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JT (287 KP) rated Killing Them Softly (2012) in Movies
Mar 10, 2020
There was quite a significant gap between films for writer/director Andrew Dominik, five years in fact. His last feature length outing The Assassination of Jesse James by the Coward Robert Ford was a Western epic and here he has teamed up with Brad Pitt again for Killing Them Softly, one with a significantly shorter run time.
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
JT (287 KP) rated Fast & Furious 6 (2013) in Movies
Mar 10, 2020
I've been a fan of this franchise since the very first film, and while Tokyo Drift might have been a little blip, or bump in the road, there is no denying that the films have delivered box office success. Fast and Furious 6 is the second film to be left on a cliffhanger (we’ll get to that later) and delves deep into the story of the mystery surrounding Letty’s (Michelle Rodriguez) death a few films ago. I don’t regard that as a plot spoiler as it’s in the trailer. Having demolished most of Rio and now living peacefully in a country with no extradition Dom and new dad Brian think that they have put all their troubles behind them.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
Kristy H (1252 KP) rated Shatter the Night in Books
Mar 19, 2020
Cedar Valley Detective Gemma Monroe takes a break from trick-or-treating on Halloween night with her young daughter Grace and fiance Brody to visit a family friend, former Cedar Valley Judge Caleb Montgomery. Caleb tells Gemma that he's been receiving haunting anonymous threats on his life. As Gemma, Brody, and Grace return to the Halloween festivities, they hear a gigantic explosion. Gemma quickly learns it was Caleb's Mercedes. The well-respected judge is dead. This kicks off a twisted and grueling case for Gemma and her partner, Detective Finn Nowlin, leading them down the dark past of Cedar Valley. There are ties to former serial killer and the more Gemma and Finn dig, the more disturbing things they find. Even worse, it appears as if Caleb's killer might not be finished.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
BankofMarquis (1832 KP) rated The Sting (1973) in Movies
Mar 29, 2020
On my list of All Time Favorite Films
I'll come right out and say it - the 1973 Academy Award winning film for Best Picture, THE STING, is one of the greatest films of all time. It's well written, well acted, well directed with a memorable musical score and characters, situations, costumes and set design that become richer over time and through repeated viewings.
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Set in Chicago in the gangster-ridden, depression era mid-1930's, THE STING tells the tale of two con man who join forces for the ultimate con of a vile N.Y. Gangster who is responsible for killing a friend of theirs.
From everything I have read about it, the script by David S. Ward (who won an Oscar for his work) arrived pretty much finished. He shaped the story of the con men - and the myriad pieces of misdirection - fully before shopping it around to the studios. Universal jumped all over it and tabbed veteran Director George Roy Hill (BUTCH CASSIDY AND THE SUNDANCE KID) to helm the picture. Hill - being no dummy - saw this as a vehicle to re-team Newman and Redford (stars of Butch Cassidy) and the rest...as they say...is history.
Newman and Redford are perfectly cast as veteran grifter Henry Gondorff (Newman) and up and coming grifter Johnny Hooker (Redford). They have an ease of playing off of each other - each one complimenting the other one - both giving in their scenes with the other one which makes the scenes more rich and alive. They are joined by a veritable "who's who" of late '60's/early '70's character actors - Harold Gould, Eileen Brennan, Charles Durning, Ray Walston and Dana Elcar - all of them bring their "A" game and they are fun to watch. Special notice should be made to Robert Earl Jones (father of James Earl Jones) as Luther, the character who's fate propels the plot forward.
But...none of this would work if you didn't have a "bad guy" that was interesting to watch - and to root against - and bad guys don't get much better...and badder...than Robert Shaw's Doyle Lonnegan. Shaw plays Lonnegan as a physically tough boss who doesn't suffer failure, but is smart enough to avoid obvious traps. He is a worthy adversary of Gondorff and Hooker's and it is fun to watch Newman, Redford and Shaw play off each other. One other note - it was with this performance that Universal recommended Shaw to young Director Stephen Spielberg for his "shark flick" JAWS.
Edith Head won her 8th (and last) Oscar for the magnificent period costumes in this film and Marvin Hamlisch won for the Music - a surprising hit on the pop charts of re-channeled Scott Joplin tunes. The set design won an Oscar - as did the Director, George Roy Hill. All in all, the film won 7 out of the 11 Oscars it was nominated for (Redford was nominated for Best Actor, but did not win).
THE STING is a well crafted film. One that tells a timeless story and that stands the test of time as a testament of how great of an achievement in film this is. It is one of my All Time favorites.
Letter Grade: the rare A+
5 stars (out of 5) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated The Interview (2014) in Movies
Aug 6, 2019
Thanks to the negative attention that “The Interview” received, it will be viewed by many more people than it would have without the controversy. The film, which was almost never released due to a cyberattack on Sony, is now the most widely accessible of this season.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
Gareth von Kallenbach (980 KP) rated The Twilight Saga: Breaking Dawn Part 2 (2012) in Movies
Aug 7, 2019
Fans all around the world have been waiting for the fifth and final installment of the film adaption of Stephanie Meyer’s best selling book series, “The Twilight Saga: Breaking Dawn part 2” and without skipping a beat, part two begins right where its predecessor left off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
Gareth von Kallenbach (980 KP) rated The Watch (2012) in Movies
Aug 7, 2019
On the surface, life for Evan (Ben Stiller), appears to be ideal. He has a very nice home, a loving wife, a solid job as in upper management for Costco, and is very active in his suburban Ohio community. But Evan’s life is about to take an unexpected change when the night watchman for the store is found brutally murdered, leaving Evan distraught. Unhappy with the efforts of the local police force, Evan decides to form a community watch to solve the crime and to protect his beloved community.
In the new comedy The Watch, Stiller teams with comedy veterans Vince Vaughn, Jonah Hill, and relative newcomer Richard Ayoade, who has had audience in stitches for the past three years on the phenomenally popular and funny British comedy The I.T. Crowd.
Vaughn plays Bob, a successful contractor who sees the neighborhood watch as an opportunity for some much needed guys’-nights-out. Bob’s wife travels often for work leaving him to watch over their teenage daughter who hs driven Bob to hysterical fits of extreme measures as he attempts to divert any unwanted male attention from her.
Hill plays Franklin, a unstable individual who still lives at home with his mother after flunking out of high school and failing every evaluation the police department entrance exam offered, especially the part concerning mental stability. Franklin views the watch as his opportunity to get back at the police force and to clean up the streets. Ayoade rounds out the group as Jamarcus who sees the group as his chance to get back into the social network and envisions calls from lonely women looking for protection as his golden opportunity.
As the group begins to bond, Evan becomes agitated as he is, by nature, an insecure individual who finds Bob’s growing popularity within the group to be a threat to him and his plan to solve the murder. Despite their initial awkwardness the team begins to make progress and discovers a much larger threat to the community in the form of a hostile alien force which is capable of assuming human identity. In a desperate race against time the watch must not only battle the alien threat but each other and their own insecurities and issues to come together and save the day.
The film was directed by Akiva Schaffer who made a name for himself as part of the Lonely Island Boys who’ve done some outrageously funny song parodies on Saturday Night Live as well as the film Superbad.
While there are some very funny moments in the film as well as some fun sci-fi action sequences, the talented cast appears to be playing it safe rather than going all out. Time and time again the cast appears to be holding back. This is not to say that they don’t have great moments. Unfortunately, the best parts of the film were ruined by the trailers. I spent the whole time waiting for things to be kicked to the next level which sadly never arrived.
There were some pacing issues with film as it dragged at times. There were also some plot holes but naturally with films of this type, a deep and complicated plot is not to be expected. In the end, while entertaining, the film was disappointing. It could’ve been so much more, especially with so much talent attached to it. Sadly pacing issues and a fairly generic plot lacking any real surprises keeps the film from reaching its potential.
In the new comedy The Watch, Stiller teams with comedy veterans Vince Vaughn, Jonah Hill, and relative newcomer Richard Ayoade, who has had audience in stitches for the past three years on the phenomenally popular and funny British comedy The I.T. Crowd.
Vaughn plays Bob, a successful contractor who sees the neighborhood watch as an opportunity for some much needed guys’-nights-out. Bob’s wife travels often for work leaving him to watch over their teenage daughter who hs driven Bob to hysterical fits of extreme measures as he attempts to divert any unwanted male attention from her.
Hill plays Franklin, a unstable individual who still lives at home with his mother after flunking out of high school and failing every evaluation the police department entrance exam offered, especially the part concerning mental stability. Franklin views the watch as his opportunity to get back at the police force and to clean up the streets. Ayoade rounds out the group as Jamarcus who sees the group as his chance to get back into the social network and envisions calls from lonely women looking for protection as his golden opportunity.
As the group begins to bond, Evan becomes agitated as he is, by nature, an insecure individual who finds Bob’s growing popularity within the group to be a threat to him and his plan to solve the murder. Despite their initial awkwardness the team begins to make progress and discovers a much larger threat to the community in the form of a hostile alien force which is capable of assuming human identity. In a desperate race against time the watch must not only battle the alien threat but each other and their own insecurities and issues to come together and save the day.
The film was directed by Akiva Schaffer who made a name for himself as part of the Lonely Island Boys who’ve done some outrageously funny song parodies on Saturday Night Live as well as the film Superbad.
While there are some very funny moments in the film as well as some fun sci-fi action sequences, the talented cast appears to be playing it safe rather than going all out. Time and time again the cast appears to be holding back. This is not to say that they don’t have great moments. Unfortunately, the best parts of the film were ruined by the trailers. I spent the whole time waiting for things to be kicked to the next level which sadly never arrived.
There were some pacing issues with film as it dragged at times. There were also some plot holes but naturally with films of this type, a deep and complicated plot is not to be expected. In the end, while entertaining, the film was disappointing. It could’ve been so much more, especially with so much talent attached to it. Sadly pacing issues and a fairly generic plot lacking any real surprises keeps the film from reaching its potential.
Gareth von Kallenbach (980 KP) rated What to Expect When You're Expecting (2012) in Movies
Aug 7, 2019
First off, a disclaimer: I have not read the book What to Expect When You’re Expecting; nor do I have any kids of my own. That being said….
This film shows you five different stories that are not all connected, but they do intersect each other’s paths several times. The stories follow different scenarios that you can expect when you, as a couple, are expecting a baby. These five stories are the easy pregnancy, the difficult on the woman’s body pregnancy, the difficult on the relationship pregnancy, the miscarriage and the adoption.
The film has a stellar lineup for the cast. Cameron Diaz (There’s Something About Mary, Bad Teacher) plays celebrity Jules who is on a Dancing-with-the-Stars-esque show, who ends up in a relationship with her dance partner Evan, played by Matthew Morrison (Glee, Music and Lyrics). Elizabeth Banks (Zack and Miri, The Hunger Games) is Wendy, the owner of a baby store and author of a baby’s book who has been desperately trying to get pregnant with her husband Gary played by Ben Falcone (Bridesmaids). Anna Kendrick (Scott Pilgrim vs. The World, Up In The Air) is Rosie, the owner of a food truck who has a one-night stand with high school crush Marco, played by Chace Crawford (The Covenant, Gossip Girl). Jennifer Lopez (American Idol, Out of Sight) is Holly, a photographer who is attempting to go the Brangelina route by adopting a baby from Ethiopia with her husband Alex, played by Rodrigo Santoro (300, I Love You Phillip Morris). Lastly, we have Skyler who is portrayed by Brooklyn Decker (Just Go With It, Battleship). She is a stay-at-home wife married to retired NASCAR driver Ramsey, who is played by Dennis Quaid (The Day After Tomorrow, Vantage Point).
Aside from the main cast, there is also a great supporting cast with the likes of Chris Rock (Grown Ups, Death At A Funeral), Joe Manganiello (True Blood), Thomas Lennon (Reno 911, I Love You, Man), Rebel Wilson (Bridesmaids) and many more.
Based on the trailers for What to Expect When You’re Expecting, the movie looked to be a very promising comedy. I am sad to say, I was very disappointed. The trailers make it look like “The Dudes Group” is a main focus of the story, but it is only a reprieve from the main story lines. This is a shame because for me, “The Dudes Group” had the funniest moments in the movie. The rest of the film, while heart-warming at moments, seemed to lack any real attempt to make a connection with the audience. To me, the relationships just seemed unreal.
This is not to say that there are not those out there who will not enjoy the film. The ladies behind me in the theatre seemed to be laughing the whole time, but it just wasn’t my cup of tea. I once heard my editor (Gareth Von Kallenbach) say that this was a great idea, but it may have been better presented as a TV show. I have to say that I agree whole-heartedly. It would have made a great weekly sitcom, probably with the series centered on “The Dudes Group” (as I said, funniest moments in the movies). But it looks like there may be something along these lines on the horizon any way with the upcoming NBC comedy: Guys With Kids.
This film shows you five different stories that are not all connected, but they do intersect each other’s paths several times. The stories follow different scenarios that you can expect when you, as a couple, are expecting a baby. These five stories are the easy pregnancy, the difficult on the woman’s body pregnancy, the difficult on the relationship pregnancy, the miscarriage and the adoption.
The film has a stellar lineup for the cast. Cameron Diaz (There’s Something About Mary, Bad Teacher) plays celebrity Jules who is on a Dancing-with-the-Stars-esque show, who ends up in a relationship with her dance partner Evan, played by Matthew Morrison (Glee, Music and Lyrics). Elizabeth Banks (Zack and Miri, The Hunger Games) is Wendy, the owner of a baby store and author of a baby’s book who has been desperately trying to get pregnant with her husband Gary played by Ben Falcone (Bridesmaids). Anna Kendrick (Scott Pilgrim vs. The World, Up In The Air) is Rosie, the owner of a food truck who has a one-night stand with high school crush Marco, played by Chace Crawford (The Covenant, Gossip Girl). Jennifer Lopez (American Idol, Out of Sight) is Holly, a photographer who is attempting to go the Brangelina route by adopting a baby from Ethiopia with her husband Alex, played by Rodrigo Santoro (300, I Love You Phillip Morris). Lastly, we have Skyler who is portrayed by Brooklyn Decker (Just Go With It, Battleship). She is a stay-at-home wife married to retired NASCAR driver Ramsey, who is played by Dennis Quaid (The Day After Tomorrow, Vantage Point).
Aside from the main cast, there is also a great supporting cast with the likes of Chris Rock (Grown Ups, Death At A Funeral), Joe Manganiello (True Blood), Thomas Lennon (Reno 911, I Love You, Man), Rebel Wilson (Bridesmaids) and many more.
Based on the trailers for What to Expect When You’re Expecting, the movie looked to be a very promising comedy. I am sad to say, I was very disappointed. The trailers make it look like “The Dudes Group” is a main focus of the story, but it is only a reprieve from the main story lines. This is a shame because for me, “The Dudes Group” had the funniest moments in the movie. The rest of the film, while heart-warming at moments, seemed to lack any real attempt to make a connection with the audience. To me, the relationships just seemed unreal.
This is not to say that there are not those out there who will not enjoy the film. The ladies behind me in the theatre seemed to be laughing the whole time, but it just wasn’t my cup of tea. I once heard my editor (Gareth Von Kallenbach) say that this was a great idea, but it may have been better presented as a TV show. I have to say that I agree whole-heartedly. It would have made a great weekly sitcom, probably with the series centered on “The Dudes Group” (as I said, funniest moments in the movies). But it looks like there may be something along these lines on the horizon any way with the upcoming NBC comedy: Guys With Kids.
Gareth von Kallenbach (980 KP) rated Limitless (2011) in Movies
Aug 7, 2019
After years of hearing women saying this I can now agree that Bradley Cooper does indeed have beautiful eyes. If you don’t believe me go see his new movie Limitless based on the 2001 novel The Dark Fields by Alan Glynn. The movie has so many close-ups of Bradley’s face that you find yourself staring into these blue orbs of beauty, approximately 6 feet across, that utterly mesmerize you and take you to a peaceful place where mice, cats and dogs get along.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
Debbiereadsbook (1487 KP) rated Alpha's Embrace (Omega Misfits #3) in Books
Apr 19, 2020
a needed addition but falls far flat of the other two books
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**