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Lee (2222 KP) rated Relic (2020) in Movies
Sep 2, 2020
I only became aware of Relic back in June. After looking into it a little more, I started to come across the traditional ‘scariest movie of the year’ headlines, which seem to accompany the release of pretty much every movie of this kind before release. I also saw comparisons being made to both Hereditary and The Babadook, and anyone who has ever heard any of my rantings on the subject before will know exactly which opposite ends of the movie rating scale I consider those movies to be on! Thankfully, this feature debut from writer/director Natalie Erika James lands nicely on the same end of the scale as The Babadook.
When Kay (Emily Mortimer) receives word that her elderly mother, Edna (Robyn Nevin) has gone missing, she and daughter Sam (Bella Heathcote) drive out to her rural home to investigate. We’d already been introduced to Edna briefly in the opening scene, where she stood naked with her back to us, in a sequence which had already managed to introduce an overwhelming sense of dread and unease. Something that Relic continues to build upon for much of its 89 minute runtime.
Kay and Sam spend some time in the house, liaising with the police and looking for clues to Edna’s whereabouts while they rummage through her large house. Post-it note reminders are dotted around the house, indicating that Edna is now struggling with dementia. From the simple, helpful kind of reminder, such as “take pills” and “turn off the tap”, to the slightly more sinister “don’t follow it”. There are lots of strange, unexplained noises in the house too, with a black mould growing on some of the walls. All the while, a pulsing, pounding score in the background continues to effectively layer up on that dread and unease I mentioned before. While browsing through some paperwork, Kay finds an old sketch of a cabin in the woods and casually mentions to Sam that it was where her great grandfather died alone, of dementia. Apparently the windows, and other elements of the cabin, were used in the building of the house that they are now in, and despite the fact that Kay is currently suffering from dark and disturbing nightmares involving the cabin and her great grandfather, none of this seems to trigger any alarm bells whatsoever!
When Edna suddenly returns home one morning, with no memory of where she’s been, she has dirt under her fingernails and a large and nasty bruise on her chest, which over time begins to look suspiciously like that black mould that’s forming on the walls. While Sam wants to stay and be near to her grandmother, Kay is more focused in checking out care homes to ship her off to. Edna swings between being perfectly normal, with a sharp memory, to periods of forgetfulness and rage. Some time taken to follow the family interactions over the next few days really helps to deepen the characters’ relationships in our minds, highlighting existing tensions between them. And restricting pretty much all of the movie to the confines of the mysterious house only serves to ramp up the unease, in preparation for the final act.
The description of Relic on IMDb states “a manifestation of dementia consumes the family home”, and you can probably gather as much anyway, just by watching the trailer. Instead of the traditional haunted-house movie that you might expect from the earlier part of the movie, we’re treated to an allegory for the horrors of dementia. The house becomes the star of the movie, seemingly altering itself to induce claustrophobia, confusion and panic in Sam and Kay as they become trapped in its shifting corridors, lowered ceilings and newly sealed doors.
Relic can at times feel a little too metaphor driven, and while I understood the beauty and the meaning behind it’s closing moments, I felt it threw up a lot more questions than it answered. Depending on how much that bothers you may affect your overall enjoyment, but I still found it to be an impressively original movie, which successfully managed to creep me out!
When Kay (Emily Mortimer) receives word that her elderly mother, Edna (Robyn Nevin) has gone missing, she and daughter Sam (Bella Heathcote) drive out to her rural home to investigate. We’d already been introduced to Edna briefly in the opening scene, where she stood naked with her back to us, in a sequence which had already managed to introduce an overwhelming sense of dread and unease. Something that Relic continues to build upon for much of its 89 minute runtime.
Kay and Sam spend some time in the house, liaising with the police and looking for clues to Edna’s whereabouts while they rummage through her large house. Post-it note reminders are dotted around the house, indicating that Edna is now struggling with dementia. From the simple, helpful kind of reminder, such as “take pills” and “turn off the tap”, to the slightly more sinister “don’t follow it”. There are lots of strange, unexplained noises in the house too, with a black mould growing on some of the walls. All the while, a pulsing, pounding score in the background continues to effectively layer up on that dread and unease I mentioned before. While browsing through some paperwork, Kay finds an old sketch of a cabin in the woods and casually mentions to Sam that it was where her great grandfather died alone, of dementia. Apparently the windows, and other elements of the cabin, were used in the building of the house that they are now in, and despite the fact that Kay is currently suffering from dark and disturbing nightmares involving the cabin and her great grandfather, none of this seems to trigger any alarm bells whatsoever!
When Edna suddenly returns home one morning, with no memory of where she’s been, she has dirt under her fingernails and a large and nasty bruise on her chest, which over time begins to look suspiciously like that black mould that’s forming on the walls. While Sam wants to stay and be near to her grandmother, Kay is more focused in checking out care homes to ship her off to. Edna swings between being perfectly normal, with a sharp memory, to periods of forgetfulness and rage. Some time taken to follow the family interactions over the next few days really helps to deepen the characters’ relationships in our minds, highlighting existing tensions between them. And restricting pretty much all of the movie to the confines of the mysterious house only serves to ramp up the unease, in preparation for the final act.
The description of Relic on IMDb states “a manifestation of dementia consumes the family home”, and you can probably gather as much anyway, just by watching the trailer. Instead of the traditional haunted-house movie that you might expect from the earlier part of the movie, we’re treated to an allegory for the horrors of dementia. The house becomes the star of the movie, seemingly altering itself to induce claustrophobia, confusion and panic in Sam and Kay as they become trapped in its shifting corridors, lowered ceilings and newly sealed doors.
Relic can at times feel a little too metaphor driven, and while I understood the beauty and the meaning behind it’s closing moments, I felt it threw up a lot more questions than it answered. Depending on how much that bothers you may affect your overall enjoyment, but I still found it to be an impressively original movie, which successfully managed to creep me out!
Darren (1599 KP) rated Seeds (2018) in Movies
Sep 13, 2019
Characters – Marcus has a dark past that he is running from, he returns to his childhood home to escape everything that could cause him problems, this sees him needing to look after his niece and nephew, one of which he has feelings for, but has always pushed away from ever giving into them. He believes his house is haunted which sees him needing to figure out what is real or not. Lily is the 17-year-old niece that has a past close relationship with her uncle, now she has grown up she gets caught in the middle of wanting a new one that does cross the line however wrong she sees it being. Spencer is the younger nephew that needs taking care off, Lily does it most of the time, with his fascination with insects keeping him entertained.
Performances – Trevor Long does give us a disturbing performance, where we see just how conflicted he is through the events of the film, Andrea Chen shines too which is important for her role in the film. Garr Long and the rest of the cast have all done well through the film without taking over from the two leads.
Story – The story follows a man dealing with his past while looking after his niece and nephew, believing there is a creature living in his home. This story can be broken down into dealing with temptation and letting the evil in the world manifesting into a thing of nightmares. If we dive deeper, we will end up going full spoilers. The tone of story is unsettling and disturbing throughout, it almost feels like you want to turn away, but you want to know just what is happening at the same time.
Horror – The horror comes from the visits from the long legged creature in the shadows, it only strikes at night, when Marcus is most vulnerable.
Settings – The film is set in one location, a beach house which shows us just where one man will go for time away from the world to fix his mind.
Special Effects – The effects used to create the creature are creepy and feel like they could come for the people being haunted by them.
Scene of the Movie – The first creature appearance.
That Moment That Annoyed Me – It does get too deep in places.
Final Thoughts – This is a horror that is looking at life and how it decisions can have different results for the people involved.
Overall: Deep horror.
Performances – Trevor Long does give us a disturbing performance, where we see just how conflicted he is through the events of the film, Andrea Chen shines too which is important for her role in the film. Garr Long and the rest of the cast have all done well through the film without taking over from the two leads.
Story – The story follows a man dealing with his past while looking after his niece and nephew, believing there is a creature living in his home. This story can be broken down into dealing with temptation and letting the evil in the world manifesting into a thing of nightmares. If we dive deeper, we will end up going full spoilers. The tone of story is unsettling and disturbing throughout, it almost feels like you want to turn away, but you want to know just what is happening at the same time.
Horror – The horror comes from the visits from the long legged creature in the shadows, it only strikes at night, when Marcus is most vulnerable.
Settings – The film is set in one location, a beach house which shows us just where one man will go for time away from the world to fix his mind.
Special Effects – The effects used to create the creature are creepy and feel like they could come for the people being haunted by them.
Scene of the Movie – The first creature appearance.
That Moment That Annoyed Me – It does get too deep in places.
Final Thoughts – This is a horror that is looking at life and how it decisions can have different results for the people involved.
Overall: Deep horror.
The Sea Change
Book
A Richard and Judy Summer 2013 Book Club pick. The Sea Change by Joanna Rossiter is a haunting and...
Sean Farrell (9 KP) rated No One Gets Out Alive in Books
Mar 15, 2018
It has been a while since I read anything scary, so I decided to give this one a go. Unfortunately, while this wasn't exactly a bad book, for being horror it was pretty light in the scares department. Following a very down-on-her-luck girl who rents a room from a rather shady landlord in what turns out to be a haunted boarding house, it would seem like a good set-up for creepy goings-on, and there are all manner of upsetting things that happen. The problem lies in the way they are presented. Most of the situations that have the strongest potential at building suspense are set-up, and then suddenly told after the fact. In doing so, it removes pretty much all fear from the equation, as we already know more-or-less what transpired before reading about it in grisly detail. Nevermind that the protagonist's actions require some extreme suspension of disbelief, at least try to scare me from time to time. Things do improve in the markedly different (and better) second half, but by then it's a case of too little too late. A decent enough read that I might check out some more of this author's books, but I can't say I recommend this one.
Dianne Robbins (1738 KP) rated Amityville: The Awakening (2017) in Movies
Jan 27, 2019
Not much (2 more)
Stays within the Amityville realm
Shows footage from DeFeo's crimes and mentions the Amityville history/"haunting"
Slow and drags on (8 more)
Boring
Tense in a teen angst way
Poor character relationships
One-dimensional characters
Vague plotlines
Visually too dark to see most action
Unoriginal
Flat acting
Drags on and on and on and blah.
If you expect a family to move into the Amityville house where DeFeo murdered his family in the 1970s and be haunted or possessed by a ghost, demon, poltergeist, etc., you are 100% correct. That premise could be interesting but unfortunately, this film falls short. It is tense because of the relationships between the characters and not from suspense. It's pretty boring and relies on a few jump scares and flashes of horror. The storyline is unoriginal and poorly done. The lighting is so dark that it's difficult to see the last 30 minutes of the action. You might as well be listening to an old-fashioned radio show or horror podcast instead. This movie is problematic from beginning to end. There are much better films out there with a similar premise so unless you're extremely bored and like to torture yourself, avoid this one.
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