"The next one I was going to say, which is Lawrence of Arabia, I actually just saw for the first time last year. I saw it projected at a theater with the intermission and everything. It was just so awesome, and I loved that it’s “introducing” Peter O’Toole. The character’s so complex and interesting and perverse and heroic and everything in a huge movie and it’s never going to happen again to have a character in front of a movie that’s that big, that’s that complicated. The scene where he’s getting, like, whatever is happening to him… It’s wild. I love that movie."

"Simple storytelling at its best, character driven, beautiful and cinematic. The ending of that movie, if you’re not feeling good and your heart’s not twisted up and then melted back together then, I mean, I dunno, you don’t have a heartbeat. It’s one of the best feelings walking away from a piece of cinema. It’s all chalked up to really great characters. A really simple story, really. And that’s why I really enjoy it. It’s a beautifully… it’s a masterpiece. It’s a masterpiece of filmmaking in its simplicity. Its characters are lovely and tormented and flawed and beautiful and heroic. And I, again, love the themes of it."

"I read this every winter. It has one of the best female protagonists I've ever read in a book. There are very few books I can think of that start out so small and unassuming and end so big and heroic. The lead character goes from being an inquisitive, quiet girl to a violent, powerful force by the end of the book, all while solving a murder that keeps unfolding new twists and turns. This book makes me feel strong. Like I could fight a bad guy on a burning barge then jump into to arctic freezing water to swim to my safety as it explodes. Which she does, in the book."

"All That Jazz (1979) is a perfect film, in my book: insanely well acted, incredible art direction, great writing, beautifully shot, just a director firing on all cylinders. Did I mention the amazing song-and-dance sequences? And Bob Fosse does all this, in a movie that is a very autobiographical account of his own struggle juggling: multiple productions, girls, booze, and pills; all of which lead to a series of heart attacks that culminate in the most spectacular and fantastical deathbed scene ever, with Jessica Lange as the loveliest angel of death. Forget Jaws: Roy Scheider as Joe Gideon, Fosse’s alter ego, is equal parts heroic captain and man-eating shark in this masterpiece."