"When I was a teenager, I was an avid Smash Hits reader - all through the 80s, that's what I read. So when the Beastie Boys and Run DMC came along, I was all over it. We were nicking VW signs from cars, skateboarding. That was a really big thing for ages. I was into that stuff for a while but the one hip hop album I listened to the most was this one. It's another one that doesn't ever fade. It's got this depth to it, and it's easy. But it's also serious and it's bumping. Obviously there are loads of other really important hip hop albums for me: Notorious B.I.G, Dr Dre, Jay-Z. I get a similar feeling from listening to really good hip hop that I get listening to Nubian music. The whole way of writing with loops really appeals to me. It was weird because I was listening to a lot of this kind of music, and playing and listening to a lot of jazz but they were two separate worlds. I was really into guitar music as well. When I was a kid I was really into Van Halen, heavy metal and all that stuff. Those two worlds never quite joined together. It wasn't until A Tribe Called Quest, and Galliano, Joyful Noise of the Creator. That Tribe Called Quest album, for me, joined those worlds. They mined a lot of old Lou Donaldson records, and other things, but it sounded really current as well. It pulled a lot of things together. And obviously, it branched out to lots of classic 90s hip hop: Guru, Jazzmatazz, Nas. It was a really amazing time."

"This is a period of transition, which all of those early albums were. If you look at Bowie between 1967 and 1970/1 there was no constant in his life, whether he was a mod, whether he was going through his Dylan period with Space Oddity, God knows what The Man Who Sold The World is… it's like a prog heavy metal album really… He was changing the whole time. But if you look at Hunky Dory, I think he just thought that his future was as a songwriter as well as a performer, because I've also heard that The Rise And Fall Of Ziggy Stardust And The Spiders From Mars was his last crack at [becoming famous]. And the amazing thing about this album was two weeks after he finished it he was back in the studio doing Ziggy Stardust. There was a two week gap between the studio visits for those two records and they're so radically different from each other. So I think Bowie just thought, 'Right I'm having one last crack at being a pop star and I've written all these great songs.' And they are great songs on this album, 'Bewlay Brothers', 'Quicksand', 'Life On Mars'… When he wrote this song he'd just put in to write the lyrics for 'My Way' for Frank Sinatra and he got rebuffed and was really pissed off about it. So he wrote that song to say, 'This is what I can do.' And it is a great song: one of the greatest songs ever. I think he wrote it genuinely thinking that one day someone like Frank Sinatra would record a version of it."

"Growing up I didn't have an older brother, so all my music was formed by my mother and father. The latter would play old Irish folk songs and outlaw music by Johnny Cash and the only thing my mother would play was heavy melancholy orchestral movements like Night On Bald Mountain. What my mother would make me do is sit on the floor and tell my father to tell a story while putting on this record. This was big for me. I was probably four years old at the time. It sounded eerie, spooky and epic. My dad would make up these ghost stories but what he was really doing was recreating these children's story soundtracks that I'd listened to! I was too young to understand what he was doing at the time, but he was just making his personalised version of The Little Prince or Tales of Witches, Ghosts And Goblins. So he'd be like [eerie voice]: ""The ghosts would move up the Catskill Mountains..."" and I'd just sit there freezing in fear of these ghost stories! It was like having a musical campfire in your living room. Also, this song featured on the film Fantasia, which was my whole life up until the age of ten. It stuck with me and it was embedded in there now you're mixing visuals. I wasn't into the Mickey Mouse aspect of it, but when you watch the eerie castle and spooky ghosts, this is just feeding a young boy's imagination and this is the world he's going to confront when he grows up. These were all the ingredients going into my soup."

"For me Pavement were my favourite band of the 90s and they really defined the 90s for me better than Nirvana or any other band, because they were shambolic and had elements of all the things that came right before them like the Sonic Youth era and the grunge period. Malkmus was such a literary voice and they were such a great band in spite of being everyone living in a different city. They hardly ever rehearsed and their songs were always thrown together in some way but they made this music that inspired me almost more so than anybody else at the time. I would listen to them and see them live and it really moved me in a very basic sense. I felt it was very sophisticated in spite of it being a little shambling and rambling on stage and maybe that was part of it. They were never really a tight band. They never cared to be a tight band. On stage things were a little bit messy and blurry and that maybe was part of their charm, it showed that that didn’t matter in a way. What they were getting across was something that was nothing to do with whether they were a tight rock band with heavy riffs or whatever. Sonic Youth always prided ourselves on being really well rehearsed. We were super rehearsed most of the time and could really kick it out and Pavement was not like that at all. Yet they were really impressive and powerful in this kind of shambling way. I always loved the songs."

"It’s my all time favorite, hands down. It’s just me. I really love the dark side and one of my girlfriends is one of the world’s experts on serial killers and she has John Wayne Gacy’s brain in her basement. I’ve SEEN it! Next to her sons hockey sticks. I didn’t know anything about it. We were on tour. We were in Corpus Cristi, Texas and had a night off and I always took the band and crew out for dinner and we go to this mall. I guess it was the last movie of the night and we’re the only ones in this theater and when we got out of the movie theater the whole mall was empty and we were locked in it. So, the whole night was creepy because we weren’t staying in an expensive hotel and there was just that little button on the door knob that locked our door. So I put all the heavy furniture in the room against the door. I can literally repeat the lines now and when I met Tony Hopkins — and nobody gets me; I’m just not impressed by celebrities unless they do something life saving or they’re a hero type — but anyway I don’t ever approach celebrities, but I couldn’t stand not to, and he did the lines for me. And then I was sitting next to Hannibal in a make up chair — the movie was called Heat and you know when you hang out with somebody for a long time… Ashley was doing that movie with him, so I had him do it. But absolutely my favorite."