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Andy K (10821 KP) created a poll

Mar 4, 2019  
Poll
THE NETFLIX DEBATE: WHAT IS YOUR OPINION?

Haven't heard of the debate? Basically there are two sides to what is being called the "Netflix Wars" whereas certain filmmakers and studios are attempting to change, or make harder, the ability for "Netflix" type, day-and-date, films (like this year's Roma) to receive Academy Award nominations since they are basically "made for TV" movies.

You could even argue this could be one of the reasons Roma did not win Best Picture this years as enough people agreed it should not have been nominated (even though it won several other awards.)

I even got into an argument on Twitter with someone after I expressed my opinion (which was the opposite of hers). She was immediately insulting me for not agreeing with her, so I thought I would ask here before giving my own opinion.

This issue will continue to get more profound considering streaming services are here to stay, and theatrical movie runs are not nearly as important as they used to be. I read over 75% of movies nowadays are not seen in theatres, but on some other format.

In 2019, this will become an even bigger issue with the holiday 2019 release of the Martin Scorsese mob epic "The Irishman" starring Al Pacino, Robert De Niro, Joe Pesci, Harvey Keitel and many others. As this time, the movie, owned and released by Netflix, is supposed to have more of a theatrical run than "Roma", but would still be a Netflix film.

So what is your opinion, Smashbombers? I'm very interested in your opinions as well.

Please feel free to comment below.


"Netflix" type films like Roma and The Irishman should be allowed to compete for the Academy Awards even with a smaller theatrical release and available almost immediately to watch via streaming?
"Netflix" type films like Roma and The Irishman should not be allowed to compete for the Academy Awards since they have smaller theatrical releases and can be watched via streaming almost immediately.
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The United States vs. Billie Holiday (2021)
The United States vs. Billie Holiday (2021)
2021 | Biography, Drama, Music
7
6.5 (2 Ratings)
Movie Rating
Andra Day - astonishing acting (0 more)
Script is jerky and spasmodic (0 more)
Spasmodic biopic anchored by an astonishing performance by Andra Day
It's the late 40's in the US. We follow the distressing story of Billie Holiday (Andra Day) through her period of fame and drug addiction, while constantly pursued by Harry Anslinger (Garrett Hedlund) of the FBI. The reason? Holiday kept repeatedly singing the song "Strange Fruit" at her concerts, seen as being incendiary in support of the emerging civil rights movement. While surrounded by exploitative men, can she escape the destructive cycle and find true love with her "soldier boy" Jimmy Fletcher (Trevante Rhodes).

Positives:
- Andra Day. My word! What an acting performance from the lady. Apart from a small role in the Chadwick Boseman movie "Marshall", this is her live-action feature debut. Talk about knocking it out of the park! This is a raw and very brave performance (in terms of the degree of passion and nudity required. And that's even before you take into account that she is rendering all of Billie Holiday's songs in pitch-perfect fashion. Astonishing. With a Golden Globe win under her belt, it could be an interesting battle for the Oscar between her and Frances McDormand later in the month.
- There is zero sugar-coating on this version of Holiday's biopic. Various scenes in here, especially a drug-induced retelling of the alleged origins of "Strange Fruit", are harrowing and leave a lasting impression. For the second time in a week (the other being "The Mauritanian"), I am left angry about the racism and injustice present in the US systems of government. (An astonishing caption at the end of the film - regarding a 2020 senate bill - left me speechless). Much of the movie's content is based on truth: there is a nice "fact vs fiction" summary here on collider.com.
- Elements of the story are very moving. A love-making scene (very much as opposed to a sex scene) between Billie and Jimmy is sensitively handled: like seeing an abused dog finally being shown some kindness. (Well - I was moved anyway).
- Production design for the movie (by Daniel Dorrance) is fabulous, with sets such as the Café Society brimming with 40's style.

Negatives:
- Sadly, for all of its positives, the overall concoction is a bit of a muddle. Nothing flows terribly well, and the script hops around all over the place. This left me - while never totally disengaged - feeling a bit bored and restless at times.
- I KNOW that it was common parlance at the time, but the excessive use of the "N-word" throughout the film is bound to upset some watchers.
- The movie is just SOOOO gritty and downbeat, that it left me feeling angry and upset after watching it.

Summary Thoughts: As a biopic, it comes across as jerky and spasmodic. It has moments of genius, particularly in some of the musical performances. But there are also spells where it fails to fully engage. If I was rating this purely on its content, it would probably be a 5/10. But you just can't ignore the quality here of Andra Day's performance. So for that reason, I have added 2 extra stars into the rating.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/16/the-united-states-vs-billie-holiday-strange-fruit-hangin-from-the-poplar-trees/. Thanks.)
  
Mrs. Claus and the Santaland Slayings
Mrs. Claus and the Santaland Slayings
Liz Ireland | 2020 | Mystery
10
10.0 (1 Ratings)
Book Rating
Murder at the North Pole
April’s life changed completely when she learned Nick, the man she had fallen in love with, was Santa Claus. Now, she’s spending her first Christmas at the North Pole as Mrs. Claus. However, the stress of the holiday is nothing compared to the death of an elf. Giblet Hollyberry was not an especially popular elf, but his death comes the day after he had a very public fight with Santa. While the rest of the Claus clan doesn’t seem that concerned, April worries that the evidence is pointing toward her new husband. The North Pole isn’t normally a hotbed of crime, but it seems someone is doing their best to put Santa on the naughty list this year. Can April keep that from happening?

At its heart, this book is a cozy mystery, and it is a wonderful one. There are enough suspects, secrets, and clues to keep the reader engaged the entire way through the book. It’s the setting that makes the book stand out, and it is wonderfully done. It took me a bit to get the pictures from countless specials and movies out of my head, but April’s new world soon came fully to life for me. The characters, whether they are human or not, are very real, and I enjoyed meeting them here. And the book is overflowing with Christmas cheer – so much so that I had to start listening to some Christmas music while I was reading it. This book definitely deserves a place at the top of your nice list. I’m already looking forward to the sequel.
  
The Hitman's Bodyguard (2017)
The Hitman's Bodyguard (2017)
2017 | Action, Comedy
The double act bickering of Reynolds and Jackson (1 more)
Salma Hayek!
Not a very groundbreaking plot (0 more)
Surprisingly Good
I wasn't sure what to make of The Hitman's Bodyguard when I first saw the poster. Movies which try to squeeze some comedy out of two people being thrown together who don't really like each other generally tend to suck. But then I saw the trailer, which made it look entertaining and worth a watch. However, if it hadn't been for the fact that I was away on holiday last week I may well have read some of the early negative reviews and thought about giving it a miss. Luckily though, I was on holiday, I didn't read any reviews and I ended up watching one of the funniest action packed movies I've seen in a while.

Ryan Reynolds is Michael Bryce, a 'Triple-A' bodyguard with a hot girlfriend, nice house, nice car and a smart suit. He likes to make sure that the protection of his clients runs like clockwork (boring is best, as he likes to remind his team!). So when things go badly wrong on a job, Bryce suddenly finds himself way back down the ladder when it comes to landing quality bodyguard roles. Consequently, his expensive lifestyle takes a big hit and we join him 2 years down the line, unshaven and peeing into a bottle while sitting in his beat up car before heading into a job.

Meanwhile, Samuel L Jackson is Darius Kincaid, a hitman being escorted by Interpol from Manchester to testify in Holland at The Hague. The man he is testifying against is warlord Vladislav Dukhovich (Gary Oldman, suitably evil). A nasty piece of work determined to take out anyone with the potential to put him behind bars. So when the escort accompanying Kincaid takes a hit, it becomes clear that someone in Interpol has been leaking their route, and Bryce ends up landing the role of escorting Kincaid for the rest of his trip to The Netherlands. Turns out though that Bryce and Kincaid have history, with Kincaid nearly killing Bryce on 28 previous occasions, so their initial meeting doesn't go too well. Eventually the pair reach enough of an understanding so that they can head out on the road together, down through the English countryside. It's their constant bickering on this road trip that then provides a lot of the humour for the movie. Bryce is pretty particular when it comes to how smoothly these things should be handled, whereas Kincaid just likes to get things done and screw the consequences. The word 'motherfucker' gets used to great effect A LOT by Jackson (as Bryce puts it, “This guy single-handedly ruined the word ‘motherfucker’”) and Bryce continues to be frustrated and amazed at just how 'un-killable' Kincaid appears to be.

It's not very long before the bad guys are on their tail though, leading to a succession of more and more complex action sequences. These hit a real high when everyone reaches The Netherlands, with an exciting chase through the streets and canals of Amsterdam kicking things off nicely. The only complaint with this, and the rest of the action in the movie, is that there does appears to be a never ending supply of bad guys lining up to take them out. Just when you think we're down to the final few, another wave of vehicles appears, all full of weapon waving maniacs! I loved all of the action in the movie, but because of this it does constantly run the risk of seeming a little too dragged out. It's a very fine line.

Before I forget, a special mention to Salma Hayek who stars as the wife of Kincaid. Despite being locked in a cell for the entire movie, she gets more than her fair share of funny lines and action, mainly in flashbacks where we get to see just how much of a foul mouthed bad ass she really is. Taking no crap from anyone, she's brilliant.

Although there's nothing really here that hasn't been done before, it was the brilliant double act of Reynolds and Jackson that really made this worth seeing for me. That, along with the hugely entertaining action sequences. Judging by other reviews though, I think it's just my taste in these movies that's different from most others. I actually hated last years 'The Nice Guys', while everyone else seemed to love it so I guess I'm just going to be in the minority when it comes to this movie too!