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Dianne Robbins (1738 KP) rated Lady Killers: Deadly Women Throughout History in Books
Sep 3, 2018
I received an uncorrected proof of a true-crime book about female serial killers by Tori Telfer called Lady Killers: Deadly Women Throughout History to peruse and review on Goodreads and Amazon. The book won’t released until October 10, 2017, by Harper Perennial, and I am so thrilled to be one of the few who get to read it first.
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Chris Sawin (602 KP) rated Martyrs (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
As a young girl, Lucie was able to escape certain death as she was held captive and tortured onto the brink of death. Now, fifteen years later, she seeks revenge on those who hurt her emotionally, physically, and mentally. The only person she's ever been close to is, her friend, Anna. As Lucie leaves a path of destruction and mayhem on her quest for revenge, Anna is dragged along to help pick up the pieces. In an odd twist, Lucie is haunted by a woman whose sole purpose is to hurt her, but only shows up after Lucie unleashes all of her built up pain and anger. Anna begins to question Lucie's sanity as things take a turn for the worst. That is until Anna discovers the chained up woman in the basement...
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Martyrs wasn't really what I was expecting at all. I was expecting something along the lines of Haute Tension and À l'intérieur since it's classified as a French horror film. I was left with something completely different as Martyrs tends to be on a level all on its own. It is extremely brutal. I've heard it is more along the lines of Irréversible, but since I haven't seen that I can't really elaborate on it. It left with me with the same feeling The Girl Next Door did. This uneasiness that made me question sitting through the movie again anytime soon. Yet, at the same time, not many horror films are capable of making me feel this way. So I'm not really sure if I should view this as a flaw or a virtue. It also reminded me of Hostel, at times, especially the closing act of the film. Before people grown or anything, let me explain. It reminds me of Hostel if it was done correctly and focused on young girls the entire time. For me, Hostel had an excellent idea but was executed the wrong way. Martyrs pretty much brought what I had in mind for that film to life and did it better. Martyrs is definitely its own film, but its influences and/or homages seem to stick out like a sore thumb to someone who watches a lot of films and/or reviews them.
On first viewing, I can't really say if I liked why this was being done to these girls. It is explained and as it makes sense on one hand, it seems a bit farfetched on the other. It may grow on me during repeat viewings, but it didn't really sit well with me this particular time. The brutality in the film isn't always what is shown on screen either. There's a scene where this bulky guy is beating the snot out of this girl; just punching her in the face repeatedly as hard as he can. You can't really see the damage he's doing to her, but you can hear it and you can tell he's giving her quite a beating. During one of the more gruesome parts, the sound almost completely fades away and the shot relies completely on the girl's facial expressions as you see her begin to shake. As disturbing as it was, it was interesting seeing anguish portrayed a bit differently as the film went on.
Martyrs definitely delivers in more than one department. Those who are looking for another sick, twisted, and brutal French horror film won't be disappointed and let's just say the film lives up to the meaning of its title. Be advised that this is on the same brutality level as High Tension and there are plenty of scenes to cringe to and scream at in this film.
Gareth von Kallenbach (971 KP) rated Scream 4 (2011) in Movies
Aug 7, 2019
Over a decade ago, director Wes Craven and writer Kevin Williamson breathed new life into what had become a very stagnant horror genre with the release of Scream. The film was a clever twist on the killer-on-the-loose theme that had dominated the genre since the 80s and scored huge with audiences who loved the twists and turns of the film as well as the characters who quoted rules for surviving a horror film. With the huge success of the film, two sequels followed. But by the time Scream 3 was released, the series had lost its momentum and was becomeing the very cliche of a horror film that the series had originally made fun of.
Now in 2011, Craven and Williamson have returned with Scream 4, which is the planned first film in a new trilogy for the series with hopes to breath new life in a genre that has once again grown stale with ghost films and the so-called torture porn of the Saw films. Scream 4 is set 10 years after the events of the first film, and with a new book to promote, Sidney Prescott (Neve Campbell), has returned to Woodsboro as a best-selling author, thanks to her book on self-empowerment, a direct result of her experiences in the previous three films.
The return of Sidney is a happy moment for Sherrif Dewey Riley (David Arquette), but not so much for his wife Gale (Courtney Cox), who is facing a bad case of writer’s block and is not exactly thrilled with her fade from the spotlight and life as the wife of the sheriff in the small town. Things get shaken up when a couple of gruesome murders are discovered and before long Sidney is being targeted by a killer who seems to be repeating the pattern of killing that had haunted her in the past.
When the killer strikes again and taunts Sidney with a disturbing phone call, Gale sees the chance to regain her former glory and despite the wishes of her husband Dewey, sets out to solve the mystery of the killer before it is too late.
What follows is a twisting and turning plot that has you seeing suspects everywhere as the body count piles up.
The film introduces some new faces into the series and Hayden Panettiere and Emma Roberts make the best of their roles and actually bring some depth to their characters. Of course there are numerous horror and pop culture references in the film which not only lighten the tension but help with the plot. The killings are graphic and the mix of comedy and horror is in good balance. As usual, people are really dumb just before they get theirs and do not do things like phone for help, take a safer route, and so on, but the film is still enjoyable from a horror fan’s perspective.
There are some nice celebrity cameos in the film and while the film did drag a bit in the final act before the conclusion, the film did redeem itself in the end. While it is not in danger of being cited for a deep plot, original story, or deep characters with wide character arcs, Scream 4 knows who its target audience is and what the audience expects. Some may say the series stayed away top long and has lost its edge and simply repeats the pattern and plot lines we’ve seen in the previous films. In the end, despite some issues, Scream 4 delivers a welcome return to the franchise and paves the way for future sequels in a manner which should delight fans of the genre and franchise.
Now in 2011, Craven and Williamson have returned with Scream 4, which is the planned first film in a new trilogy for the series with hopes to breath new life in a genre that has once again grown stale with ghost films and the so-called torture porn of the Saw films. Scream 4 is set 10 years after the events of the first film, and with a new book to promote, Sidney Prescott (Neve Campbell), has returned to Woodsboro as a best-selling author, thanks to her book on self-empowerment, a direct result of her experiences in the previous three films.
The return of Sidney is a happy moment for Sherrif Dewey Riley (David Arquette), but not so much for his wife Gale (Courtney Cox), who is facing a bad case of writer’s block and is not exactly thrilled with her fade from the spotlight and life as the wife of the sheriff in the small town. Things get shaken up when a couple of gruesome murders are discovered and before long Sidney is being targeted by a killer who seems to be repeating the pattern of killing that had haunted her in the past.
When the killer strikes again and taunts Sidney with a disturbing phone call, Gale sees the chance to regain her former glory and despite the wishes of her husband Dewey, sets out to solve the mystery of the killer before it is too late.
What follows is a twisting and turning plot that has you seeing suspects everywhere as the body count piles up.
The film introduces some new faces into the series and Hayden Panettiere and Emma Roberts make the best of their roles and actually bring some depth to their characters. Of course there are numerous horror and pop culture references in the film which not only lighten the tension but help with the plot. The killings are graphic and the mix of comedy and horror is in good balance. As usual, people are really dumb just before they get theirs and do not do things like phone for help, take a safer route, and so on, but the film is still enjoyable from a horror fan’s perspective.
There are some nice celebrity cameos in the film and while the film did drag a bit in the final act before the conclusion, the film did redeem itself in the end. While it is not in danger of being cited for a deep plot, original story, or deep characters with wide character arcs, Scream 4 knows who its target audience is and what the audience expects. Some may say the series stayed away top long and has lost its edge and simply repeats the pattern and plot lines we’ve seen in the previous films. In the end, despite some issues, Scream 4 delivers a welcome return to the franchise and paves the way for future sequels in a manner which should delight fans of the genre and franchise.
Charlie Cobra Reviews (1840 KP) rated #Alive (2020) in Movies
Oct 30, 2020
The Acting (1 more)
The Special Effects and CGI
Not much (1 more)
Possibly some continuity errors
A Gripping Tale of Surivival
Contains spoilers, click to show
This movie was really good. I like how it seemed really relatable especially because of his isolation and what a lot of people are dealing with right now during the pandemic. I thought it was pretty well done. I did kind of notice that although it was pretty mature in nature it seemed more of a "pg-13"-ish movie instead of a rated- R one. I mean it had plenty of violence and blood. There were even some really good effects for the zombies and some gruesome scenes. For being such a self contained movie plot wise it was pretty good and the action scenes were pretty realistic. I have more to say in the spoiler section but for now I'm giving this movie a 8/10. I would give it my must see seal of approval but I felt that it being a foreign film not everyone would like it as much as I did.
Spoiler Section Review:
This movie was really good. I was surprised with how much I liked it. As I said earlier it seemed really relatable because of the isolation so many people have dealt with during the pandemic. Also the main character Oh Joon-woo was very likeable and I was rooting for him from the beginning. His situation is bleak as things go from bad to worse pretty fast. First he can't get a hold of his parents, then he runs out of food, the internet goes out, the water is cut and then the power goes out. Oh and that scene with the lady cop getting killed was just horrible. I mean for me personally getting eaten alive is one of my worst fears, and when she hesitates to shoot herself and then gets dragged away was just terrible. At 10 days he starts running out of food, at 15 days he hasn't eaten in like 4 or 5 days already. He gets a message from his parents where it sounds like they are attacked and killed. And then he decides to kill himself by hanging himself and that's when he finds out he's not alone. A neighbor from the apartment complex Yoo-bin gets him to save himself by contacting him with a laser pointer letting him know he's not alone. They begin getting to know each other and helping each other by sending supplies back and forth after he gets a drone to send a rope over. Yoo-bin is a pretty cool character and definitely kicks ass. The way she exits her apartment when they make a run for the 8th floor and just rappels down in one go was beast. There were a couple things that bothered me but not that much. Like one, I thought the power was lost for good when the city was bombed and the power went out but both Oh Joon-woo and Yoo-bin kept using his phone and her tablet to communicate from afar. Also he used his drone even though it was out of charge earlier. I did see that it was a different drone from the one earlier but still made me think. Also the girl officer whose death was so tragic. It looked like she dropped her ammo and was only able to load like maybe 2 bullets into it. Yoo-bin recovers the gun and uses it to kill the man on the 8th floor who lures them into a trap and his wife. And then later Oh Joon-woo uses it on the roof and shoots at least 2 more times if not 3. Anyways not a big deal. Like I said earlier this was a really good movie and I give it a 8/10.
Spoiler Section Review:
This movie was really good. I was surprised with how much I liked it. As I said earlier it seemed really relatable because of the isolation so many people have dealt with during the pandemic. Also the main character Oh Joon-woo was very likeable and I was rooting for him from the beginning. His situation is bleak as things go from bad to worse pretty fast. First he can't get a hold of his parents, then he runs out of food, the internet goes out, the water is cut and then the power goes out. Oh and that scene with the lady cop getting killed was just horrible. I mean for me personally getting eaten alive is one of my worst fears, and when she hesitates to shoot herself and then gets dragged away was just terrible. At 10 days he starts running out of food, at 15 days he hasn't eaten in like 4 or 5 days already. He gets a message from his parents where it sounds like they are attacked and killed. And then he decides to kill himself by hanging himself and that's when he finds out he's not alone. A neighbor from the apartment complex Yoo-bin gets him to save himself by contacting him with a laser pointer letting him know he's not alone. They begin getting to know each other and helping each other by sending supplies back and forth after he gets a drone to send a rope over. Yoo-bin is a pretty cool character and definitely kicks ass. The way she exits her apartment when they make a run for the 8th floor and just rappels down in one go was beast. There were a couple things that bothered me but not that much. Like one, I thought the power was lost for good when the city was bombed and the power went out but both Oh Joon-woo and Yoo-bin kept using his phone and her tablet to communicate from afar. Also he used his drone even though it was out of charge earlier. I did see that it was a different drone from the one earlier but still made me think. Also the girl officer whose death was so tragic. It looked like she dropped her ammo and was only able to load like maybe 2 bullets into it. Yoo-bin recovers the gun and uses it to kill the man on the 8th floor who lures them into a trap and his wife. And then later Oh Joon-woo uses it on the roof and shoots at least 2 more times if not 3. Anyways not a big deal. Like I said earlier this was a really good movie and I give it a 8/10.
Lyndsey Gollogly (2893 KP) rated Next Door in Books
Jun 10, 2021
82 of 250
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together 😂
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too 😂😂
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my attics’!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didn’t finish it I just got so bored after page 5! Just wasn’t catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although it’s a good lesson of don’t get involved with swinging neighbours 😂
10. Pornography by Matt Saw
Haha she didn’t see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short I’m throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Connor Sheffield (293 KP) rated Blackbeard in TV
May 28, 2017
Good cast (1 more)
Decent for a TV miniseries/movie
Not entirely accurate (2 more)
The characters and boats are far too clean
TV effects (or lack of) might spoil some scenes
Somewhat entertaining
So I was on the search for some more Pirate movies at my local DVD stores, in hopes of finding something with the effects of Pirates of the Caribbean, but a more serious plot like that of the Black Sails series. Something that feels more like how the golden age of piracy would seem, not quite as quirky and humorous as the Disney films, although I cannot fault them for they are some of my favourite movies. It was on my search, that I came across this, and my initial thoughts were that whilst it looked cheap, it could be an entertaining film. As it turns out, I discovered this was a TV miniseries, merged into roughly a 162 minute film.
It has some charm, I can say that much for it. The cast are decent with very few famous names, and the acting itself isn't dreadful. However, there seems to be some lacking in the actual filming and editing of the episodes/feature. It has a decent plot which involves a hunt for treasure, a hunt for justice and slight revenge, which makes the viewing, feel like a pirate experience should be, but there still seems to lack the proper visuals to complete the experience.
If you take a look at Pirates of the Caribbean, one aspect that makes those films so darn good is the visuals. The pirates are dirty, rotting teeth, golden teeth, dirty fingernails, and their ships are battle worn with scars in the woodwork and again, the dirt from barnicles, and land. The ships in this feature on the other hand, are the cleanest ships you'll see in a pirate themed show or movie, and they look as if they were freshly made straight from the ship builder themselves. There doesn't appear to be any barnicles clung onto them, nor are there any battle scars, even after you witness a battle in the beginning of the film. The pirates themselves are also clean, all with white teeth as though they visited a dentist and brushed their teeth with colgate or the next best brand. There's not a single sign of scurvy which was popular among pirates during the golden age, and I didn't really spot any scars from battles apart from the obvious ones where you witness a member of Blackbeards crew have part of his leg removed due to injury (you don't see the gruesome imagery, as it's 12 rated series). Other than that though, there no facial scars, no sign to tell us that Blackbeard has fought enough battles and lived through them to become reknowned as a devil instead of a man. We only see what appears to be a couple of weeks of him as a Captain, and yet he claims to already be known as the scurge of the seas, which is highly unlikely given that we only see him battle one ship and spend the rest of his time hunting treasure, never running across another opposing ship until the finale, which sees Blackbeard battle against a crew of Royal Navy soldiers led by Lieutenant Robert Maynard.
Whilst the plot had me intrigued for the most part, I can't say that this is a film I would 'Highly' recommend, but if you fancy watching a pirate movie, this could be somewhat sufficient until you find something else, despite some of the deaths in battle seeming very staged, as sometimes I would notice a sword being shoved theatrically into someones armpit, only for the victim of the blade to fall lifeless to the floor, some holding onto the blade as though left in their body, others being retrieved from the 'corpse' with no visible blood on the blade.
With very historical accuracy's, mostly about the legend of Captain Kidd, hiding treasure, and the title's that Blackbeard earned, before his life was taken by that of Robert Maynard, the location of his death, and some other less important factors, were dramatized for the series alone and should not be taken as historically accurate.
It's a decent film, but it's just not quite what I was hoping for, and certainly not as great as it could have been.
It has some charm, I can say that much for it. The cast are decent with very few famous names, and the acting itself isn't dreadful. However, there seems to be some lacking in the actual filming and editing of the episodes/feature. It has a decent plot which involves a hunt for treasure, a hunt for justice and slight revenge, which makes the viewing, feel like a pirate experience should be, but there still seems to lack the proper visuals to complete the experience.
If you take a look at Pirates of the Caribbean, one aspect that makes those films so darn good is the visuals. The pirates are dirty, rotting teeth, golden teeth, dirty fingernails, and their ships are battle worn with scars in the woodwork and again, the dirt from barnicles, and land. The ships in this feature on the other hand, are the cleanest ships you'll see in a pirate themed show or movie, and they look as if they were freshly made straight from the ship builder themselves. There doesn't appear to be any barnicles clung onto them, nor are there any battle scars, even after you witness a battle in the beginning of the film. The pirates themselves are also clean, all with white teeth as though they visited a dentist and brushed their teeth with colgate or the next best brand. There's not a single sign of scurvy which was popular among pirates during the golden age, and I didn't really spot any scars from battles apart from the obvious ones where you witness a member of Blackbeards crew have part of his leg removed due to injury (you don't see the gruesome imagery, as it's 12 rated series). Other than that though, there no facial scars, no sign to tell us that Blackbeard has fought enough battles and lived through them to become reknowned as a devil instead of a man. We only see what appears to be a couple of weeks of him as a Captain, and yet he claims to already be known as the scurge of the seas, which is highly unlikely given that we only see him battle one ship and spend the rest of his time hunting treasure, never running across another opposing ship until the finale, which sees Blackbeard battle against a crew of Royal Navy soldiers led by Lieutenant Robert Maynard.
Whilst the plot had me intrigued for the most part, I can't say that this is a film I would 'Highly' recommend, but if you fancy watching a pirate movie, this could be somewhat sufficient until you find something else, despite some of the deaths in battle seeming very staged, as sometimes I would notice a sword being shoved theatrically into someones armpit, only for the victim of the blade to fall lifeless to the floor, some holding onto the blade as though left in their body, others being retrieved from the 'corpse' with no visible blood on the blade.
With very historical accuracy's, mostly about the legend of Captain Kidd, hiding treasure, and the title's that Blackbeard earned, before his life was taken by that of Robert Maynard, the location of his death, and some other less important factors, were dramatized for the series alone and should not be taken as historically accurate.
It's a decent film, but it's just not quite what I was hoping for, and certainly not as great as it could have been.
Lucy Buglass (45 KP) rated Halloween (2018) in Movies
Jun 20, 2019
Michael’s back, back again
Happy Halloween everyone! What better way to celebrate than with my review of the latest in the Halloween franchise?
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/
Emma @ The Movies (1786 KP) rated Greta (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I sat down to write up my notes for the weekend's films and I had already forgotten this one. I quite enjoyed it and yet it hasn't really stuck with me at all.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Frances, played by Chloë Grace Moretz, finds a handbag on the subway, unable to hand it in to lost property she takes it home with the intention of returning it the next day. Greta is a lonely widow whose daughter is abroad and she has nothing but her piano and photos for company. When the pair meet they connect immediately and their friendship grows. To say Greta is clingy would be an understatement and when Frances discovers a cupboard full of identical "missing" handbags she knows she needs to get some distance.
Right, so, the idea here relies on someone returning her handbag, admittedly a handbag is less suspicious than a rucksack or a suitcase, but I'm still not convinced. It relies on no one seeing her leave it when she gets up to leave, and no one spotting it when they get on at the stop, and then not a single member of staff being in the subway station to take the bag. Erica says it best, "you call the bomb squad"... yes you do, Erica.
I very much enjoyed the idea of this film, as thrillers go it's a good set up. I'm becoming increasingly frustrated by trailers though, and in this instance I think they gave you too many moments that would have given a greater impact as a surprise. It also exposed an inconsistency.
The trailer shows Frances stuck in a lift as it's being crushed. In the context of the full film it made sense, sort of, but it left the question in the trailer of whether it was slightly sci-fi. While I knew what the whole scene was trying to achieve I felt that it was too confusing given the tone everywhere else.
Isabelle Huppert gives her character of Greta a delightfully creepy vibe, always pleasant and threatening at the same time and Chloë Grace Moretz played the naive Frances convincingly, but... I didn't think either particularly hit the spot. Greta was crazy but not devious enough and Frances was bordering on cliche when it came to her naivety.
There are lots of things that caused me issues, the passage of time being a major one. There's no clear idea of how long anything takes, how long their friendship went for, how long she was kidnapped, and it's surprisingly frustrating. I also am at a loss as to why her father resorts to a private investigator over the police, in my head it's because the police are saying she's a grown up and the messages suggest she's fine, but I don't think that's ever explicitly said.
I was getting very mixed tones from the film, first it was a drama, then a thriller, and then it seemed to want to be a horror. There's one point where it gets a little gruesome and it stuck out like a sore thumb. The very end as well, without trying to give spoilers, shows something I would fully expect to see in a horror movie, and in that setting it's a great way to finish it but in Greta seemed like a step in the wrong direction.
I've mentioned before that I don't over think the film while I'm watching it, I try not to look for the twists in advance, but I actually wrote the ending in my notes. While it was satisfying I was right, it was irritating that it was so obvious.
Like I mentioned above, the concept was great and it left a lot of opportunities for a brilliant thriller, but I feel like it just kept missing the point. A lot of the intrigue was stolen by the trailer and the identity crisis with the genre just held it back from what it could have achieved.
What you should do
It's not a bad watch, certainly catch it when it goes to streaming services.
Movie thing you wish you could take home
The ability to keep a home clutter free like Erica and Frances.
Jordan Binkerd (567 KP) rated Star Wars, Vol. 2: Showdown on the Smuggler's Moon in Books
Aug 9, 2019
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
I very much enjoyed the first volume of Marvel’s ongoing Star Wars series, but many other reviewers took issue with it for playing things safe and giving us a story like many we’d seen before. These criticisms are not completely unfounded, I’ll admit, but neither are they completely fair. Either way, this is not a problem the series has going forward…. This second volume also includes the one-off flashback story THE LAST OF HIS BREED, featuring Obi-Wan Kenobi adjusting to his exile on Tatooine, which is discussed separately below.
Luke Skywalker has successfully escaped the clutches of the bounty hunter Boba Fett, but all he got for his troubles was the journal of Obi-Wan Kenobi–no small prize, but probably not all that helpful in furthering his Jedi training. So what’s the next logical step in learning about the Jedi? Try and sneak onto Coruscant to infiltrate the old Jedi Temple, of course! But when his attempt to find a discreet ship and pilot in a seedy bar on Nar Shaddaa goes horribly awry, Luke finds himself the prisoner of Grakkus the Hutt. In addition to the traditional crime and vice, Grakkus has made a name for himself as one of the foremost collectors of Jedi artifacts. Now Luke faces the battle of his life in Grakkus’ arena, billed as “the last Jedi” and pitted against a fearsome creature for the amusement of Grakkus’ fellow crime lords….Meanwhile, Han and Leia are out scouting potential locations for a new Rebel base when they run across a figure from Han’s past. Her name is Sana, and she claims to be his wife….
As with the previous volume, this was some stellar work. Jason Aaron nails the banter between Han & Leia, to the point where you can almost hear Carrie Fisher and Harrison Ford delivering the lines, and Luke’s mix of cockiness and self-doubt is spot-on for his character and situation. Also of note is Stuart Immonen’s spectacular artwork. From the character closeups to the panoramic vistas, this was pure Star Wars. Also amusing was watching our entire cast wade into battle wielding lightsabers. Did Luke manage to salvage anything of value from Grakkus’ stash on his way out? I guess we’ll have to wait and see….
Then there’s the Obi-Wan backup story. It’s been seven years since the rise of the Empire, seven years since the death of the Jedi and the Republic. Formerly one of the greatest Jedi of his generation, now Obi-Wan Kenobi lives a life of obscurity on the desert planet of Tatooine. Where once he protected the innocent of the galaxy, now “Old Ben” forces himself to look the other way lest he draw the Empire’s notice as Jabba’s thugs extort water from the locals. All that matters is protecting the boy, Luke Skywalker, on whose unknowing shoulders rest the fate of the galaxy. But there are limits to the patience of even the greatest of Jedi….
This was a good one. The story was solid, and it’s always interesting to see Obi-Wan’s state of mind during his exile. Was this done better in John Jackson Miller’s KENOBI? Yes. That goes without saying, if only because he had more than twenty-four pages to tell his story. At any rate, KENOBI isn’t canon anymore, so we’ll not dwell on it. Simone Bianchi’s art here was stellar, I must say, and his Kenobi managed to blend Ewan McGregor and Alec Guinness superbly. I would very much like to see more of these one-off excerpts from Obi-Wan’s journal appear in future issues of the comic.
CONTENT: Moderate violence, not too gruesome most of the time. Mild profanity. Mild sexual innuendo and flirting.
Original posts: Main story (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-showdown-on-the-smugglers-moon-by-jason-aaron-stuart-immonen/) & Obi-Wan Flashback (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-the-last-of-his-breed-by-jason-aaron-simone-bianchi/)
I very much enjoyed the first volume of Marvel’s ongoing Star Wars series, but many other reviewers took issue with it for playing things safe and giving us a story like many we’d seen before. These criticisms are not completely unfounded, I’ll admit, but neither are they completely fair. Either way, this is not a problem the series has going forward…. This second volume also includes the one-off flashback story THE LAST OF HIS BREED, featuring Obi-Wan Kenobi adjusting to his exile on Tatooine, which is discussed separately below.
Luke Skywalker has successfully escaped the clutches of the bounty hunter Boba Fett, but all he got for his troubles was the journal of Obi-Wan Kenobi–no small prize, but probably not all that helpful in furthering his Jedi training. So what’s the next logical step in learning about the Jedi? Try and sneak onto Coruscant to infiltrate the old Jedi Temple, of course! But when his attempt to find a discreet ship and pilot in a seedy bar on Nar Shaddaa goes horribly awry, Luke finds himself the prisoner of Grakkus the Hutt. In addition to the traditional crime and vice, Grakkus has made a name for himself as one of the foremost collectors of Jedi artifacts. Now Luke faces the battle of his life in Grakkus’ arena, billed as “the last Jedi” and pitted against a fearsome creature for the amusement of Grakkus’ fellow crime lords….Meanwhile, Han and Leia are out scouting potential locations for a new Rebel base when they run across a figure from Han’s past. Her name is Sana, and she claims to be his wife….
As with the previous volume, this was some stellar work. Jason Aaron nails the banter between Han & Leia, to the point where you can almost hear Carrie Fisher and Harrison Ford delivering the lines, and Luke’s mix of cockiness and self-doubt is spot-on for his character and situation. Also of note is Stuart Immonen’s spectacular artwork. From the character closeups to the panoramic vistas, this was pure Star Wars. Also amusing was watching our entire cast wade into battle wielding lightsabers. Did Luke manage to salvage anything of value from Grakkus’ stash on his way out? I guess we’ll have to wait and see….
Then there’s the Obi-Wan backup story. It’s been seven years since the rise of the Empire, seven years since the death of the Jedi and the Republic. Formerly one of the greatest Jedi of his generation, now Obi-Wan Kenobi lives a life of obscurity on the desert planet of Tatooine. Where once he protected the innocent of the galaxy, now “Old Ben” forces himself to look the other way lest he draw the Empire’s notice as Jabba’s thugs extort water from the locals. All that matters is protecting the boy, Luke Skywalker, on whose unknowing shoulders rest the fate of the galaxy. But there are limits to the patience of even the greatest of Jedi….
This was a good one. The story was solid, and it’s always interesting to see Obi-Wan’s state of mind during his exile. Was this done better in John Jackson Miller’s KENOBI? Yes. That goes without saying, if only because he had more than twenty-four pages to tell his story. At any rate, KENOBI isn’t canon anymore, so we’ll not dwell on it. Simone Bianchi’s art here was stellar, I must say, and his Kenobi managed to blend Ewan McGregor and Alec Guinness superbly. I would very much like to see more of these one-off excerpts from Obi-Wan’s journal appear in future issues of the comic.
CONTENT: Moderate violence, not too gruesome most of the time. Mild profanity. Mild sexual innuendo and flirting.
Original posts: Main story (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-showdown-on-the-smugglers-moon-by-jason-aaron-stuart-immonen/) & Obi-Wan Flashback (https://jordanbinkerd.wordpress.com/2015/11/23/review-star-wars-the-last-of-his-breed-by-jason-aaron-simone-bianchi/)
Sophia (Bookwyrming Thoughts) (530 KP) rated A Thousand Pieces of You (Firebird, #1) in Books
Jan 23, 2020
<i>A Thousand Pieces of You</i> was an absolute pain in the butt to listen to – that's probably an exaggeration.
The book is one of those novels that needs quite a bit of scientific background for you to fully grasp the entire meaning behind it. There is just <i>so</i> much physics and scientific varbage just purely explaining the concept parallel universes, dimension traveling, and the like throughout the first fifth of the book that I, a high school girl who only finished Chemistry, can only get a teeny grasp on because I was bored enough to do some research on the existence of parallel universes years ago. Still, I was as absolutely confused as a newborn baby.
But back then, I was in middle school. My curiosity might have been insatiable (it still is... in a way) and it annoyed the noodles out of my parents. Well, my mother was annoyed and wondered if I got switched at birth. Congrats, mom. You got a grammar Nazi and not a walking calculator. How does it feel to have someone younger than you correcting your grammar?
Still, getting bombarded with physics varbage isn't exactly my thing – my mind went from, "Whoa, this is cool!" to "Wait... why do I think this is cool again?" to "What is this? Physics class? I'M NOT DONE WITH CHEMISTRY YET." to "I don't understand. I'm reading this, absorbing this, digesting this, but I can't understand or comprehend or grasp this fully."
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/06/TookMySkull.gif"; width="320" height="180" border="0" /></div>
The whole varbage thing might have been helpful with the world building and better understanding of how the whole dimension traveling worked – if you know enough science. No offense, but I swear, tPhone is the most ridiculous creation ever – a complete carbon copy of the iPhone with a different letter replacing the "i." The Triad here is quite literally the Apple of this book – I'm not too impressed.
There is also A LOT of flashbacks to Marguerite's life – helpful in learning about Marguerite, her family, Theo, Paul, and all the other characters, but only a few were actually helpful later on in the story. The whole physics varbage and the flashbacks felt like a conversation I would be having with a long time friend visiting after many years, or a potential class reunion ten years after I graduate and Lupe talks about this hair salon she opened in Mexico and Rundus talks about a gruesomely bloody game he programmed recently while finally keeping his fingers to himself unless he wants his girlfriend/fiancée/wife to go after my head in envy.
<i>A Thousand Pieces of You</i> was just that – a story told many years after it happened and the characters look back and reflect on themselves, possibly laughing at how stupid they might have acted. At the romantic notions they each had of each other – Marguerite thinking about never having a chance with Paul or Theo, Theo thinking about maybe he <i>does</i> have a chance with Marguerite, and Paul thinking he has no chance with Marguerite whatsoever. At how reckless Marguerite was with her thinking – jumping the gun and going after Paul right from the start, because one of the first things I hear is, "Kill Paul Markov." Whoa, gruesome much?
Then I get thrust into a flurry of confusion where Marguerite's emotions are on high tide and a dumpster of information is quite literally dumped upon my ears from the very next chapter about how this whole dimension travel works here, among other things.
While I enjoyed the whole "story around a fire" vibe, I feel like I would have enjoyed this so much better and grasped this so much more fully if I took a physics class before reading this.
<a href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The book is one of those novels that needs quite a bit of scientific background for you to fully grasp the entire meaning behind it. There is just <i>so</i> much physics and scientific varbage just purely explaining the concept parallel universes, dimension traveling, and the like throughout the first fifth of the book that I, a high school girl who only finished Chemistry, can only get a teeny grasp on because I was bored enough to do some research on the existence of parallel universes years ago. Still, I was as absolutely confused as a newborn baby.
But back then, I was in middle school. My curiosity might have been insatiable (it still is... in a way) and it annoyed the noodles out of my parents. Well, my mother was annoyed and wondered if I got switched at birth. Congrats, mom. You got a grammar Nazi and not a walking calculator. How does it feel to have someone younger than you correcting your grammar?
Still, getting bombarded with physics varbage isn't exactly my thing – my mind went from, "Whoa, this is cool!" to "Wait... why do I think this is cool again?" to "What is this? Physics class? I'M NOT DONE WITH CHEMISTRY YET." to "I don't understand. I'm reading this, absorbing this, digesting this, but I can't understand or comprehend or grasp this fully."
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The whole varbage thing might have been helpful with the world building and better understanding of how the whole dimension traveling worked – if you know enough science. No offense, but I swear, tPhone is the most ridiculous creation ever – a complete carbon copy of the iPhone with a different letter replacing the "i." The Triad here is quite literally the Apple of this book – I'm not too impressed.
There is also A LOT of flashbacks to Marguerite's life – helpful in learning about Marguerite, her family, Theo, Paul, and all the other characters, but only a few were actually helpful later on in the story. The whole physics varbage and the flashbacks felt like a conversation I would be having with a long time friend visiting after many years, or a potential class reunion ten years after I graduate and Lupe talks about this hair salon she opened in Mexico and Rundus talks about a gruesomely bloody game he programmed recently while finally keeping his fingers to himself unless he wants his girlfriend/fiancée/wife to go after my head in envy.
<i>A Thousand Pieces of You</i> was just that – a story told many years after it happened and the characters look back and reflect on themselves, possibly laughing at how stupid they might have acted. At the romantic notions they each had of each other – Marguerite thinking about never having a chance with Paul or Theo, Theo thinking about maybe he <i>does</i> have a chance with Marguerite, and Paul thinking he has no chance with Marguerite whatsoever. At how reckless Marguerite was with her thinking – jumping the gun and going after Paul right from the start, because one of the first things I hear is, "Kill Paul Markov." Whoa, gruesome much?
Then I get thrust into a flurry of confusion where Marguerite's emotions are on high tide and a dumpster of information is quite literally dumped upon my ears from the very next chapter about how this whole dimension travel works here, among other things.
While I enjoyed the whole "story around a fire" vibe, I feel like I would have enjoyed this so much better and grasped this so much more fully if I took a physics class before reading this.
<a href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>