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Ghost in the Shell (2017)
Ghost in the Shell (2017)
2017 | Action, Drama, Sci-Fi
Dumb as fuck, sheds the vast majority of the source's intelligence - even speaking as someone with only a cursory knowledge of it - for something a lot more nonsensical, westernized, and generic. But it doesn't sacrifice even an ounce of its visual pizzazz - if we've learned anything about Rupert Sanders (non-cheating scandal related, that is) it's that he does not fuck around with his aesthetic. 110% magnetic, self-assured, and every bit as visually stupendous as ๐˜‰๐˜ญ๐˜ข๐˜ฅ๐˜ฆ ๐˜™๐˜ถ๐˜ฏ๐˜ฏ๐˜ฆ๐˜ณ 2049. I found most of the ending parts to be a disingenuous swing and a miss but who cares, did you *see* the way ScarJo beat the shit out of those people to synth music while she was invisible and the water was going all slo-mo and stuff? As a piece of seductive sci-fi junk food that's nice and heavy on the portent, it's nothing less than orgasmic - though it makes sense fans of the source would detest this, this is pretty much what I expected after all so I can't say my bar was mega high to begin with. I'm in the middle with Scarlett, it isn't too demanding of a performance but the unnatural cranes and dead gawks are right up her alley and do fit quite nicely here so eh I'll take it for now even if it feels like bootleg ๐˜œ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฌ๐˜ช๐˜ฏ. And it's always good to see Takeshi Kitano. Oh and also Juliette Binoche is at least twenty-five times better in this than every role she's ever been nominated for an Oscar for.
  
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LoganCrews (2861 KP) rated Chappie (2015) in Movies

Sep 19, 2020 (Updated Sep 19, 2020)  
Chappie (2015)
Chappie (2015)
2015 | Action, Crime, Sci-Fi
"๐˜ ๐˜จ๐˜ถ๐˜ฆ๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ ๐˜ด๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜จ๐˜ถ๐˜บ๐˜ด ๐˜ข๐˜ญ๐˜ญ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ˆ.๐˜. ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜จ๐˜ข๐˜ท๐˜ฆ ๐˜ค๐˜ฐ๐˜ค๐˜ข๐˜ช๐˜ฏ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜”๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ฆ๐˜ณ ๐˜Œ๐˜ฏ๐˜ฆ๐˜ณ๐˜จ๐˜บ ๐˜ข ๐˜ต๐˜ณ๐˜บ." - Trevor Moore, ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ฐ๐˜ง ๐˜–๐˜ถ๐˜ณ ๐˜›๐˜ช๐˜ฎ๐˜ฆ๐˜ด

Much better than ๐˜‹๐˜ช๐˜ด๐˜ต๐˜ณ๐˜ช๐˜ค๐˜ต 9 even though it's essentially the same movie for the chief purpose that this is cleaner, more fun, and ditches the sloppy gimmick and failed heavy-handed metaphor. Those last 30 minutes are godly, just totally bananas trashy cyberpunk action glory - not only the best thing Blomkamp has ever done but some of the most fun a sci-fi movie has had in the 2010s. But otherwise a movie about robot cop Sharlto Copley hanging around Die Antwood who teach him how to be gangsta but he accidentally discovers consciousness while a deranged Hugh Jackman desperately wants to let his monster mech loose on the city should be a lot more entertaining than this was. Still sports impeccable graphics and design as always with Neill, and you know what this isn't deep on any level nor does it have a single talking point about the militarization of the police department or A.I. or big tech corporations - fine, whatever. But there's almost zero violence for the hour + twenty-five minute stretch in the middle of this where it becomes this trite, sickly sweet family drama? I mean you're practically poised to fashion this nuanced, ultraviolent story dissecting how A.I. reacts to trauma but instead they're reading bedtime stories to the thing? Still vibrant and ridiculous though, enjoyed the hell out of it - I ain't picky. Plus points for letting all these actors use their natural accents.
  
Justice League International, Vol. 4
Justice League International, Vol. 4
Keith Giffen | 1989 | Comics & Graphic Novels
6
7.0 (2 Ratings)
Book Rating
The 80s. I know, right? What the heck happened??! When did things get so confusing and angstastically heavy?! I mean, beside the frelled up election result for 2016??

Thankfully, despite all of that, there are many good outlets to remind us how to have fun and to also remind us that WE actually used to be FUN! Keith Giffen and J.M. DeMatteis truly know how to have fun times with the likes of Batman, Blue Beetle, and Martian Manhunter, just to name a few of the characters within.

The art, from artists Mike McKone, Ty Templeton, and Kevin Maguire was equally enjoyable, further enhancing the suing fun times. The only art I wasn't wowed by was Bill Willingham's. Not that it was bad or anything of the sort, I just thought it wasn't one of his stronger contributions. But, yeah, the other guys were all aces!

The only reason it didn't warrant Five Stars, or even Four for that matter, was the last issue in the TPB: "Teenage Biker Mega-Death!" (Vol. 1, Issue #30). The story itself was a weaker offering from Giffen and DeMatteis, only made weaker by the art from Willingham. The "big bad" of the story was neither <i>big</i> nor really very <i>bad</i>! Again, not the worst, but not the best.

Overall, though, this is yet another great example of how to make comics fun and enjoyable! If only they had gone this route for 2017's JUSTICE LEAGUE film!
  
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