"I loved Primal Fear. It was my first introduction, I think, to Edward Norton. I don’t know what he was in prior to that. I love these complex storylines of scandals of the church and the greed of Richard Gere and then, of course, obviously that they fooled us for so long. I really fell down the rabbit hole and it turned on a dime and blew my mind. Frickin’ Edward Norton is such a genius. I hate to say this but I get jealous very easily [laughing]. If it’s a fantastic movie, or fantastic director or fantastic actor. Like, doing this play [Spring Awakening on Broadway] I remember [when seeing the original Los Angeles production] saying, “I’m jealous I’m not in it,” and that’s the biggest praise I can give. Honestly, I think Edward Norton is one of the best of our generation. I’d like to call myself in his generation."

"I had to chop out Songs Of Love & Hate by Leonard Cohen, but I've got a later man-and-acoustic-guitar record that I think I like a little more. What I've got in now is October Language by Belong. The first Belong album is just synthesised guitar noise but incredibly serene and beautiful. It's a pretty unique record. The only record that I could compare it to through personal experience is Endless Summer by Fennesz, the so-distorted-that-it-starts-to-confuse-you guitar noise. It's just a wonderful record. It's a great record to listen to while travelling. I think that's the best circumstance to listen to music in. Where did I discover it? Probably record shopping. I'm really good friends with the guys who work in Monorail, and they have quite a good gist of what music I like, so there's a good chance I went in and they threw it at me and said 'this has got you written all over it'."

"Looking at my choices earlier, I was thinking, why haven't you got anything more recent, old man? I've really loved Little Simz' Grey Area recently, but I haven't lived with it quite long enough. This I have. 

Michael's a fantastic artist. I loved his last album, Love and Hate, but then this came along. It's absolute soul music, deep and powerful, one of those records that instantly gives you the strong feeling that it'll stay with you for the rest of your life. It's got such a great first track, 'You Ain't The Problem', but by the time you're at track 4, 'Piano Joint', you're just in another world. When I listen to a song, I want to be taken on a journey, and this takes you really deep. The whole thing. My only gripe's that I'd rather it on two sides of vinyl rather than four. Basically, I'm a lazy old man. But it's very minor, don't worry!
"