Search
Search results
Neon's Nerd Nexus (360 KP) rated Weathering with You (2019) in Movies
Feb 1, 2020 (Updated Feb 1, 2020)
Change The World
Weathering With You is such an original and blissfully delightful tale that it successfully draws you in and immerses you into its breathtakingly realistic world the moment you enter it. I think we can all safely say that when Makoto Shinkai makes a movie he turns heads because he's without a doubt up there with Studio Ghibli in regards to quality, imagination, beauty and magic. Whats great about Weathering with you is just how grounded in reality it is and as we meet our lead character we get to see/feel just how tuff life can be for a young adult trying to live/survive in the world especially with no help, guidence or someone to look up to. This really helps form an instant connection to him as a character and while some of his actions maybe considered bad you sympathies and relate to him on a personal level just the same. As the film plays out a more spiritual/fantasy like plot starts to unfold and at first I did struggle to grasp what the film was actually trying to say over all but this does become clear the further in you get. To me its a story about pressure/burdens we ourselves and the world put on our heads which eventually/inevitably will lead to anxiety, emotions running wild, stress, depression and in some cases giving a person such a warped negative outlook on life that they may be lead to believe that their existence is what is causing the pain and misery of everyone else. Surprisingly climate change is a big theme here too and this has become a huge stress in its self weighing down on not only us but on our characters heads equally. However the film does have a lovely way of looking at this issue towards the end which helps manifest a more positive way of dealing with/coming to terms with this huge problem helping to take some of that pressure off us and giving us peace of mind. As you can imagine all this does get extremely heavy at times but it gives what moments of happiness we get such power and weight that by the time they appear I guarantee you will be struggling to contain your emotions as they try to escape from you. With clear influences from the likes of Spirited Away Weathering with you is animated flawlessly and is so beautiful to watch that it even makes simple actions such as preparing food absolutely captivating. Huge cassical scores gracefully a company the striking visualls too but every so often these pices distort, fracture and skip giving them a more modern/slightly futuristic feel to them which i was really impressed by. Makoto Shinkai has done it again and its nice to see his films are getting the attention they deserve with every seat filled in our showing. Honestly go see this film it really is a perfect example of animation at its absolute finest.
Night Reader Reviews (683 KP) rated Fight for the Blue Planet in Books
Jan 9, 2020
Fight For The Blue Planet by Derek Corney was a good book. As an adult reading this book I completely understand the alien's view of humans as a violent and war-like species. I also understood why children were selected to save the world and not adults but more on that later.
One night in the middle of summer three children, Timmy, Adam, and Salma are visited by an alien. This alien, who calls himself Shack-Shack, tells the children of another alien race called The Targ who wants to take over Earth for its resources. Shack-Shack gives each child a special power (invisibility, shape-shifting, and teleportation respectively)and convinces them to fight against the Targ. Following a beacon signal.
Salma teleports them all onto a Targ ship and the fun begins as they start their battle with the Targ. At one point the children find their way onto another planet that the Torg are using for a prison of sorts and manages to free the leaders of another alien race whose species has resistance camps against the Targ all across the planet. Things are not all smooth sailing for the children though as multiple times they find themselves questioning the actions of their allies. Also at a few different times, these young children are faced with the moral dilemma of doing something for the greater good instead of a quick fix. The parents of these young children are completely unaware of anything unusual thanks to shape-shifting imposers that look and act just like their children. Will the children be able to save their home and return to their family or is their home going to be destroyed forever?
I really enjoyed the idea that the aliens chose children to help them out instead of adults and their reasoning for it is sound. They mention how children just accept their powers and abilities while adults would question everything. Also, adults would end up debating the circumstance among themselves until it is too late, while the children will just act right away. The one thing that I really did not like was the uses of double names for some of the aliens such as Sim-Sim and Lee-Lee. They made an otherwise good book feel unnecessarily childish to where I thought it was for a much younger age group than what I ultimately decided.
This is a childrens book for some middle school readers and younger. At the same time, I still enjoyed this book as a break from the normally heavy adult literature. It does have a few remarks and comments that would make an adult think about our entire races behavior. Overall, I give this book a perfect 4 out of 4. The story moves at a steady pace and introduces new characters and concepts without making the reader confused. This book is an interesting read for all ages.
https://nightreaderreviews.blogspot.com
One night in the middle of summer three children, Timmy, Adam, and Salma are visited by an alien. This alien, who calls himself Shack-Shack, tells the children of another alien race called The Targ who wants to take over Earth for its resources. Shack-Shack gives each child a special power (invisibility, shape-shifting, and teleportation respectively)and convinces them to fight against the Targ. Following a beacon signal.
Salma teleports them all onto a Targ ship and the fun begins as they start their battle with the Targ. At one point the children find their way onto another planet that the Torg are using for a prison of sorts and manages to free the leaders of another alien race whose species has resistance camps against the Targ all across the planet. Things are not all smooth sailing for the children though as multiple times they find themselves questioning the actions of their allies. Also at a few different times, these young children are faced with the moral dilemma of doing something for the greater good instead of a quick fix. The parents of these young children are completely unaware of anything unusual thanks to shape-shifting imposers that look and act just like their children. Will the children be able to save their home and return to their family or is their home going to be destroyed forever?
I really enjoyed the idea that the aliens chose children to help them out instead of adults and their reasoning for it is sound. They mention how children just accept their powers and abilities while adults would question everything. Also, adults would end up debating the circumstance among themselves until it is too late, while the children will just act right away. The one thing that I really did not like was the uses of double names for some of the aliens such as Sim-Sim and Lee-Lee. They made an otherwise good book feel unnecessarily childish to where I thought it was for a much younger age group than what I ultimately decided.
This is a childrens book for some middle school readers and younger. At the same time, I still enjoyed this book as a break from the normally heavy adult literature. It does have a few remarks and comments that would make an adult think about our entire races behavior. Overall, I give this book a perfect 4 out of 4. The story moves at a steady pace and introduces new characters and concepts without making the reader confused. This book is an interesting read for all ages.
https://nightreaderreviews.blogspot.com
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
LeftSideCut (3776 KP) rated American Horror Story - Season 7 in TV
Mar 8, 2020
Season 7 of American Horror Story, subtitled Cult, is a weird one. Instead of focusing on the supernatural, ghosts, witches, haunted houses, Cult is a trip through the delicacy of the human mind. It instead looks at fears, real world issues, and of course, the presence of an all too familiar cult like family.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
This makes for some of the best and worst aspects of AHS Cult. The plot leans heavily into politics this time around, originally airing not long Donald Trump was sworn in. I personally like that this season takes this real world event, and explores the horror that some people experienced during this time. Others would argue that it's very on-the-nose, which is somewhat true. Some of the political leanings carry all the subtlety of a stampeding cattle herd, andnat times can feel heavy handed.
Underneath all of the IRL shit that's going on, we also have a plot of intrigue and mystery, as the main character Ally (Sarah Paulson) is being apparently being stalked and pursued by clowns - her worst fear. We are given reason to believe that perhaps Ally is losing her mind, off her meds, upset with the election result, but as the season continues, you find yourself questioning whether she is in fact being gaslighted. Manipulation of what you believe to be true or false is a terrible horror all on its own, and a big reason why I rate this season highly.
The star of Cult for me though was of course Evan Peters. Playing a deranged political candidate called Kai Anderson, it's not long before his extreme right views Garner him a following, and the titular cult is created. To say anymore would be considered spoilers, but rest assured that all of these plot strands weave together by the time the story climaxes.
Evan Peters role in Cult is my favourite performance if his to date. His character is simultaneously charming, terrifying, smart, and unhinged, and he does a fantastic job in bringing him to life.
The plot also touches upon other real world figures, such as Charles Manson. Those parts were pretty interesting, but when the show flashes back and focuses on Valerie Solanis (Lena Dunham), it lost me a bit. I like when AHS includes real life characters, and it's always fun to see how they are interpreted in this kind of media, but it goes a bit overboard with it's hammy stuff (again) at times - the whole Andy Warhol plot was a massive eye roll in my book - and the Solanis stuff is just plain unenjoyable to watch.
This whole side plot really drags down the quality of cult to me, but the strong performances by Sarah Paulson and Evan Peters is enough to keep it in a higher placing for me.
Certainly not my favourite, and certainly not my least, Cult sits somewhere in the middle, and I can only praise the writers for trying something new with the horror element. Good stuff.
Gareth von Kallenbach (980 KP) rated Dracula Untold (2014) in Movies
Aug 6, 2019
The latest Dracula movie attempts to honor an ancient story while adding some new spice and bringing the usual graphics flair we’ve come to expect from Hollywood, but falls short.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Dracula Untold, as the name implies, is an origin story for the pop culture father-of-all-vampires. Luke Evans bears the mantle of Prince Vlad Tepes of the Dracula Clan. (Not Count, but Prince.) What about the King, you ask? Well, they didn’t cover this, but there is no King.
Luke Evans is one of my favorite actors in Hollywood right now, and he does this role justice. The rest of the cast contributed solid performances as well, as best they could with sub par script, and poor direction. Charles Dance was a particular pleasure to witness.
This film is Gary Shore’s directorial debut, and it’s easy to see the marks of a neophyte director. Had it been in the hands of someone more experienced, it would have been a juggernaut of a Fall film. Even so, he did pretty well enough, all things considered. According to his work history, Shore was an electrician until 1998, then disappeared until 2014. This is his second film so far this year.
Dracula Untold opens with the story of Vlad the Impaler, as told by his son. Vlad was shipped off to the Turks to become a trained and conditioned weapon. He earned his title by impaling an entire village for the Turkish army. Vlad was a deadly force on the battlefield, but they eventually allowed him to go home, where he could start a family and rule Transylvania. It is painfully obvious that the usual blood-thirsty character was meant to become a hero for this new tale.
The Turks return to take more boys, like they did him, but he refuses. This draws the Turks’ ire, and they demand retribution for the insult and insubordination. Desperate, he seeks out a monster in the mountains who was the REAL first vampire — a man who made a deal with a demon.
Vlad is granted temporary powers, paying a heavy price in the process. After this, the story really ramps up.
This film left me feeling as if something was missing. I attribute this to missing explanations, plot holes (like the lack of King), and several other missteps. Normally, I can look past plot holes. A strong enough movie will keep me from noticing them until I’m rethinking it later. In this case, they were too distracting. The music was unimpressive and not at all memorable. The one liners were forced and distracting, instead of powerful and emotional.
This movie is worth seeing if you’re a fan of vampires in general or Dracula in particular. That said, I wouldn’t advise high expectations. Great aspects were abundant, but there were just as many failings. If you feel compelled to see it, wait until you can see it at home, and save the money.
Gareth von Kallenbach (980 KP) rated Mission Impossible Ghost Protocol (2011) in Movies
Aug 7, 2019
The fourth chapter in the phenomenally popular Mission Impossible series has arrived in theaters and jump starts the franchise with a dynamic ensemble cast and a bold mix of action and adventure with a touch of comedy thrown in.
Mission Impossible: Ghost Protocol opens with a daring escape from a Russian prison followed shortly thereafter by an infiltration of the Kremlin and subsequent explosion on the famed Russian landmark.
Tom Cruise returns as agent Ethan Hunt and is joined by Jeremy Renner, Simon Pegg, and Paula Patton. Shortly after the explosion at the Kremlin, tensions between the United States and Russia are at an all-time high. As a result, the president initiates Ghost Protocol, which effectively shuts down the Impossible Mission Force and eliminates many of their resources. As a result, Ethan and his team must take on an unsanctioned mission that will take them from Russia to Dubai to Mumbai in a race against time to not only clear the IMF from being blamed for the bombing, but to stop a deranged criminal from using stolen Russian launch codes to unleash a nuclear strike upon America.
Ethan and his team bring all manner of weapons and technology to bear against the enemy and while the action sequences are intense and the best in the series to date, they don’t overshadow the human element of the film as each character has a back story which helped endear them to the audience. Unlike previous films in the series, the plot is not as convoluted and hard to follow and director Brad Bird, making his live-action directing debut, does a fantastic job of pacing the film, never once letting it drag or become boring.
Pegg and Renner are fantastic additions to the series as Renner brings a sense of humanity to his role as analyst Brandt. Pegg gets a share of comedic lines and moments but is not there simply to provide comic relief, convincingly deadly serious when the action becomes hot and heavy. Patton holds her own with the guys and proves she is more than just a pretty face as her fight scene in a high-rise with an assassin is as intense as any action fan could want with a fantastic finale.
Cruise goes all-out in his performance and performs many of the film’s stunts himself, quite a few of them shriek-inducing, judging by the reaction of the ladies in the audience. While Ethan spends a lot of time running in the film, he also spends a lot of time fighting and it was very nice to see him share some of the responsibility for the film’s action scenes with his ensemble cast. I believe that the ensemble works so well that the studio should keep this team together for future installments in the series. The team has a winning formula that reinvigorates the series giving us what I believe is the best film in the series to date.
Mission Impossible: Ghost Protocol opens with a daring escape from a Russian prison followed shortly thereafter by an infiltration of the Kremlin and subsequent explosion on the famed Russian landmark.
Tom Cruise returns as agent Ethan Hunt and is joined by Jeremy Renner, Simon Pegg, and Paula Patton. Shortly after the explosion at the Kremlin, tensions between the United States and Russia are at an all-time high. As a result, the president initiates Ghost Protocol, which effectively shuts down the Impossible Mission Force and eliminates many of their resources. As a result, Ethan and his team must take on an unsanctioned mission that will take them from Russia to Dubai to Mumbai in a race against time to not only clear the IMF from being blamed for the bombing, but to stop a deranged criminal from using stolen Russian launch codes to unleash a nuclear strike upon America.
Ethan and his team bring all manner of weapons and technology to bear against the enemy and while the action sequences are intense and the best in the series to date, they don’t overshadow the human element of the film as each character has a back story which helped endear them to the audience. Unlike previous films in the series, the plot is not as convoluted and hard to follow and director Brad Bird, making his live-action directing debut, does a fantastic job of pacing the film, never once letting it drag or become boring.
Pegg and Renner are fantastic additions to the series as Renner brings a sense of humanity to his role as analyst Brandt. Pegg gets a share of comedic lines and moments but is not there simply to provide comic relief, convincingly deadly serious when the action becomes hot and heavy. Patton holds her own with the guys and proves she is more than just a pretty face as her fight scene in a high-rise with an assassin is as intense as any action fan could want with a fantastic finale.
Cruise goes all-out in his performance and performs many of the film’s stunts himself, quite a few of them shriek-inducing, judging by the reaction of the ladies in the audience. While Ethan spends a lot of time running in the film, he also spends a lot of time fighting and it was very nice to see him share some of the responsibility for the film’s action scenes with his ensemble cast. I believe that the ensemble works so well that the studio should keep this team together for future installments in the series. The team has a winning formula that reinvigorates the series giving us what I believe is the best film in the series to date.
Overkill 3
Games and Entertainment
App
8 environments with more than 60 battlefields, 4 game modes and over 30 guns to shoot your way...
Longman Dictionary of Contemporary English- 6th Ed
Reference and Education
App
The new edition of the best-selling Longman Dictionary of Contemporary English is a complete...
