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JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
Kristy H (1252 KP) rated Twenty-One Truths About Love in Books
Mar 19, 2020
Dan Mayrock is an obsessive list maker who has quit his job as a teacher and opened a bookstore. But now he's in financial trouble and afraid to tell his wife, Jill. Jill was previously married and Dan feels he can never quite live up to Jill's late husband. And then, Jill gets pregnant. Now Dan feels even more pressure to be the best he can be for Jill.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
The shtick of this book is that it's told entirely in list form. No dialogue, no narrative, nothing. Just lists. It did wear a little thin at times, but it was an interesting way to learn about someone's life. You learn about Dan's finances, feelings, and amazingly, a lot about his past.
For me, what really got me about this book is that I just couldn't warm to Dan. I think most people find this book heartwarming and cute, but I found him--and it--annoying and whiny. He doesn't want to tell his wife about his financial problems with the store, so he concocts some ridiculous scheme to "help" the family instead. It was just too much for me. Man up, tell your wife, and take responsibility for your actions. I didn't find it cute, and if I was his wife, I would have kicked him to the curb.
It's a shame, because a lot of the book was filled with really funny and spot-on observations about life. I especially loved Dan's ruminations on teaching and meetings. They were incredibly true to life. There are a lot of humorous and touching moments in this book, but I could never really push past the fact that he was a spineless liar.
"'Let's start off with an icebreaker' are words no human being has ever wanted to hear."
Overall, I enjoyed pieces of this book, but found myself skimming others. I liked the idea of it, but could never warm to Dan and since the whole book was his lists and life, it was hard to enjoy without liking him. I need a book from the POV of his older Bingo buddy, Bill. Now he was a cool dude.
Gareth von Kallenbach (980 KP) rated The Overnight (2015) in Movies
Aug 6, 2019
In the mood for a quickie? Patrick Brice’s “The Overnight” is just that – a short in length, long in substance cinematic romp.
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
The film follows a laid back, somewhat boring Seattle couple, Alex (Adam Scott) and Emily (Taylor Schilling), who have just relocated to LA. As young parents they seem to be doing everything the “normal” way. They work hard, dote on their little boy, and their love life is rushed.
One afternoon while taking their son to the park, they have a chance meeting with, Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche), an eccentric LA couple who have a son about the same age.
The two couples decide to get together again for a play date at Kurt and Charlotte’s house. Once the kids are put to bed by Kurt’s unique method of melodic keyboard playing, the adults decide to have a play date of their own.
At first the film seems to center on the mundane expectation of how life should be. A strategic starting point for the plot, as it develops into a raw and titillating experience.
Increasingly throughout the evening their blood alcohol levels rise and inhibitions wane, until the night turns into somewhat of a kinky party. Far from smooth and seductive, the interplay between the characters is uncomfortable and ridiculously funny.
The comedic style is unabashedly salacious. For example, at one point Kurt shares his unique paintings. They are the type one would expect to find somewhere like LA’s art scene. If you stare long enough into one, you realize they are all portraits of anuses – beautiful, colorful ass portraits.
The short length of the film in combination with a quick witted comedic style makes for a great date movie. It is both sensual and awkward, much like first dates can be. It will be an effective ice breaker, because it is sure to be the most awkward thing occurring in that moment.
People tend to lock themselves into boundaries which may not serve their best interest, simply because they believe that is how society works. This film pushes & explores those boundaries in a brilliantly humorous way without turning into a cheesy romantic comedy.
I give “The Overnight” 4.5 out of 5 stars
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