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Bookapotamus (289 KP) rated Unsheltered in Books
Jun 22, 2018
Not a favorite
I am typically a big fan of Barbara Kingsolver's books. Her writing is exquisite and reads like a dream. She is usually one of the few writers of historical novels I read as it's not really my most favorite genre, but unfortunately this one was a total snooze-fest. I almost quit several times, I was just SO bored! Honestly, nothing really happens in this book, there are a few deaths, a shooting, and drama of beliefs with the push and pull of science vs. God, but it was just so uneventful and without buildup - I found myself really struggling to get through it.
The book is set in two different eras, in the same town, on the same street, in Vineland, NJ. Willa Knox, present day, is fictional. AS is her family. Mary Treat in 1871, is apparently a real person, a lover of science, plants and creatures. The connection between the two stories is a bit weak I felt. Not sure if it was intentional, but it just didn't really capture my attention in the way I believe it was supposed to. In 1871, Thatcher Greenwood (fictional as well I believe?) meets Mary, and they get along because their beliefs mesh well - they believe in science, and follow Darwin's teachings, and Thatcher finds himself in a bit of jam as the town is "ruled" by Landis, a strict believer that God has created everything, and science is witchcraft.
Willa, is struggling when we meet her - in fact, her entire family - every single one of them seems to have some serious issues! I found it depressing and really didn't find myself liking any of the family very much. We see some similar struggles to Thatcher (their houses are both falling down around them) but not much else mirrors the past.
I do know based on initial talk of this novel, and the title of course, that the joining of the past vs present is in the "Unsheltered" aspect of both of these stories, the way Landis mirrors Trump, the ways a world can come unraveled by rules and rulers, as well as the courage to stand for what you believe in. But it just wasn't there for me - it was so subtle, uninspiring, slow and boring.
I did LOVE the plants and stuff - it's the main reason I wanted to read this book, but sadly they just weren't too heavily featured. The little tidbits of random facts about Pitcher Plants and Venus Fly Traps, and some other plants and bugs was pretty fun and fascinating and I wish there was more of it.
In the end - this just fell really flat for me. I know some of the people and events are real, but some are not (which was hard for me to follow) and Barbara's research and writing is top-notch. I just really wanted an engaging story, with a bit more interest, and a lot less heavy eyelid.
The book is set in two different eras, in the same town, on the same street, in Vineland, NJ. Willa Knox, present day, is fictional. AS is her family. Mary Treat in 1871, is apparently a real person, a lover of science, plants and creatures. The connection between the two stories is a bit weak I felt. Not sure if it was intentional, but it just didn't really capture my attention in the way I believe it was supposed to. In 1871, Thatcher Greenwood (fictional as well I believe?) meets Mary, and they get along because their beliefs mesh well - they believe in science, and follow Darwin's teachings, and Thatcher finds himself in a bit of jam as the town is "ruled" by Landis, a strict believer that God has created everything, and science is witchcraft.
Willa, is struggling when we meet her - in fact, her entire family - every single one of them seems to have some serious issues! I found it depressing and really didn't find myself liking any of the family very much. We see some similar struggles to Thatcher (their houses are both falling down around them) but not much else mirrors the past.
I do know based on initial talk of this novel, and the title of course, that the joining of the past vs present is in the "Unsheltered" aspect of both of these stories, the way Landis mirrors Trump, the ways a world can come unraveled by rules and rulers, as well as the courage to stand for what you believe in. But it just wasn't there for me - it was so subtle, uninspiring, slow and boring.
I did LOVE the plants and stuff - it's the main reason I wanted to read this book, but sadly they just weren't too heavily featured. The little tidbits of random facts about Pitcher Plants and Venus Fly Traps, and some other plants and bugs was pretty fun and fascinating and I wish there was more of it.
In the end - this just fell really flat for me. I know some of the people and events are real, but some are not (which was hard for me to follow) and Barbara's research and writing is top-notch. I just really wanted an engaging story, with a bit more interest, and a lot less heavy eyelid.
Louise (64 KP) rated The Wonder in Books
Jul 2, 2018
This is Emma Donoghue’s latest book on the market, prior to picking it up I had heard some mixed reviews but the synopsis is what really pulled me in and regardless of what other readers thought I was going to read it and form my own opinion.
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Louise (64 KP) rated Wolf by Wolf (Wolf by Wolf, #1) in Books
Jul 2, 2018
Yael is 5 years old and finds herself a prisoner in a Nazi Concentration camp, she has been specifically selected by a doctor for an experiment. The experiment entails a series of injections every few days - their aim.... to make her blonde haired and blue-eyed (an Aryan). These injections are severe and the weak show signs of fever and for most of them death but not for Yael.
1956 Yael is a member of the resistance, her aim in life is to kill Hitler to make the world a better place. With so many assassination attempts Hitler hardly attends social functions, so it's quite difficult to get near him. The resistance have a plan which involves Yael - she must enter the Axis Motorbike race disguised as another young girl who has once had the pleasure of meeting the Führer - if Yael can win, her life's mission will be complete, However she didn't plan for all the backstabbing and love involved in the race or the hidden secrets which are not on file. For this no training would help her, she has to win.
This is one of those books that explores the topic of Hitler winning the war and how the rest of the world would be effected and what other bizarre theories he comes up with. This also covers another serious topic that I myself did not know about was that people were experimented on in the concentration camps which caused death and disfigurements. Which is absolutely brutal and very hard to read about.
I was umming and ahhing over this book for a while,I heard many great things about it but I still wasn't totally convinced. Was it the fact that this book is based on Hitler winning and carrying on with his reign of terror or was it the motorcycle race? I have never read anything about racing before and it doesn't really appeal to me.However my lesson has been learnt...... I think! Always try to read something out of your comfort zone because you never know you might just end up loving it, which is exactly what happened to me with this book.
I loved this book with a passion, I loved the back stories to the wolves and how they become. The authors writing style was beautiful to read, utterly compelling but also hard due to the content and how realistic it was. This is a book that explores identity and reasons that drive Yael on through her mission. The book does go back and forth from the past and present, which I really enjoyed, I think if the book wasn't written this way it could have dragged a bit. The premise of this book is definitely unique and like nothing I have read before. Ryan Graudin has a novella which is called Iron to Iron which I desperately need to read as I just want more.
I recommend this book to anyone with an interest in historical fiction and young adult.
Overall I rated this book 5 out of 5 stars
1956 Yael is a member of the resistance, her aim in life is to kill Hitler to make the world a better place. With so many assassination attempts Hitler hardly attends social functions, so it's quite difficult to get near him. The resistance have a plan which involves Yael - she must enter the Axis Motorbike race disguised as another young girl who has once had the pleasure of meeting the Führer - if Yael can win, her life's mission will be complete, However she didn't plan for all the backstabbing and love involved in the race or the hidden secrets which are not on file. For this no training would help her, she has to win.
This is one of those books that explores the topic of Hitler winning the war and how the rest of the world would be effected and what other bizarre theories he comes up with. This also covers another serious topic that I myself did not know about was that people were experimented on in the concentration camps which caused death and disfigurements. Which is absolutely brutal and very hard to read about.
I was umming and ahhing over this book for a while,I heard many great things about it but I still wasn't totally convinced. Was it the fact that this book is based on Hitler winning and carrying on with his reign of terror or was it the motorcycle race? I have never read anything about racing before and it doesn't really appeal to me.However my lesson has been learnt...... I think! Always try to read something out of your comfort zone because you never know you might just end up loving it, which is exactly what happened to me with this book.
I loved this book with a passion, I loved the back stories to the wolves and how they become. The authors writing style was beautiful to read, utterly compelling but also hard due to the content and how realistic it was. This is a book that explores identity and reasons that drive Yael on through her mission. The book does go back and forth from the past and present, which I really enjoyed, I think if the book wasn't written this way it could have dragged a bit. The premise of this book is definitely unique and like nothing I have read before. Ryan Graudin has a novella which is called Iron to Iron which I desperately need to read as I just want more.
I recommend this book to anyone with an interest in historical fiction and young adult.
Overall I rated this book 5 out of 5 stars
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
<i>This eBook was provided by the author in exchange for an honest review </i>
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
Gareth von Kallenbach (980 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
Hazel (1853 KP) rated Book of Fire in Books
Mar 7, 2020
I was provided a copy of this book via Netgalley in exchange for an honest review
Combining dystopia and ancient history, Michelle Kenney's debut series Book of Fire slots nicely into the list of best young adult science-fiction. Set in the not so distant future, the world has been destroyed and human life can only be sustained within a specially designed lifedome - at least that is what everyone living inside has been told. The protagonist, Talia, begs to differ, having lived in secret on the outside all her life.
A rogue test missile exploded with cataclysmic effect on 3rd November 2025, leaving cities in ruins. Whilst most people ran to the lifedome, Talia's grandfather and a few others ran in the opposite direction. For years, they have lived in the relative safety of Arafel, whose existence has been kept hidden from the majority of the people living in the dome.
Unfortunately, the leader of the lifedome is one of the few who knows of their existence and wishes to eradicate them and Talia's peaceful life is suddenly destroyed when her grandfather and her twin brother Eli are captured by soldiers. Determined to rescue them, Talia and her friend Max break into the dome but what they discover makes them even more concerned about the life of not just their families but all the remaining humans.
Obsessed with Ancient Rome, the lifedome's leader Octavia has created a replica of the historical city, going as far as to genetically produce strong and powerful gladiators. Yet, the more Talia sees of the lifedome - Pantheon - the more she realises it is not just extra-strong humans that Octavia has been experimenting with. Hidden in the depth of the dome are mythological creatures made from a mix of human and animal parts; creatures that should not exist, however, they all have various defects.
Talia soon learns that her grandfather was kidnapped for a reason: he knows the secret to create the perfect DNA for these creatures and, in turn, Talia unwittingly knows it too.
Initially, all Talia wanted was her grandfather and brother back but now she is part of something much bigger and must choose between her family, self-preservation and the rest of the human race. On top of that, she begins to fall for a pseudo-Roman Gladiator. Could it get any more complicated?
Michelle Kenney has created a world where the monsters turn out to be the heroes and the humans in charge, the monsters. Reading this at the time of the coronavirus makes the apocalyptic situation a little too close for comfort but it provides a strong message not to mess with things that no longer exist. Imperfection is a common by-product of life's recover - if only Octavia could have accepted that.
Book of Fire is the first in a promising trilogy that will transport you into a world of fantasy, danger, wonderful creatures and a hint of reality. For those who love ancient history and dystopian fiction will thoroughly enjoy this series.
Combining dystopia and ancient history, Michelle Kenney's debut series Book of Fire slots nicely into the list of best young adult science-fiction. Set in the not so distant future, the world has been destroyed and human life can only be sustained within a specially designed lifedome - at least that is what everyone living inside has been told. The protagonist, Talia, begs to differ, having lived in secret on the outside all her life.
A rogue test missile exploded with cataclysmic effect on 3rd November 2025, leaving cities in ruins. Whilst most people ran to the lifedome, Talia's grandfather and a few others ran in the opposite direction. For years, they have lived in the relative safety of Arafel, whose existence has been kept hidden from the majority of the people living in the dome.
Unfortunately, the leader of the lifedome is one of the few who knows of their existence and wishes to eradicate them and Talia's peaceful life is suddenly destroyed when her grandfather and her twin brother Eli are captured by soldiers. Determined to rescue them, Talia and her friend Max break into the dome but what they discover makes them even more concerned about the life of not just their families but all the remaining humans.
Obsessed with Ancient Rome, the lifedome's leader Octavia has created a replica of the historical city, going as far as to genetically produce strong and powerful gladiators. Yet, the more Talia sees of the lifedome - Pantheon - the more she realises it is not just extra-strong humans that Octavia has been experimenting with. Hidden in the depth of the dome are mythological creatures made from a mix of human and animal parts; creatures that should not exist, however, they all have various defects.
Talia soon learns that her grandfather was kidnapped for a reason: he knows the secret to create the perfect DNA for these creatures and, in turn, Talia unwittingly knows it too.
Initially, all Talia wanted was her grandfather and brother back but now she is part of something much bigger and must choose between her family, self-preservation and the rest of the human race. On top of that, she begins to fall for a pseudo-Roman Gladiator. Could it get any more complicated?
Michelle Kenney has created a world where the monsters turn out to be the heroes and the humans in charge, the monsters. Reading this at the time of the coronavirus makes the apocalyptic situation a little too close for comfort but it provides a strong message not to mess with things that no longer exist. Imperfection is a common by-product of life's recover - if only Octavia could have accepted that.
Book of Fire is the first in a promising trilogy that will transport you into a world of fantasy, danger, wonderful creatures and a hint of reality. For those who love ancient history and dystopian fiction will thoroughly enjoy this series.
Bob Mann (459 KP) rated Bill & Ted Face the Music (2020) in Movies
Oct 7, 2020
And you thought Tenet's timey wimey stuff was confusing?
Thirty-One years after the first Bill and Ted movie, and 29 years after the slightly disappointing sequel, the dudes are back for a three-quel. Older... but not much wiser.
Bill (Alex Winter) and Ted (Keanu Reeves) are the only ones that can save reality. If they don't play the 'song that will unite humanity' at 7:17 at MP42 then the whole of time and space will unravel. It's already happening, with historical characters zapping here and there at random. There are only two problems: 1) they have no idea where MP42 is and; 2) the no-hoper wedding singers haven't written the song... yet.
Zipping forwards in time, they plan to steal the song from their future selves.
Meanwhile their daughters Thea (Samara Weaving) and Kelly (Kristen Schaal) travel backwards in time to assemble a world-class backing band. (As an aside, it is astonishing how much Weaving looks like Margot Robbie - never a bad thing in my book! If there is ever a biopic requiring a young and old version of her character, they will save a BOMB on the CGI bill!)
Meanwhile (meanwhile) Bill and Ted's princess brides (now Erinn Hayes as Elizabeth and Jayma Mays as Joanna) are unsettled with their marriages and are jumping from time to time to see if they can be happy with any version of Bill and Ted.
Death (William Sadler) quotes a Wyld Stallyns review as "A raging confused mess". And it really applies to this too! The screenplay, by original Bill and Ted writers Chris Matheson and Ed Solomon, is all over the place. With a scattergun approach to the comedy, some of the lines firmly stick to the wall - making me guffaw with laughter - and others are just plain duds.
Some of the scenes - a "couples therapy" session for example - seem to be desperately trying to be milked for all they're worth. Even the "monkey" after the end titles - with "old dudes" rocking out - isn't worth the wait.
But, contrary to that, it's also difficult not to be swept along with the anarchic joy of the concoction. The movie of course leans heavily on the nostalgic catchphrases and air guitar riffs of years gone by. But there's no shame in that. And there's a star quality cameo at one point that entertains.
Director Dean Parisot - most famous for the minor classic "Galaxy Quest" - manages to rustle all this diverse material into something that overall still manages to leave an overall stupid grin on your face. As a comedy it passes the '6-laugh' test, but - as someone who has never been a great "Bill and Ted" fan - it's not a classic. But I can see how "Bill and Ted" fans, like my daughter Jenn, would have loved it (and she did).
(For the graphical review, check out One Mann's Movies on t'internet here https://bob-the-movie-man.com/2020/10/06/bill-and-ted-party-on-til-we-drop-dudes/ . Thx.)
Bill (Alex Winter) and Ted (Keanu Reeves) are the only ones that can save reality. If they don't play the 'song that will unite humanity' at 7:17 at MP42 then the whole of time and space will unravel. It's already happening, with historical characters zapping here and there at random. There are only two problems: 1) they have no idea where MP42 is and; 2) the no-hoper wedding singers haven't written the song... yet.
Zipping forwards in time, they plan to steal the song from their future selves.
Meanwhile their daughters Thea (Samara Weaving) and Kelly (Kristen Schaal) travel backwards in time to assemble a world-class backing band. (As an aside, it is astonishing how much Weaving looks like Margot Robbie - never a bad thing in my book! If there is ever a biopic requiring a young and old version of her character, they will save a BOMB on the CGI bill!)
Meanwhile (meanwhile) Bill and Ted's princess brides (now Erinn Hayes as Elizabeth and Jayma Mays as Joanna) are unsettled with their marriages and are jumping from time to time to see if they can be happy with any version of Bill and Ted.
Death (William Sadler) quotes a Wyld Stallyns review as "A raging confused mess". And it really applies to this too! The screenplay, by original Bill and Ted writers Chris Matheson and Ed Solomon, is all over the place. With a scattergun approach to the comedy, some of the lines firmly stick to the wall - making me guffaw with laughter - and others are just plain duds.
Some of the scenes - a "couples therapy" session for example - seem to be desperately trying to be milked for all they're worth. Even the "monkey" after the end titles - with "old dudes" rocking out - isn't worth the wait.
But, contrary to that, it's also difficult not to be swept along with the anarchic joy of the concoction. The movie of course leans heavily on the nostalgic catchphrases and air guitar riffs of years gone by. But there's no shame in that. And there's a star quality cameo at one point that entertains.
Director Dean Parisot - most famous for the minor classic "Galaxy Quest" - manages to rustle all this diverse material into something that overall still manages to leave an overall stupid grin on your face. As a comedy it passes the '6-laugh' test, but - as someone who has never been a great "Bill and Ted" fan - it's not a classic. But I can see how "Bill and Ted" fans, like my daughter Jenn, would have loved it (and she did).
(For the graphical review, check out One Mann's Movies on t'internet here https://bob-the-movie-man.com/2020/10/06/bill-and-ted-party-on-til-we-drop-dudes/ . Thx.)
Bob Mann (459 KP) rated All the Money in the World (2017) in Movies
Sep 29, 2021
You can’t take it with you.
The big talking point of this Ridley Scott film is not of course the film itself but the fact that the disgraced Kevin Spacey (“Baby Driver“) was ‘airbrushed’ out of the movie, replaced by the legend that is Christopher Plummer. With that background, and the fact that the re-shoot only took 9 days (NINE DAYS!!!!), I must admit to having been a tad scornful when Plummer was nominated for a Best Supporting Actor Oscar. “Oh” I thought “…it’s Judi Dench’s minimalistic performance in ‘Shakespeare In Love’ all over again”.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
