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Pure Act: The Uncommon Life of Robert Lax
Book
The only biography to receive awards from both the Association of Catholic Publishers and the...
Moby recommended Station to Station by David Bowie in Music (curated)
Gareth von Kallenbach (980 KP) rated Antebellum (2020) in Movies
Sep 21, 2020
Janelle Monáe stars as Eden who at the start of the new film “Antebellum” is brought back to a Southern Plantation against her will by Union Soldiers. The consequences of her escape attempt are brutally taken out against two others as the rest of the plantation looks on in submissive silence.
Weeks later more slaves arrive and are given the rules by the brutal Overseer who demands silence and utter obedience at all times.
The slaves are made to work the fields and serve the plantation including the women being assigned to whichever soldier desires them.
Their plight grabs you from the start in its brutality as they have no rights, live in fear daily, and are subject to whatever whims those in charge desire and they are required to obey and suffer in silence.
One night after the General falls asleep after having his way with her; Eden awakens to a different reality. One set in the modern day where she is a wife, mother, and very successful author and activist. The film follows her life in the modern world before springing the twist which makes doing an in-depth review difficult without spoiling things. While I was able to predict the twist coming; it was still effective and chilling in how it was carried out.
The film does get a bit lax in the final act as it relies on too many Hollywood clichés which while highly entertaining for me undermined the messages of the film and the situation.
Gerard Bush and Christopher Rend both wrote and directed the film and there are some powerful and highly gripping moments to the film but it grabs you from the start and is compelling and deeply disturbing.
The cast is very strong and the film is unforgettable. My biggest issue with the film was the final act as I alluded to prior. The film tries to tie things up a bit too neatly yet fails to adequately explain key aspects of the story. The audience is given some information and forced to fill in the gaps for themselves which in many ways makes the film even more disturbing.
In the time of deep division in our country it is very upsetting to see how little has changed for many who do not see equality and justice applied equally and still live day to day with fear and uncertainty.
“Antebellum” is the rare film that entertains, informs, and makes you think and will remain with you after the movie ends.
4 stars out of 5
Weeks later more slaves arrive and are given the rules by the brutal Overseer who demands silence and utter obedience at all times.
The slaves are made to work the fields and serve the plantation including the women being assigned to whichever soldier desires them.
Their plight grabs you from the start in its brutality as they have no rights, live in fear daily, and are subject to whatever whims those in charge desire and they are required to obey and suffer in silence.
One night after the General falls asleep after having his way with her; Eden awakens to a different reality. One set in the modern day where she is a wife, mother, and very successful author and activist. The film follows her life in the modern world before springing the twist which makes doing an in-depth review difficult without spoiling things. While I was able to predict the twist coming; it was still effective and chilling in how it was carried out.
The film does get a bit lax in the final act as it relies on too many Hollywood clichés which while highly entertaining for me undermined the messages of the film and the situation.
Gerard Bush and Christopher Rend both wrote and directed the film and there are some powerful and highly gripping moments to the film but it grabs you from the start and is compelling and deeply disturbing.
The cast is very strong and the film is unforgettable. My biggest issue with the film was the final act as I alluded to prior. The film tries to tie things up a bit too neatly yet fails to adequately explain key aspects of the story. The audience is given some information and forced to fill in the gaps for themselves which in many ways makes the film even more disturbing.
In the time of deep division in our country it is very upsetting to see how little has changed for many who do not see equality and justice applied equally and still live day to day with fear and uncertainty.
“Antebellum” is the rare film that entertains, informs, and makes you think and will remain with you after the movie ends.
4 stars out of 5
DSLR Slate
Photo & Video and Utilities
App
DSLR Slate is the perfect companion for the DSLR Filmmaker. As a Universal App, DSLR Slate runs...
Love and Hip Hop The Game
Games
App
Join the empire of young, hot rappers all hungry for success in Love and Hip Hop. As an aspiring...
7TV - Mediathek, TV Livestream
Entertainment and Lifestyle
App
Eine App – das volle Programm. Mediathek & Livestream. Top Serien, starke Shows und Ihre ...
Endeavor (Voyagers #4)
9.0
Rate It
Book
Jared: Challenging the status quo in Hollywood doesn’t make me the most popular director in...
Contemporary MMM Romance
Kris Karcher (10 KP) rated Nashville (1975) in Movies
Jan 11, 2018
A landmark film
Nashville is a very difficult film to pin down. It refuses to be pigeonholed into a genre. (IMDB has it listed as a comedy, Google as Drama/Political Drama, and Wikipedia labels the film a Musical Comedy-Drama. In my opinion, Nashville is all of those things and maybe some more. It would be more beneficial to talk about Nashville, not in terms of how similar it is to any other film, but instead, explore how it is unique and entirely different from almost everything that came before it. Robert Altman attempted to subvert audience expectations in ways never before seen in Hollywood. Where most films try and limit the number of main characters the audience has to follow, Altman instead chose to populate his country music narrative with over 20 different protagonists. Each of these protagonists has their own story to tell and all of these stories are only loosely connected together. This may sound familiar to contemporary audiences who have seen films like Crash, Babel, and Magnolia fresh on their minds, but to a 1975 audience, this was all but unheard of. Altman furthers this sense of chaos by constantly overlapping dialogue tracks throughout the film. This tactic forces viewers to engage more closely to what they can hear during the scenes because it’s not always obvious what you should be listening to. Sometimes that choice is even quite subjective as in most cases there is no clear plot line that stands out as primary. One of the joys of this film comes from the choice you have as a spectator to focus on whatever interests you most. To a certain extent, this film lends itself to multiple viewings that could produce slightly different results each time. Something that might have slipped your attention the first time might stand out upon repeated viewings and that has the possibility to add to the story in interesting and unique ways. In dealing with over 20 characters Altman runs the risk of underdeveloped characters and unsatisfying conclusions to their stories. Not everyone has a satisfying payoff but some characters will surprise you during the final few scenes. Henry Gibson’s Haven rises above what was previously a one-note character of a person and responds to the climax in a surprisingly moving way. All in all, Nashville is an important piece of American cinema history. It may not be everyone’s cup of tea so it’s best to temper your expectations going into a viewing, but if you can keep your eyes and ears intently listening for the full two and a half hour film you will not be disappointed in the humanity you spot in each of these stories. This is a film that rewards an invested viewing.
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/