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Bob Mann (459 KP) rated The Trip To Spain (2017) in Movies
Sep 29, 2021
Moore should be less.
“The Trip to Spain” is the third in the series of ‘culinery travelogue’ TV programmes by Steve Coogan (“Philomena“) and Rob Brydon (“Gavin and Stacey”). The pair travel by car through Spain sampling the local delicacies while constantly trying to self-salve their fragile egos and trying to out-do each other with comedy spiel. This is of course not a “documentary” as such, since the pair are playing up to their extreme alter-egos (presumably!) of what people expect them to be like. Actors playing their family, agents, etc. call them at various points on the trip to either pour oil on troubled waters or (more often) add fuel to the fire.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
All ashore. The guys arrive in Santander.
The six original half hour TV episodes have been edited down into a feature length journey. And this is part of the problem. Repetition that can be forgiven and forgotten about when you see an episode every week, but can become tiresome when forced on you as a continuous stream.
Brydon drinks; Coogan doesn’t; both impersonate.
In this case the repetitive content delivered by Coogan and Brydon are their (normally very good) impersonations of famous stars (most of which it has to be said are British so won’t resonate with a non-UK audience). Roger Moore in particular gets trotted out INTERMINABLY and while some of it is extremely funny – an exchange between Moore as Bond and Scaramanga had me snorting tea out of my nose – it all gets too much by the end.
Coogan in mid-Jagger.
Appearing to recognise this need for more variety, additional characters from Steve’s team join them for a part of their trip – Emma (Clare Keelan) and Yolanda (Marta Barrio). Unfortunately, the additions are just plain dull: they just sit alongside Coogan and Brydon and laugh at their impressions, adding nothing. Now if they had been a couple of good female impersonators, like Ronni Ancona and Jan Ravens, that could act as a foil to the male duo, THAT would have been entertaining.
Coogan and Brydon strides the local streets.
The film also suffers from “Top Gear Challenge” disease. The problem with filming a car journey through Spain is that you know there are not twenty film crews deployed along the route to do the filming…. all of the cameras are carefully set up in advance with someone on a walkie-talkie saying “OK, Steve – coffee down, we’re ready for you to drive over the hill now”. So something that should feel natural and documentary-like feels 100% the opposite.
Tilting at windmills. Brydon and Coogan as Sancho Panza and Don Quixote.
So… if you like Coogan and Brydon, and especially if you liked their Northern England and Italy “trips”, then you will get more laughs out of this one. But I think the concoction needs to be put through the blender and re-heated before it comes out for a fourth outing.
Lyndsey Gollogly (2893 KP) rated Tenacity ( Rise of Iliri book 5) in Books
Feb 1, 2022
Contains spoilers, click to show
❗️❗️❗️ spoiler in last paragraph!‼️‼️
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
Debbiereadsbook (1454 KP) rated Winging It (Hockey Ever After #1) in Books
Oct 20, 2022
so glad I gave this a go!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I will admit, hockey themed books tend to be a bit and miss for me, depending on the level of detailed descriptions about the actual playing of hockey. I have no interest in hockey, and it's not a very popular sport in the UK. So, when a blurb grabs me, about a hockey book, I walk into it with an open mind and give it a good go.
I was VERY pleased I took this on!
Gabe is far in the closet and has no plans to be out. Dante is not, in the closet nor out of it but a door opening at the wrong time, gets Dante a glance at Gabe in a man's arms. Dante's mind then goes into overdrive. Gabe is all, aside from hockey, he thinks about. When gabe is outed by an ex, Dante stands by his man. Cos Gabe is his, he just doesn't know it yet.
What I especially liked about this, was how things crept up on Dante. Gabe, for his part, liked Dante, and he played a part in Gabe's dreams, but Dante was a ladies man, before Gabe and that does throw him a little bit. Once he gets his head round it, Dante is happy to admit he is bi. And Dante goes all out to get Gabe in his bed and his heart.
Gabe is more cautious, and rightly so. He's been hurt before and doesn't want to be again, but sometimes, fate has a way of stuffing your plans out the window!
I loved the guys on the team, all of them even Kitty. He does a bad thing here, but he does redeem himself, beautifully! And the way they all pull together to help Tom was amazing. They saw he was off, and pulled a bit of an intervention to get to the bottom of it and then they all helped. Loved that.
I found the level of hockey descriptions just enough for me. Some may say there isn't enough, but fo ME, they were just detailed enough for me not to skip them, which is good, cos I would have missed some important bits had I skipped!
The level of steam is fairly high, but not ever so explicit and I liked that here. This is more about seeing what's in front of you, dealing with your past and planning for the future.
Book 2 has a different set of leads, so I'm wondering if that book follows this one, given what is said in the blurb, and given what happens here. I do hope we can catch up with Gabe and Dante though.
First I've read of either of this pair of authors, I will read more!
A very enjoyable 4 star read.
*same worded review will appear elsewhere
I will admit, hockey themed books tend to be a bit and miss for me, depending on the level of detailed descriptions about the actual playing of hockey. I have no interest in hockey, and it's not a very popular sport in the UK. So, when a blurb grabs me, about a hockey book, I walk into it with an open mind and give it a good go.
I was VERY pleased I took this on!
Gabe is far in the closet and has no plans to be out. Dante is not, in the closet nor out of it but a door opening at the wrong time, gets Dante a glance at Gabe in a man's arms. Dante's mind then goes into overdrive. Gabe is all, aside from hockey, he thinks about. When gabe is outed by an ex, Dante stands by his man. Cos Gabe is his, he just doesn't know it yet.
What I especially liked about this, was how things crept up on Dante. Gabe, for his part, liked Dante, and he played a part in Gabe's dreams, but Dante was a ladies man, before Gabe and that does throw him a little bit. Once he gets his head round it, Dante is happy to admit he is bi. And Dante goes all out to get Gabe in his bed and his heart.
Gabe is more cautious, and rightly so. He's been hurt before and doesn't want to be again, but sometimes, fate has a way of stuffing your plans out the window!
I loved the guys on the team, all of them even Kitty. He does a bad thing here, but he does redeem himself, beautifully! And the way they all pull together to help Tom was amazing. They saw he was off, and pulled a bit of an intervention to get to the bottom of it and then they all helped. Loved that.
I found the level of hockey descriptions just enough for me. Some may say there isn't enough, but fo ME, they were just detailed enough for me not to skip them, which is good, cos I would have missed some important bits had I skipped!
The level of steam is fairly high, but not ever so explicit and I liked that here. This is more about seeing what's in front of you, dealing with your past and planning for the future.
Book 2 has a different set of leads, so I'm wondering if that book follows this one, given what is said in the blurb, and given what happens here. I do hope we can catch up with Gabe and Dante though.
First I've read of either of this pair of authors, I will read more!
A very enjoyable 4 star read.
*same worded review will appear elsewhere
Debbiereadsbook (1454 KP) rated Taylin's Temptation (Divergent Omegaverse #2) in Books
Oct 27, 2024
Steamy and emotional, a perfect combo for me!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Divergent Omegaverse series, but you don't need to have read book 1, Alpha's Divergent Omega to follow this one. That is more of a short introduction into this group of men, and how things work in their world. You should though, cos it's short and steamy and packs a punch!
Taylin has worked with Hollis for 5 years. He wants Hollis but Hollis has made no indication that Taylin's want is reciprocated. When a meeting away coincides with Hollis' heat, that all changes. Taylin is considered divergent, and Hollis is not, since he can shift into his animal form, and Taylin cannot. Would Hollis really want Taylin?
What I loved about this, was that once Hollis set his sights onto Taylin, like PROPERLY, Taylin really didn't see it coming, and he was just a little bit blindsided by Hollis and this meeting away. Had he been paying more attention, he would have known it was Hollis' heat but he was too busy oogling Hollis!
These guys have wanted each other for so long, and once they get with the programme, they are all in and I loved that! Steamy and emotional, for me, a perfect combination!
I loved that all the boys of Lane and Derick have been instilled with the beliefs and views of their parents, both those born into the family and those who were bought into it for whatever reason. When they discover the omegas being mistreated in the factory, they ALL jump in, to set them free.
I loved that Taylin's brothers were ribbing him about being mated, but their fathers were like "just you wait!" and the brothers were like "nope, not happening!" and then, boom, book 3 is all laid out for you! Next one to fall is Booker.
Now, I have to admit, I had to google what a slow loris was, cos Taylin thought Hollis was cute in his shifted form, and I couldn't picture what they looked like, but oh my days! Cute is about the best word I could use to describe a slow loris! Especially when Hollis is curled up, in shifted form, on Taylin's chest. So bloody cute, that image.
I've followed Sayle from the very beginning. I mean, I almost slated her first book! But she has a way that pulls you in, and sets my book brain off with questions! It knows it has questions about Lord knows what about this book, but in true Sayle fashion, my brain can't voice them . . yet . . . maybe even at all!
So I'll leave this review with, I bloody loved it and I can't wait to watch the other brothers fall for their mates, in whichever way they do.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Divergent Omegaverse series, but you don't need to have read book 1, Alpha's Divergent Omega to follow this one. That is more of a short introduction into this group of men, and how things work in their world. You should though, cos it's short and steamy and packs a punch!
Taylin has worked with Hollis for 5 years. He wants Hollis but Hollis has made no indication that Taylin's want is reciprocated. When a meeting away coincides with Hollis' heat, that all changes. Taylin is considered divergent, and Hollis is not, since he can shift into his animal form, and Taylin cannot. Would Hollis really want Taylin?
What I loved about this, was that once Hollis set his sights onto Taylin, like PROPERLY, Taylin really didn't see it coming, and he was just a little bit blindsided by Hollis and this meeting away. Had he been paying more attention, he would have known it was Hollis' heat but he was too busy oogling Hollis!
These guys have wanted each other for so long, and once they get with the programme, they are all in and I loved that! Steamy and emotional, for me, a perfect combination!
I loved that all the boys of Lane and Derick have been instilled with the beliefs and views of their parents, both those born into the family and those who were bought into it for whatever reason. When they discover the omegas being mistreated in the factory, they ALL jump in, to set them free.
I loved that Taylin's brothers were ribbing him about being mated, but their fathers were like "just you wait!" and the brothers were like "nope, not happening!" and then, boom, book 3 is all laid out for you! Next one to fall is Booker.
Now, I have to admit, I had to google what a slow loris was, cos Taylin thought Hollis was cute in his shifted form, and I couldn't picture what they looked like, but oh my days! Cute is about the best word I could use to describe a slow loris! Especially when Hollis is curled up, in shifted form, on Taylin's chest. So bloody cute, that image.
I've followed Sayle from the very beginning. I mean, I almost slated her first book! But she has a way that pulls you in, and sets my book brain off with questions! It knows it has questions about Lord knows what about this book, but in true Sayle fashion, my brain can't voice them . . yet . . . maybe even at all!
So I'll leave this review with, I bloody loved it and I can't wait to watch the other brothers fall for their mates, in whichever way they do.
5 full and shiny stars
*same worded review will appear elsewhere
Bob Mann (459 KP) rated Bad Boys for Life (2020) in Movies
Mar 9, 2020
Welcome to Miami - again!
Will Smith seems to have been having a lacklustre period in his career. His genie from "Aladdin" got a rather lukewarm reception. And his last movie - "Gemini Man" - billed as a big summer blockbuster - failed to impress. True it wasn't a commercial disaster (raking in at the time of writing about 150% of budget), but it's still a film on a plane for me that, even if I'm bored, I'll say "nah" to.
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
