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Kindergarten Learning Games is educational game to make learning fun . Suitable for children of...
Operation Chastise: The RAF's Most Brilliant Attack of World War II
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The attack on Nazi Germany’s dams on May 17, 1943, was one of the most remarkable feats in...
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An atmospheric tale of corruption and abduction set on Mars, from the author of the award-winning...
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Villagers is a tableau building and card drafting game for one to five players, set in a faraway...
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LeftSideCut (3776 KP) rated Shadow in the Cloud (2020) in Movies
Sep 7, 2021
Contains spoilers, click to show
In short, Shadow in the Cloud is a whole load of silly, but entertaining nonsense. In all honesty, the opening 30 or so minutes completely grabbed me - it has a foreboding synth heavy soundtrack that's completely at odds with its WWII time period but still works, it has a sort of gothic aesthetic in it's cloudy night sky setting that boasts some wonderful shots, it has a well built up sense of dread, and then, when the penny drops that there's something not quite right, there's a shot that is legitimately chilling. I was hooked and found myself thinking "this is going to be one of my new favourite films", but alas, it wasn't to last.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.
Bob Mann (459 KP) rated Star Trek - Nemesis (2002) in Movies
Sep 28, 2021
This film should have worked. They had four years to work up the film: the biggest gap between movies in the series to date. The sets and special effects deployed are a notable improvement on “Insurrection” and are, at times, very impressive. It’s a movie that has personal angst for Picard; an epic space battle; and the death of a major character. And a young Tom Hardy turns in a memorable performance, belying what was to come: it’s interesting that this is only Hardy’s third feature (following his debut in “Black Hawk Down” just the year before!). It’s also a full NINE years before he won the BAFTA Rising Star award!
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
Merissa (14188 KP) rated The Lost Art of Life Magic (The Lost Arts #4) in Books
Nov 24, 2025
THE LOST ART OF LIFE MAGIC is the fourth and final book in The Lost Arts series, and I'm going to be honest, when I read that it wasn't told from Perian's perspective, I wasn't a happy bunny. I mean, come on! But knowing how much I loved the other books, I decided to give it a chance, so with a heavy sigh, I opened it up.
O.M.G. What a perfect ending!!!! I was instantly hooked, loving both new character Trill and old love-to-hate Cormal. Only, trouble was, I found myself sympathising with Cormal. What? I mean, how?? You know that phrase about good intentions? Well, it suits him down to a T. And I found my heart melting. Or maybe that was from the steamy scenes? I'm not sure, and it doesn't really matter.
What matters is that you get everything here. It ties the whole series together, steamy scenes, heartfelt scenes, scenes that will make you laugh out loud (Renny and Cormal!), you see old friends, meet new people who annoy you - I'm looking at you, ninth councillor! - and get everything you could possibly want to finish this outstanding series.
You need to start with book one, but honestly, there's not a single reason why you shouldn't. All of these books are amazing, and I HIGHLY RECOMMEND all of them. This whole series is in my re-read pile, because I know I will be returning to this brilliant world again and again.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 21, 2025
O.M.G. What a perfect ending!!!! I was instantly hooked, loving both new character Trill and old love-to-hate Cormal. Only, trouble was, I found myself sympathising with Cormal. What? I mean, how?? You know that phrase about good intentions? Well, it suits him down to a T. And I found my heart melting. Or maybe that was from the steamy scenes? I'm not sure, and it doesn't really matter.
What matters is that you get everything here. It ties the whole series together, steamy scenes, heartfelt scenes, scenes that will make you laugh out loud (Renny and Cormal!), you see old friends, meet new people who annoy you - I'm looking at you, ninth councillor! - and get everything you could possibly want to finish this outstanding series.
You need to start with book one, but honestly, there's not a single reason why you shouldn't. All of these books are amazing, and I HIGHLY RECOMMEND all of them. This whole series is in my re-read pile, because I know I will be returning to this brilliant world again and again.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 21, 2025
Merissa (14188 KP) rated Royal (Foster Bros #2) in Books
Jan 23, 2026
ROYAL is the second book in the Foster Bros series, and you don't need to have read book one to understand this one. What you do need is a whole lot of patience, as these two drove me crazy.
Royal is the Daddy Dom, who says he is more into the caretaking side of things. Memphis is the little who left home at the first opportunity, as he had feelings for Royal. One of the parents knew about this, but didn't say anything. Fast forward a few years, and Memphis' sperm donor dies, so he returns for the funeral, and to see if he and Royal might finally have a future together.
If mis- or non-communication is your thing, then you are going to LOVE this story. If it's not, then you might struggle, as I did. Saying that, there were a lot of things here that I did enjoy, so I will be continuing with the series. The writing and the pacing are well done, and I did enjoy all the interactions in this story. It's Drake's story next, and I can't wait to find out more about the quiet, enigmatic brother.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2026
<spoiler>I love a good Daddy Dom, especially one heavy on caretaking, so I was thoroughly looking forward to this. I've also never read a book where the 'little' disappears, so I was also looking forward to seeing how that worked out. In a word, it didn't. The Daddy / little part became almost non-existent.</spoiler>
Royal is the Daddy Dom, who says he is more into the caretaking side of things. Memphis is the little who left home at the first opportunity, as he had feelings for Royal. One of the parents knew about this, but didn't say anything. Fast forward a few years, and Memphis' sperm donor dies, so he returns for the funeral, and to see if he and Royal might finally have a future together.
If mis- or non-communication is your thing, then you are going to LOVE this story. If it's not, then you might struggle, as I did. Saying that, there were a lot of things here that I did enjoy, so I will be continuing with the series. The writing and the pacing are well done, and I did enjoy all the interactions in this story. It's Drake's story next, and I can't wait to find out more about the quiet, enigmatic brother.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 23, 2026
<spoiler>I love a good Daddy Dom, especially one heavy on caretaking, so I was thoroughly looking forward to this. I've also never read a book where the 'little' disappears, so I was also looking forward to seeing how that worked out. In a word, it didn't. The Daddy / little part became almost non-existent.</spoiler>
David McK (3918 KP) rated Death on the Nile (2022) in Movies
Apr 10, 2022
The second of Kenneth Branagh's outing as Agatha Christie's sleuth Poirot, apparently much delayed by the Covid-19 pandemic, and set after The Murder on the Orient Express.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.