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Matthew Krueger (10051 KP) rated The Curse of Frankenstein (1957) in Movies
Nov 5, 2020
Peter Crushing (1 more)
Christopher Lee
The Monster Inside
The Curse of Frankenstein- is a great movie. Hammer films is a excellent studio, cause their brought back the universal monsters and put their own spin on it. And with The Curse of Frankenstein their put their own spin on Frankenstien. And did it work, yes.
The plot: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.
It was Hammer's first colour horror film, and the first of their Frankenstein series.
Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour".
Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role.
Unlike the Universal Frankenstein series of the 1930s and 1940s, in which the character of the Monster was the recurring figure while the doctors frequently changed, it is Baron Frankenstein that is the connective character throughout the Hammer series, while the monsters change.
Its a excellent film.
The plot: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.
It was Hammer's first colour horror film, and the first of their Frankenstein series.
Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour".
Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role.
Unlike the Universal Frankenstein series of the 1930s and 1940s, in which the character of the Monster was the recurring figure while the doctors frequently changed, it is Baron Frankenstein that is the connective character throughout the Hammer series, while the monsters change.
Its a excellent film.
Awix (3310 KP) rated The Legend of the 7 Golden Vampires (1974) in Movies
Feb 7, 2018 (Updated Feb 9, 2018)
Chop Sucky
One of those movies where a bunch of very talented people get together and somehow manage to produce something not all that great. The famous British horror movie studio Hammer gets together with Hong Kong's Shaw Brothers to produce a Gothic horror kung fu movie that also manages to pastiche The Magnificent Seven (et al).
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
You want to know the plot? Well, a gaggle of Chinese vampires feel they aren't getting the respect they deserve, and so they recruit Dracula as a sort of foreign signing to help with their brand awareness, or something. However, also on a lecture tour of China is Dracula's nemesis Van Helsing (Peter Cushing, using all his powers to elevate deeply suspect material), even though they've apparently never met before, and he sets off with a gang of local kung fu experts to sort the problem out. Cushing is not required to do any kung fu, the Chinese cast are not required to say 'Transylvania' more often than is absolutely necessary, and Christopher Lee flatly refuses to participate (Dracula, who appears to be overdoing his make-up, is played by another actor).
Nevertheless this is still schlocky good fun, although the script doesn't even make sense on its own terms and credited director Roy Ward Baker doesn't seem quite sure of what to do with the kung fu genre. One of the most bonkers of the late-period Hammer horror movies, not that this is necessarily a bad thing.
Awix (3310 KP) rated Countess Dracula (1971) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Historically-inspired Hammer horror; not actually part of its main Dracula series, but the title helped the box office, I guess. Ageing Hungarian noblewoman discovers she can restore her youth by bathing in virgin blood, takes a shine to a young soldier, decides to impersonate her own daughter in order to woo him (as you would). Meanwhile life for the domestic staff around the castle becomes unexpectedly more hazardous.
Restrained and thoughtful horror movie; a bit less garish and gory than you might think. Interesting subtext about the relationship between the young and the old, and fear of ageing. Driven along by a terrific performance from Ingrid Pitt (Pitt thought there should have been more blood in the movie). Runs out of things to do slightly before the end, but still a classy movie.
Restrained and thoughtful horror movie; a bit less garish and gory than you might think. Interesting subtext about the relationship between the young and the old, and fear of ageing. Driven along by a terrific performance from Ingrid Pitt (Pitt thought there should have been more blood in the movie). Runs out of things to do slightly before the end, but still a classy movie.
Awix (3310 KP) rated Witchfinder General (1968) in Movies
May 10, 2018
Famously nasty cult horror movie looks a bit like another Poe-Corman-Price adaptation (and was marketed as such in the States) but is really the work of a much darker sensibility. No actual supernatural elements, just people being sadistic to each other in the middle of a vicious civil war.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
Awix (3310 KP) rated The Quatermass Xperiment (1955) in Movies
Mar 4, 2018 (Updated Mar 4, 2018)
The original Hammer horror movie; the studio did actually know how to spell 'experiment', but the title refers to the 'X' certificate that all self-respecting horror films had at the time this was made. Astronaut comes back from space a changed man; the rest of his crew mysteriously vanished - just what went on out there? Professor Q must figure it out before the mutation afflicting the astronaut reaches its final form.
Actually really, really tame as a horror movie by modern standards, obviously, but also of great historical interest as the birth of a legend in British cinema. One can't help suspecting the TV show was a lot more thoughtful, but this still works pretty well as an SF movie, and an influential one at that, and the juxtaposition of B-movie SF ideas and images with post-war Britain is interesting. Imported American star Brian Donlevy is not very good as Professor Q (original writer Nigel Kneale claimed he was on the sauce all the time); Richard Wordsworth is mesmerising as the doomed astronaut.
Actually really, really tame as a horror movie by modern standards, obviously, but also of great historical interest as the birth of a legend in British cinema. One can't help suspecting the TV show was a lot more thoughtful, but this still works pretty well as an SF movie, and an influential one at that, and the juxtaposition of B-movie SF ideas and images with post-war Britain is interesting. Imported American star Brian Donlevy is not very good as Professor Q (original writer Nigel Kneale claimed he was on the sauce all the time); Richard Wordsworth is mesmerising as the doomed astronaut.
Matthew Krueger (10051 KP) rated The Man Who Could Cheat Death (1959) in Movies
Nov 11, 2020
Anton Diffring (1 more)
Christopher Lee
Could You Cheat Death?
The Man Who Could Cheat Death- is a decent sci-fi horror flick.
The plot: Turn-of-the-century authorities search for a killer who surgically removes his victims' thyroid glands and implants them in himself to maintain his youth.
The lead role of Bonnet was originally offered to Peter Cushing, who turned it down six days before shooting started. Cushing's reason was that he was completely exhausted 'following the shooting of The Hound of the Baskervilles (1959), which had just wrapped up'. The loss of Cushing caused Hammer to threaten legal action against him. However, Cushing had not signed a final contract with Hammer, and nothing could be done, although an angry Paramount, which was partly financing and distributing the film, 'relegated to picture to the lower half of double bills in the States'.
The Man Who Could Cheat Death was granted an X-certificate by the BBFC on 8 April 1959. The X-cert meant that the film could only be exhibited to people age 16 or older. The film was cut in order to get the certificate, which allowed it to be shown in the UK, but the details of what or how much was cut are unknown.
Like i said its a decent sci-fi horror flick about a madman scitentist.
The plot: Turn-of-the-century authorities search for a killer who surgically removes his victims' thyroid glands and implants them in himself to maintain his youth.
The lead role of Bonnet was originally offered to Peter Cushing, who turned it down six days before shooting started. Cushing's reason was that he was completely exhausted 'following the shooting of The Hound of the Baskervilles (1959), which had just wrapped up'. The loss of Cushing caused Hammer to threaten legal action against him. However, Cushing had not signed a final contract with Hammer, and nothing could be done, although an angry Paramount, which was partly financing and distributing the film, 'relegated to picture to the lower half of double bills in the States'.
The Man Who Could Cheat Death was granted an X-certificate by the BBFC on 8 April 1959. The X-cert meant that the film could only be exhibited to people age 16 or older. The film was cut in order to get the certificate, which allowed it to be shown in the UK, but the details of what or how much was cut are unknown.
Like i said its a decent sci-fi horror flick about a madman scitentist.
Awix (3310 KP) rated Saint Maud (2020) in Movies
Oct 16, 2020
Outstanding British psycho-horror movie; if you want to experience an approximation of what it's like to be in the head of someone in the process of going utterly nuts, this is the movie for you. A devout nurse with a troubled past starts a job caring for an abrasive, dying ex-dancer; she believes God has sent her to this place, but when events suggest otherwise, she finds it impossible to accept...
Initially seems like another of those post-horror movies we keep hearing about: lots of ominous atmosphere and creepy intensity, but not much that's explicitly scary to start with (this changes). Powered along by an extraordinary performance from Morfydd Clark, who plays one of the most unsettling movie loons in recent years, but extremely well scripted and directed too. Genuinely gripping and unsettling, with an ending that hits like a hammer. This is one hell of a movie.
Initially seems like another of those post-horror movies we keep hearing about: lots of ominous atmosphere and creepy intensity, but not much that's explicitly scary to start with (this changes). Powered along by an extraordinary performance from Morfydd Clark, who plays one of the most unsettling movie loons in recent years, but extremely well scripted and directed too. Genuinely gripping and unsettling, with an ending that hits like a hammer. This is one hell of a movie.
Unhappy Birthday (2011)
3.0
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Unhappy Birthday (2011) Anonymous Set in and around the remote tidal island of Amen, Unhappy...
Awix (3310 KP) rated The Blood on Satan's Claw (1971) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
What's In A Name?
One of the big three British folk-horror movies (along with Witchfinder General and The Wicker Man) and the only one to go for an explicitly supernatural storyline: in 18th century England, a ploughman unearths a deformed skull, which mysteriously disappears soon after. Insanity, mutation and violence begin to spread amongst the young people of the area, forcing the local judge to take extreme measures in the cause of virtue.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
On one level this does sound like the broadest kind of exploitative schlock, and it's true that the monster suit at the end is utterly crapulous, but this does not take into account the disturbingly dreamy atmosphere conjured up by director Haggard and Marc Wilkinson's score. There's a touch of the genuine gothic in the way something ancient and disturbing erupts into a quietly bucolic world.
Plus, there is a hard edge of gleeful nastiness to this film which is wholly lacking from the movies being made by Tigon's better-known rivals at Hammer and Amicus during the same period. There's a sense in which most Hammer movies feel like costume dramas with a little blood included as a contractual obligation, but Blood on Satan's Claw goes all-out to mess the viewer up - it's not especially frightening as such, but it's a very unsettling, creepy movie that's a worthy successor to an ancient English tradition of supernatural horror stories.
Awix (3310 KP) rated The Legend of Hell House (1973) in Movies
Mar 21, 2020
Broodingly effective British horror movie is strikingly unlike anything else of its time - not much resemblance to a movie by Hammer, or Amicus, or AIP. Four people move into a haunted house for a week; their beliefs about the supernatural vary, but they are forced to agree there is something funny about the place...
Understated, almost pseudo-documentary atmosphere works in the film's favour; the actors also know to underplay it until the big histrionics are required. Unsettling soundtrack by radiophonic genii Delia Derbyshire and Brian Hodgson is a major plus. The script goes a bit nuts towards the end (don't think too hard about the plot) but the journey to get to this point is more than worthwhile.
Understated, almost pseudo-documentary atmosphere works in the film's favour; the actors also know to underplay it until the big histrionics are required. Unsettling soundtrack by radiophonic genii Delia Derbyshire and Brian Hodgson is a major plus. The script goes a bit nuts towards the end (don't think too hard about the plot) but the journey to get to this point is more than worthwhile.