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MaryAnn (14 KP) rated A Very Austen Valentine in Books
Nov 4, 2019
ix beloved authors deliver romantic Valentine novellas set in Jane Austens Regency world. Robin Helm, Laura Hile, Wendi Sotis, and Barbara Cornthwaite, together with Susan Kaye and Mandy Cook, share variations of Pride and Prejudice, Persuasion, and Sense and Sensibility, featuring your favorite characters in sequels, adaptations, and spinoffs of Austens adored novels. Experience uplifting romance, laugh-out-loud humor, and poignant regret as these authors deftly tug on your heartstrings this Valentines Day.
I Dream of You by Robin Helm
Newly-married Elizabeth Darcy has a plan: to charm her too-busy husband into desiring her company as much as he did when he was courting her. A series of romantic dreams gives her just the push she needs to put that plan into action.
Sir Walter Takes a Wife by Laura Hile
Faced with a lonely future and finding himself strapped for cash, Persuasions Sir Walter Elliot manfully decides to marry again. But his careful plans go sadly awry! A lighthearted Valentine mash-up featuring two of Jane Austens worst snobs.
My Forever Valentine by Wendi Sotis
Jane and Charles Bingley have married, even though Miss Elizabeth Bennet remains certain Mr. Fitzwilliam Darcy gave his best effort to keep them apart. After Mr. Darcy refused to stand up with Bingley and did not attend the wedding, she despises the gentleman more than ever and finds his company intolerable. How will she endure her visit to Kent if Mr. Darcy turns up everywhere she goes?
Pretence and Prejudice by Barbara Cornthwaite
A chance encounter with a handsome stranger forces Elizabeth to resort to subterfuge in order to discover his true intentions.
My Valentine by Mandy H. Cook Mandy H. Cook
Little Charlotte was always determined and independent, traits which served her well as she battled a serious childhood illness and later as she took on Polite Society. Will those traits now deprive her of true love? Or would her lifelong Valentine win her heart?
The Lovers Ruse by Susan Kaye
In this Persuasion alteration, Anne is so altered by Wentworths love in the summer of 1806, she refuses to give him up when both her godmother and father try to persuade her. The Lovers Rusefollows Frederick and Anne through their whirlwind courtship and their secret engagement. When Wentworth returns for his Annie girl, the cat comes out of the bag.
My Thoughts: These six charming novellas centered around Valentines will entice all those who adore Jane Austen's writings. Based on characters from Jane Austen's novels; I enjoyed reading into the lives of the Darcy's; I was impressed that the writers Robin Helm, Wendi Sotis and Mandy H. Cook are all centered their novellas around the same family. Each storytelling its own unique view of their lives.
Each story is fun to read, and takes the reader back to a simpler time, of love, romance, and proper etiquette. Each story has it's own charm and brings the reader closer to the characters.
My favorites have to be the novellas containing the characters Elizabeth and Fitzwilliam Darcy, my absolute favorite being "I Dream of You". In this novella we learn how to give rather than to receive and the joys we can draw from each act of kindness.
If you love historical fiction, and Jane Austen novels, then this is certainly a book for you.
I Dream of You by Robin Helm
Newly-married Elizabeth Darcy has a plan: to charm her too-busy husband into desiring her company as much as he did when he was courting her. A series of romantic dreams gives her just the push she needs to put that plan into action.
Sir Walter Takes a Wife by Laura Hile
Faced with a lonely future and finding himself strapped for cash, Persuasions Sir Walter Elliot manfully decides to marry again. But his careful plans go sadly awry! A lighthearted Valentine mash-up featuring two of Jane Austens worst snobs.
My Forever Valentine by Wendi Sotis
Jane and Charles Bingley have married, even though Miss Elizabeth Bennet remains certain Mr. Fitzwilliam Darcy gave his best effort to keep them apart. After Mr. Darcy refused to stand up with Bingley and did not attend the wedding, she despises the gentleman more than ever and finds his company intolerable. How will she endure her visit to Kent if Mr. Darcy turns up everywhere she goes?
Pretence and Prejudice by Barbara Cornthwaite
A chance encounter with a handsome stranger forces Elizabeth to resort to subterfuge in order to discover his true intentions.
My Valentine by Mandy H. Cook Mandy H. Cook
Little Charlotte was always determined and independent, traits which served her well as she battled a serious childhood illness and later as she took on Polite Society. Will those traits now deprive her of true love? Or would her lifelong Valentine win her heart?
The Lovers Ruse by Susan Kaye
In this Persuasion alteration, Anne is so altered by Wentworths love in the summer of 1806, she refuses to give him up when both her godmother and father try to persuade her. The Lovers Rusefollows Frederick and Anne through their whirlwind courtship and their secret engagement. When Wentworth returns for his Annie girl, the cat comes out of the bag.
My Thoughts: These six charming novellas centered around Valentines will entice all those who adore Jane Austen's writings. Based on characters from Jane Austen's novels; I enjoyed reading into the lives of the Darcy's; I was impressed that the writers Robin Helm, Wendi Sotis and Mandy H. Cook are all centered their novellas around the same family. Each storytelling its own unique view of their lives.
Each story is fun to read, and takes the reader back to a simpler time, of love, romance, and proper etiquette. Each story has it's own charm and brings the reader closer to the characters.
My favorites have to be the novellas containing the characters Elizabeth and Fitzwilliam Darcy, my absolute favorite being "I Dream of You". In this novella we learn how to give rather than to receive and the joys we can draw from each act of kindness.
If you love historical fiction, and Jane Austen novels, then this is certainly a book for you.
Siren's Surrender (Dark Tides #2)
7.0
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Never embracing her mermaid heritage, Gwen Lonike lives in the human world as the owner of a Maine...
Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Haley Mathiot (9 KP) rated An Earl to Enchant (The Rogues' Dynasty #3) in Books
Apr 27, 2018
An Earl to Enchant by Amelia Grey
Genre: Historical Fiction, Romance
Rating: 1
After the first two chapters of this book, I was ready to give up. I gave it a little bit more just to see if it was worth it, and I sort of regret it. I could have been reading something else.
I felt like I knew everything after the first chapter, and that there was no reason to keep going. The character spilled her guts, the sexual tension was immediate and way too strong for a first meeting, and it felt typical. I knew what would happen: They’d meet, they’d sleep together, they’d get married, they’d fall in love. In that order. There was no mystery, there was nothing keeping me reading.
The characters seemed dense and melodramatic. For instance, Arianna fainted in the first chapter, and woke being “carried in strong arms” (the Earl). She “felt safe there for some reason.” But I was thinking the whole time, She doesn’t even know the guy. It felt wrong that she was so attracted to him and “felt safe” and “felt at home” when she—and I as a reader—didn’t even know the character very well. Also, after one argument she’s convinced herself that he’s ill tempered—when he’s not—and that keeps her from being open to him.
The writing wasn’t that great, either. The prose felt forced and hard to read, and the dialogue was awkward. It was as if the characters said more than they needed to, and said everything they thought, and described things unnecessarily. For example,
It’s just that I’m so happy to be outside for the first time in such a long time. I seldom left my room on the ship, and this is the first time I’ve been out of your house. Everything looks fresh and new.”
(Page 108, ARC)
I would have said “It’s just that I’m so happy to be outside for the first time in such a long time.” She had seldom left her room on the ship, and it was her first time outside of his house. Everything looked fresh and new. It’s less awkward... or maybe just less wordy.
There was just too much against this book to keep me reading. I will say that from what I read, Grey is good at developing the sexual tension. But that was another thing that was just too much for me.
All in all, I was expecting a lot more from the plot and characters than I got from An Earl to Enchant.
An Earl to Enchant was published April 6th. It got 4- and 5-star reviews on Amazon and Goodreads. Please consider other reviews before making purchase decisions.
Genre: Historical Fiction, Romance
Rating: 1
After the first two chapters of this book, I was ready to give up. I gave it a little bit more just to see if it was worth it, and I sort of regret it. I could have been reading something else.
I felt like I knew everything after the first chapter, and that there was no reason to keep going. The character spilled her guts, the sexual tension was immediate and way too strong for a first meeting, and it felt typical. I knew what would happen: They’d meet, they’d sleep together, they’d get married, they’d fall in love. In that order. There was no mystery, there was nothing keeping me reading.
The characters seemed dense and melodramatic. For instance, Arianna fainted in the first chapter, and woke being “carried in strong arms” (the Earl). She “felt safe there for some reason.” But I was thinking the whole time, She doesn’t even know the guy. It felt wrong that she was so attracted to him and “felt safe” and “felt at home” when she—and I as a reader—didn’t even know the character very well. Also, after one argument she’s convinced herself that he’s ill tempered—when he’s not—and that keeps her from being open to him.
The writing wasn’t that great, either. The prose felt forced and hard to read, and the dialogue was awkward. It was as if the characters said more than they needed to, and said everything they thought, and described things unnecessarily. For example,
It’s just that I’m so happy to be outside for the first time in such a long time. I seldom left my room on the ship, and this is the first time I’ve been out of your house. Everything looks fresh and new.”
(Page 108, ARC)
I would have said “It’s just that I’m so happy to be outside for the first time in such a long time.” She had seldom left her room on the ship, and it was her first time outside of his house. Everything looked fresh and new. It’s less awkward... or maybe just less wordy.
There was just too much against this book to keep me reading. I will say that from what I read, Grey is good at developing the sexual tension. But that was another thing that was just too much for me.
All in all, I was expecting a lot more from the plot and characters than I got from An Earl to Enchant.
An Earl to Enchant was published April 6th. It got 4- and 5-star reviews on Amazon and Goodreads. Please consider other reviews before making purchase decisions.
Necole (36 KP) rated The Stolen Marriage in Books
Aug 12, 2018
Ok so let me just say the cover of this novel is absolutely stunning … all the water droplets are raised and the image is breath taking!!!!
After reading the synopsis of the story in the cover, I was hooked into wanting to read this and the novel did not disappoint. This is not only a multilayered, multifaceted novel of plots and characters but also genre of books. The writing is like watching a movie playing in your head … Chamberlain has a way at pulling you in and making you feel all different emotions throughout the story. Each character is written in a way that you feel like you know them and see their growth and there views and feel each of their stories. If you like historical fiction or mystery or self discovery or even romance, you will love The Stolen Marriage.
The book is set in 1943-1945 with an epilogue that is 1955. It starts out with Tess in Baltimore, which in these times is considered to have northern values and religions with a mix of cultures. Then the story continues into Hickory NC where southern religions, views on colored people, values such as money and family come into play. I am not going to summarize it too much and give too much away nor am I going to describe the synopsis of the book that is given because it is spot on. However, the first chapter draws you in with an accident and a death!!! Then the story unfolds where Tess makes a detrimental decision that changes her path in life drastically. Then its a wild, emotional and beautiful story about a marriage to someone she doesn't know and slowly gets to know, loosing people that are precious to her, loosing herself and finding herself when she becomes a nurse and uses these skills when the polio epidemic hits Hickory, how the town comes together during this time to build a make shift hospital in a very short time, losing and regretting the love of her life, finding out people are not what they make of themselves, secrets that come to light throughout the book, finding out that even though differences are evident you still can learn and overcome a way of thinking, and so much more.
The decisions she makes changes not only her path but others as well. And also the decisions others make change Tess and change the characters lives as well.
This book has race issues, religious issues, moral dilemmas, moral values, personal growth, finding ones true self, etc.
I highly recommend this book!!!!! It was an amazing read, compelling story telling and so many plots wrapped up in one incredible novel!
After reading the synopsis of the story in the cover, I was hooked into wanting to read this and the novel did not disappoint. This is not only a multilayered, multifaceted novel of plots and characters but also genre of books. The writing is like watching a movie playing in your head … Chamberlain has a way at pulling you in and making you feel all different emotions throughout the story. Each character is written in a way that you feel like you know them and see their growth and there views and feel each of their stories. If you like historical fiction or mystery or self discovery or even romance, you will love The Stolen Marriage.
The book is set in 1943-1945 with an epilogue that is 1955. It starts out with Tess in Baltimore, which in these times is considered to have northern values and religions with a mix of cultures. Then the story continues into Hickory NC where southern religions, views on colored people, values such as money and family come into play. I am not going to summarize it too much and give too much away nor am I going to describe the synopsis of the book that is given because it is spot on. However, the first chapter draws you in with an accident and a death!!! Then the story unfolds where Tess makes a detrimental decision that changes her path in life drastically. Then its a wild, emotional and beautiful story about a marriage to someone she doesn't know and slowly gets to know, loosing people that are precious to her, loosing herself and finding herself when she becomes a nurse and uses these skills when the polio epidemic hits Hickory, how the town comes together during this time to build a make shift hospital in a very short time, losing and regretting the love of her life, finding out people are not what they make of themselves, secrets that come to light throughout the book, finding out that even though differences are evident you still can learn and overcome a way of thinking, and so much more.
The decisions she makes changes not only her path but others as well. And also the decisions others make change Tess and change the characters lives as well.
This book has race issues, religious issues, moral dilemmas, moral values, personal growth, finding ones true self, etc.
I highly recommend this book!!!!! It was an amazing read, compelling story telling and so many plots wrapped up in one incredible novel!
Lottie disney bookworm (1056 KP) rated The Stars That Guide You Home in Books
Oct 25, 2021
Wow.
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Hadley (567 KP) rated Soul Drinker in Books
Jul 25, 2020
The writing (2 more)
No character development
No ending
One of the classic horror tropes is Heaven versus Hell, angels versus demons, good versus evil (like a boogeyman versus an innocent child, or a killer versus a group of teenagers, or even an evil spirit versus an exorcist) and we always know how it's going to end: good triumphs evil, every time. Some of the most well known films with this trope are Constantine (2005), the Exorcist (1973) and more recently, Stephen King's IT : Chapter 2 (2019).
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.
That, along with a little romance, mystery, and historical elements make up this novel that features three main characters who are stuck in a struggle between good and evil while having to face mistakes from the past.
Welcome to the hellish world of Soul Drinker by newcomer, Matthew Yard.
Deep description is what makes up Yard's storytelling, so much so that the book is extremely hard to read. Only 132 pages long, Yard spends most paragraphs describing one single thing in many different ways, such as a young woman's hair, which only needs one sentence to tell such a detail, but instead, took an entire paragraph.
During an ancient civilization, a deity appeared named Destroyer, it found a way to break through the boundaries that separates realms and universes - - - finding our realm, Destroyer leaves his son Luther to build powerful followings through cults run by Pagans.
The novel's villain, Luther, isn't present enough to feel like a real threat for the reader. And the three main characters, other than their physical descriptions, are lifeless because of the extreme lack of character development.
Our main character, Devin, is a college student who constantly has nightmares of his best friend's murder. He also lives at house in the woods which he has no idea how he attained it and this is never explained. After Devin and a classmate named Vic have an encounter with a supernatural cloud, they end up at this house, where readers find out that Devin isn't the only one who has been having nightmares.
Vic is a beautiful, young woman, who Devin seems to be enamoured with, but she is still busy getting over her first love. A few chapters in, readers get flashbacks of Vic's father and mother before she was born. Vic's father was also haunted by this supernatural cloud, which seems to have had a tighter grip on him than Vic - - - her father's flashbacks are the most interesting part of this story.
Vic's father, Jacob, is fast asleep next to his wife when a giant face wakes him up, telling him that there is work to do. Jacob follows the face out into the hallway, when it begins to sway, as if through the eyes of a drunk. Jacob fights the urge to continue to the stairs, wanting to turn back and protect his sleeping wife.
A little while later, we find out that Jacob is psychic: he can see the dead and/or the past. But for anymore development on that interesting piece of information, readers get one glimpse of what Jacob sees - - - and that's it. Jacob's wife, Nina, is an even flatter character, which we only get to see in bed either asleep or waking up. Even Jacob's mental and spiritual fight with the 'face' is disappointingly short with no real tension, no climax, or feelings of betrayal when something finally happens in the end of that scene.
Love, the supernatural, and Pagan cults are what make up the plot of this book. The story jumps between Devin, Vic and Jacob, but the story gets caught up in moments that shouldn't be more than a paragraph, which caused me to become bored with the story. And Yard's writing made this book read like a fan fiction: a lot of inconsistencies throughout, tons of misspellings, and a major overuse of the same words, sometimes even in the same sentence.
Unfortunately, this book was almost unreadable, and the heavy descriptions were extremely off-putting, as was the end of the story- - - the book ended suddenly, and with no sequel in sight. I can't recommend this book to anyone.