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LoganCrews (2861 KP) rated Three Colors: Blue (Trois Couleurs: Bleu) (1993) in Movies
Jul 4, 2021
Look, I swear I'm not trying to be a buzzkill - but it's not my fault ๐๐ข๐ณ๐จ๐ข๐ณ๐ฆ๐ต (2011) was such a staggering masterpiece that it retroactively ruined most films which tackle the same sorts of subject matter for me. I can't deny how formally unique this all is, and I ultimately think that it mostly? semi? kinda? works in the end (the finale in particular is a bracing work of art - if only on the surface). But I also found a lot of this to be heavy-handed and/or pompous - including but not limited to those cheesy "MTV Jackass"-style fade-outs paired with the capable but intrusive score which get overused into oblivion. I understand that the feeling of detachment with itself is purposeful - and sometimes it leads to successful results - but I have the same issue with similar-type films like ๐๐ฆ๐ข๐ฏ๐ฆ (which - to be fair - this is better than) where it gets so lost in its sea of purposeful ambiguity that it trades out substance for an artificial sense of mystery. And again, I get that this is all the point. Maybe this would have resonated better with me had I dealt with such grief as depicted here? Is this even for me? Maybe not, but even still this is home to some hard facepalm schmaltz in general. Another unpopular opinion while we're at it, this looks good in the beginning but after that it mostly really looks various shades of okay-to-bland imo. But I'm a sucker for nuance - which even in its faults this is in entirety - so sure, I'll take it. I definitely won't be forgetting it any time soon.

Jonathan Donahue recommended Night on Bald Mountain by Modest Mussorgsky in Music (curated)

Hazel (2934 KP) rated Rabbit Hole in Books
Jul 20, 2021
The title of this book is absolutely perfect and after having read it, I feel like I went down a Rabbit Hole and am only just beginning to emerge!
I am a huge fan of Mark Billingham's work, particularly his Tom Thorne Series, but this is a standalone psychological thriller that explores the fractured mind of Alice Armitage and her quest to find a killer whilst an in-patient on an acute psychiatric unit.
I said I felt like I went down a Rabbit Hole and that's because the reader is immersed totally within Alice's mind; the whole of the book is written from her perspective and focusses on her trying to solve a murder whilst dealing with the mental health difficulties she and those around her are experiencing but from her point of view rather than a clinical one, i.e. simplistic, but with a bit of humour so it's not all dark and heavy going.
Alice is an unreliable narrator which had me scratching my head wondering what was actually real and what was only real from Alice's perspective. This, I think, was genius as it provided plenty of opportunities for distractions and mis-directions which worked well but mashed my head a little!
This wasn't an easy book to read and I have a feeling it won't appeal to everyone but if you want to read something a bit different, I would recommend but be prepared to join Alice in the Rabbit Hole.
Many thanks to Little, Brown Book Group UK and NetGalley for my copy in return for an unbiased and unedited review.
I am a huge fan of Mark Billingham's work, particularly his Tom Thorne Series, but this is a standalone psychological thriller that explores the fractured mind of Alice Armitage and her quest to find a killer whilst an in-patient on an acute psychiatric unit.
I said I felt like I went down a Rabbit Hole and that's because the reader is immersed totally within Alice's mind; the whole of the book is written from her perspective and focusses on her trying to solve a murder whilst dealing with the mental health difficulties she and those around her are experiencing but from her point of view rather than a clinical one, i.e. simplistic, but with a bit of humour so it's not all dark and heavy going.
Alice is an unreliable narrator which had me scratching my head wondering what was actually real and what was only real from Alice's perspective. This, I think, was genius as it provided plenty of opportunities for distractions and mis-directions which worked well but mashed my head a little!
This wasn't an easy book to read and I have a feeling it won't appeal to everyone but if you want to read something a bit different, I would recommend but be prepared to join Alice in the Rabbit Hole.
Many thanks to Little, Brown Book Group UK and NetGalley for my copy in return for an unbiased and unedited review.

Lee Ronaldo recommended Slanted and Enchanted by Pavement in Music (curated)

Naomi Judd recommended The Silence of the Lambs (1991) in Movies (curated)

LoganCrews (2861 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Sep 21, 2020
Pick your poison: ๐๐ฉ๐ฆ ๐๐ข๐ด๐ต ๐๐ช๐ต๐ค๐ฉ ๐๐ถ๐ฏ๐ต๐ฆ๐ณ meets ๐๐ถ๐ต๐ญ๐ข๐ธ ๐๐ช๐ฏ๐จ, 300: ๐๐ช๐ด๐ฆ ๐ฐ๐ง ๐ข๐ฏ ๐๐ฎ๐ฑ๐ช๐ณ๐ฆ meets the ๐๐ด๐ด๐ข๐ด๐ด๐ช๐ฏ'๐ด ๐๐ณ๐ฆ๐ฆ๐ฅ movie, or ๐๐ฐ๐ฅ๐ด ๐ฐ๐ง ๐๐จ๐บ๐ฑ๐ต meets ๐๐ฐ๐ฃ๐ช๐ฏ ๐๐ฐ๐ฐ๐ฅ (2018) - you decide. Either way they all eventually mesh with ๐๐ฐ๐ค๐ฌ๐ฏ๐ณ๐ฐ๐ญ๐ญ๐ข, too. As stupid and trashy as it needs to be, legit some of the dumbest stuff imaginable lmfao. Pure junky spectacle with jaw-dropping visuals and neurotic editing, felt like somebody laced my drink with crack while I was watching it. God-tier Law performance right here, chews the scenery so much that legend has it his jaw dislocated. Unmistakably Ritchie in areas but unfortunately often sacrifices auteur personality for genre convention (take a shot every time you see a side character you'll remember and you'll end up totally sober - and that stupid joke about the roundtable at the end was puh-thetic). To say this frankly disgraceful excuse of a screenplay is the exact same movie as all of these other edgy historical action-remakes for high school boys would be a severe understatement. Glad it didn't turn too much into jokey blockbuster corn or yet another over-emphasized failed origin story (most of this is wisely cut to montages with like nu-gothic heavy breathing scores lol). In short, the type of movie I'm *shocked* wasn't released in 2003/2004. I feel bad for those who love King Arthur and then saw this movie - but Jude Law cuts off a guy's ear then whispers into it and Charlie Hunnam full-on does the ๐๐ธ๐ช๐ญ๐ช๐จ๐ฉ๐ต: ๐๐ฆ๐ธ ๐๐ฐ๐ฐ๐ฏ angst-run through the woods. So of course I, for one, enjoyed the hell out of it.

LeftSideCut (3776 KP) rated Justice League Dark: Apokolips War (2020) in Movies
Sep 23, 2020
The DC Animated movies are a mixed bags. There are some great ones, and a whole bunch of not so great ones. The top of the pile for me has always been the 2-part adaption of The Dark Knight Returns, until now that is.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.
Apokolips War is the final movie in the 16-part connected DC Animated Movie Universe, which started back in 2013 with The Flashpoint Paradox, and as a culmination of this particular storyline, it's near perfect.
In terms of plot, things are batshit insane from the get go - notable heroes are slaughtered as Darkseid lays waste to Earth, leaving a broken and small crew left to hold the fort and try and claw a win from a seemingly desperate situation. Everyone gets involved - Superman, Batman, Wonder Woman, Swamp Thing, Etrigan, Shazam, Martian Manhunter, Raven, the whole Suicide Squad roster, just to name a few, and with all these heavy hitters in tow, it's an absolute pleasure to have Constantine at the forefront of it all, once again voiced by the fantastic Matt Ryan.
He's joined by the likes of Rosario Dawson, Tony Todd, Rebecca Romijn, Jerry O'Connell, Taissa Farmiga, Jason O'Mara, Camilla Ludington, John DiMaggio - it's a stacked voice cast to say the least.
The animation is wonderful, the action is non-stop and brutal, gritty yet smooth - it just feels like the creative team on this one pulled out all the stops to make sure the DCAMU finished with and Avengers Endgame sized flex.
It knocks spots off the first Justice League Dark entry and is ultimately my pick for the finest animated DC feature out there.

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