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Suswatibasu (1703 KP) rated Loving (2016) in Movies
Nov 8, 2017 (Updated Nov 8, 2017)
Rather stunning, poignant film
What makes this beautiful story so wonderful is the fact that it crosses boundaries in an unpretentious way. Based on a true story, there were ample chances to go over the top. However, there is no civil rights action, or major protestations, as portrayed in some other Hollywood films, keeping court scenes to a minimum.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
The plot follows the real case Loving Vs. Virginia, in which a white man marries a black woman in the 1950's. At that time, interracial marriages were deemed illegal under segregation laws, and even the constitution. And in 1958, the couple were arrested after they secretly wed in Washington. They pleaded guilty and were forced to leave the state, banished for 25 years. But five years later, they return vowing to fight for their right to stay with each other, and now their three young children in the place which they call home.
The entire movie is quiet, and it is all conveyed through quite fantastic acting, subtle facial expressions, sounds, cinematography and minimal dialogue. The director makes the portrayal as accurate as possible - even posing scenes from real photographs posted in Life magazine at the time. And the tension from constantly keeping an eye out for authorities is palpable in Joel Edgerton's (Richard Loving) demeanour. It is a rare mainstream film that provokes frustration and rage without resorting to monologues or melodrama.
Sarah (7800 KP) rated The Greatest Showman (2017) in Movies
Dec 28, 2017
Music (1 more)
Hugh Jackman
Heartwarming with a fantastic soundtrack
I'll be honest and say that I'm a sucker for musicals, so it was pretty unlikely that I was ever not going to like this. And unsurprisingly, I did think it was really good.
It's a genuinely feel good and enjoyable film, with a fantastic soundtrack. The plot is interesting and they speed through the storyline instead of dwelling and trying to drag it out beyond the 2 hour mark. Hugh Jackman is probably one of the best and most loveable leading men in Hollywood and he puts on another fine show here. It's so entertaining to watch him sing and dance. It was refreshing too to see Zac Efron singing and dancing again since his High School Musical days.
Parts of the script and some scenes seem a little bit cheesy and cringeworthy, but fortunately the true star of this film is the music. All the songs were catchy and made me really want to sing along. They were that good that I have a feeling the soundtrack is going to be on repeat in my car now for quite some time to come.
I tend to rate films based on whether I'd go out and buy them, and I would definitely fork out some cash for this. Although it isn't the best musical I've ever seen, it's still hugely enjoyable with brilliant music.
It's a genuinely feel good and enjoyable film, with a fantastic soundtrack. The plot is interesting and they speed through the storyline instead of dwelling and trying to drag it out beyond the 2 hour mark. Hugh Jackman is probably one of the best and most loveable leading men in Hollywood and he puts on another fine show here. It's so entertaining to watch him sing and dance. It was refreshing too to see Zac Efron singing and dancing again since his High School Musical days.
Parts of the script and some scenes seem a little bit cheesy and cringeworthy, but fortunately the true star of this film is the music. All the songs were catchy and made me really want to sing along. They were that good that I have a feeling the soundtrack is going to be on repeat in my car now for quite some time to come.
I tend to rate films based on whether I'd go out and buy them, and I would definitely fork out some cash for this. Although it isn't the best musical I've ever seen, it's still hugely enjoyable with brilliant music.
Mark @ Carstairs Considers (2510 KP) rated Killer Thriller in Books
Mar 10, 2019
Ian and Margo are in for Another Thrill Ride
Bestselling author Ian Ludlow is heading to Hong Kong on business – promotion for a film based on one of his books and research for his next one – and Margo French is joining him as his research assistant. Neither of them realize that their arrival in Hong Kong has attracted the wrong kind of attention thanks again to one of Ian’s books. Will they recognize the danger they are in before it is too late?
I enjoyed this one just as much as the first in the series. There is plenty of humor as events progress, some coming from the circumstances and some coming from a skewering of Hollywood thanks to the movie Ian is there to help promote. I did feel some of the humor fell into the adolescent male category, which I didn’t always appreciate, but this isn’t something new for this author. Thanks to well done multiple viewpoint storytelling, we know the slow burn that is happening before Ian and Margo realize they’ve attracted the wrong attention, but once the book really takes off, it becomes impossible to put down. I love the fact that Ian is not a typical thriller hero since he is an overweight, middle age, writer. He and Margo are great main characters. If you are looking for a fun mix of humor and thrills, this is the book for you.
I enjoyed this one just as much as the first in the series. There is plenty of humor as events progress, some coming from the circumstances and some coming from a skewering of Hollywood thanks to the movie Ian is there to help promote. I did feel some of the humor fell into the adolescent male category, which I didn’t always appreciate, but this isn’t something new for this author. Thanks to well done multiple viewpoint storytelling, we know the slow burn that is happening before Ian and Margo realize they’ve attracted the wrong attention, but once the book really takes off, it becomes impossible to put down. I love the fact that Ian is not a typical thriller hero since he is an overweight, middle age, writer. He and Margo are great main characters. If you are looking for a fun mix of humor and thrills, this is the book for you.
Saul Sailing Snapper (211 KP) rated Bosch - Season 5 in TV
May 20, 2019
Cast are superb (1 more)
Taut thriller with many plot lines.
A slow burn but worth it.
Bosch season 5 is another slow burning police procedural following several cases being investigated by the LAPD West Hollywood Division.
Harry Bosch was created by Michael Connolly in a series of books and has been adapted very well for the small screen. Titus Welliver (Lost, Deadwood) is perfect in the lead role as the gifted detective who has a troubled past.
This series opens with Bosch having fallen on hard times. With ruffled hair, leg in a brace and a cane, he is ushered off a bus in a make shift camp in the desert. Shuffling in a line of desperate addicts he waits for his reward for a day's work, a dose of opioids. After a run in with another addict he is caught snooping around the camp by one of the guards. He is taken to the head kingpin who thinking he is spying on them puts one bullet in the gun found in Bosch's backpack and points it at his head about to pull the trigger...
This series is possibly one of the best crime/detective shows around at the moment. It's pace is deliberate and slow with detectives taking their time finding vital clues (or missing them) but cleverly working multiple plot lines throughout the entire 10 episodes.
Harry Bosch was created by Michael Connolly in a series of books and has been adapted very well for the small screen. Titus Welliver (Lost, Deadwood) is perfect in the lead role as the gifted detective who has a troubled past.
This series opens with Bosch having fallen on hard times. With ruffled hair, leg in a brace and a cane, he is ushered off a bus in a make shift camp in the desert. Shuffling in a line of desperate addicts he waits for his reward for a day's work, a dose of opioids. After a run in with another addict he is caught snooping around the camp by one of the guards. He is taken to the head kingpin who thinking he is spying on them puts one bullet in the gun found in Bosch's backpack and points it at his head about to pull the trigger...
This series is possibly one of the best crime/detective shows around at the moment. It's pace is deliberate and slow with detectives taking their time finding vital clues (or missing them) but cleverly working multiple plot lines throughout the entire 10 episodes.
Bong Mines Entertainment (15 KP) rated See the Stars - Single by Adrian Jean in Music
Jun 6, 2019
Adrian Jean is an up-and-coming LA-based singer-songwriter from Philadelphia. Not too long ago, he released an inspiring R&B tune, entitled, “See the Stars (Radio Edit)”.
Adrian Jean was homeless for two and a half years unbeknownst to his friends and colleagues. He lived in his automobile underneath the famed Hollywood sign and showered at a nearby gym.
His grandmother sensed that something was wrong and begged her grandson to come home to the East Coast. But Adrian was determined to stay in L.A. to fulfill his musical dream.
Therefore, he continued writing songs while sleeping in the backseat, staring down at the lights of Los Angeles. One of the songs that he wrote, entitled, “See The Stars”, found Adrian negotiating leaving home despite his grandmother’s disapproval.
‘See the Stars (Radio Edit)’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation flavored with contemporary R&B and urban-soul elements.
Adrian Jean has led a tumultuous life which has taken him from the poorest neighborhoods in Philadelphia to glamorous nightclubs, to homelessness, and redemption.
With an absent father and a mother who was more interested in drugs than raising her children, Adrian was forced to grow up very quickly.
By the age of 15, he was living on his own and working for a drug dealer. Later, he struggled with the pressures of being a bisexual man in a culture that didn’t accept such differences.
https://www.bongminesentertainment.com/adrian-jean-see-the-stars/
Adrian Jean was homeless for two and a half years unbeknownst to his friends and colleagues. He lived in his automobile underneath the famed Hollywood sign and showered at a nearby gym.
His grandmother sensed that something was wrong and begged her grandson to come home to the East Coast. But Adrian was determined to stay in L.A. to fulfill his musical dream.
Therefore, he continued writing songs while sleeping in the backseat, staring down at the lights of Los Angeles. One of the songs that he wrote, entitled, “See The Stars”, found Adrian negotiating leaving home despite his grandmother’s disapproval.
‘See the Stars (Radio Edit)’ contains a relatable storyline, ear-welcoming vocals, and vibey instrumentation flavored with contemporary R&B and urban-soul elements.
Adrian Jean has led a tumultuous life which has taken him from the poorest neighborhoods in Philadelphia to glamorous nightclubs, to homelessness, and redemption.
With an absent father and a mother who was more interested in drugs than raising her children, Adrian was forced to grow up very quickly.
By the age of 15, he was living on his own and working for a drug dealer. Later, he struggled with the pressures of being a bisexual man in a culture that didn’t accept such differences.
https://www.bongminesentertainment.com/adrian-jean-see-the-stars/
LeftSideCut (3776 KP) rated Jurassic World (2015) in Movies
Jun 7, 2019 (Updated Dec 4, 2019)
The thing that annoys me most about Jurassic World is how good it could have been. There was a long break between movies here - almost taking time to regroup a bit - and the trailers looked good enough.
Unfortunately, the finished product was underwhelming for me.
There's a lot of stupid going on throughout, but the movie takes itself too seriously to get away with it
(Especially the villains plot to take raptors and use them in Afghanistan - wtf)
The set up to the inevitable disaster is riddled with product placement, and an average script (and a weird sub plot about the two kids parents getting divorced), and then when all hell breaks loose, it just descends into Hollywood nonsense (the scenes with Chris Pratt riding alongside raptors on a motorbike is one of the many times I rolled my eyes), it's a far cry from the original.
Another thing - the main dinosaur threat comes in the shape of a super crazy lab created hybrid dinosaur, which just seems a little... unnecessary - just regular dinosaurs are pretty damn scary!
I like both Chris Pratt, and Bryce Dallas-Howard, unfortunately the chemistry between the two doesn't quite connect. The rest of the cast are fine, and mostly likable.
It's not an awful film by any means, it's just... Ok. I'm sure I'll find myself watching it again at some point, I guess I just wanted more!
Unfortunately, the finished product was underwhelming for me.
There's a lot of stupid going on throughout, but the movie takes itself too seriously to get away with it
(Especially the villains plot to take raptors and use them in Afghanistan - wtf)
The set up to the inevitable disaster is riddled with product placement, and an average script (and a weird sub plot about the two kids parents getting divorced), and then when all hell breaks loose, it just descends into Hollywood nonsense (the scenes with Chris Pratt riding alongside raptors on a motorbike is one of the many times I rolled my eyes), it's a far cry from the original.
Another thing - the main dinosaur threat comes in the shape of a super crazy lab created hybrid dinosaur, which just seems a little... unnecessary - just regular dinosaurs are pretty damn scary!
I like both Chris Pratt, and Bryce Dallas-Howard, unfortunately the chemistry between the two doesn't quite connect. The rest of the cast are fine, and mostly likable.
It's not an awful film by any means, it's just... Ok. I'm sure I'll find myself watching it again at some point, I guess I just wanted more!
FilmIntuition (33 KP) rated Lies You Never Told Me in Books
Jul 20, 2018
A tale of two narratives, in Lies You Never Told Me, debut novelist Jennifer Donaldson deftly flips back and forth between the first person points-of-view of high school students Gabe (in Austin) and Elyse (in Portland).
An addicting work of romantic suspense, although it opens with an air of mystery followed by the bang of a hit-and-run, the book slows down enough to carefully build the characters and effectively develop their alternating storylines to the point that – to the author's credit – there's no easily mistaking one for the other.
Nicely balancing the intrigue of a Gabe chapter with the drama of an Elyse (and vice versa), the book's pace quickens with each chapter to the point that I found myself nearly unable to put it down.
And despite the fact that I was able to piece together precisely how and why the two characters were connected roughly a quarter of the way into the novel, thanks to certain context clues, the book is so well written that I wasn't disappointed in the slightest. Of course, that being said, the less you know going in the better.
Reminiscent of a great character driven '80s thriller from the Hollywood heyday of Fatal Attraction, in spite of a slightly contrived climax, Lies You Never Told Me is a terrific stay up all night summer read you'll definitely want to recommend to a friend.
An addicting work of romantic suspense, although it opens with an air of mystery followed by the bang of a hit-and-run, the book slows down enough to carefully build the characters and effectively develop their alternating storylines to the point that – to the author's credit – there's no easily mistaking one for the other.
Nicely balancing the intrigue of a Gabe chapter with the drama of an Elyse (and vice versa), the book's pace quickens with each chapter to the point that I found myself nearly unable to put it down.
And despite the fact that I was able to piece together precisely how and why the two characters were connected roughly a quarter of the way into the novel, thanks to certain context clues, the book is so well written that I wasn't disappointed in the slightest. Of course, that being said, the less you know going in the better.
Reminiscent of a great character driven '80s thriller from the Hollywood heyday of Fatal Attraction, in spite of a slightly contrived climax, Lies You Never Told Me is a terrific stay up all night summer read you'll definitely want to recommend to a friend.
Sarah (7800 KP) rated Four Lions (2010) in Movies
Jan 4, 2019
Hilarious take on a serious subject
A comedy about terrorism isn’t something you’d think would ever be made, let alone be any good, but Four Lions takes this serious subject on brilliantly. I’m sure there are many people out there that will take offence, but when the film centres a group of bumbling totally inept terrorists, for me it was very difficult to not find it humorous when the characters are just so stupid. It’s absolutely hilarious, with some great quotes and one liners dotted throughout and also a lot of relevant cultural and locational based references. The references about Alton Towers cracked me up, and the quotes about rubber dinghy rapids has stayed with me ever since I first watched this years ago. I would be intrigued to know how this film is received by those who aren’t British, as I’m not sure a lot of these references would have quite the impact.
This isn’t to say the film isn’t serious at all, because it is. Focusing on the family of Omar brings a bleaker outlook and the ending actually makes you feel sorry for most of them, after everything. Riz Ahmed shines in this, he’s absolutely brilliant and it’s easy to see why he’s now moved over into Hollywood. The rest of the cast are good, Kayvan Novak especially, but it's Riz that stands out.
A fantastically funny British film that’s sure to have you laughing out loud.
This isn’t to say the film isn’t serious at all, because it is. Focusing on the family of Omar brings a bleaker outlook and the ending actually makes you feel sorry for most of them, after everything. Riz Ahmed shines in this, he’s absolutely brilliant and it’s easy to see why he’s now moved over into Hollywood. The rest of the cast are good, Kayvan Novak especially, but it's Riz that stands out.
A fantastically funny British film that’s sure to have you laughing out loud.
Sarah (7800 KP) rated Bird Box (2018) in Movies
Dec 28, 2018
Good but falls short
I’d heard mixed things about this, and Netflix made films are hit and miss at best, but this is actually quite good.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
It’s an intriguing premise and for the most part it’s executed fairly well. I liked that it focused not only on the present but also how the events first came about, telling the story as it unfolded, even if it doesn’t quite get as far as a real explanation. There are some obvious comparisons with this and A Quiet Place, and rightly so as despite focusing on different senses, you can see the similarities. It’s nice to see Sandra Bullock back in a starring role, and I especially loved the scenes with her and John Malkovich, they added a nice bit of humour to an otherwise serious story.
This is quite a slow film, and I feel that it could maybe have been cut a little shorter to give it a faster pace. I disliked the ending completely as it is far too Hollywood and yet still didn’t show us what exactly was going on. And why did Sandra Bullock have a full face of makeup on during the entire 5 year span of the film?! I think that annoyed me most of all.
It’s not a bad film and with a few tweaks it could have been much better. However if I had to choose between this and A Quiet Place, I’m afraid A Quiet Place would win hands down.
Bong Mines Entertainment (15 KP) rated Cult Classic by Fiona Grey in Music
Jun 21, 2019
Fiona Grey is an LA-based singer-songwriter from Chicago, Illinois. Not too long ago, she released a music video for her “Saviour” single featuring Emma Cole.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.
The Sean Berger-music video was choreographed by Kevin Stea (Madonna, Michael Jackson).
The visuals are an ode to Felini, Marie Antoinette, and the dark and dreamy black and white films of the ‘60s.
‘Saviour’ contains a relatable storyline, pleasing vocals, and charismatic instrumentation flavored with an indie-alternative aroma.
Also, the likable tune is featured on Fiona Grey’s latest EP, entitled, “Cult Classic”.
“Each song has its own identity and story it wants to tell.” – Fiona Grey
‘Cult Classic’ vocalizes cultural issues and expresses Fiona Grey’s vulnerability. Also, it highlights her anger towards the world we are living in and her desires for the world we are shaping.
Grammy Award-Winning Mike Schuppan (Paramore, M83, Ziggy Marley) produced the 6-track project. Also, Dave Cooley (Fitz & The Tantrums, Stone Temple Pilots) mastered it.
“There is a lot about living in a pop culture centered world that we deem as ‘normal behavior’. Also, I hope that the music can remind the listener that this follower-centric, alternate persona universe we live in is all temporary happiness.” – Fiona Grey
Fiona Grey draws inspiration from the world of Hollywood, it’s unrealistic expectations and the vices that people use as a form of escapism.
She hopes her music will help listeners aim to be the purest and honest versions of themselves.