized at times on Hazel's behalf. With the death of her Mum, she is so afraid something will happen to Peach, or even her Mama, and this fear comes through the pages so strongly. It's heartbreaking. Her fear of being happy again. You just want to wrap this sweet kid in your arms and hug her until everything is okay. Blake writes Hazel so well, and her grief, passion, and emotions come across so well.
Everything in this book is amazing--the magical and whimsical myth of the Rose Maid; the diversity of the characters; and the total acceptance of Hazel's parents being gay and bi. It's not a big deal in this book for parents to be queer or friends to be nonbinary. How wonderful for a YA story.
This is an exceptional tale about family, love, loss, healing, and magic. It made me cry, but it left me hopeful too. It's touching and heartfelt. Highly recommend. 4.5 stars.
Hazel (2934 KP) rated Survivor's Guilt (DCI Matilda Darke #8) in Books
Sep 26, 2021
Having just finished Time is Running Out, the 7th in this series, and being absolutely blown away by it, I couldn't wait to get my grubby little mitts on this, the 8th in the brilliant Matilda Darke series and I wasn't disappointed in the slightest. What I will say is that I think it would be preferable to have read the 7th book before reading this one as this one picks the story up 9 months later and will provide an explanation as to why Matilda and other characters are acting as they are.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
This book follows 3 themes; the aftermath of the massacre that occurred in the previous book, the murder of prostitutes in Sheffield and the long-running theme of the kidnapping of Carl Meagan.
Once again, Michael writes a gripping story that moves at pace. There is violence and edge-of-the-seat moments; I took at sharp intake of breath when the murderer was revealed - I am usually quite good at figuring out who it is but this one absolutely blind-sided me and I actually gasped and said a few choice words that are not repeatable here as I try to avoid profanity in my reviews!
There is also compassion and tenderness and an authentic-feeling description of how grief and tragedy can affect people differently; it can bring you together or completely tear you apart and destroy you and those around you. Everyone is struggling to manage their grief but can they work together to catch the killer or are they too broken?
The characters are just brilliant and I particularly liked how Michael portrayed the prostitutes as "people" rather than the usual stereotypes which made a nice change; I absolutely loved Bev and Sarah. Matilda is, I admit, a difficult person to like in this book but given what she has endured, she is forgiven ... just this once!
Full of tension, suspense and emotion, this book and the series, is one that shouldn't be missed ... roll on number 9!
I am grateful to HarperCollins UK / One More Chapter via NetGalley for my copy in return for an honest, unbiased and unedited review.
Sean Farrell (9 KP) rated The Bird Eater in Books
Mar 15, 2018
I honestly wasn't looking to pick up another horror novel so soon after the last one, but seeing the glowing write-up on Amazon I couldn't resist. I have to agree with their editor and say it was pretty damn scary. The novel uses many familiar horror tropes in a story about a man returning to his possibly haunted childhood home after having had a rather traumatic experience. Is he seeing ghosts or is his grief making him insane? Not exactly a new idea, but it is executed very well, with engaging characters and frequently suspenseful scenarios. What sells the whole thing the most for me is the genuinely frightening "ghost". I can honestly say that for 2 consecutive nights, when I got out of bed to use the restroom, I was suddenly filled with trepidation about venturing into the dark hallway for fear it might be lurking in the shadows. And if that's not the sign of a successful horror story, then I don't know what is.
Erika Kehlet (21 KP) rated The Dead Lands in Books
Feb 21, 2018
***NOTE: I received a free copy of this book from NetGalley in exchange for an honest review***
The Dead Lands is at its core a story of survival in the face of apparently insurmountable obstacles - survival not just of a few individuals, but of humanity itself.
The story starts out in Sanctuary, and then hops back and forth between there and the group of escapees who have set off in the hopes of discovering something better. Each member of the scouting party has his or her own personal reason for fleeing Sanctuary. For some, the struggle with their decision to leave causes them almost as much grief as the monsters, inhospitable climates, and other people they meet along the way.
This book had both the horror-road-trip feel of The Talisman, by Stephen King and Peter Straub, and the find-other-survivors-and-keep-the-human-race-going vibe of The Passage, by Justin Cronin. (Both of which I highly recommend if you have not already read them!) It was a suspenseful, thought-provoking tale and I really enjoyed it.
The Dead Lands is at its core a story of survival in the face of apparently insurmountable obstacles - survival not just of a few individuals, but of humanity itself.
The story starts out in Sanctuary, and then hops back and forth between there and the group of escapees who have set off in the hopes of discovering something better. Each member of the scouting party has his or her own personal reason for fleeing Sanctuary. For some, the struggle with their decision to leave causes them almost as much grief as the monsters, inhospitable climates, and other people they meet along the way.
This book had both the horror-road-trip feel of The Talisman, by Stephen King and Peter Straub, and the find-other-survivors-and-keep-the-human-race-going vibe of The Passage, by Justin Cronin. (Both of which I highly recommend if you have not already read them!) It was a suspenseful, thought-provoking tale and I really enjoyed it.
ashezbookz (32 KP) rated History Is All You Left Me in Books
Jul 5, 2018
Alright - second book of Silvera, first book I read was actually they both die at the end - which perhaps if I read them from first book to current I would have been more inclined to appreciate this one.
I did like it - it was alright, middle of the road goodness - it was both heartbreaking and sweet all at once.
The beginning started off great (as much as the book was about anyway) and the beginning kind of waned for me, I get that he was grieving but there was a lot of poor me going on with him and I felt that was a bit much.
The end was great though, I was happy it ended the way it did - I felt like he kind of went through the stages of grief almost throughout the course of the book which was interesting to read, his emotions and actions corresponding to each of them and why he acted how he did during each event past/present.
Good read, not the best read though (for me.....)
I did like it - it was alright, middle of the road goodness - it was both heartbreaking and sweet all at once.
The beginning started off great (as much as the book was about anyway) and the beginning kind of waned for me, I get that he was grieving but there was a lot of poor me going on with him and I felt that was a bit much.
The end was great though, I was happy it ended the way it did - I felt like he kind of went through the stages of grief almost throughout the course of the book which was interesting to read, his emotions and actions corresponding to each of them and why he acted how he did during each event past/present.
Good read, not the best read though (for me.....)
LeftSideCut (3778 KP) rated Nomadland (2020) in Movies
May 2, 2021
Nomadland is a perfect example of cinema about people. The very real people that surround Frances McDormand's Fern are the very heart of this story, as it explores grief, and what it means to leave everything behind, and live out in the wilds, as a nomad. Its narrative feels very human, authentic, and is suitably heartwarming whilst being drenched in melancholy.
McDormand is fantastic as she tends to be. Her performance here is one that comes from someone who has perfected their craft.
The cinematography on display is quite simply stunning. Nomadland is overflowing with beautiful shots and vistas. Chloé Zhao has given us a visual feast to go along with everything else, and it's complimented by a gorgeous music score.
I honestly can't think of a single bad thing to say about Nomadland. I can understand why it might not be for everyone, but I found it to be a wonderful experience. A story that deserves to be told and one that made me question what I'm doing with my own life. Fully deserves all the praise it's getting.
McDormand is fantastic as she tends to be. Her performance here is one that comes from someone who has perfected their craft.
The cinematography on display is quite simply stunning. Nomadland is overflowing with beautiful shots and vistas. Chloé Zhao has given us a visual feast to go along with everything else, and it's complimented by a gorgeous music score.
I honestly can't think of a single bad thing to say about Nomadland. I can understand why it might not be for everyone, but I found it to be a wonderful experience. A story that deserves to be told and one that made me question what I'm doing with my own life. Fully deserves all the praise it's getting.
LoganCrews (2861 KP) rated The Rhythm Section (2019) in Movies
Sep 21, 2020
A weird, gross, seedy, nonsensical piece of tough-as-nails fluff that I found to be immensely enjoyable. In terms of both its looks and its writing, it plays a whole lot less like Reed Morano's heartbreaking portrait of grief in 𝘔𝘦𝘢𝘥𝘰𝘸𝘭𝘢𝘯𝘥 and a *lot* more like Ang Lee taking a stab at 𝘗𝘦𝘱𝘱𝘦𝘳𝘮𝘪𝘯𝘵. The main critique (besides the fact that this movie is illiterate pace-wise and makes not a drop of sense - both perfectly valid) seems to be that this didn't take the route of generic actioner, to which I reply with a resounding... lmfao k. Visually fetching, and that score *slaps* - not to mention the action is swift and brutal, that car chase is an all-fucking-timer. Amounts to a globetrotting asskicker where Blake Lively sleeps and stumbles around gorgeous locations while beating the shit out of and verbally chastising every man she comes across, we love to see it. Like a delectably oafish hybrid of 𝘏𝘢𝘺𝘸𝘪𝘳𝘦 and 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯, which you can sign me right the hell up for.
LoganCrews (2861 KP) rated Things You Can Tell Just by Looking at Her (2000) in Movies
Sep 20, 2020
Back when every studio drama wanted to be indie real bad (when we got shit like J-Lo's 𝘈𝘯𝘨𝘦𝘭 𝘌𝘺𝘦𝘴 for example) and when hyperlink movies were king. This really could have been something, but instead it leans way too close into the template for all the movies this is ripping off (one-quirk characters overexplaining the themes to the leads and - by extension - the viewers, long writerly conversations that exist solely for decoration, cloying symbolism, purposefully disappointing non-resolutions, etc.) All but completely throws aside the lives of these unique, incredibly intriguing women in favor of having their stories revolve around some lackluster romance - pretty much defining them all by it in the end. For shame. Not entirely unpleasant, of course the ensemble is stuffed with amazing talent, it has a nice cadence and some decent scenes here and there. But as far as I'm concerned Rodrigo García should be fired for continually swinging and missing by turning these potentially thought-provoking stories into underwritten, tiresome (and borderline offensive) grief exploitation.