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Taking Root (The Eros Tales #1)
Taking Root (The Eros Tales #1)
Katherine McIntyre | 2019 | Contemporary, Romance, Thriller
10
10.0 (1 Ratings)
Book Rating
Taking Root (Eros Tales #1) by Katherine McIntyre
TAKING ROOT is the first book in the Eros Tales, and this promises to be a fantastic new series.

Danny's life was turned upside down when she was seventeen. Since then, she has travelled the States, never setting down roots, and never knowing when she will be moving on. She is sent to a town so very close to where she grew up, knowing the risks she will have to take if she meets anyone she once knew. She wasn't counting on the steadfast stubbornness of one Adrian Dukas though.

This was brilliantly written, showing Danny's loneliness and the trials and tribulations she has lived through, without it detracting from the current set up. Also, you get enough details about her father to make it horrific, without it going into information overload. There were no editing or grammatical errors that disrupted my reading, and I found the pacing to be very smooth. With no plot holes I fell through, this was a gripping story from start to finish.

I loved the Dukas family, and I sincerely hope we will be seeing more of them. Absolutely recommended by me.
  
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Awix (3310 KP) rated Parasite (2019) in Movies

Feb 14, 2020  
Parasite (2019)
Parasite (2019)
2019 | Drama
Dazzling Korean jet-black comedy-thriller lives up to the hype. A clan of Seoul low-lives insert themselves with ruthless ingenuity into the comfortable lives of a wealthy family. Soon they are living much larger than they could ever have dreamt - what could possibly go wrong? (Well, plenty, of course.)

Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.