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Clear and Present Danger (1994)
Clear and Present Danger (1994)
1994 | Action, Drama, Mystery
The Cover-Up
Clear and Present Danger- is a thriller pacted movie. It has action, suspense and drama. Its downfall its long and somewhat boring and waits a while to get to the action. The action is also decent, not as good as patriot games.

The plot: Agent Jack Ryan (Harrison Ford) becomes acting deputy director of the CIA when Admiral Greer (James Earl Jones) is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on a yacht, Ryan starts discovering links between the man and drug dealers. As CIA agent John Clark (Willem Dafoe) is sent to Colombia to kill drug kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.

Harrison Ford is excellent as Jack Ryan. He is the best Jack Ryan in my opinon. He nails Jack Ryan perfectly.

Clear and Present Danger- is a decent thriller with the only downfall is it being a little long and boring.
  
Blade Runner (1982)
Blade Runner (1982)
1982 | Sci-Fi
9
8.5 (75 Ratings)
Movie Rating
A classic
This is a brilliant example of Ridley Scott and Harrison Ford at their best. Considering this was made back in 1982, the effects and the whole look of the city still look surprisingly futuristic and not shoddy and outdated. The score really adds to the tension and suspense, and the cast are great. This is one of the few examples where the film is actually better than the source material (Philip K Dick' s short story).
  
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Awix (3310 KP) rated Blade Runner (1982) in Movies

Nov 25, 2019 (Updated Nov 26, 2019)  
Blade Runner (1982)
Blade Runner (1982)
1982 | Sci-Fi
8
8.5 (75 Ratings)
Movie Rating
Cult thriller from Ridley Scott. In present-day Los Angeles, investigator Harrison Ford finds himself obliged to hunt down and destroy four androids who have illegally returned to Earth from colonies in outer space. Yes, yes: I know it's a timeless classic and a visionary piece of science fiction (if not a particularly accurate piece of prognostication), but it's not a film I've ever found myself able to particularly warm to.

One of the prettiest and most visually dense films you will ever see, of course, but Ridley Scott seems much more interested in the film's visual impact than the actual story (even so, much of the imagery is rather clunky). Harrison Ford doesn't get much to do in his drab and perfunctory section of the plot - the film only really comes to life when it concerns Rutger Hauer's oddly sympathetic homicidal android, who ends up dominating the movie. Most of the book's quirky sense of melancholy disappears, though. For all its strengths it just feels rather superficial and hollow to me.